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James Agee Movies

James Agee is best known for his distinguished writing. Much of his work was published posthumously as Agee died at age 45. For one such novel, A Death in the Family (1957), the late Agee was awarded the Pulitzer Prize. In addition to writing fiction, Agee also wrote non-fiction and was a film critic for Time and The Nation in the 1940s (later these reviews were compiled to form one volume of the two-volume book Agee on Film; the second volume is comprised of five Hollywood scripts). In the late 1940s he abandoned criticism in favor of screenwriting. and in 1951he co-wrote John Huston's classic The African Queen. He is also responsible for the disturbing cult classic The Night of the Hunter (1955). Agee began his writing career as an editor for the Harvard periodical, The Advocate. While studying there, he also won the university's coveted poetry prize. After graduation, he began working as a feature writer for Fortune magazine. In 1934, he published a volume of poetry. ~ Sandra Brennan, Rovi
2002  
 
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Adapted from James Agee's posthumously published, Pulitzer Prize-winning novel, Death in the Family is set in Knoxville, TN, in 1915. The death of husband and father Jay Follett (John Slattery) in a car accident has profound and long-reaching effects upon his wife, Mary (Annabeth Gish), and his sensitive, seven-year-old son, Rufus (Austin Wolff). At the core of the crisis is Mary's prickly relationship with her own family, exacerbated by her late husband's unwillingness to "go with the flow" in terms of religion and race relations. The kindly intervention of Mary's free-spirited artist brother, Andrew (David Alford), enables her and her son to go on with their lives. Told from Rufus' point of view, the novel version of Death in the Family had previously served as the source for the Broadway play and film All the Way Home. This production, filmed on-location in Tennessee, was telecast by PBS on March 25, 2002 as part of Masterpiece Theatre's "American Collection." ~ Hal Erickson, Rovi

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1981  
 
Tad Mosel's Broadway play All the Way Home was based on James Agee's A Death in the Family. A film version of the Mosel piece, starring Robert Preston and Jean Simmons, was released in 1963. 18 years later, All the Way Home was given an all-star staging by the NBC television network. Set in 1915 Tennessee, the play examines the effect that the sudden death of a loved one has upon those closest to him-in particular, his pre-teen son. William Hurt, Sally Field, Polly Holliday and Jeremy Licht headed the cast, while such reliable veterans as Ellen Corby, Michael Horton, Murray Hamilton, Jeanette Nolan, Ann Doran, and Betty Garrett appeared in support. All the Way Home was telecast live from the stage of the University of Southern California on December 21, 1981. ~ Hal Erickson, Rovi

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1963  
 
A seven year old and his mother cope with his father's death in an auto accident. His grieving mother is in denial, and the rush of well-meaning relatives fails to help the situation. The boy observes the reaction of adults to the death of his father, taking refuge in the world and games of children to escape the sadness. Mary (Jean Simmons) slowly accepts her husband's death and begins to adjust to the devastating loss. The story is based on the Pulitzer Prize winning novel by James Agee. Robert Preston plays the friendly, ill-fated husband whose brother Ralph (Pat Hingle) is the local undertaker in this dramatic tear jerker. ~ Dan Pavlides, Rovi

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Starring:
Jean SimmonsRobert Preston, (more)
 
1955  
 
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Adapted by James Agee from a novel by Davis Grubb, The Night of the Hunter represented legendary actor Charles Laughton's only film directing effort. Combining stark realism with Germanic expressionism, the movie is a brilliant good-and-evil parable, with "good" represented by a couple of farm kids and a pious old lady, and "evil" literally in the hands of a posturing psychopath. Imprisoned with thief Ben Harper (Peter Graves), phony preacher Harry Powell (Robert Mitchum) learns that Ben has hidden a huge sum of money somewhere near his home. Upon his release, the murderously misogynistic Powell insinuates himself into Ben's home, eventually marrying his widow Willa (Shelley Winters). Eventually all that stands between Powell and the money are Ben's son (Billy Chapin) and daughter (Sally Jane Bruce), who take refuge in a home for abandoned children presided over by the indomitable, scripture-quoting Rachel Cooper (Lillian Gish). The war of wills between Mitchum and Gish is the heart of the film's final third, a masterful blend of horror and lyricism. Laughton's tight, disciplined direction is superb -- and all the more impressive when one realizes that he intensely disliked all child actors. The music by Walter Schumann and the cinematography of Stanley Cortez are every bit as brilliant as the contributions by Laughton and Agee. Overlooked on its first release, The Night of the Hunter is now regarded as a classic. ~ Hal Erickson, Rovi

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Starring:
Robert MitchumShelley Winters, (more)
 
1952  
 
This colorful if somewhat truncated biopic of the legendary Mongol leader was filmed in the Philippines. Manuel Conde (the film's producer) stars as Temujin, the peasant later to be known as Genghis Khan. In rapid-fire order, Temujin fights a rival tribe over the rights to water hole, avenges the murder of his father, and claims the heroine (Elvira Reyes). Originally filmed in the Tagalog language, Genghis Khan was released in the US with a narration spoken by film critic/screenwriter James Agee. This all-but-forgotten film bears the distinction of receiving two reviews in the trade paper Variety; The first time for its Philippine debut, in 1952, and the second time for its American distribution by United Artists in 1953. ~ Hal Erickson, Rovi

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Starring:
Manuel CondeElvira Reyes, (more)
 
1952  
 
RKO's Face to Face joined the "multistoried film" bandwagon set in motion by the Somerset Maugham omnibus films of the late 1940s. Produced by Huntington Hartford, Face to Face consists of two classic American short stories, each running approximately 45 minutes. Directed by John Brahm, "The Secret Sharer" is adapted from the Joseph Conrad story by Aeneas McKenzie. James Mason stars as a young, inexperienced sea captain who forms a symbiotic relationship with an imperiled sailor (Michael Pate). The second half of the film consists of Stephen Crane's "The Bride Comes to Yellow Sky," adapted by James Agee and directed by Bretaigne Windust. In this story, a frontier sheriff (Robert Preston), returning from his honeymoon with his bride (Marjorie Steele) in tow, must deal with an old and dreaded enemy (Minor Watson). Both the individual components of Face to Face were later reissued as separate films, with additional footage added to pad out the running times. ~ Hal Erickson, Rovi

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Starring:
James MasonGene Lockhart, (more)
 
1951  
PG  
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After years of wooing director John Huston via good reviews, film critic James Agee was given a chance to write the screenplay for a Huston picture. Adapted from a novel by C.S. Forester, The African Queen stars Humphrey Bogart in his Oscar-winning portrayal of Charlie Allnut, the slovenly, gin-swilling captain of a tramp steamer called the African Queen, which ships supplies to small East African villages during World War I. Katharine Hepburn plays Rose Sayer, the maiden-lady sister of a prim British missionary, Rev. Samuel Sayer (Robert Morley). When Germans invade and Samuel dies, Allnut offers to take Rose back to civilization. She can't tolerate his drinking or bad manners; he isn't crazy about her imperious, judgmental attitude. However it does not take long before their passionate dislike turns to love. Together the disparate duo work to ensure their survival on the treacherous waters and devise an ingenious way to destroy a German gunboat. The African Queen may well be the perfect adventure film, its roller-coaster storyline complemented by the chemistry between its stars. The profound difficulties inherent in filming on location in Africa have been superbly documented by several books, including one written by Katharine Hepburn. Screenwriter Peter Viertel (who worked, on an uncredited basis, on the script of this film - assisting with some of the dialogue) incorporated some of the African Queen anecdotes in his roman a clef about a Huston-like director/adventurer, White Hunter, Black Heart. ~ Hal Erickson, Rovi

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Starring:
Humphrey BogartKatharine Hepburn, (more)
 
1948  
 
The Quiet One relates, in semidocumentary fashion, the inner workings of the Wiltwyck School for Boys at Esopus, New York. The nonprofessional cast is headed by Donald Thompson as emotionally disturbed youth Donald Peters. Under the compassionate ministrations of a psychiatric counselor (Clarence Cooper) (a real-life Wiltwyck counselor), Donald recalls the various traumatic events that have led up to his present troubled state. Though the film's dialogue sounds spontaneous, it was pre-scripted by critic James Agee, who also narrates the film. Of particular interest to modern viewers is the fact that Donald Thompson is black. Unlike other "socially conscious" films of the late 1940s, The Quiet One does not make Donald's race an issue in the proceedings; he is simply a disturbed young boy in need of sympathetic treatment. ~ Hal Erickson, Rovi

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Starring:
Donald ThompsonSadie Stockton, (more)