Guy Boyd Movies

Director Joan Micklin Silver's follow-up to her acclaimed debut, Hester Street, is a more ambitious film that manages to be both an entertaining comedy and a pointed look at the corrupting power of money on an idealistic enterprise. Writer Fred Barron's characters are all associated with a weekly alternative newspaper in Boston, modeled after the Phoenix. (Silver did once work on the Village Voice, but this enterprise is several rungs below that esteemed paper.) Harry (John Heard) is an ambitious reporter romantically involved with Abbie (Lindsay Crouse), the paper's star photographer. Michael (Stephen Collins) is a writer trying to work on a novel and stay faithful to his loving wife, Laura (Gwen Welles), while Max (Jeff Goldblum), the paper's rock critic, shamelessly uses his job to try to pick up women. Lynn (Jill Eikenberry), a typist who is the paper's mother-hen figure, is also its most principled employee. When a publishing mogul (Lane Smith) buys the paper and promises changes that will compromise its aggressive political stance in favor of more "lifestyle" articles, Lynn resigns, and it's clear to the group that their carefree days are behind them. ~ Tom Wiener, All Movie Guide

In this moving made-for-cable television drama, Jesse Hallam is a poor and illiterate coal miner (Johnny Cash) who must learn to read in order to get a job in the city. He was forced to leave after one of his daughters becomes terribly sick. ~ Sandra Brennan, All Movie Guide

Keeping On was the only "fiction" film directed by documentary filmmaker Barbara Kopple. Like her earlier Harlan County USA and The American Dream, the film examines a labor-management struggle in a hardscrabble Southern mill town. Dick Anthony Williams plays a minister who encourages the activities of labor unionist James Broderick. Williams' stand polarizes the community, and the cleric is ostracized by the so-called "right" people. Completed in 1981, Keeping On premiered February 8, 1983 on PBS' American Playhouse. ~ Hal Erickson, All Movie Guide

In this mystery, a young woman travels to Nantucket to care for her ailing grandmother and finds herself entangled in a deadly game involving the ghost of her long-dead grandfather. The plot is based on a story by Natalie Babbitt. ~ Sandra Brennan, All Movie Guide

In this made-for-TV comedy, a group of single adults attempt to find their perfect mates in the harsh world of dating. ~ Iotis Erlewine, All Movie Guide

Blood Feud was a two-part TV drama, originally presented as an "Operation Prime Time" special. Robert Blake is disturbingly convincing as labor leader Jimmy Hoffa, engaged in a decade-long war of words with attorney (and later attorney general) Robert F. Kennedy. Cotter Smith makes his TV debut as Kennedy, a role he'd repeat on future occasions. Thoroughly compelling when sticking to the facts, the drama falls apart whenever indulging in flight of fanciful speculation (Sample: two of Hoffa's lieutenants watch the live telecast of Lee Harvey Oswald's murder, then celebrate the fact that Oswald will never be able to reveal their complicity in the JFK assassination!) Blood Feud was syndicated to local TV stations beginning April 24, 1983. ~ Hal Erickson, All Movie Guide

An interesting diversion for the genre, this stylish but leaden supernatural period piece tells the tale of an 18th-century minister (Dennis Lipscomb) and his flock who are exiled to the wilderness after being accused of witchcraft by the citizens of Dalton's Ferry. The small community settles briefly in an eerie valley in Shawnee territory -- which is also the domain of a powerful demon and his earthen underlings. As horrific apparitions and bizarre events begin to haunt the party in increasing frequency, a young madwoman believed to be a witch brings her own formidable powers to bear against the demonic menace. Good performances and beautiful location cinematography help to create a mood of encroaching doomretentious dialogue, leaden pacing and an overabundance of clunky religious allegory causes the entire project to collapse under its own ponderous weight. ~ Cavett Binion, All Movie Guide

Bob Logan (Kris Kristofferson) and Ernie Wyatt (Treat Williams) are freewheeling U.S. border patrol officers in a tiny Texas town. Though they're "oil and water" in terms of personality, they're a dynamite team on the job. Coming across a million dollars in stolen money, their relationship threatens to unravel. Upright Wyatt is all for turning in the money, but Logan has other ideas. Soon, however, they're reunited against several common enemies, including a team of overzealous FBI agents. Flashpoint is based on a novel by George La Founteine. ~ Hal Erickson, All Movie Guide

The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, All Movie Guide

Arthur Penn takes a crack at subverting the espionage film genre in Target. Walter Lloyd (Gene Hackman) is a quiet and unassuming lumberyard owner in Dallas, Texas. Chris (Matt Dillon) has dropped out of college to pursue a career as a race car driver. But all mundane tasks come to an end when Walter's wife Donna (Gayle Hunnicutt) is kidnapped while on a European trip. Walter flies to Paris with Chris to see what can be done. Once in Europe, Chris is shocked to discover that his dad was once a top CIA agent. Together, the two visit all of Walter's old CIA contacts in an effort to locate Donna. Finally, Walter discovers that Donna has been kidnapped by a rogue spy seeking revenge for an incident that happened eighteen years earlier. Now Walter must apply his old and vicious CIA tricks to save his wife from an old and vicious CIA operative. ~ Paul Brenner, All Movie Guide

Kate Jackson had intended to both produce and star in the made-for-TV A Child's Cry, but her busy Scarecrow and Mrs. King schedule forced her to relinquish the leading role to Lindsay Wagner. Wagner plays Joanne Van Buren, a sensitive social worker whose latest charge, young Eric Townsend (Taliesen Jaffe), shows signs of being abused. Running up against several walls of resistance, Joanne nonetheless continues to investigate. She ultimately unearths a shocking truth involving Eric's father, played in image-busting fashion by James Brolin. A Child's Cry debuted February 9, 1986. ~ Hal Erickson, All Movie Guide

A pair of childhood friends meet again after one becomes a convict and the other a law man assigned to transport him to prison. Thompson's Last Run features Robert Mitchum and Wilford Brimley in the lead roles. ~ Kristie Hassen, All Movie Guide