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Michael Aldridge Movies

On-stage from 1939, when he appeared in the Old Vic production of French Without Tears, Michael Aldridge carved out a niche for himself in light, aristocratic comedy roles. His first film appearance was in the otherwise unremarkable Bank Holiday Luck (1947). Orson Welles aficionados will remember Aldridge's work as the cadaverous Pistol in Chimes at Midnight (1967). As busy on British television as he was elsewhere, Michael Aldridge starred or co-starred in such series as The Man in Room 17 (1965-1966), Love for Lydia (1977), Charlie (1984), Charters and Caldicott (1985), and Last of the Summer Wine (1985-1989); he also appeared as the C.S. Lewis-like professor in the 1988 TV production of Lewis' The Lion, the Witch, and the Wardrobe. ~ Hal Erickson, Rovi
1989  
 
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Countdown to War is a unique docudrama featuring actual private papers and diaries of the major players of World War II. Actor Ian McKellen portrays Hitler using recreated dialogue taken from the man himself. Behind-the-scenes events that predated the war are presented. Authentic meetings and debates give a sense of realism to the program. Alex Norton stars as Stalin, Michael Aldridge as Neville Chamberlain, Peter Vaughan as Hermann Göring, and Barrie Rutter enacts Mussolini. As the war looms, the decision-makers struggle to position themselves among the powerful. The result is a never-before-seen viewpoint that tells the real reasons behind the global confrontation. ~ Sarah Ing, Rovi

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Starring:
Ian McKellen
 
1986  
PG13  
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Madonna and Sean Penn, who were husband and wife at the time, starred in this notorious box-office bomb that one critic termed "Flop Suey." The film takes place in 1937, during the Japanese occupation of China. Drug runner Walter Faraday (Paul Freeman) is trying to leave the country with a large stash of opium but he is chased by armed guards and killed. A year passes and missionary Gloria Tatlock (Madonna) hires sleazy American con man Glendon Wasey (Sean Penn) to help her find the missing opium. She wants to use the drugs to relieve the suffering of wounded Chinese soldiers -- as she puts it, "Guns cause pain. Opium eases pain." Glendon reluctantly agrees. But unfortunately for the two do-gooders, there are other, more notorious seekers of the opium shipment as well. George Harrison, one of the film's producers, wrote the songs and appears in a cameo role as a nightclub singer. ~ Paul Brenner, Rovi

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Starring:
Sean PennMadonna, (more)
 
1986  
PG  
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John Cleese's knack for mining hilarity from the growing frustration of a dignified gentleman is fully exploited in the British comedy Clockwise. Cleese portrays Brian Stimpson, a perfectionist English headmaster who has been selected to make an important presentation before a group of his peers. When Stimpson sets out upon his journey, however, he finds himself facing a seemingly never-ending series of delays and inconveniences, which range from missing a train to becoming a fugitive from the police. The film goes no deeper than its farcical surface, but is nevertheless consistently entertaining, thanks to former Monty Python member Cleese's precisely tuned transitions from composure to complete collapse. ~ Judd Blaise, Rovi

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Starring:
John CleeseAlison Steadman, (more)
 
1985  
 
The story in this two-part TV biopic was probably "untold" mainly because it was untrue. According to the revisionist script by Stirling Silliphant, Italian dictator Benito Mussolini (overplayed by George C. Scott) may have been a fascist, a tyrant, a mass murderer and an intimate of Adolf Hitler, but he also had his warm and fuzzy side. This was manifested in his genuine love for his gorgeous mistress Clara Petacci (Virginia Madsen), whose devotion to Il Duce was equally strong, so much so that she willingly went to her death along with him when the Axis collapsed and the ex-dictator was summarily shot. Despite his extramarital shenanigans, Mussolini had plenty of affection left over for his long-suffering wife Rachel (Lee Grant) and his children. With a cast comprised largely of non-Italians (notably the aggressively Irish Gabriel Byrne as Mussolini's son Vittorio), this epic had more phony dialects than a Marx Bros. picture. Despite its distant relation to the facts and its flaccid treatment of one of history's darkest periods, Mussolini: The Untold Story (filmed not in Italy but in Yugoslavia) garnered respectable ratings when it was originally telecast by NBC on November 24 and 26, 1985--and also earned a brace of Emmy award nominations. ~ Hal Erickson, Rovi

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Starring:
George C. ScottLee Grant, (more)
 
1985  
PG  
Adapted by Harold Pinter from the novel by Russell Hoban, Turtle Diary stars Glenda Jackson as Neaera Duncan, a famed author/illustrator of children's books. In the midst of her success, Duncan suffers from writer's block. While casting about for new ideas, she makes several visits to the turtle tank at the local aquarium, where she becomes acquainted with shy bookstore clerk William Snow (Ben Kingsley). From this point on, nothing is in the least predictable. What can one say that's sensible about a plotline that climaxes with a turtle hijacking? Screenwriter Pinter has a cameo role as "Man in Bookshop." Turtle Diary was the maiden effort of United British Artists, a consortium consisting of Glenda Jackson, Harold Pinter, and producer Richard Johnson (who also appears in the film). ~ Hal Erickson, Rovi

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Starring:
Glenda JacksonBen Kingsley, (more)
 
1984  
 
A benefit play put on by the Law Moan Spectacular comedy troupe is featured in this film. ~ Rovi

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1983  
PG  
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Plot is a secondary consideration in this partially successful, partially failed take-off on the Bulldog Drummond series of the 1930s. "Bullshot" Crummond (Alan Shearman) is a square-jawed hero of World War I who longs to face off against his German arch-nemesis Count Otto von Bruno (Ron House) one more time. He gets his chance when he must save Rosemary Fenton (Diz White), a damsel in distress -- her father made a top-secret discovery before he died and Count von Bruno wants that secret for himself, no matter what happens to the good Rosemary. As the hijinks unfold inside the requisite Sinister Mansion (Bullshot fights a giant octopus and leaps onto a plane in mid-air as the action reaches a crescendo), caricature, and zany anarchy provide the humor. ~ Eleanor Mannikka, Rovi

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Starring:
Alan ShearmanDiz White, (more)
 
1981  
 
The four-part British miniseries Wilfred and Eileen starred Christopher Guard and Judi Bowker as the title characters. Set during WWI, the story charted the course of true love, which for hero and heroine did not run smoothly. The series was successful in its efforts to put a human face on the tragic travesty known as war. Wilfred and Eileen originally aired in 1981. ~ Hal Erickson, Rovi

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Starring:
Michael Aldridge
 
1979  
 
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Adapted from the novel by H.E. Bates, the British miniseries Love for Lydia featured Mel Martin in the title role. A young and giddy heiress, Lydia spent the better part of the 1930s holding several eligible bachelors in her thrall. Meanwhile, long-suffering Edward Richardson (Christopher Blake), convinced that he'd be the heroine's one true love if only given the chance, stood quietly on the sidelines as the impulsive Lydia toyed with the emotions of his rivals. The 13 hour-long episodes of Love for Lydia were originally aired over London Weekend Television in 1977, then telecast in America as part of PBS' Masterpiece Theatre anthology beginning September 23, 1979. ~ Hal Erickson, Rovi

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Starring:
Mel MartinJeremy Irons, (more)
 
1979  
 
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Living a premature and somewhat humbling retirement, elderly British spy George Smiley (Alec Guinness) is abruptly resurrected by his former boss Lacon (Anthony Bate) with an ultra-secret mission: find the double agent in the ranks of the British Secret Service. Is it the pompous head of service, Percy Alleline (Michael Aldridge)? The blowsy Bland (Terence Rigby)? The shifty Toby Esterhase (Bernard Hepdon)? Or perhaps the urbane Bill Haydon (Ian Richardson)? Pushed into retirement by a scandal caused by the now-deceased head of service, Control (Alexander Knox), and because he suspected that there was a spy, Smiley journeys through the labyrinthine world of the British spy service layer by layer as he hunts the mole controlled by the mysterious Russian spymaster Karla (Patrick Stewart). Taken from a best-selling novel by internationally famed novelist John Le Carré, this nearly five-hour miniseries was first broadcast by the BBC. The story is loosely based on the infamous Kim Philby spy scandal of the early '60s. ~ Nick Sambides, Jr., Rovi

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Starring:
Alec GuinnessMichael Aldridge, (more)
 
1972  
 
This English comedy is based on a short play by Peter Shaffer (better known for Equus). Belinda is a free-spirited American woman married to a stuffy English rolled-umbrella man. When he leaves for work each day, she leaves their London apartment too. She says she's just sightseeing, but he doesn't believe her. He hires a private eye (Chaim Topol) to follow her around and find the "other man" in her life. What she said was true, however, and the private eye becomes her traveling companion. He tells his employer that she was telling the truth, but he doesn't believe him. At that point, the detective admits to being the "other man," complicating things thoroughly. ~ Clarke Fountain, Rovi

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1971  
 
Originally broadcast by the BBC on January 9, 1971, this adaptation of Jane Austen's beloved tale recounts the events that unfold when Elinor & Marianne Dashwood discover that they may soon be sharing their Norland home with their mother's stepson and his wife. ~ Jason Buchanan, Rovi

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1966  
 
The legendary Shakespearean character Sir John Falstaff, the notoriously drunken, obese, and yet charming companion of the young Henry V, steps up from supporting character in several plays to the central focus of Orson Welles' Chimes at Midnight, considered by many critics the best of the director's acclaimed Shakespeare films. The script borrows scenes from several plays, but draws most heavily on the two parts of Henry IV, focusing on the shifting relationship between Falstaff and Prince Hal. Beginning as the prince's companion in debauchery and idleness, the corpulent jokester finds himself falling out of favor as the prince comes to terms with the importance of his destiny as England's future leader. While Falstaff's ample wit is still much in evidence, the film places greater emphasis on the tragic character beneath all the joviality, with Welles perfectly embodying this mixture of spiritually youthful prankster and sad adult. While his towering performance naturally takes center stage, the other cast members are also superb. The film's visual elements are also strong, with Welles' attention to composition matching his sensitivity to character. There are technical imperfections due to the film's extremely limited budget, including an inconsistent soundtrack, but they are unable to overshadow the film's many achievements. ~ Judd Blaise, Rovi

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Starring:
Orson WellesJohn Gielgud, (more)
 
1962  
 
Religion and medical ethics clash in this provocative drama that tells the story of a man prosecuted by the system because he refused to grant his dying daughter badly needed blood transfusions because he had faith that God would miraculously heal her. Unfortunately, the girl dies and now, in addition to dealing with the courts, angry doctors and an embittered wife (who had finally caved-in and signed the papers too late), he must also wrestle with his own conflicting feelings. ~ Tana Hobart, Rovi

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Starring:
Michael CraigPatrick McGoohan, (more)
 
1956  
 
This 69-minute "docudrama" was based on The Shetland Bus, a novel by David Howarth. The film recounts the daring exploits of a group of Norwegian patriots, operating under the aegis of the British Navy in the Shetland Islands during WW II. In the dead of winter, these hardy souls regularly crossed the North Sea in flimsy fishing boats, the better to provide arms and supplies to the Norwegian underground. Most of the "actors" in this film were the actual participants in this dangerous mission. Surprisingly, this most unusual wartime drama has been dismissed as "standard" and "predictable" by some observers. ~ Hal Erickson, Rovi

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Starring:
Leif LarsenMichael Aldridge, (more)
 
1952  
 
T.S. Eliot's readers-theatre verse piece Murder in the Cathedral was never truly designed to be a fully staged play, but try telling that to the many amateur groups who've produced it in the past five decades. This 1952 film adaptation valiantly attempts to open up the piece to full cinematic effect, but the budget and resources are too skimpy, and the semi-professional actors too uneasy before the cameras. The play recounts the love-hate relationship between 12th century British monarch Henry II and Archbishop of Canterbury Thomas a Becket. In a careless moment, Henry moans to his minions that he'd like to be rid of Becket; they take him at his word. Murder in the Cathedral is no better or worse than a junior-college pageant; the story is given fuller, superior treatment in the 1964 costumer Becket. ~ Hal Erickson, Rovi

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Starring:
Fr. John GroserAlexander Gauge, (more)
 
1948  
 
This sci-fi adventure was originally aimed at younger audiences. It tells the story of a young woman who falls from a horse frightened by a gunshot and is assisted by two clever brothers who begin investigating and discover that the girl's father is being chased by crooks after his innovative ray gun. Later the girl and her father are kidnapped and stashed in a secret subterranean hideout. To save her, the brothers get help from a G-man and together they see that justice is done. ~ Sandra Brennan, Rovi

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