Daphne Zuniga Movies

This traditional fairy tale, as told by Pyotr Yershov in his 1834 book, was first animated in 1947 in Russian by director Ivan Ivanov-Vano, and was remade by the same director in 1976. Ivanov-Vano was a distinguished artist and animator who was 76 at the time this film was released. It tells of the adventures that befall a wily, honest peasant boy who, after capturing a flying horse, is given three horses and a set of instructions by the flying steed. The first two horses are beautiful and are his to sell or give away, and the last, a tiny pony, he must keep. Following these instructions, and others he receives from the little pony, the boy becomes a prince and marries a beautiful princess after bringing about the death of an evil old Tsar. ~ Clarke Fountain, All Movie Guide

This fact-based youth-oriented drama chronicles the courage and determination of a teenage girl who stands tall in the face of sexist traditionalism and fights for her right to play on the varsity football team. Not only does she succeed, she also manages to become the homecoming queen. ~ Sandra Brennan, All Movie Guide

The ads for The Stone Pillow tended to suggest that this TV movie was Lucille Ball's dramatic debut--completely ignoring the fact that Ball had started out as a "straight" actress in the 1930s who only occasionally played comedy until I Love Lucy came along. Whatever the case, the Ball we see in Stone Pillow is a cranky bag lady, fiercely independent and violently resistant to do-gooders who try to alter her homeless status. Daphne Zuniga plays an idealistic social worker who tries to get Ball off the streets. It is only after watching several of her fellow indigents die where they sleep that Ball agrees to give up her "stone pillow." Though meant to be intensely dramatic, The Stone Pillow looks more like an elongated I Love Lucy sketch in which Ball dresses up like a tramp in order to meet Red Skelton (or somebody). ~ Hal Erickson, All Movie Guide

According to high school wrestler Matthew Modine, a spiritual "Vision Quest" is necessary for him to decide his future. Thus, Modine starts behaving in a manner that amazes even himself. The crowning achievement of Modine's new outlook on life is his romance with 21-year-old artist Linda Fiorentino. Somehow, all of this boils down to the standard "underdog makes good at crucial sports event" finale. Essentially Rocky and Breaking Away redux, Vision Quest is saved by the spirited performances of its young protagonists. Of historical value is the brief appearance by Madonna, whose voice is heard throughout on the film's music track. ~ Hal Erickson, All Movie Guide

A space bum helps rescue a princess from an evil overlord with the help of a benevolent elder in this Star Wars send-up written and directed by Mel Brooks. Lone Starr (Bill Pullman) and his half-man, half-dog co-pilot, Barf the Mawg (John Candy), are content to scour the galaxy living the easy life. But they reluctantly come to the rescue when Druish Princess Vespa (Daphne Zuniga) is threatened by the evil Lord Dark Helmet (Rick Moranis), who wants to steal all of the air from her planet, Druidia. Trapped on a harsh desert world with Vespa and her robot chaperone, Dot Matrix (voice of Joan Rivers), Lone Starr and Barf are helpless to prevent Helmet from kidnapping the girl. But assistance arrives in the form of Yogurt (Brooks), a wizard who turns Lone Starr on to a mysterious power known as The Schwartz. Catching up with Helmet just as he's transforming his spaceship into a giant vacuum cleaner in orbit around Druidia, the reluctant heroes stage a dramatic showdown. Although it borrows most of its plot from the Star Wars series, Spaceballs also pokes fun at Star Trek, Snow White, and Planet of the Apes -- as well as the entire videocassette and movie marketing industries. The large supporting cast includes Dick Van Patten, Jim J. Bullock, and the voice of Dom DeLuise. John Hurt makes a cameo in a parody of the exploding chest scene he played in Alien. ~ Brian J. Dillard, All Movie Guide

Gross Anatomy is to medical school what Paper Chase was to law school, with perhaps a little less sobriety. Mathew Modine plays a blue-collar kid attending a posh school of medicine, where everyone--teacher and student alike--seems to be well above Modine's social strata. Perhaps as a reaction to the snobbery all around him, Modine behaves as irreverently as possible. Neither teacher Christine Lahti nor lab partner Daphne Zuniga finds Modine's what-the-hell act appealing, but both are fully aware that he is a talented young man with a brilliant future. The climax of the film lays it on pretty thick in defining Modine as an all-around good fellow despite his cheekiness (he even delivers a baby just before taking his finals!), but Gross Anatomy strives successfully to be a "feel good" movie--albeit brought ever so slightly down to earth by the death of one of the principal characters. ~ Hal Erickson, All Movie Guide

Chris Walas, the makeup and animatronics director on David Cronenberg's remake of The Fly, takes a stab at directorial duties in this sequel. Before Seth Brundle morphed into scrap metal in the original The Fly, he managed to leave behind the seed of his legacy, and at the start of The Fly 2 his son, Martin (Eric Stoltz), has suffered an accelerated growth, thanks to his fly genes. Although played by Stoltz, Martin is supposed to be only five human years old, and unaware of his imminent transformation into a fly. All his life, Martin has been confined to a laboratory at Bartok Industries, where evil CEO Bartok (Lee Richardson) plans to breed a new race of super flies. Martin spends his days working in the lab experimenting with teleportation. But then Martin meets Beth (Daphne Zuniga), an attractive researcher. Martin is attracted to her, but not only do his hormones kick in, so do his fly genes. Soon, Martin begins to transform into a bug just like his father. Desperate to stop his transformation, he wreaks revenge upon Bartok while trying the find a mate with which to swap his unwanted fly genes before it's too late. ~ Paul Brenner, All Movie Guide

In this grim and violent made-for-cable television thriller, a murderous female escapes from a mental hospital and begins a killing spree that baffles the FBI because she is a mistress of disguises and is able to take on the identities of each of her victims. Fortunately, a female cop has the right stuff to stop her. She had better hurry because her FBI-agent boyfriend may be next on the killer's list. ~ Sandra Brennan, All Movie Guide

A nighttime soap opera about the lives, careers, trials and tribulations of a group of young people living in an apartment building in the trendy neighborhood of Melrose Place. The show was a spin off of Beverly Hills 90210 and starred Heather Locklear as the scheming Amanda Woodward, head of her own advertising agency and owner of the apartment building.

There's a lot happening during the 31-episode 1993-94 season of Melrose Place, the sexy, steamy, outrageous, and slightly-more-grown-up spin-off of Beverly Hills, 90210. Heather Locklear (as Amanda Woodward) -- a late-first-season, ratings-boosting addition to the cast -- fully becomes the show's star this season as she purchases the titular apartment complex, takes over the D&D advertising agency, and sets her sights on Jake Hanson (Grant Show). Philandering doctor Michael Mancini (Thomas Calabro) has an affair with Dr. Kimberly Shaw (Marcia Cross, later of Desperate Housewives), divorces Jane Andrews (Josie Bissett), and then takes up with Sydney (Laura Leighton). Billy Campbell (Andrew Shue) still pines for Alison Parker (Courtney Thorne-Smith), whom he jilted for a fling with Amanda -- their boss -- in Season 1. But, this being Melrose Place, that's just the start of it: Jake breaks up with Jo Reynolds (Daphne Zuniga); Michael becomes paralyzed; Kimberly slips into a coma; Sydney becomes a prostitute; and the other soapy twists that were to be the show's trademark come fast and frisky. Features on this set include select audio commentaries by series creator Darren Star and featurettes such as: "Melrose Place - Meet the Neighbors," in which viewers get the inside scoop on favorite characters; a highlight- and lowlight-filled "Melrose Place - The Best of the Worst"; and an overview of the characters' tangled webs, "Melrose Place: Complex Relationships."

In this suspenseful drama, a commercial jet filled with passengers becomes a potential agent for widespread death after it is discovered that terrorists have loaded it with a deadly virus. While government officials wrestle with ways of handling the situation and try to avoid the most logical solution -- destroying the plane to save more lives -- the pilot contends with a dangerously low fuel supply. No airport in Europe will allow him to land, and he is too far from the U.S. to return home. At the same time, the passengers grow increasingly restless. ~ Sandra Brennan, All Movie Guide

Burned-out, boozing crime novelist Bruce Simon Barker (John Ritter) emerges from his doldrums long enough to involve himself in a bizarre missing-persons case. At the urging of his police inspector sister (Samantha Eggar), Bruce investigates the disappearance of a baby. There have been no ransom demands, the baby's parents are (to put it mildly) dysfunctional, and the father of the child is cheating on his wife with her sister. At first, Barker figures that these sordid real-life intrigues might serve as inspiration for another of his crime novels, but the deeper he becomes enmeshed in the situation, the more he realizes that there is much, much more to the case than meets the eye. Meanwhuile, Barker must wrestle with the disintegration of his own marriage and the alienation of his daughter. Daphne Zuniga, Michelle Scarabelli and Roddy McDowell deliver standout performances as the sister-in-law, the baby's mother, and the family's shady attorney. Produced for Canadian TV under the title Loss of Faith, this film has since been shown on America's Lifetime network as The Truth About Lying. ~ Hal Erickson, All Movie Guide