Marc Zuber Movies

A half-parody and half-loving tribute to the over-the-top style of Indian musicals, this song-and-dance-filled musical comedy-drama concerns Geena (Preeya Kalidas), a pretty and virtuous young women who has been raised by a loving but strictly traditional Indian family. One day, Geena happens to meet a charming and footloose visiting Englishmen named Jay (James MacAvoy), and it's love at first sight for the both of them. However, Geena's family does not approve of her dating a relative stranger, and as her brothers keep an eye on her every move, Geena is forced to meet Jay on the sly. Before long, she impulsively leaves for England with him, with her family giving chase. Along the way, the story stops periodically to give the characters the opportunity to burst into song, though along with the expected Hindi pop tunes, the characters let loose with blues, folk, and roots rock compositions. Bollywood Queen was screened in competition at the 2003 Sundance Film Festival. ~ Mark Deming, Rovi

This exercise in patriotic, high-tech action centers on a select group of Navy commandos and their battles against a Middle East terrorist group. This particular squadron is led by a pair of rivals: cocky, fiery Hawkins (Charlie Sheen) and stoic, unflappable Curran (Michael Biehn). When an anti-terrorist mission goes awry, allowing an enemy leader to escape with a supply of stolen American missiles, both men are certain that, given another chance, they can redeem themselves and the squad. Their rivalry plays out against a background of high-powered amphibious battles, allowing the film to revel in dangerous stunts and advanced weaponry. Joanne Whalley-Kilmer provides brief romantic relief as a journalist with important information, but the focus remains on the macho interplay between Hawkins and Curran. Co-written by former Navy Seal Chuck Pfarrer (with Gary Goldman), the film presents authentic details about the elite unit, but the bulk of Navy Seals tends to rely on familiar combat film conventions. Viewers seeking rapidly paced action sequences will not be disappointed, though other viewers may be less likely to overlook the predictable storyline and routine characters. ~ Judd Blaise, Rovi

Victor Banerjee, the India-born star of David Lean's A Passage to India, is the central figure of director Ronald L. Neame's Foreign Body. Jobless in Calcutta, Banerjee steals money from his own father to afford passage to Britain. There he makes contact with his cousin Warren Mitchell, who arranges for Banerjee to get a job as a bus conductor. But when he begins to ardently pursue a lovely young white woman, Banerjee loses his job at the behest of the girl's influential father. His luck changes radically when Banerjee administers mouth-to-mouth resuscitation on a bus accident victim, whereupon he is mistaken for a doctor by friendly model Amanda Donohoe (probably the nicest she's ever been on film). Donohoe talks up the skills of this "new Indian doctor", and before he knows what has hit him, Banerjee is head physician to the Prime Minister of England--with virtually every woman in the land vying for his services in bed! Never letting on where it is heading next, Foreign Body is adapted from an equally tricky novel by Roderick Mann. ~ Hal Erickson, Rovi

Bassanio (John Nettles), a young man of Venice, falls hopelessly in love with fair Portia (Gemma Jones), a wealthy heiress. But his pocket lacks the jingle to woo her. So Bassanio obtains a loan from the Jewish moneylender Shylock (Warren Mitchell), and his friend Antonio(John Franklyn-Robbins) agrees to repay it in three months. However, if Antonio fails to meet the deadline, Shylock says, Antonio must forfeit a pound of his flesh -- certain death -- as payment. In his heart, Shylock hopes Antonio will default so that he can carve up one of the Christians who mock and humiliate him simply because he is Jewish. Meanwhile, Portia entertains distinguished suitors from around the world. Although she loves Bassanio, her late father made her promise to marry only the suitor who passes a strange test: He must choose from among three caskets -- one gold, one silver, and one lead. If the chosen casket contains a picture of Portia, the suitor wins her hand in marriage. After princes from Morocco and Arragon select the wrong caskets, Bassanio chooses the right one. In the meantime, Shylock's daughter Jessica (Leslee Udwin) elopes with a Christian, Bassanio's friend Lorenzo (Richard Morant), and helps herself to her father's jewels and gold before leaving. When Antonio suffers a financial reversal and fails to repay the loan, Shylock demands the pound of flesh. A trial before the Duke of Venice ensues, in which Portia, disguised as a male advocate, addresses the court, telling Shylock he is entitled to his pound of flesh according to the loan agreement. Shylock, praising her for her ruling, prepares to cut into Antonio's chest. But Portia warns him that he must take only flesh, but no blood, for the contract says nothing of blood. Shylock drops his knife, realizing he has been defeated. As punishment for conspiring to kill Antonio, Shylock must forfeit property and become a Christian. As he leaves the court, a broken man, the other principals celebrate and live happily ever after. ~ Mike Cummings, Rovi

The Sweeney started out as a British TV detective program all about Scotland Yard's Flying Squad. Its popularity spawned a reasonably satisfying 1976 feature film, starring the TV series' Tom Thaw. In Sweeney 2, Thaw is called upon to solve a series of carefully orchestrated bank robberies, which turn out to be the handiwork of an elite team of crooks headquartered in a posh Maltese apartment complex. ~ Hal Erickson, Rovi

In the early 1900s, an American businessman was kidnapped by a rebellious Arab chieftain, principally as a means to embarrass the sultan of Morocco. This abduction sparked the threat of armed intervention by President Theodore Roosevelt, which was never carried out. In The Wind and the Lion, the unattractive male captive is replaced by the gorgeous female Mrs. Pedecaris, an American widow played by Candice Bergen. The ruthless but essentially decent Arab chief Raisuli is portrayed by Sean Connery, while Teddy Roosevelt is depicted as a jingoistic blowhard by Brian Keith. The film's main theme -- that of America's emergence as a world power -- is largely secondary to the growing mutual-respect relationship between Mrs. Pedecaris and Raisuli. After releasing his hostage, Raisuli is himself captured by German forces, who at the behest of the Kaiser are seeking out methods of laying the groundwork for what would evolve into World War I. Mrs. Pedecaris must then help Raisuli escape. ~ Hal Erickson, Rovi

The final installment in Hammer Studios' Dracula series is also the least interesting of the lot. A fairly direct follow-up to Dracula A.D. 1972, this sequel finds the Count (Christopher Lee) developing a potent strain of bubonic plague which he and his devil-worshipping disciples plan to release from 1970's London to wipe out nearly all life on earth. His efforts are challenged once again by the dedicated Dr. Van Helsing (Peter Cushing), leading to a rather uninvolving climax. Despite the always-welcome presence of Lee and Cushing, this installment plays too flagrantly with the time-honored Hammer Gothic formula, giving Dracula actual dialogue and surrounding the leads with a dull, amateurish supporting cast -- with the possible exception of Joanna Lumley (later of BBC-TV's Absolutely Fabulous). This also marked Lee's final performance as the Count and signaled the beginning of the end for Hammer's horror heyday. Also known as Satanic Rites of Dracula and Dracula is Dead and Well and Living in London. ~ Cavett Binion, Rovi