Fred Aldrich Movies

In the historical epic The Conqueror, John Wayne stars as Temujin, better known as Genghis Khan. Red-haired Susan Hayward costars as Bortai, the Tartar princess whom Temujin claims as the spoils of battle. Eventually, Bortai's hatred for her captor metamorphoses into love, while Temujin's hordes lay claim to the entire Gobi Desert. Director Dick Powell, many of the actors (John Wayne, Susan Hayward, Pedro Armendariz, Thomas Gomez, Agnes Moorehead), and several of the crew members later fell victim to cancer, allegedly the result of producer Howard Hughes' decision to lens the film on location near the atomic testing grounds in the Utah desert. ~ Hal Erickson, All Movie Guide

Dale Robertson stars as the Son of Sinbad in this tongue-in-cheek Arabian Nights romp. Hoping to rescue Bagdad from the forces of the dreaded Tamerlaine, Sinbad Jr. enlists the aid of the Khalif (Leon Askin) by promising to deliver the secret of "Greek Fire". To expedite this, he enlists the aid of the lovely Kristina (Mari Blanchard), who has memorized said secret. When the bad guys threaten the safety of hero and heroine, slave girl Ameer (Sally Forrest), who heads the all-female descendants of the original Forty Thieves, come galloping to the rescue. Personally produced by Howard Hughes, Son of Sinbad seems to be a clearing house for all of Hughes' voyeuristic fetishes; at one point, stripteaser Lili St. Cyr performs an exotic (and erotic) dance wearing the equivalent of a postage stamp, earning a Condemned rating from the Catholic Legion of Decency. The overabundance of feminie pulchritude gets a little wearing after a while, and it is up to Vincent Price to steal the show as Omar the Tentmaker, improvising passages of his unpublished "Rubiyat" (with a few anachronistic Shakespearean quotes thrown in) as he tries to keep apace with the hero. Also on hand is an uncredited (and fully clothed) Kim Novak as a handmaiden. More silly than sexy when seen today, Son of Sinbad is acceptable nonthink entertainment. ~ Hal Erickson, All Movie Guide

The Farmer Takes a Wife is a musicalized remake of the 1935 film of the same name. Betty Grable and Dale Robertson star in the roles originally essayed by Janet Gaynor and Henry Fonda. Set in the early 19th century, the plot details the trials and tribulations of those hardy souls who settled along the Erie Canal. Grable plays Molly Larkin, the girlfriend of rough-and-tumble canal-boat captain Jotham Klore (John Carroll). Much to Klore's dismay, she hires mild-mannered farmer Daniel Harrow (Robertson) to work on the boat. Molly and Daniel fall in love and marry, but there's many a heartbreak and letdown before a happy ending can be reached. Though not in any way a "typical" Betty Grable musical, Farmer Takes a Wife was misleadingly advertised as such: one promotional still showed a grinning Grable anachronistically garbed in tight jeans and a bare-midriff blouse! Both versions of The Farmer Takes a Wife were adapted from the stage play by Frank B. Elser and Marc Connelly. ~ Hal Erickson, All Movie Guide

Lucy (Lucille Ball) and Ethel (Vivian Vance) demand that their husbands, Ricky (Desi Arnaz) and Fred (William Frawley), treat them as equals. The boys decide to teach the girls a lesson by taking them out to an expensive restaurant -- and then leaving them with the bill. Also in on the scheme is the restaurant's maître d’ (Larry Dobkin), who orders Lucy and Ethel to work off their bill by washing dishes. Now it is Lucy and Ethel's turn to get even, which they do by concocting a scheme whereby Ricky and Fred will be persuaded that the restaurant is being robbed. Predictably, nothing goes quite as planned, and the evening ends with two of the main characters behind bars. ~ All Movie Guide

One reviewer of Abbott & Costello's Lost in Alaska summed up the proceeding in three pithy words: "Lost is right." While not A&C's worst film, it's several miles removed from their best. Cast as firemen in turn-of-the-century San Francisco, Bud and Lou rescue would-be suicide Tom Ewell. It turns out that Ewell is mooning over his former girl friend, saloon chanteuse Mitzi Green. It also transpires that Ewell has just come from Alaska, where he's been searching for $2 million in gold. Abbott and Costello accompany their new friend back to Alaska, where they're forced to dodge the bullets of Ewell's old enemies; foremost among these is plug-ugly Bruce Cabot. They find the gold, only to lose it all over again. The film's best scene occurs at the beginning, when Abbott, Costello and Ewell take turns saving one another from drowning. Otherwise, Lost in Alaska looks like a 2-reel comedy, clumsily stretched into an 8-reel feature. ~ Hal Erickson, All Movie Guide

Minister Sterling Hayden is able to tend to the needs of his flock, but can do nothing for his alcoholic wife. She kills herself, whereupon the anguished minister turns his back on his calling. He ends up a skid-row derelict and is thrown into the drunk tank. An elderly preacher (Ludwig Donath) takes it upon himself to regenerate the dissipated Hayden. He succeeds with the help of his blind daughter (Viveca Lindfors), who falls in love with the ex-minister. Journey Into Light unfortunately compromises its compelling storyline by moving at a snail's pace. ~ Hal Erickson, All Movie Guide

Though he had previously appeared in David Bradley's film adaptation of Julius Caesar, Dark City marked Charlton Heston's first role in a major Hollywood production. Danny (Heston) and his pals Augie (Jack Webb), Soldier (Henry Morgan), and Barney (Ed Begley Sr.) set up a poker game to take Arthur Winant (Don DeFore) for all his money, but after the fact they discover that the money he lost wasn't really his and, in desperation, Arthur killed himself. Arthur's brother Sidney (Mike Mazurki), a large man not known for his emotional stability, becomes enraged when he learns the facts about Arthur's death, and he vows to kill the men responsible. When his friends start dropping like flies, Danny hides out with his girlfriend, nightclub singer Fran Garland (Lizabeth Scott), and pays a visit to Arthur's widow Victoria (Viveca Lindfors) in hopes of finding out who the killer might be. Jack Webb and Henry Morgan later reformed after their first appearance together as criminals when they co-starred in the TV show Dragnet. ~ Mark Deming, All Movie Guide

Dick Powell stars as Canadian Mountie Sgt. Mike Flannagan. When Boston-bred Kathy O'Fallon (Evelyn Keyes) marries Mike, she is immediately nicknamed "Mrs. Mike" by her new friends and neighbors. Unprepared for the hardships of life in the Great White North, Mrs. Mike nonetheless perseveres through minor inconveniences and major tragedies, including the death of her child during an epidemic. The film lays on the sentiment rather heavily, but stars Dick Powell and Evelyn Keyes manage to cut through the treacle with their first-rate thesping. Based on a true story, Mrs. Mike was adapted from the best-selling novel by Benedict & Nancy Freedman. ~ Hal Erickson, All Movie Guide

Deadline at Dawn represented not only the sole film directorial effort of Broadway's Harold Clurman, but also the only cinematic collaboration between Clurman and his former Group Theatre associate, screenwriter Clifford Odets. While on shore leave in New York, sailor Alex (Bill Williams) is slipped a doped-up drink by B-girl Edna (Lola Lane). When he awakens, Alex discovers that she has been murdered. Though he believes that he's the killer, our hero is talked into locating the actual miscreant by philosophical cab driver gus (Paul Lukas) and nightclub dancer June (Susan Hayward). Adapted from a novel by Cornell Woolrich, Deadline at Dawn leans towards pretentiousness at times, but is redeemed by the no-nonsense performance by Susan Hayward. ~ Hal Erickson, All Movie Guide

This second entry in the Bowery Boys series plays more like an extended 2-reeler than a feature film, perhaps because its director was Three Stooges veteran Del Lord. In this one, Slip (Leo Gorcey), Sach (Huntz Hall) and the rest of the Bowery Boys find themselves in the middle of a "taxi war". Crooked cab company manager Steve Trent (Douglas Fowley) has been sending out his goons to wreck the taxicabs of his independent competitors. Slip and Sach try to convince Trent's boss McCormick (Paul Harvey) that his manager is a crook, but McCormick refuses to believe them until his daughter Marian (Jane Randolph) aligns herself with our heroes. Unlike later Bowery Boys efforts, In Fast Company closely resembles the East Side Kids films that preceded it, with the boys indulging in petty larceny before the plot proper gets under way. ~ Hal Erickson, All Movie Guide