Jay Presson Allen Movies
Screenwriter and playwright Jay Presson Allen was something of a late-bloomer, but quickly established one of the most successful and enduring writing careers in the movie business. Serving her creative apprenticeship in live television, Jay Presson Allen penned her first film script, Wives and Lovers, in 1963, though most chroniclers prefer to list her multifaceted screenplay for Hitchcock's Marnie (1964) as her inaugural movie effort. She scored her biggest success in 1966, when she adapted Muriel Spark's novel The Prime of Miss Jean Brodie for the stage; three years later, her screenplay adaptation of the same property won her an Academy Award nomination. Her subsequent Broadway efforts have included 40 Carats and Tru, while her screen credits have embraced such projects as Cabaret (1972), Funny Lady (1975) and Just Tell Me What You Want (1980, from her own novel). Allen returned to television in the late seventies as creator of the critically-acclaimed series Family (1976-80), starring Sada Thompson, James Broderick, eredith Baxter-Birney, Gary Frank, and Kristy McNichol. She served as executive producer for It's My Turn (1980), Prince of the City (1981), Deathtrap (1982) and The Morning After (the last three of which were all partnerships with longtime collaborator Sidney Lumet) and remained incredibly active into the nineties, when she turned out no less than four produced screenplays: The Prince of Tides, Year of the Gun, Lord of the Flies, and The Cemetery Club (though, in the case of Flies, she vehemently disliked the finished product and insisted that her name be removed from the credits). Allen spent her last thirteen years in semi-retirement, and died of a stroke on May 1, 2006, in Manhattan. She was eighty-four. ~ Hal Erickson, All Movie Guide
Based on Vito Russo's groundbreaking 1981 work of film history, The Celluloid Closet gathers clips from dozens of mainstream Hollywood films to illustrate how the movies have dealt explicitly -- and more importantly, implicitly -- with gay and lesbian themes. Layered between the clips are interviews with filmmakers whose works have touched on that subject. The popular films of the Golden Age could only hint at homosexuality and often portrayed gays as simpering characters, objects of scorn or merriment, or insidious villains. With the strictures of the old Production Code loosening, bolder presentations were possible, but often over the objections of studio executives who feared a public backlash against a film that dealt with a long taboo subject. Among the films discussed are Philadelphia, The Children's Hour, Making Love, Rope, and Spartacus. Gore Vidal, Tom Hanks, Susan Sarandon, and director John Schlesinger are among the film's strongest interview subjects. ~ Tom Wiener, All Movie Guide
Based on the play by Ivan Menchell, this drama concerns three friends, Doris (Olympia Dukakis), Lucille (Diane Ladd), and Esther (Ellen Burstyn). All three live in the same Jewish community in Pittsburgh, are in their mid-to-late 50s, and have become widows within the past few months. Once a week, they gather to visit their husbands' graves and meet at a deli afterward to talk about their lives. Doris remains fiercely devoted to her late husband and takes her responsibilities as a widow seriously. Lucille is eager to get her feet back in the waters of dating, partly as revenge against her late husband, who often cheated on her, and partly because she's very lonely by herself. Esther is also not used to being alone after 39 years of marriage, but she doesn't feel ready to start dating again, at least not until she meets Ben (Danny Aiello), a former cop turned cab driver who gradually but firmly eases his way into her life. Doris is appalled when she discovers that Esther is dating again and loudly protests that she's being disrespectful to her late husband, while Lucille is more than a bit jealous that Esther snagged a good man before she could. Jerry Orbach and Lee Richardson appear in a brief prologue sequence. ~ Mark Deming, All Movie Guide
- Starring:
- Ellen Burstyn, Olympia Dukakis, (more)
Barbra Streisand directed and stars in this love story about two people of dissimilar backgrounds who form a connection based on their unhappy experiences. Adapted from the novel by Pat Conroy, the story concerns Tom Wingo (Nick Nolte), a rudderless, unemployed football coach. Stuck in a loveless marriage with a wife (Blythe Danner) who feels nothing for him, and unable to move forward with his life, he is suddenly jarred out of his lethargy when he travels to New York because his twin sister (Melinda Dillon) has just tried to kill herself. In New York, he meets her psychiatrist, Susan Lowenstein (Barbra Streisand), who is married to a snobbish husband (Jeroen Krabbe). Susan and Tom become attracted to each other out of their loneliness. As his relationship with Susan blossoms, Tom learns to deal with his mother Lila (Kate Nelligan), who is the sole emotional center of his life. In the past, Lila was married to an abusive alcoholic. When she left her first husband, she married a rich man whose abuse was mental rather than physical. Tom hates Lila, but he can't free himself of his attachment to her. ~ Paul Brenner, All Movie Guide
- Starring:
- Nick Nolte, Barbra Streisand, (more)
In this thriller, American novelist David Raybourne (Andrew McCarthy) accidentally becomes entangled in the Red Brigade's terrorist plan to kidnap Italian Premier Aldo Moro during a research trip to Rome. As the terrorists attempt to kill David, he and his photojournalist friend (Sharon Stone) must struggle to stay alive. ~ Iotis Erlewine, All Movie Guide
- Starring:
- Andrew McCarthy, Valeria Golino, (more)
Harry Hook directed this second screen adaptation of William Golding's cult novel about a group of British schoolchildren who revert to savagery when marooned on a deserted island. The new adaptation replaces British school children with a group of American military cadets and instead of a shipwreck, their plane crashes into the sea. The children swim ashore onto an island and try to fend for themselves, with the only surviving adult wracked with fever and crazed with pain. As the children get the feel of the island, the group separates into two different camps: Ralph (Balthazar Getty) and his followers prefer to act civilized and want to expand their efforts toward finding a way off the island; on the other hand, Jack (Chris Furrh) and his band revert to painting their faces, carrying spears and exploiting the island for survival. When the chances for rescue become less and less likely, the two factions go to war with each other, with tragic results. ~ Paul Brenner, All Movie Guide
- Starring:
- Balthazar Getty, Chris Furrh, (more)
In this excellent thriller, crisply directed by Sidney Lumet, Alex Sternbergen (Jane Fonda), a washed-up, alcoholic actress who never quite made it, wakes up one morning in an unfamiliar, luxurious loft apartment, only to find the corpse of a stranger next to her in bed. Alex can remember nothing of the night before. In a panic, she tries to flee but is unable to get a flight out of Los Angeles, and short of cash, she hitches a ride with Turner Kendall (Jeff Bridges), a disabled former policeman who happens to be fixing his car in the airport parking lot. Alex tries to get rid of Turner and returns to the loft which she cleans in a futile attempt to get rid of her finger prints. Turner continues to take an unappreciated interest in Alex and keeps turning up unexpectedly, much to her annoyance. Finally, desperate and on the run, and never sure that she didn't commit the murder, Alex allows Turner to help her. Alex also confides in and is helped by her ex-husband and friend Joaquin Manero (Raul Julia), the only man she completely trusts. Despite Alex's suspicion of Turner, she slowly falls in love with him. The movie quickly moves to a surprising conclusion, and creates a good deal of suspense, particularly when Alex is confronted with a corpse that just won't stay put. The highlight of the film is the performance by Jane Fonda reminiscent of her magnificent performance as Bree Daniels in Klute. The Morning After never rises to the quality of Klute, but Fonda's performance was strong enough to earn her an Oscar nomination. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Jane Fonda, Jeff Bridges, (more)
Sidney Lumet provides another of his film adaptations of Broadway successes -- in this case Ira Levin's 1978 clever Broadway murder mystery that starred John Wood in a triumphant turn as down-on-his-luck playwright Sidney Bruhl. Wood's brittle airiness is replaced in the film version by Michael Caine's smoldering bitterness. Sidney Bruhl is a successful writer of Broadway mystery plays who was at one time considered the Neil Simon of Broadway mystery writers. Unfortunately, Bruhl is now struggling to live up to his own reputation, suffering through a series of four consecutive flops. But then Bruhl comes upon the manuscript of a brilliant suspense drama written by unknown writer Clifford Anderson (Christopher Reeve). Bruhl, desperate for a hit play, invites Clifford to come to see him, telling him that he is interested in collaborating with him on the play. Actually, Bruhl plans to murder Clifford and pass off Clifford's play as his own. What Bruhl doesn't know, however, is that Clifford has some surprise plot points of his own up his sleeve. ~ Paul Brenner, All Movie Guide
- Starring:
- Michael Caine, Christopher Reeve, (more)
Inspired by a true story, Prince of the City stars Treat Williams as a Manhattan detective who agrees to help the US Department of Justice weed out corruption in the NYPD. Williams agrees on the assurance that he'll never have to turn in a close friend. Wired for sound, Williams almost immediately stumbles upon a police conspiracy to smuggle narcotics to street informants in order to insure cooperation. While this might be condonable in a stretch, the fact is that the many cops are using the drugs on their own, and are also highly susceptible to bribes. Williams gets the goods on the miscreants, but in so doing he breaks the "code" and becomes a pariah to his fellow officers. As we learn in the unsettling final scene, Williams will always be considered a "fink," even by honest cops. Prince of the City is too long for its own good, but its opening expository sequences and its final twenty minutes more than compensate for the duller stretches. ~ Hal Erickson, All Movie Guide
- Starring:
- Treat Williams, Jerry Orbach, (more)
- 1980
- R
In this Sidney Lumet romantic comedy, Max Herschel (Alan King) is a powerful businessman who keeps a bevy of beauties for pleasure to escape his alcoholic wife, Connie (Dina Merrill). His main minx is Bones Burton (Ali MacGraw), a successful television producer who is tiring of Max's lack of commitment. When she takes up with Steven (Peter Weller), Max does everything in his power to win her back. Silent screen star Myrna Loy plays Max's faithful secretary, in her last big-screen role, and steals the show. ~ Dan Pavlides, All Movie Guide
- Starring:
- Alan King, Ali MacGraw, (more)
- 1980
- R
Claudia Weill's second feature is a romantic look at the humorous and tragic sides of love, starring Jill Clayburgh as Kate Gunzinger, a mathematics professor who lives with perpetually sunny architect Homer (Charles Grodin) in Chicago. But during a trip to New York City, Kate becomes romantically involved with handsome hunk Ben Lewin (Michael Douglas), a recently retired professional baseball player who is trying to adjust to a life outside of professional sports. The son of her father's fiancee, Ben, in spite of uncertainties about his future, actively pursues Kate, and Kate, much to her surprise, willingly permits Ben to make his amorous approaches. ~ Paul Brenner, All Movie Guide
- Starring:
- Jill Clayburgh, Michael Douglas, (more)
- 1978
Nine years after Jay Presson Allen's theatrical version of the Muriel Spark novel The Prime of Miss Jean Brodie was adapted as a film with Maggie Smith in the title role, the property served as the basis for a seven-part British miniseries. Geraldine McEwan starred as Miss Jean Brodie, a highly unorthodox teacher in a 1930s Edinburgh private girl's school. Surrounded by adoring students, Miss Brodie did her best to instill the values of her pet political movement, Fascism, in the hearts of her "gels." Though the heroine was successful in countermanding the orders of her stern and fervently anti-fascist headmistress, she was finally defeated by the sly machinations of one of her students, who mounted a campaign to woo Miss Jean's beau away from her. In the end, Miss Jean's political fervor caused nothing but heartache and tragedy for everyone in her orbit. The TV version of The Prime of Miss Jean Brodie was shown via the ITV's Scottish Television service in 1978. ~ Hal Erickson, All Movie Guide
- Starring:
- Geraldine McEwan, Lucinda Bateson, (more)
Funny Lady, the follow-up to the 1968 Funny Girl which made a movie star of Barbra Streisand, picks up the character of Fanny Brice in the 1930s. Although she is a tremendously famous Broadway star, she has suffered from the stock market crash and needs to boost her finances. Even Ziegfeld, who soon will pass away, is having a hard time raising money for a show. Into this scene bursts brash young Billy Rose (James Caan), an egotistical lyricist with unrestrained ambition. He cajoles and charms Fanny into linking up with him, convincing him that he can produce a revue that will showcase her to their mutual advantage. Out of town, the show is an unmitigated disaster, and Fanny uses her professional know-how to whip the show into shape. It arrives in New York a hit -- and Fanny and Billy arrive an item. Both of their careers blossom, but even though they marry, their relationship suffers. Fanny still carries a torch for first husband Nick (Omar Sharif), and Billy, partially because of insecurities caused by Fanny's feelings for Nick, has a roving eye. In California working on a lucrative radio show, Fanny and Nick connect again -- and Fanny realizes that she is finally over him. Thrilled, she flies to Cleveland, where Billy is working on a new show, ready to commit herself totally to him -- only to find him in bed with another woman. The two part, but years later they meet again to discuss a new show, and it's clear that the chemistry between them is still there. ~ Craig Butler, All Movie Guide
- Starring:
- Barbra Streisand, James Caan, (more)
Fans of the 1970s cartoon series The Littles may enjoy its live-action spiritual ancestor The Borrowers. Dennis Larson plays an eight-year-old boy living in Victorian England. While exploring his aunt's (Dame Judith Anderson) mansion, Larson peeks under the floorboards...and what should he see but a family of inches-high humans (Eddie Albert, Tammy Grimes, Karen Pearson), who survive by "borrowing" bits and pieces from the Big People. Discovered, the Borrowers scramble to avoid being captured and displayed as curiosities. First telecast December 14, 1973, The Borrowers was based on the novel by Mary Norton (of Bedknobs and Broomsticks fame). ~ Hal Erickson, All Movie Guide
- 1973
- PG
Adapted by Jay Presson Allen from the French farce by Pierre Barillet and Jean-Pierre Gredy, Forty Carats is a standard-issue sex comedy elevated by the performances of its stars. Fortyish Realtor Ann Stanley (Liv Ullman) finds herself attracted to Peter Latham (Edward Albert) - a man literally half her age. After a summer fling in Greece, Ann and Peter come to a parting of the ways, and that, Ann supposes, is that. Imagine her surprise when Peter comes to visit her back in New York. Though at first dismissed as a fortune hunter, Peter turns out to a financial whiz with a lot more in the bank than his lady friend. Both Ann's mother (Binnie Barnes, whose husband Mike Frankovich produced the film) and daughter (Deborah Raffin) are delighted at the prospect of Ann's romance with Peter -- the only one unsure is Ann herself. Lending his considerable comic expertise to Forty Carats is Gene Kelly as Liv Ullman's ex-husband-who also takes a liking to the personable Edward Albert and encourages the May-December romance. ~ Hal Erickson, All Movie Guide
- Starring:
- Liv Ullmann, Edward Albert, (more)
Originally a 1966 Broadway musical, this groundbreaking Bob Fosse musical was in turn based on Christopher Isherwood's Goodbye to Berlin, previously dramatized for stage and screen as I Am a Camera with Julie Harris as Sally Bowles. Fosse uses the decadent and vulgar cabaret as a mirror image of German society sliding toward the Nazis, and this intertwining of entertainment with social history marked a new step forward for the movie musical. Michael York plays a British writer who comes to Berlin in the early 1930s in hopes of becoming a teacher. He makes the acquaintance of flamboyant American entertainer Sally Bowles, played by Liza Minnelli. Sally works at the Kit Kat Klub, a George Grosz-like Berlin cabaret where each night the smirking, androgynous Master of Ceremonies (Joel Grey) introduces a jazz-driven "girlie show" to his debauched audience. Virtually all the film's musical numbers are staged within the confines of the Kit Kat Klub, and each song comments on the plot and on Germany's "progression" from hedonism to Hitlerism. Most of the Broadway score by John Kander and Fred Ebb was retained, with the welcome addition of "The Money Song." Although it lost Best Picture to The Godfather, Cabaret won eight Oscars, including awards to Minnelli, Grey, and Fosse. A heavily expurgated 88-minute version of Cabaret has been prepared for commercial TV presentations, regarded by many as dramatically inferior to the full cut. ~ Hal Erickson, All Movie Guide
- Starring:
- Liza Minnelli, Michael York, (more)
- 1972
- PG
In the lively comedy/adventure Travels with My Aunt, adapted from Graham Green's book, Henry (Alec McCowan), a timid, bookish accountant whose life seems to have died stillborn, discovers how to live with gusto thanks to the rough ministrations of his thoroughly eccentric aunt Augusta (Maggie Smith). Aunt Augusta bursts into Henry's life during the funeral for his mother, Augusta's sister. She whisks him to her apartment for a general cheering up, and he is thoroughly bemused by her bohemian ways and her much-younger black Caribbean boyfriend. In the next few hours, she manages to pry him from his dusty life and involve him in a series of incredible adventures involving old love affairs, espionage, kidnappings, and more money than he has ever dreamt of. Before the story ends, Henry has properly gotten into the spirit of his madcap aunt's adventuring. ~ Clarke Fountain, All Movie Guide
- Starring:
- Maggie Smith, Alec McCowen, (more)
Based on the novel by Muriel Spark, The Prime of Miss Jean Brodie stars Maggie Smith in the title role. Smith won an Academy Award for her delicately textured portrayal of an eccentric teacher at an exclusive Scottish girl's school. Miss Jean exhorts her "gels" to follow their hearts and never lose their youthful idealism. Unfortunately for her, she also stumps for her favorite political figures: Mussolini and Franco. In addition, she can't keep the innermost details of her private life a secret, and in fact boasts about her sex life to her students. Her prize pupil (Pamela Franklin) becomes so much a clone of Miss Jean that she ends up a threat to the teacher. Ultimately, Miss Jean loses her position, but not the hearts of her students. The box-office success of Prime of Miss Jean Brodie was due in great part to the popularity of the title song, as recorded by Rod McKuen. ~ Hal Erickson, All Movie Guide
- Starring:
- Maggie Smith, Robert Stephens, (more)
Condemned as being a "disappointing" and "unworthy" Alfred Hitchcock effort at the time of its release, Marnie has since grown in stature; it is still considered a lesser Hitchcock, but a fascinating one. Tippi Hedren plays Marnie, a compulsive thief who cannot stand to be touched by any man. She also goes bonkers over the sight of the color red. Her new boss, Mark Rutland (Sean Connery) is intrigued by Marnie -- to such an extent that he blackmails her into marriage when he stumbles onto her breaking into his safe. Rutland is in his own way as "sick" as his wife because of his fetishist desire to cohabit with a thief. After innumerable plot twists and turns, Marnie is "cured" by a facile but mesmerizing flashback sequence involving her ex-hooker mother (Louise Latham). Among the critical carps aimed at Marnie was the complaint that the studio-bound sets -- particularly the waterfront locale where the film ends -- were tacky and artificial; curiously, this seeming "carelessness" adds to the queasy, off-setting mood that Hitchcock endeavored to sustain. Even when the direction seems to falter, the film is buoyed by the driving musical score of Bernard Herrmann (his last for Hitchcock). Among the supporting actors in Marnie are Mariette Hartley as a secretary and Bruce Dern as a sailor; twelve years later, Dern would star in Hitchcock's final film, Family Plot. ~ Hal Erickson, All Movie Guide
- Starring:
- Tippi Hedren, Sean Connery, (more)
- 1963
In this romantic comedy, Bill Austin (Van Johnson) is an unsuccessful writer who lives in a forlorn New York tenement while his wife Bertie (Janet Leigh) earns an income for both of them. Their lives change dramatically when Bill's first novel becomes a best-seller. Bill persuades Bertie to quit her job and move to a grand house in an upscale suburb. Leaving his wife alone most of the time, Bill begins working long hours on Broadway adapting his novel for the theater, and he spends increasing amounts of time with his attractive agent, Lucinda Ford (Martha Hyer). Bertie suspects the worst and begins courting an actor, Gar Aldrich (Jeremy Slate). ~ Michael Betzold, All Movie Guide
- Starring:
- Janet Leigh, Van Johnson, (more)
