Roger Allers Movies

A domesticated grizzly bear finds that there's more to life than being the star attraction of a mountain town nature show when a fast-talking mule deer offers him a crash course in woodland living in Sony Pictures Animation's first full-length animated feature. Raised by kindly park ranger Beth (Debra Messing) since he was a just a cub, 900-pound grizzly Boog (Martin Lawrence) is content to spend his days entertaining Timberline tourists and his nights nestled safely in Beth's luxurious garage. Boog's life is about to get much more complicated, however, when paranoid hunter Shaw (Gary Sinese) returns from a recent foray in the woods with a frightened, one-horn mule deer named Elliot strapped trophy-like to the hood of his truck. Though at first reluctant to answer Elliot's desperate cries for help, gentle giant Boog eventually frees the thankful creature, who in turn decides to teach his hulking friend what it truly means to be free. Subsequently tranquilized and relocated into the wilderness after momentarily reverting to his true animalistic nature, Boog is forced to team with seasoned forest-dweller Elliot in order to find their way out of the woods before hunting season starts and Shaw comes gunning for all creatures great and small. Things are different in the woods than they were back in the safe confines of park ranger Beth's garage, though, and in order to find their way back to Timberline, Boog and Elliot are going to have to rely on the kindness of their fellow creatures, a rowdy and unruly bunch that includes an army of Scottish squirrels led by rogue critter McSquizzy (Billy Connolly), and a productive beaver construction team whose foreman, Reilly (Jon Faverau), is more than willing to lend a helping tail. With hunting season now upon them and time running out as the hunters close in, the unlikely duo of bear and mule deer put their new life lessons to good use by turning the tables on the gun-toting gamesmen, and once again making the woods safe for the furry critters who call the forest home. ~ Jason Buchanan, Rovi

A ruler learns how the other half lives -- the animal half, that is -- in this animated comedy-adventure from the Walt Disney Studios. Kuzco (voice of David Spade) is the young emperor of an Inca nation who takes a self-centered joy in the troubles of others. Not surprisingly, Kuzco's attitudes have earned the enmity of many of his subjects, including Yzma (voice of Eartha Kitt), a sorceress who wants to seize power away from the emperor after he relieved her of her royal duties, declaring she was too old and unattractive to do the job. Yzma and her musclebound assistant Kronk (voice of Patrick Warburton) hatch a plan to poison Kuzco and take the throne, but thanks to a mistake on Kronk's part, Kuzco isn't killed -- he's instead turned into a talking llama. Kronk can't bring himself to kill the llama, and instead sends the former emperor into the jungle to fend for himself. Kuzco doesn't do too well as a llama until he runs into Pacha (voice of John Goodman), a poor farmer whose property Kuzco once planned to take over for a vacation home. Soft-hearted Pacha agrees to help the emperor-turned-llama find his way back home where, hopefully, another sorcerer can reverse the spell, but once they hit the road, they discover Yzma and Kronk are looking for them, with Yzma determined to finish the assassination she started. Pop star Sting composed several original songs for The Emperor's New Groove, which during its long and troubled production had previously been announced as Kingdom in the Sun and Kingdom of the Sun. ~ Mark Deming, Rovi

Beauty and the Beast is widely considered the best animated Disney feature of the studio's 1980s/1990s renewal of the form. Based on the classic French fairy tale, it tells the story of Belle (voiced by Paige O'Hara), an intelligent young woman scorned by her townspeople for being a bookworm, weary of fighting off the advances of the arrogant Gaston (Richard White), and dreaming of escape. When her father gets lost in the woods and captured by the forbidding Beast (Robby Benson), a once-handsome prince turned into a monster by a witch, Belle goes off to rescue him. Taken with her, the Beast agrees to release Belle's father if she agrees to stay with him forever. Initially repulsed, Belle soon finds much to appreciate in the Beast's hidden, tender nature. The Beast's servants -- a clock (David Ogden Stiers), a teapot (Angela Lansbury), and a candlestick (Jerry Orbach) -- see Belle as their salvation: if the Beast and a woman fall in love before his 21st birthday, he will be free from the curse. The songs are first-class, the tale is told with sincerity but not sentimentality, and the characters of Belle and the Beast, complex individuals who defy stereotyping and change over the course of the story, are more three-dimensional than in most live-action movies. The eye-popping animation is beautifully rendered, and Beauty and the Beast certainly deserves its place amongst Disney's animated classics. In 2002, a special 89-minute edition of the film was released in IMAX theaters with the addition of a newly animated song, ""Human Again."" ~ Don Kaye, Rovi

One of the better-known of the many half-hour TV cartoon specials of the 1980s, Animalympics: Winter Games is distinguished as much by its stellar voice cast as by the wit of the script. The story is built around the occasion of the first Animalia Olympic Winter Games, with a wide assortment of humanized animals (who look and sound a lot like current celebrities) participating. Among the contestants is a figure-skating ostrich, a slalom-racing daschhund, and a hockey-playing bull. Every one of the athletic events depicted herein is based on a popular song, TV show, commercial or some other pop-culture reference--a fact that, happily, hardly dates the special at all. Animalympics: Winter Games first aired February 1, 1980, on NBC. ~ Hal Erickson, Rovi