Tanya Boyd Movies
Comedian Pierre wrote, produced, directed, and starred in this urban comedy about a man who gets a fortune the easy way, but isn't sure how (or if) he should hold on to it. Dre Mitchell (Pierre) is a regular guy living in South Central Los Angeles; Dre is out of a job, and money has been tight for him recently. After the robbery of an armored car, thieves on the run from the cops stash 25,000 dollars in cash in Dre's backyard, and when Dre finds it, he's not sure if he should run out and spend his new fortune, or turn it in. Meanwhile, word spreads like wildfire through the neighborhood that Dre has come into some big money, and everyone he knows starts hitting him up for a few grand; normally, he isn't that interested in sharing the wealth, but when sultry Tasha (Sacha Kemp) is doing the asking, it's a lot harder to say no. For Da Love of Money marked Pierre's debut as a writer and director; the supporting cast includes Reynaldo Rey, Tanya Boyd, and a cameo from ventriloquist Willie Tyler and his wooden sidekick, Lester. ~ Mark Deming, Rovi
Defying the wishes of her policeman father (guest star Richard Roundtree), Kim (Charnele Brown) attends the Freaknic music festival--only to be caught in the act when dear old dad shows up for the Hillman homecoming celebration. Kim is outraged by her father's strictness, but Whitley (Jasmine Guy) is curiously unsympathetic to her plight. Meanwhile, the phrase "four's a crowd" takes on a whole new meaning when Dwayne (Kadeem Hardison) and Ron (Darryl M. Bell) bring their respective dates home on the same night. ~ Hal Erickson, Rovi

- 1986
- R
- Add Jo Jo Dancer, Your Life Is Calling to QueueAdd Jo Jo Dancer, Your Life Is Calling to top of Queue
Popular African-American comedian Jo Jo Dancer is severely burned while free-basing cocaine. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. While hovering between life and death, Dancer flashes back to his childhood, when he grew up in a brothel. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. Dancer decides to become a comic, but has a great many difficulties rising to stardom until he begins making scatological comments about race relations. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. As he rises to fame, Jo Jo has problems controlling his drug addiction and womanizing. Producer/director/writer Richard Pryor insists.....Well, you've caught on by now. If one were able to excise the excruciatingly boring "introspection" scene, Jo Jo Dancer, Your Life is Calling would stand as an excellent testimonial to Richard Pryor's cutting-edge comic brilliance. ~ Hal Erickson, Rovi
- Starring:
- Richard Pryor, Debbie Allen, (more)
A broadly farcical comedy that attempts to ape the wickedly funny, Bible-spoofing humor of the previous year's Monty Python's Life of Brian (1979), this all-star rib-tickler top-lines Dudley Moore as Herschel, a historical also-ran whose life so closely parallels that of Moses that Herschel begins believing that he, not the other guy, is God's chosen prophet, setting out to free his people from slavery even though his services are not required. Herschel's travels are always a step or two behind Moses and bring him into the company of various period personnel, including Egypt's Pharoah (Richard Pryor), the Devil (John Ritter), an angel (Paul Sand), and the beautiful Zerelda (Laraine Newman). He also discovers that his slave, Hyssop (James Coco), is actually his biological father. Herschel eventually becomes the subject of the lost "Book of Herschel," recounted in a scroll discovered by a modern-day couple (also played by Moore and Newman) vacationing in the Holy Land. Wholly Moses (1980) co-stars several other recognizable actors in supporting roles, including John Houseman, Madeline Kahn, and Jack Gilford. ~ Karl Williams, Rovi
- Starring:
- Dudley Moore, Laraine Newman, (more)
Not realizing that his new assistant, Val (Tanya Boyd), is his boss' daughter, J.J. (Jimmie Walker) puts on the usual amorous moves. Eventually, J.J. learns the truth -- and not long afterward he receives a promotion at the art agency. Is it remotely possible that J.J. is currying romantic favor with Val only to advance himself professionally? ~ Hal Erickson, Rovi
Greydon Clark has mined almost every exploitation genre from horror (Satan's Cheerleaders) to T&A (Joysticks) to lambada (The Forbidden Dance). Here, he turns his attention to blaxploitation, transforming the mainstream comedy Shampoo into a story about a black playboy (John Daniels) who is both a hairdresser and a skilled fighter. Daniels battles gangsters in brutal fight scenes involving chainsaws and pool-cue impalements. If that isn't enough, the requisite sex, torture, and homophobia are brought in as well. Clark's previous genre foray, The Bad Bunch, had been released to several theaters as Nigger Lover, which should give some clue as to the mentality at work. The director returned to racial themes in 1989 with Skinheads: The Second Coming of Hate. ~ Robert Firsching, Rovi
- Starring:
- John R. Daniels, Tanya Boyd, (more)
Although Spalding Gray would probably like to forget this first of three sequels to Ilsa, She-Wolf of the S.S., he does indeed appear as the mad oil baron El Sharif. The sadistic Ilsa (Dyanne Thorne) is in charge of his elite harem guard and struts about with two topless Amazon guards, Satin (Tanya Boyd) and Velvet (Marilyn Joi), who do things like ripping off men's testicles with their bare hands. Don Edmonds' film is a real freakshow, as Ilsa fattens up a huge fertility goddess and trades in white slavery while devising her usual clever tortures. Highlights include an exploding dildo and a head-cage in which a hungry rat is trapped against the victim's face. Subplots deal with the Sheik's son (Bobby Woods), who is kept feral in a dark pit to keep him from claiming the throne, and the usual blond American stud (Michael Thayer) whom Ilsa cannot resist. Despite its smarmy sleaze and gory special effects by Joe Blasco, this is a gorgeous-looking film, with the sort of expansive photography and flamboyant action one might expect from a desert epic costing ten times as much. Although its predecessor and Jesus Franco's follow-up Greta, Haus Ohne Maenner (1977) are more notorious, this is the best and most entertaining film of the series. Cult actors Ivan Rassimov, Sharon Kelly, and Uschi Digart also appear. ~ Robert Firsching, Rovi
- Starring:
- Dyanne Thorne, Michael Thayer, (more)









