Stanley Adams Movies

In this high-seas adventure set in the 1600s, a British sea captain must go undercover, join a pirate band, and capture the notorious Captain Henry Morgan. But Morgan is on to the ruse and is well prepared when the sea captain makes his move. As the two engage in mortal combat, they are knocked unconscious and dragged to the governor of Tortuga who prepares to hang them both as pirates. Fortunately, a stowaway aboard the pirate vessel steps forward and reveals the hero's true identity and saves him. Morgan is not so lucky. ~ Sandra Brennan, All Movie Guide

The second of Jerry Lewis' directorial endeavors, The Errand Boy, like its predecessor The Bellboy, is essentially a series of "spot gags," some hilarious, others only moderately amusing. The gossamer-thin plot finds Morty Tashman (Lewis) being hired by the CEO of "Paramutuel Pictures" (Brian Donlevy) to spy on studio employees and report any incidents of wastefulness and sloth. This gives Morty a chance to wander all over the Paramutuel Pictures lot, inadvertently interfering with work in progress, encountering strange characters and inexplicable events, and overall making as much of a nuisance of himself as possible. Some of the better gags include Morty's chaotic behavior at the "wrap party" for a vainglorious movie queen (Iris Adrian); his attempts to eat lunch while a noisy battle scene from a war picture rages all around him; his misguided effort to dub in the singing voice of a tone-deaf actress; the "Mr. Baebrosenthal" bit; and Morty's tete-a-tete in the studio swimming pool with a scuba diver. The weakest scenes involve Morty's sugary encounters with the Ritts Puppets, and a smug curtain speech about the importance of laughmakers in this troubled world. The huge supporting cast includes such reliable chucklemeisters as Howard McNear, Sig Ruman, Milton Frome, Benny Rubin, Fritz Feld, Doodles Weaver, Joey Forman, Dick Wesson and Joe Besser; also making fleeting appearances are actress/writer/director Renee Taylor, veteran movie tough guy Mike Mazurki (in drag!), silent film comic Snub Pollard, and the four stars from TV's Bonanza. Even non-Jerry Lewis fans will come down with a case of loose chuckles while watching The Errand Boy. ~ Hal Erickson, All Movie Guide

In an idealized New York City during the early '60s, Holly Golightly (Audrey Hepburn) is a charming socialite with a youthful zest for life who lives alone in a nearly bare apartment. She has such a flippant lifestyle that she won't even give her cat a name, because that would be too much of a commitment to a relationship. Maintaining a childlike innocence yet wearing the most perfect of designer clothes and accessories from Givenchy, she spends her time on expensive dates and at high-class parties. She escorts various wealthy men, yet fails to return their affections after they have given her gifts and money. Holly's carefree independence is changed when she meets her neighbor, aspiring writer Paul (George Peppard), who is suffering from writer's block while being kept by a wealthy woman (Patricia Neal). Just when Holly and Paul are developing their sweet romance, Doc (Buddy Ebsen) appears on the scene and complicates matters, revealing the truth about Holly's past. Breakfast at Tiffany's was nominated for several Academy awards, winning Best Score for Henry Mancini and Best Song for Johnny Mercer's classic tune "Moon River". ~ Andrea LeVasseur, All Movie Guide

Those familiar only with Johnny Horton's song hit North to Alaska might not be aware that the song came equipped with a movie. John Wayne and Stewart Granger star as a couple of lucky miners in Alaska Territory during the '98 gold rush. Since the Duke is the only man he can trust, Granger sends his pal to Seattle to fetch his fiance. Fabian appears in the cast (playing Granger's brother) primarily to attract teenage filmgoers; he gets to sing, of course, but he's better than usual. The film's centerpiece, an outsized brawl in the muddy streets of Nome, was repeated with several variations in Wayne's subsequent McLintock (1963). North to Alaska was based on a considerably more genteel stage play, Laszlo Fodor's Birthday Gift. ~ Hal Erickson, All Movie Guide

Escaped convict Rod Collins (Clu Gulager) heads for the home of his pen pal, the niece of Margaret Lowen (Katherine Squire). Fortunately for the police, Rod has left his pen pal's picture and letters back in his cell, enabling them to contact Margaret and ask her assistance in bringing the fugitive to justice. But once Rod shows up at Margaret's doorstep and insists upon meeting her niece, the situation takes an unexpected turn. ~ Hal Erickson, All Movie Guide

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide

In this youthful drama, the nerdish high school genius, desperate to become popular, is easily duped by the prettiest girl in school, who convinces him to do her homework for her. This leads to the young man's downfall when a teacher recognizes his work on her assignments. He, believing he could never make it in academia, then becomes a criminal. He has mapped out an ingenious scheme for robbing a shipping office when the pretty girl again comes to use him. The results are disastrous for the awkward young man. ~ Sandra Brennan, All Movie Guide

Drugs are the focus of the exploitation film set in the Los Angeles harbor. The plot centers around a villain's evil scheme to raid a ship and abscond with surplus war drugs. To help him get backers for the heist, he begins showing criminals a slide show depicting his scheme. A young woman accompanies one of the leader's gang members as he takes the slide show to various gangsters. The woman falls in love with an ambulance driver and gets him involved in the scheme. During the actual caper, the mastermind is killed, the drugs are safe, and the driver and the woman walk away from the whole thing unscathed. ~ Sandra Brennan, All Movie Guide

In this South Seas adventure, a sea captain teams up with lovely island princess help her vanquish the brutal smugglers who are forcing her people to dive for pearls. There are French colonialists on the island and a judge is there to ensure justice. Unfortunately, he is crooked, and after the smugglers are captured he gives them a choice: they can help him retrieve a sunken treasure or they can go to prison. They choose the former, but afterward, they double-cross the judge. Fortunately, the sea captain is still around to see that justice is served. ~ Sandra Brennan, All Movie Guide

The Pied Piper of Hamelin was originally filmed as a television special, then released theatrically outside the United States. The story is the familiar one: the town of Hamelin, plagued by rats, hires a mysterious piper (Van Johnson) to rid the town of rodents. The piper does so, on the promise that he'll be paid a handsome fee. But the duplicitous burgomeister (Claude Rains), on the advice of his Laurel-and-Hardy council (Doodles Weaver and Stanley Adams), reneges on his promise. In revenge, the piper lures all of Hamelin's children off to parts unknown. In a departure from the original, there's a happy ending this time. Most of the dialogue is spoken in rhyme (quite amusingly by Rains), while the songs are adaptations of Edvard Grieg tunes. In the musical department, Kay Starr comes off best as the grieving mother of one of the missing kids. Because it was filmed in color, The Pied Piper of Hamelin has remained in TV syndication into the 1990s. ~ Hal Erickson, All Movie Guide

I Married a Woman was tailored by top comedy writer Goodman Ace to the peculiar, low-key talents of TV comedian George Gobel. Lonesome Gobel plays an advertising man whose successful "Miss Luxemburg Beer Beauty Contest" campaign yields a most unusual bonus: the contest's buxom winner Diana Dors, who becomes Gobel's wife. More devoted to his job than his marriage, Gobel is soon in danger of losing Dors' affections. He wins his wife back through a series of unexpected plot twists, not least of which is the inspiration he draws from viewing a John Wayne picture (Wayne appears as himself, unbilled). Produced by Gobel's own Gomalco company, I Married a Woman was lensed in black-and-white, except for the Technicolor John Wayne sequences; the film was slated to be released by RKO Radio, but the death of that company redirected the film to the distribution facilities of Universal-International. ~ Hal Erickson, All Movie Guide

Bold and the Brave traces the destinies of three American soldiers stationed in Italy during World War II. Wendell Corey is top-billed as an idealistic soul who doesn't believe in killing. Don Taylor portrays a religious bigot, who can't see anything in terms other than Good and Evil. The most intriguing (and entertaining) member of the trio is Mickey Rooney, an inveterate gambler who runs a floating crap game up and down the Italian front. Since Rooney frequently declares that he's building up enough money to open a fancy New York restaurant, it's a foregone conclusion that he's not going to get out of the war alive. The title song for Bold and the Brave was cowritten by Mickey Rooney and Ross Bagdasarian, the latter best known as the creator of Alvin and the Chipmunks. ~ Hal Erickson, All Movie Guide

Hell on Frisco Bay is a slam-bang return to the sort of gangster fare turned out by the yard at Warner Bros. in the 1930s. Alan Ladd plays ex-cop Steve Rollins, who serves five years on a manslaughter rap. Upon his release, Rollins dedicates himself to finding the real killer. He soon learns that the man responsible for the frame-up was Victor Amato (Edward G. Robinson), the crime kingpin who rules the roost on the docks of San Francisco. Hoping to keep the heat off his operation, Amato "invites" Rollins to join his gang. Had Rollins accepted at this point, the film would have been over; instead, he doggedly pursues the gang boss with the help of such allies as cast-off gangster moll Kay Stanley (Fay Wray) and police lieutenant Dan Bianco (William Demarest). Amato is so desperate at one point that he orders the murder of his own nephew; surely a man with this sort of temperament is doomed to a horrible demise, and that's just what happens. Joanne Dru costars as Rollins' estranged wife Marcia, who believes in her husband but doesn't relish the notion of his being shot full of holes by Amato's goons. At the time of the film's release, the critics went overboard in their approval of Edward G. Robinson's full-blooded reprisal of the sort of role which made him famous (Robinson himself hated the part, but needed the work). ~ Hal Erickson, All Movie Guide