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Barbara Jo Allen Movies

1963  
G  
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1963's The Sword in the Stone is Disney's animated take on Arthurian legend. In the midst of the Dark Ages, when England has no rightful ruler, a sword imbedded in a stone mysteriously appears in a London churchyard, bearing the inscription "Whoso pulleth out the sword of this stone and anvil is rightwise king born of England." Scores of would-be kings travel to London to attempt the feat and thereby claim the throne. They all fail. Years later, in the English countryside, an 11-year-old squire nicknamed Wart (Rickie Sorensen) is devotedly helping his incompetent foster brother, Kay (Norman Alden), train to become a knight, when he meets the great magician Merlin (Karl Swenson). The well meaning, but absentminded, wizard declares himself Wart's mentor and claims that he will lead the boy to his destiny. Spirited and full of spunk, Wart (whose real name is Arthur) approaches Merlin's lessons with the same determination that he applies to Kay's hopeless training and to the monotonous chores he is assigned by his guardian. He soon finds himself accompanying Kay to London for a jousting tournament that will determine England's new king. There, Wart forgets to bring Kay's weapon to the joust, but finds an abandoned sword in a nearby churchyard -- which he effortlessly pulls out of a stone. ~ Aubry Anne D'Arminio, Rovi

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1959  
G  
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Disney produced this lavish animated fairy tale, the most expensive cartoon ever made up to its release with a budget of $6 million. When the young princess Aurora is cursed at birth by the evil fairy Maleficent, the baby is kidnapped by a trio of good fairies who raise the girl themselves, hoping to avoid the spell's fulfillment. Nevertheless, at the age of 16, the beautiful Aurora falls into a deep sleep that can only be awakened by a kiss from her betrothed, Prince Phillip. Knowing that Phillip intends to save Aurora, Maleficent takes him prisoner. When the good fairies launch a rescue attempt, Maleficent transforms herself into a spectacular fire-breathing dragon, forcing Phillip to defeat her in mortal combat. Sleeping Beauty (1959) was Oscar nominated for its musical score, which featured adaptations of Tchaikovsky compositions. ~ Karl Williams, Rovi

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Starring:
Mary CostaBill Shirley, (more)
 
1959  
 
Gold Flats is the first of three cities in which Bart Maverick (James Garner) comes face to face with the estimable Stephanie Malone (Pat Crowley)--who proceeds to rob him at gunpoint a few seconds after introducing herself. But Stephanie insists that she isn't a bad girl, and that she's only trying to help her father (Louis Jean Heydt), who has accrued a huge gambling debt. Somehow or other, both Bart and Stephanie are rescued by the members of the Ladies Aid Society, headed by the formidable Hannah Adams (played by Barbara Jo Allen, the dithery "Vera Vague" of radio fame). ~ Hal Erickson, Rovi

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1959  
 
In another of scriptwriter Marion Hargrove's "westernizations" of classic literary material, this episode is based on 18th century British playwright Richard Brinsley Sheridan's drawing-room comedy "The Rivals". In the original 1775 play, two young men, Jack Absolute and Ensign Beverly, exchange identities so that the wealthier Jack can win the heart of heroine Lydia Languish, who would otherwise reject him because of his wealth. In the Maverick version, Bret Maverick (James Garner is the "Beverly" counterpart, trading places with British playboy Jack Vandergelt (played by future Maverick costar Roger Moore), who pines for the beautiful Lydia Linley (Pat Crowley). The supporting cast includes Neil Hamilton (Batman's "Commissioner Gordon") as Jack's irascible father, who shows up at precisely the wrong time; Barbara Jo Allen (aka "Vera Vague" of radio fame) as language-mangling Mrs. Mallaver, the Maverick equivalent of the original play's imperishable Mrs. Malaprop; and Dan Tobin as Mrs. Mallaver's would-be suitor Lucius Benson ("Lucius O'Trigger" in the Sheridan play). ~ Hal Erickson, Rovi

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1956  
 
The Opposite Sex is an opulent musical remake of Clare Booth Luce's The Women (1939). June Allyson stars in the old Norma Shearer role, playing the virtuous wife who loses her husband to scheming Joan Collins (as the Joan Crawford character). At first agreeing to a divorce, June decides to win hubby back by utilizing the same crafty feminine wiles that Joan had employed to lead him astray. Doloress Gray plays the counterpart to Rosalind Russell's vitriolic gossip. The original The Women boasted an all-female cast: the remake includes several male characters, played by the likes of MGM contractees Leslie Nielsen and Jeff Richards. Dick Shawn, Jim Backus and Harry James are also on hand, billed as "special guest stars." The satirical bite of The Women has been softened in The Opposite Sex, but musical fans should have a good time. Sammy Cahn, Nicholas Brodszky, Ralph Freed and George Stoll were among the songwriters; Collins, Allyson and Jeff Richards perform musical numbers in the film. ~ Hal Erickson, Rovi

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Starring:
June AllysonDolores Gray, (more)
 
1946  
 
In this typical Vera Vague 2-reel comedy, the scatterbrained Vera mistakes a stage magician, Bluebeard the Great (Barton Yarborough), for a murderer.The "victim," as it turns out, was merely a dummy and part of the act. Not one of the Columbia short subject department's better efforts, Hiss and Yell was nevertheless nominated for an Academy Award in the short subject category, the second Vera Vague farce so honored. ~ Hans J. Wollstein, Rovi

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1942  
 
This parody of gangster flicks centers on an incarcerated gangster who decides to reform after he is released from Sing Sing. He and his cell mate have earned a small fortune in investments and are planning to buy a dog track. Unfortunately, another prisoner eavesdrops and attempts to force the fellow to use his savings to buy a luggage store and then dig a tunnel to the bank next door so they can easily rob it. The reformer and his partner refuse. They sing a different tune when they learn that most of their money was lost by their third partner. In desperation, he buys the suitcase outlet. While he tries to deal with his many customers, the other two bumblers attempt to dig, but it's not easy because every time someone comes in, they must stop their noisy operation. More trouble follows when another gangster tries to get in on their operation. ~ Sandra Brennan, Rovi

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Starring:
Edward G. RobinsonJane Wyman, (more)
 
1942  
 
Republic's ongoing professional association with the celebrated "Ice-Capades" skating show yielded a number of flashy but forgettable musicals, including 1942's Ice-Capades Revue. Though a plot is hardly necessary, the story concerns New England farm gal Ann (Ellen Drew), whose already-mounting debts are escalated when she inherits a near-bankrupt ice show. Her efforts to revivify this operation are regularly thwarted by a conniving promoter named Duke Baldwin (Harold Huber), who has already tied up all the best arenas for his own skating spectacular. But Baldwin's second-in-command Jeff (Richard Denning) falls in love with Ann and vows to see to it that her show will be staged, come heck or high water. Jerry Colonna goes through his customary zaniness as an eccentric would-be backer who turns out to be a phony, while Barbara Jo Allen again trots out her dizzy "Vera Vague" characterization. Foremost among the skating acts in Ice-Capades Revue is Vera Hruba Ralston, who'd later be elevated to leading-lady status at Republic by her ardent admirer (and future husband), studio president Herbert J. Yates. ~ Hal Erickson, Rovi

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Starring:
Ellen DrewRichard Denning, (more)
 
1941  
 
Rosalind Russell stars as a no-nonsense judge who dabbles in sculpting in her spare time. Walter Pidgeon costars as a reporter assigned to discredit Rosalind after she rules against his boss (Edward Arnold) in a divorce case. Pidgeon plans to frame the judge in a compromising situation, then blackmail her into reducing the alimony. He succeeds in humiliating Rosalind, but regrets his actions when he realizes he's fallen in love with her. All ends happily in this glossy derivative of MGM's earlier Libelled Lady (36). ~ Hal Erickson, Rovi

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Starring:
Rosalind RussellWalter Pidgeon, (more)
 
1941  
 
A gangster and his mob buy a small-town in this warm comedy. They, tired of trying to make it as big city hoods, buy the town to use as a hideout. The leader of the gang begins to have a change of heart after he begins falling for a local girl. He decides to use the "protection money" his gang has been pocketing to benefit the townsfolk. This feels good to the tough and thug-like gangsters who begin embracing the ideals of good citizenship in favor of a life of crime. ~ Sandra Brennan, Rovi

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Starring:
Lloyd NolanConstance Moore, (more)
 
1941  
 
By Republic Pictures standards, 1941's Ice-Capades certainly qualifies as an "all-star" film. The many subplots center around a performance of the real-life Ice-Capades skating troupe, featuring such luminaries as Belita, Red McCarthy, Megan Taylor, and future Republic film queen Vera Hruba Ralston. James Ellison plays the nominal leading character, a hotshot newsreel cameraman named Bob Clemens. Assigned to film an international skating star in action, Clemens inadvertently wastes miles of celluloid on aspiring skater Marie (Dorothy Lewis) rather than the real star, the unphotogenic Karen Vajda (Rene Riano). But not to worry: With the help of slick showbiz promoter Larry Herman (Phil Silvers), Marie becomes an Ice-Capades headliner in her own right. In addition to Silvers, the comedy relief in Ice-Capades is in the capable hands of Vera Vague (Barbara Jo Allen), Jerry Colonna and Gus Schilling. ~ Hal Erickson, Rovi

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Starring:
James EllisonJerry Colonna, (more)
 
1941  
 
The nationwide search for an actress to play Scarlett O'Hara in Gone With the Wind formed the basis of Claire Booth Luce's satirical Broadway comedy Kiss the Boys Goodbye. By the time the film version came out in 1941, Gone with the Wind was yesterday's news, but the picture still manage to elicit loud laughter from moviegoers bombarded by bad news from Europe. When Broadway producer Bert Fusher (Jerome Cowan) decides to produce a lavish musical version of a best-selling civil war novel, he dispatches director Lloyd Lloyd (Don Ameche) and composer Dick Rayburn (Oscar Levant) to the Deep South, in search of a genuine Southern-belle leading lady. Lloyd and Rayburn end up on the Georgia plantation of Tom Rumson (Raymond Walburn), where they are forced to sit through an impromptu audition by Rumson's niece Cindy Lou Bethany (Mary Martin). Lloyd can't stand the girl, but Rayburn is enchanted by her-never suspecting that Cindy Lou is a phony, who prior to this meeting had never stepped below the Mason-Dixon line. Eventually, Lloyd and Cindy Lou fall in love and the show goes on. Many of playwright Luce's more pointed barbs have been blunted by the Hollywood censors, with the more pungent gags replaced by lavish musical numbers. Still, Kiss the Boys Goodbye is a lot of fun, especially whenever the magnificent Elizabeth Patterson (cast as Mary Martin's unreconstructed-southerner aunt) takes center stage. ~ Hal Erickson, Rovi

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Starring:
Mary MartinDon Ameche, (more)
 
1941  
 
Basil Rathbone is the batty physician of the title, a sophisticated gentleman who woos and weds several of his wealthy women patients. Unfortunately the ladies have a bad habit of dying prematurely, with the above-suspicion doctor diagnosing these deaths as the result of disease. Given the film's title, it isn't hard to figure out that the doctor has been knocking off his wives himself through sophisticated medical methods. An intriguing plot twist involves the doctor's loyal male assistant (Martin Kosleck), who tampers with the buried bodies of the victims to hide the evidence; though it's never made obvious by the script, it is implied that the doctor and his assistant have a strong sexual bond between them. The ex-fiance of Dr. Rathbone's latest bride (Ellen Drew) saves the woman from suffering the fate of her predecessors, leaving Rathbone no recourse but a suicidal plunge off a skyscraper. ~ Hal Erickson, Rovi

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Starring:
Basil RathboneEllen Drew, (more)
 
1940  
 
Jane Frazee made her starring film debut in the Republic B-plus musical Melody and Moonlight. The plot is motivated by the show-biz aspirations of bellboy Danny O'Brien (Johnny Downs). With the help of a wealthy chiropodist (Jerry Colonna), O'Brien not only gets to star on a big-time radio show, but also sprinkles stardust upon his sweetheart Kay Barnett (Jane Frazee)-who, unbeknownst to everyone but the audience, is the daughter of the show's sponsor. Unable to secure the services of Bob Hope, Republic did the next best thing by hiring two of Hope's funniest stooges, Jerry Colonna and Vera Vague (aka Barbara Jo Allen). Jane Frazee's excellent showing in Melody and Moonlight landed her a contract with Universal; by the end of the 1940s, however, she was back at Republic as Roy Rogers' leading lady. ~ Hal Erickson, Rovi

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Starring:
Johnny DownsJerry Colonna, (more)
 
1940  
 
In this musical, a con man makes a good living by promoting bogus charity shows. He gets the communities all revved up and then skips town with all their money. But then he meets three earnest people wanting to garner financial support for an orphanage. This time the con man's loyal assistant finally catches on to the wicked scam and turns him in to the police. Meanwhile, the newly reformed assistant and one of the charity workers fall in loves. Songs include: "Tequila" (sung by Downs, Terry), "I'm Just a Weakie" (sung by Allen, Gilbert), "What Fools These Mortals Be," and "When A Fella's Got a Girl" (Jule Styne, George R. Brown, Sol Meyer). ~ Sandra Brennan, Rovi

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Starring:
Ruth TerryJohnny Downs, (more)
 
1940  
 
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MGM's third follow-up to its landmark Broadway Melody is short on story, but that's okay, since the plot is merely a clothesline upon which to hang sleek and opulent musical production numbers by Fred Astaire and Eleanor Powell -- particularly a breathless and eye-popping gloriously black-and-white six-minute tap dance finale between Astaire and Powell to Cole Porter's "Begin the Beguine." The tale itself is a typical backstage contrivance: Johnny Brett (Fred Astaire) and King Shaw (George Murphy) are a couple of hoofers working in a dance hall for peanuts. Due to mistaken identity, King gets tapped for the lead in a Broadway show opposite big star Clare Bennett (Eleanor Powell) rather than Johnny. But when King drowns his trouble in booze on opening night, Johnny covers for him, taking his place in the show. ~ Paul Brenner, Rovi

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Starring:
Fred AstaireEleanor Powell, (more)
 
1940  
 
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Beautifully restored to its original theatrical length of 84 minutes by the Gene Autry Foundation, Melody Ranch is a bright, tuneful, and at times quite action-packed piece of B-Western extravaganza, Republic style. The victim of both a drop in ratings and a tardy leading lady, radio star Gene Autry is only too happy to oblige when old friend Pop Laramie (George "Gabby" Hayes) proposes that he return to his hometown of Torpedo as honorary sheriff during the upcoming Frontier Day celebration. With leading lady Julie Shelton (Ann Miller), city slicker announcer Cornelius Courtney (Jimmy Durante), and bemused sponsor Tommy Summerville (Jerome Cowan) in tow, Gene takes Torpedo by storm. That is, everyone except the Wildhack brothers (Barton MacLane, Joe Sawyer, and Horace MacMahon), old enemies who take umbrage to Gene's lampooning them on his daily broadcast. Julie, meanwhile, falls in love with the Wild and Woolly West in general and Gene in particular, and when the crooner proposes to leave show business and run for the office of sheriff for real, she decides to stay as well. The Wildhack brothers, meanwhile, attempt to sabotage the election, but Gene and his pals persevere against the odds. Produced at a cost of 500,000 dollars, Melody Ranch was the first Autry Western to be booked into first-run theaters, which had been Republic Pictures' goal all along. Autry, Ann Miller, Jimmy Durante, Mary Lee, and Bob Wills and His Playboys perform "Melody Ranch," "We Never Dream the Same Dream Twice," "Call of the Canyon," My Gal Sal," "Torpedo Joe," What Cowboys Are Made Of," and "Rodeo Rose," all by Jule Styne and Eddie Cherkose, and a good time is had by all. ~ Hans J. Wollstein, Rovi

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Starring:
Gene AutryJimmy Durante, (more)
 
1939  
 
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Based on the Clare Booth Luce play of the same name, this MGM comedy is famous for its all-female cast and deft direction by George Cukor. The plot centers on a group of gossipy high-society women who spend their days at the beauty salon and haunting fashion shows. The sweet, happily wedded Mary Haines (Norma Shearer) finds her marriage in trouble when shopgirl Crystal Allen (Joan Crawford) gets her hooks into Mary's man. Naturally, this situation becomes the hot talk amongst Mary's catty friends, especially the scandalmonger Sylvia Fowler (Rosalind Russell), who has little room to talk -- she finds herself on a train to Reno and headed for divorce right after Mary. But with a bit of guts and daring, Mary snatches her man right back from Crystal's clutches. Snappy, witty dialogue, much of it courtesy of veteran screenwriter Anita Loos, helps send this film's humor over the top. So do the characterizations -- Crawford is as venomous as they come, and this was Russell's first chance to show what she could do as a comedienne. And don't discount Shearer -- her portrayal of good-girl Mary is never overpowered by these two far-flashier roles. The only part of The Women that misses is the fashion-show sequence. It was shot in color -- an innovative idea in its day -- but now both the concept and clothes are dreary and archaic. Do keep an eye on the supporting players, though, especially Mary Boland as the Countess DeLage. The role was based on a cafe society dame of that era, the Countess DiFrasso, who had a wild affair with Gary Cooper; that romance is satirized here. ~ Janiss Garza, Rovi

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Starring:
Norma ShearerJoan Crawford, (more)