Vera Zorina Movies
European ballerina and actress Vera Zorina, born Eva Brigitta Hartwig to Norwegian parents in Berlin, appeared in a few Hollywood musicals from the late '30s through the early '40s. She learned to dance as a small child and by age seven was already a professional. In 1929, Zorina appeared in Max Reinhardt's A Midsummer Night's Dream as the lead elf, a role that earned her favorable reviews. After joining the Ballet Russe in 1933, Zorina began touring England and the U.S. While she was appearing in the London version of the popular musical On Your Toes, movie mogul Sam Goldwyn saw her and signed her to star in 1938's Goldwyn Follies. Later that year she also made her Broadway debut in I Married an Angel. For the frosting on that year's cake, she married the great choreographer George Balanchine. The union lasted through 1946 and after divorcing Balanchine, she married Columbia Records president Goddard Lieberson. Though Zorina was a wonderful dancer, her acting skills were lacking and by the end of the '40s, she had left films in favor of infrequent stage appearances and to narrating modern classical music pieces during concerts. Following experience directing opera in Santa Fe, NM, during the '70s, Zorina became the managing director of the Norwegian Opera. In 1978, she became a music consultant and record producer for Columbia. ~ Sandra Brennan, Rovi- 1973
Director Francesco Rosi returns to his recurring theme of the connections between legal and illegal exercises of power in this sensationalized account of the infamous gangster Charles "Lucky" Luciano (Gian Maria Volonte). The film examines the life of Luciano after serving nine years of his 50-year sentence in the 1930s and 1940s, after which he was pardoned and deported to Italy. Once back in Italy, Luciano travels to Naples, where he finds himself under a continuous ten-year investigation by narcotics investigator Charles Siragusa (who plays himself). Rosi uses Luciano as a clinical study, questioning his legendary status and exploring the truth behind the legend. ~ Paul Brenner, Rovi
- Starring:
- Gian Maria Volontè, Rod Steiger, (more)
- 1946
Lucille Ball stars as the wife of a war correspondent, anxiously awaiting her husband's return. Ball is convinced that hubby (George Brent) is looking forward to feminine companionship after four long years at the front. Imagine her surprise when it looks as though her husband wasn't quite as lonely as she'd thought--thanks to sexy combat photographer Vera Zorina. Ball files for divorce, but the outcome is tipped off by the title: the Lovers come back. Lucille Ball is merely decorative for the most part in this film, though she has one delightful comic scene involving an attempt to smoke a cigar. To avoid confusion with a 1962 Doris Day/Rock Hudson epic of the same name, Lover Come Back was retitled When Lovers Meet for television. ~ Hal Erickson, Rovi
- Starring:
- George Brent, Lucille Ball, (more)
- 1944
Paramount Pictures did their patriotic duty with this World War II era musical, with a number of the studio's biggest stars making cameo appearances. Tony West (George Raft), his sister Kitty (Grace McDonald), and their father Nick (Charles Grapewin) tour together as The Three Wests, a failing act just scraping by in the latter days of vaudeville. With job opportunities drying up on the East Coast, Tony persuades the family to take their chances in California, and for once luck is with him. Not long after arriving in Hollywood, Tony is hired as a chorus boy on a musical starring Latin bombshell Vera Zorina (Gloria Vance). Cocky Tony offers Vera some much-needed advice on her dancing. She's intrigued by his confidence, and a romance blooms; soon, the two marry. Tony becomes a major star as Vera's on and off screen dancing partner, but when World War II breaks out, Tony's conscience gets the better of him. Tony is 4-F because of a bad knee, but he's ashamed to admit this, even to Vera, who thinks he's avoiding the service out of cowardice. Vera eventually gives Tony his walking papers, and desperate to show his support of our troops, Tony organizes an all-star U.S.O. revue bringing much needed entertainment to America's fighting men overseas. Follow the Boys also features guest shots by Marlene Dietrich, W.C. Fields (demonstrating trick billiard shots), Orson Welles (doing his magic act), Dinah Shore, The Andrews Sisters, Jeanette MacDonald, Sophie Tucker, Randolph Scott, Lon Chaney Jr., and Maria Montez, among many others. ~ Mark Deming, Rovi
- Starring:
- George Raft, Vera Zorina, (more)
- 1942
Star-Spangled Rhythm is a typical wartime all-star musical-comedy melange, this time from Paramount Pictures. The slender plot involves the efforts by humble studio doorman Pop Webster (Victor Moore) to pass himself off as a big-shot Paramount executive for the benefit of his sailor son Jimmy (Eddie Bracken). The overall level of humor can be summed up by the scene in which Webster is advised that the best way to pretend to be a studio big-shot is to say "It stinks!" to everything -- whereupon Cecil B. DeMille shows up to ask Webster's opinion about his current production. Betty Hutton, cast as studio switchboard operator and co-conspirator Polly Judson, is at her most rambunctiously appealing here. The huge lineup of guest performers includes Bing Crosby (and his 8-year-old son Gary!), Bob Hope, Veronica Lake, Dorothy Lamour, Dick Powell, Mary Martin, Alan Ladd, Fred MacMurray, William Bendix, Paulette Goddard, and Eddie "Rochester" Anderson, most (but not all) of them going through their characteristic paces. Highlights include a surrealistic rendition of That Old Black Magic with Johnnie Johnston and Vera Zorina; a frantic staging of the old George S. Kaufman sketch "If Men Played Cards as Women Do" with MacMurray, Ray Milland, Franchot Tone, and Lynn Overman; and The Sweater, the Sarong and the Peekaboo Bang, first performed by Goddard, Lamour and Lake, then lampooned in drag by Arthur Treacher, Sterling Holloway and Walter Catlett! PS: The actor playing Rochester's chauffeur in the Smart as a Tack number is John Ford "regular" Woody Strode. ~ Hal Erickson, Rovi
- Starring:
- Victor Moore, Betty Hutton, (more)
- 1941
The Irving Berlin-Morrie Ryskind Broadway musical hit Louisiana Purchase came to the screen with surprisingly few emendations in 1941. Bob Hope replaces Broadway's William Gaxton in the role of innocent political flunkey Jim Taylor, set up to take the fall for wholesale graft by a group of corrupt Louisiana politicians. Taylor's friendly adversary is bumptuous U.S. senator Loganberry (Victor Moore, repeating his stage role), whose efforts at reform only end up getting him in hot water as well. Loganberry solves his own problems by marrying Mme. Bordelaise (Irene Bordoni), the temptress who'd been sent out to place him in a compromising position, forcing Taylor to straighten out the mess himself in a hilarious climactic courtroom filibuster. ("If it's good enough for James Stewart, it's good enough for me.") Some of the satirical bite of the Broadway version had to be blunted for movie-audience consumption, though Paramount managed to avoid potential lawsuits by using a device which originated in the play: an amusing opening "opera bouffe" wherein it was established beyond all doubt that Louisiana was a totally mythical state! (At one point, a bevy of chorus girls sing the "any resemblance to actual persons living or dead" disclaimer.) On a historical note, Louisiana Purchase was Bob Hope's first Technicolor appearance. ~ Hal Erickson, Rovi
- Starring:
- Bob Hope, Vera Zorina, (more)
- 1940
Actress/ballerina Vera Zorina stars as a phony countess, working in cahoots with two international con artists (Erich von Stroheim and Peter Lorre). She renounces her earlier life after falling in love with one of her victims (Richard Greene), but her old crooked cronies show up to blackmail her. Zorina confesses to her husband, who forgives all. Von Stroheim and Lorre steal everything but the cameras in their brief scenes, outshining both hero and heroine with their patented rascality. I Was an Adventuress ends with a George Balanchine ballet sequence, which like all such film "highlights" goes on too long and is strictly a matter of taste. ~ Hal Erickson, Rovi
- Starring:
- Vera Zorina, Richard Greene, (more)
- 1939
In this musical, a composer abandons vaudeville in favor of the legitimate stage. He soon finds himself entangle with a Russian ballet company that contains his old childhood lover, but when the troupe mistake him for a traitor trouble ensues. Perhaps the film is most notable for Balanchine's choreography of "Slaughter on Tenth Avenue." Songs include: "There's a Small Hotel," "Quiet Night," "On Your Toes," "Princess Zenobia Ballet." ~ Sandra Brennan, Rovi
- Starring:
- Vera Zorina, Eddie Albert, (more)
A longtime admirer of Broadway impresario Flo Ziegfeld, Hollywood producer Sam Goldwyn hoped to emulate the success of The Ziegfeld Follies by producing an annual movie-musical revue. Goldwyn's dream began and ended with 1938's Goldwyn Follies, a film centering on Goldwyn-like movie producer Oliver Martin (Adolphe Menjou). It seems that Martin's films haven't been turning a profit lately, and he wants to find out why by eliciting the advice of the average filmgoer. He makes the acquaintance of pretty Hazel Dawes (Andrea Leeds), who tells Martin that the movies suffer from unbelievable storylines, cliched dialogue and wooden acting. Impressed, Martin hires Hazel as "Miss Humanity," allowing her to judge the merits of his latest production and even to select the cast members. Among Hazel's discoveries are singing hash-slinger Danny Beecher (Kenny Baker), opera diva Leona Jerome (Helen Jepson), and prima ballerina Olga Samara (Vera Zorina). Also hoping to appear in Martin's upcoming epic are ventriloquist Edgar Bergan and his wisecracking dummy Charlie McCarthy, and a trio of zany animal trainers who look, sound and act like the Ritz Brothers. ~ Hal Erickson, Rovi
- Starring:
- Adolphe Menjou, The Ritz Brothers [Al, Jimmy, Harry], (more)
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