Al Adamson Movies

Director/producer Al Adamson was famous for making low-budget exploitation and horror films during the 1960s and 1970s. The son of longtime director Denver Dixon, Adamson made his directing debut in 1964 with Two Tickets to Terror. Subsequent films usually came with more than one title, including Psycho-a-Go-Go/Blood of Ghastly Horror/The Fiend With the Atomic Brain/The Love Maniac, a horror film described in author Michael Weldon's The Psychotronic Encyclopedia of Film (1983) as "an amazingly incoherent mess." The incoherence of many of the director's films came from his tendency to add new or old footage to existing films, then change their titles. His Dracula Vs. Frankenstein (1970) featured the final performances of internationally famous horror veterans Lon Chaney Jr. and J. Carrol Naish. Adamson's exploitation films include Blazing Stewardesses (1974) and Angel's Wild Women (1972).
The circumstances surrounding his death were as lurid as his fllm titles. In 1995, he had been having his Indio, CA, home remodeled by live-in contractor Fred Fulford. According to police estimates, Adamson disappeared sometime in mid-July, that year. The director's mysterious disappearance concerned Adamson's brother and he called the police. The case was solved on August 2, 1995, when investigators discovered Adamson's body in a whirlpool tub beneath a thick layer of tiled-over concrete. An autopsy revealed he had been killed by a blow to the back of the head with a large blunt object. The contractor Fulford was the prime suspect in the case. He was later convicted of murder. ~ Sandra Brennan, All Movie Guide
1983  
 
1982  
R  
Markov the Magnificent (Don Stewart) is a magician in a small circus whose main asset is his talking chimpanzee, Alexander the Great. The magician's life is without any gray clouds; he even has some romantic interests. But then his famous monkey is chimp-napped by the dastardly lion tamer who intends to hand him over to a doctor for some very nasty experiments. Now Markov has to come up with a plan to save Alexander -- and his livelihood in the bargain. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Don Stewart
1978  
R  
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This soft-core, tuneful retelling of the enduring romantic fairy tale from Al Adamson is set in the year 2047, a time when men and women are not allowed to touch and the only way to have sex is via computer. In this version, Cinderella meets her charming prince at an orgy. The two click and have a wonderful time, but she must leave. Unfortunately, she forgets something (no, not a shoe). Now the smitten prince must intimately "search" a number of young women to find his true lover. Songs include "Doin' Without" and "We All Need Love." ~ Sandra Brennan, All Movie Guide

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1978  
 
Poverty-row horror auteur Al Adamson jumped on the Exorcist bandwagon with this twisted demon-possession exploiter. The thin plot involves a demented professor of the occult, whose soul jumps into the curvaceous body of Nurse Sherri (Jill Jacobson) shortly before he dies on the operating table. The possessed lady in white then begins stalking, seducing and decimating members of the cast with gory abandon -- even menacing her boyfriend with a pair of meat cleavers -- until her roommates exhume and destroy the evil professor's corpse, snapping her out of his spell. Fans of the TV series One Step Beyond may recognize snippets of the show's theme, particularly during the sleazy scene where the evil ghost has his way with the terrified Sherri. Originally titled Nurse Sherri; also available on video under a plethora of alternate titles, including Hospital of Terror, Killer's Curse and Hands of Death. ~ Cavett Binion, All Movie Guide

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1978  
R  
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Kill Factor was originally released as Death Dimension. Either way, the audience was hep to the fact that it wasn't a Disney picture. The presence of onetime James Bond George Lazenby and Harold "Oddjob" Sakata in the cast was enough to give this one away as a spy picture. And a spy picture it was, with the extra added dimension of kung-fu and karate, courtesy of top-billed Jim Kelly. Veteran Hollywoodites Terry Moore and Aldo Ray also appear in the film, which has something to do with a deadly "Freeze Bomb" (which happened to be the working title of this film when it was lensed in 1978). ~ Hal Erickson, All Movie Guide

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1978  
R  
One of the less offensive Al Adamson productions of the 1970s, Save Our Beach is an R-rated rehash of all those "Beach Party" flicks of days gone by. The beer-swilling, hormone-driven teenaged protagonists are hardly paragons of virtue, but at least they're more likable than the greedy, grasping adult characters. When the villains decide to bulldoze the beach to erect a passel of condominiums, the kids retaliate, using sex as a weapon. You've never heard of most of the cast members, though John Carradine picks up a quick paycheck as a wisecracking judge. Save Our Beach was originally released as Sunset Cove. ~ Hal Erickson, All Movie Guide

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1977  
 
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John Wainwright (Larry Hankin) is an author whose body and soul have been invaded by the reincarnated spirit of the sinister hypnotist Svengali. His best-selling new book on reincarnation not only admits this fact readily, but cites it as proof, though the public dismisses it all as an entertaining publicity stunt. The book's publisher, Sir Steven (Norman Pierce), knows better, however. He, like Svengali, is a member of the Society of the Bleeding Rose, a Satanic cult that has discovered the secret to immortality through human sacrifice and the theft of souls. Despite the new book's tremendous popularity, Svengali has a skeptic who challenges the veracity of his claims. Dr. Gregorio (Geoffrey Land) is a psychiatrist who disdains belief in the occult as superstition and quackery, but what Gregorio doesn't let on is the reason he considers himself an expert in such matters; he's actually a vampire, a creature of the undead who knows the truth about eternal life. Sir Steven demands that Svengali procure a fresh, untarnished soul for their society's wicked rituals, and nightclub dancer Trilby (Jane Brunel-Cohen) is chosen to replenish the Satanists' supply of psychic energy. Unfortunately, Wainwright's soul is fighting to regain control of the body that Svengali has stolen, flooding the evil hypnotist with strange feelings of love for Trilby that he can't control. Gregorio attends the Black Mass to disrupt the society's sacrifice with his vampiric talents, but he hasn't counted on the interference of Stephanie, (Susan McIver), a young woman who lost her mother to Gregorio's fangs and is bent on revenge. ~ Fred Beldin, All Movie Guide

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1977  
 
Cult director Al Adamson's entertainingly cheesy blaxploitation effort stars Jim Kelly as a wealthy agent for the government organization D.R.A.G.O.N. Kelly does the "international spy" bit -- familiar from the James Bond films -- to save his kidnapped girlfriend from a group of Haitian voodoo slavers. The familiar genre cast, including Marilyn Joi, D'Urville Martin (Dolemite), and the diminutive Felix Silla of TV's The Addams Family, should please buffs, while Adamson directs the silly proceedings with uncharacteristic flair despite a typically low budget. Kelly returned with Adamson in Black Eliminator (a.k.a. Death Dimension). ~ Robert Firsching, All Movie Guide

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1976  
R  
In this blaxploitation actioner from cult filmmaker Al Adamson, Timothy Brown plays a Las Vegas detective named "Kicks" Carter. He must foil a gang of criminals dealing arms to Central America and save some gambling addicts who are forced to pay off their debts as prostitutes in a hotel for women. Russ Tamblyn is featured as a vicious thug, Adamson's wife Regina Carrol sings in a nightclub, and there's a vile gang-rape scene. Gary Graver provided the cinematography, which often catches unpleasant real-life details such as toenail clippings on the floor of the hotel. Only genre completists are likely to find much to enjoy, but there are some wonderfully campy moments of unintentional hilarity among the sleaze. Brown had also appeared in Adamson's Dynamite Brothers, while co-star Tanya Boyd was in Greydon Clark's laughable Black Shampoo. ~ Robert Firsching, All Movie Guide

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Starring:
Timothy BrownRuss Tamblyn, (more)
1975  
R  
Three female prisoners are liberated by a vengeful woman in this thriller. The woman is angry after her husband is murdered; she uses the fugitives to find the murderers and slay them one-by-one. ~ Sandra Brennan, All Movie Guide

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1975  
 
When a bunch of beautiful stewardesses attempt to relax at a ranch, they find themselves attacked by mysterious horsemen. Ignoring the smarmy script, the Ritz Brothers regale their old fans and win a few new ones by running through some of their classic routines, including the legendary "hero sandwich" bit. ~ Iotis Erlewine, All Movie Guide

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1974  
R  
Schlockmeister supreme Al Adamson taps the martial-arts market in The Dynamite Brothers. The unrelated "siblings" of the title are played by Alan Tang and Timothy Brown. One is a Hong Kong immigrant with kung-fu savvy, the other a street-smart Los Angeles homeboy. They join forces to squelch the criminal activities of a Chinatown mobster (James Hong). Aldo Ray is the requisite "faded celebrity" in this Adamson outing. ~ Hal Erickson, All Movie Guide

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1974  
R  
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This low-budget action film from cult director Al Adamson features Georgina Spelvin (The Devil in Miss Jones) in a rare non-porn role as a psychotic assassin set up for murder by her partner (Rosalind Miles) and another woman. Spelvin isn't the only porn actress in this desert-set oddity, which co-stars Barbara Bourbon as well as veteran actor Kent Taylor. The pacing is uneven and the film is a rather grungy affair, typified by a scene in which Spelvin rapes a retarded man and shoots him as he climaxes. This scene was used as a selling point for the film's video release, re-titled to capitalize on the success of I Spit on Your Grave. ~ Robert Firsching, All Movie Guide

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1974  
R  
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Directed by Al Adamson, Mean Mother follows a pair U.S. soldiers as they attempt to avoid serving in Vietnam. Beauregard (Clifton Brown) and Joe (Dennis Safren) part ways once they get to Europe, only to be reunited in Rome after being pursued by local mobsters. Eventually they head off to Canada, but their lives still seem to be in only slightly less danger than they would have been had going AWOL not been an option. The film also features Luciana Paluzzi, Lang Jeffries, and Tracy King. ~ Tracie Cooper, All Movie Guide

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Starring:
Clifton Brown
1973  
 
Two TV films were shown during the 1973-1974 season dealing with the emotional and legal ramifications of rape. While the Elizabeth Montgomery vehicle A Case of Rape was closer to Real Life, Cry Rape! also had a lot going for it. Andrea Marcovicci stars as Betty Jenner, whose world is rent asunder when she falls victim to a rapist. Equally as humiliating as the violation itself is the aftermath; Betty must withstand the adversarial questions of the police on the case, and then must relive her nightmare in court. Filmed in a semidocumentary fashion, Cry Rape! veers dangerously close to discouraging any woman from reporting sexual assault, inasmuch as it demonstrates the step-by-step process by which the accuser often ends up the accused. Only its contrived melodramatic conclusion robs the film of its verisimilitude. ~ Hal Erickson, All Movie Guide

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1972  
 
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Al Adamson, shameless purveyor of countless horror anti-classics, juggles around most of the footage from his 1965 clunker Psycho-A-Go-Go after dressing up and re-releasing it on no less than three prior occasions (under a wide assortment of titles -- see below) with a few incomprehensible subplots added to further confuse audiences into thinking they were watching something else. The initial premise involves an insane Vietnam veteran being fitted with a brain implant by mad medic John Carradine (a regular Adamson player by this point) and used as a remote-control zombie by a cabal of jewel thieves. Their pet maniac subsequently blows a gasket, breaks his programming and turns on his controllers, strangles some dancing girls, then gets his revenge on Carradine. Enter gratuitous subplot #1 as the electro-fiend heads straight for Lake Tahoe (can you blame him?), where his rampage continues until he is eventually killed by the cops. Splice in gratuitous subplot #2: The late psycho's embittered pop is also a monster-making mad scientist, who avenges his son's death by mutilating Carradine's buxom daughter. None of the aforementioned plot combinations can disguise Adamson's trademark style -- i.e. cheap gore, cardboard sets, hideous acting, and so on. Viewers who manage to make sense of this piecework monstrosity should switch off their VCRs and seek immediate professional help. Sundry title variations include The Man with the Synthetic Brain, The Fiend with the Atomic Brain, The Fiend with the Electronic Brain, The Fiend with the Synthetic Brain... you should begin to notice a vague pattern here. ~ Cavett Binion, All Movie Guide

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1972  
 
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Speed (Ross Hagen) is the leader of a rowdy biker gang who reluctantly leaves his girlfriend, Donna (Jill Woefel), behind when the boys take off on an extended run. While waiting for their men to return, the girls take to the road on their own motorcycles and look for action. After avenging a fellow sister's rape and sexually assaulting a reluctant farmboy, the ladies evade the law and hide out at the Spahn Movie Ranch. The ranch is inhabited by a sinister hippie cult led by the charismatic King (William Bonner), who preaches peace and love but is involved in some illegal activities that he's willing to kill for. Meanwhile, the bikers are living it up, having a raucous stag party in the woods complete with beer drinking contests and fistfights. When Terry (Vicki Volante) dies after sleeping with King, Margo (Regina Carrol) knows she has to escape and get help from Speed and the gang. King decides to sacrifice Donna in a weird ritual meant to protect the "philosophy" of the cult, while the bikers race to her rescue. With fists blazing, they make short work of the evil hippies, but King escapes and it's up to Speed and his brother, Turk (Preston Pierce), to exact the proper revenge. ~ Fred Beldin, All Movie Guide

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1972  
R  
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In this grim, violent crime drama, a hit man murders a politician and then boards a ship to New York. During the voyage, the assassin abducts the captain's daughter, holds her captive in his cabin and rapes her while her father agonizes over what he should do. ~ Sandra Brennan, All Movie Guide

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1972  
R  
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A man who fights his way to success learns the people who helped him may be his biggest enemies in this action drama. B.J. Hammer (Fred Williamson) is a dock worker who used to box in the Golden Gloves and still knows how to handle himself in a fight; when he gets into a brawl at work, he's seen in action by an associate of Davis (Bernie Hamilton), a flashy businessman who manages boxers. Davis thinks Hammer has potential, and offers him a contract. Soon Hammer is training with Professor (Mel Stewart, an experienced boxing coach, and begins romancing Lois (Vonetta McGee), one of Davis's secretaries. After easily winning several fights, Hammer's career is on the rise and he seems poised to become a championship contender. But Davis isn't just interested in boxing; he's an underworld kingpin who also traffics in drugs and prostitutes, and often uses washed-up fighters as pawns in his criminal games. Hammer soon learns just how Davis operates when his manager orders him to take a dive in an upcoming fight, and when Hammer refuses, both he and Lois could face deadly retribution. Also starring William Smith and D'Urville Martin, Hammer was a major box-office success that established Fred Williamson as one of the major stars of the 1970s blaxploitation boom; the film also included an original score from soul music legend Solomon Burke. ~ Mark Deming, All Movie Guide

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1971  
PG  
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A slapdash epic of bad filmmaking geared strictly toward drive-in audiences, Dracula vs. Frankenstein has gone on to achieve cult status thanks to its sheer ineptness and impressive cast. At an oceanside amusement park, Dr. Frankenstein (J. Carrol Naish) runs a house of horrors that serves as a cover for his more devious scientific experimentation -- work that requires the murderous deeds of his mute assistant Groton (Lon Chaney Jr.). After stealing the corpse of Frankenstein's monster, Dracula visits the doctor and makes him an offer he can't refuse: resurrect the monster so that Dracula can use the beast to carry out his plan to take over the world. At the same time, lounge singer Judith (Regina Carrol) arrives at the park against the advice of detective Martin (Jim Davis) to search for her missing sister. She is drugged in a bar and winds up in the care of kindly stud Mike (Anthony Eisley), who takes up the investigation with her. Meanwhile, Dr. Frankenstein and Dracula resurrect the monster and immediately send it to kill the doctor's old enemy (Forrest J. Ackerman). Judith and Mike encounter the monster and, after a narrow escape, they confront Dr. Frankenstein who is beheaded in the ensuing melee. Sgt. Martin arrives in time to kill Groton before he attacks Judith, but not before Dracula kills Mike and takes Judith captive. He ties her up in the lab and prepares to bite her, but the monster goes mad, leading to a ferocious battle. ~ Patrick Legare, All Movie Guide

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1971  
R  
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King Amir (Reed Hadley), the beloved leader of a small Middle Eastern country named Khaleed, is sick with terminal cancer and he isn't prepared to die. His confidants arrange with an American scientist to carry out an experimental operation: Amir's brain will be transplanted into the skull of a healthy new body, allowing him to cheat death and continue ruling as a benevolent despot. When he succumbs, the corpse is rushed to the United States, where Dr. Trenton (Kent Taylor) immediately removes the brain and places it in a specially prepared receptacle. Trenton sends Amir's associates away so he can finish the procedure, but as they drive down a steep mountain road, their car is besieged by a menacing driver who succeeds in forcing them off a cliff. Robert (Grant Williams) survives, and suspects that someone is trying to usurp Amir's throne. Meanwhile, the mad doctor dispatches his servant Gor (John Bloom) to find him a healthy male body for Amir to inhabit. Gor, a hulking monstrosity with a twisted face and a child's intelligence, is too clumsy in his horrible task, and Dr. Trenton deems the victim unusable. But Amir's brain can only live outside of the body for a matter of hours, even though they keep it nourished with plenty of fresh human blood (obtained by keeping some teenage girls chained in the basement and tapping them like kegs). Gor is picked to host the transplanted brain, despite his hideous scars, and when Amir awakens and discovers the horrific body the doctor has given him, he goes mad. Robert returns to save his leader, but now Dr. Trenton is demanding control over Khaleed, and special electrodes he secretly implanted in Amir's brain mean he might succeed. Directed by Al Adamson, this gory shocker features Adamson regulars like Zandor Vorkov, Angelo Rossitto, and Regina Carrol. ~ Fred Beldin, All Movie Guide

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1970  
PG  
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Bikers, Nazis, Mafiosi, and the FBI all clash in this wild and wooly exploitation picture from director Al Adamson. Mark Adams (John Gabriel) is an FBI agent who has been assigned to infiltrate an organized crime ring that has obtained a set of printing plates that will allow them to produce nearly perfect counterfeit 20-dollar bills. The plates were made in Germany during World War II, and were discovered by a radical right-wing group hoping to restore the Nazi Party to power. The American gangsters are in cahoots with a group of wealthy American neo-Nazis sympathetic to the new German cause, led by fugitive war criminal Count von Delberg (Kent Taylor); the count has in turn recruited a vicious motorcycle gang, the Bloody Devils, to do his dirty work. Also featuring Broderick Crawford, John Carradine, and Col. Harland Sanders (the latter in a shameless plug for Kentucky Fried Chicken), Hell's Bloody Devils was produced under the titles The Fakers and Operation M as a straightforward espionage thriller; when distributors balked at the finished product, Al Adamson and producer Samuel M. Sherman added the biker subplot, and gave the product a more exploitive title. Shorn of the motorcycle gang footage, the film was also released as Smashing the Crime Syndicate. Nelson Riddle co-wrote the film's theme song, and Laszlo Kovacs and Gary Graver were among the cameramen. ~ Mark Deming, All Movie Guide

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Starring:
John GabrielKent Taylor, (more)
1970  
PG  
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Perhaps the most flagrantly re-packaged and re-titled no-budget project from notorious schlockmeister Al Adamson, this goofy melange culls footage from no less than three separate films -- including a Filipino caveman/monster movie (shot in black-and-white, then tinted fruity colors by Adamson) and the sci-fi flicks Unknown Island and One Million B.C.. If a plot can be detected amid this car crash of disassembled storylines, it might involve the efforts of a scientist (John Carradine) to send an expedition to a distant planet of space-vampires to halt their invasion of Earth. Once there, the astronauts don't find any vampires, but they do come across legions of oversized iguanas and rowdy Filipino cavemen. Aside from the distinction of having distinguished cinematographer Vilmos Zsigmond behind the camera, this film holds some kind of record for the most re-titlings in movie history. ~ Cavett Binion, All Movie Guide

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1969  
PG  
Ben Thompson (Robert Dix) rides through the wilds of Arizona seeking revenge in this violent, low-budget Al Adamson Western. For many years, Thompson has been searching for the Indian who killed his bride on their wedding day, with Death as his only companion. The man he seeks is Satago (John Cardos), the chief of the Yaqui, a renegade Apache tribe that has declared war on all white settlers. Ben teams up with Satago's half-brother, Joe Lightfoot (also played by Cardos), and when the duo comes upon a wrecked stagecoach, they try to keep the survivors safe in dangerous Indian territory. Along with hard-boiled gambler Jim Wade (Scott Brady) and his high-strung wife, Lavinia (Julie Edwards), are a mysterious preacher (John Carradine), hard-drinking madam Kansas Kelly (Paula Raymond), and Althea (Darlene Lucht), one of Kelly's "working girls" who takes a shine to stoic cowboy Ben. There's more danger than just the Yaqui to deal with when a pair of unscrupulous gun runners join the group, and revenge and bloodshed rules the day despite Ben's struggle to get the women to safety. The action is commented upon with a philosophical air by the Voice of Death (Gene Raymond) in this downbeat film, which was released under several titles including Five Bloody Graves, The Gun Riders, and Five Bloody Days to Tombstone. ~ Fred Beldin, All Movie Guide

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1969  
R  
This extra-violent Civil War melodrama was also released as Cain's Way and The Blood Seekers. Scott Brady plays a homesteader whose biracial family is butchered by Confederate renegades. Teaming up with bounty hunter-cum-preacher John Carradine, Brady goes after the men responsible. After dispatching most of the killers in particularly gruesome fashion, Brady sets his sights on the renegade leader, Robert Dix. Why is it that the hero never kills the leader at the outset, but always knocks off the flunkeys first? Evidently aiming at surrealism, director Kent Osborne juxtaposes Brady's campaign of slaughter is intercut with scenes of a modern-day motorcycle gang going on a real-life rampage. ~ Hal Erickson, All Movie Guide

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