Hanns Zischler Movies

This lavish, broadly scaled feature from director Kai Wessel dramatizes the life of Hildegarde Knef (1925-2002), arguably the most popular actress and chanteuse in post-WWII Germany. Yet in lieu of presenting a chronological and all-inclusive account of Knef's decades-long career, Wessel and screenwriter Maria von Heland use Knef's 1966 concert at the Berlin Philharmonie as a narrative framing device from which they exclusively flash back to the years depicting the performer's early ascent to stardom; the film thus ends as Knef is just beginning to achieve acclaim and recognition as a vocalist. The backstory commences in 1943, when 17-year-old Knef (Heike Makatsch) aspires to show business life. She applies for a job at Babelsberg Studios, under the aegis of casting director Else Bongers (Monica Bleibtreu) who becomes her lifelong mentor. Knef finds it relatively easy to break in to the industry; unfortunately, her political leanings reflect great naïveté, and these are the years of The Third Reich, when Propaganda Minister Josef Goebbels supervises all German art and culture -- and the actress falls into Nazism without hesitation. Hilde soon grows smitten with Third Reich film head Ewald von Demandowsky (Anian Zollner), then -- after the war ends with the loss of the Nazi party -- catches the eye of genial producer Erich Pommer (Hanns Zischler), a man appointed to rebuild the German movie industry. Shirking past Nazi ties, Knef ventures to America at the invitation of mogul David O. Selznick, and spends the next several years repeatedly shuffling back and forth between the U.S. and Deutschland as opportunities surface in both countries. Following a scandal involving a nude swimming scene in the movie The Sinner and a marriage to actor David Cameron (Dan Stevens), Hilde fixes her sights on a singing career and finally achieves the breakthrough of which she has long dreamed. ~ Nathan Southern, Rovi

Much as Steven Spielberg followed 1993's special-effects blockbuster Jurassic Park with a far more downbeat and personal project later the same year, Schindler's List, in 2005 after tearing up the box office with War of the Worlds the director closed out the year with a powerful and thoughtful drama about the human costs of international terrorism. The 1972 Olympics in Munich, Germany, were supposed to be a peaceful gathering of outstanding athletes from around the world, but on September 5, the games took a sinister turn when eight masked Palestinian terrorists invaded the Olympic village, killing two Israeli athletes and abducting nine others. The kidnappers demanded safe passage out of Germany in addition to the release of Arab prisoners in Israeli and German prisons, but when they arrived at the Munich airport they were met by German police and military forces, and in the melee that followed, all nine hostages were killed. In the wake of the killings, the Israeli government gave Mossad, the nation's intelligence agency, a special assignment -- to track down and eliminate the Palestinians responsible for the death of the Israeli athletes. A young and idealistic Mossad agent (Eric Bana) is assigned to the four-man unit created to wipe out the Olympic terrorists, but while he believes in serving his country, as their bloody work goes on he begins to buckle under the weight of his work and wonders if he can morally justify his nation's acts of revenge. Munich also stars Geoffrey Rush, Daniel Craig, Mathieu Kassovitz, and Ciarán Hinds. ~ Mark Deming, Rovi

A pair of unlikely lovers make their way across Europe in this offbeat comedy drama from Germany. Olga (Clemence Poesy) is a 16-year-old girl who imagines she'll be spending an uneventful summer tending the counter at her parent's filling station when a driver has a wreck in a nearby garden. It seems Daniel (Bruno Todeschini) is an artist wrestling with a midlife crisis and thoughts of suicide. As Olga offers to help, they decide running off to the French Riviera might be just the thing for both of them. Olga and Daniel hit the road and a blossoming flirtation begins, though Daniel isn't sure what to do when he realizes his attraction to Olga is more than just physical. Olgas Sommer (aka Olga's Summer) was the second feature film from director and screenwriter Nina Grosse. ~ Mark Deming, Rovi

German filmmaker Rudolf Thome writes, directs, and produces the comedy drama Red & Blue, the first film of a proposed trilogy. Following the death of her father, twentysomething Ilke (Serpil Turhan) takes the train from Turkey to Berlin with a suitcase full of money. She soon hires her father's friend, detective Samuel Eisenstein (Hanns Zischler), to help her locate her real mother. Meanwhile, Ilke's successful professional mother Barbara Baerenklau (Hannelore Elsner) is enjoying a break at her summer cottage with friend Samantha (Adriana Altaras) away from businessman husband Gregor (Karl Kranzkowski) and two kids (the director's children Joya and Nicolai Thome). After a series of near-misses, mother and daughter finally get together. Red & Blue was shown at the 2003 Karlovy Vary Film Festival. ~ Andrea LeVasseur, Rovi

Pascal Bonitzer's heavily plotted comedy Petites Coupures (Small Cuts) opens with journalist Bruno (Daniel Auteuil) and his wife, Gaelle (Emmanuelle Devos), having it out over his affair with Nathalie (Ludivine Sagnier). After an invitation from Bruno's uncle Gerard (Jean Yanne), Bruno and Nathalie travel to the town where Gerard is mayor. Bruno learns that his aunt is having an affair. Gerard is aware of his wife's infidelity and asks Bruno to take a letter to the man who has cuckolded him, a doctor named Verekher (Hanns Zischler). On his way to the doctor's home he meets Marie (Dinara Droukarova), and once there he encounters the mysterious Beatrice (Kristin Scott Thomas). Small Cuts was screened at the Berlin Film Festival. ~ Perry Seibert, Rovi

A hectic young father's family life takes a turn for the worse in Swiss director Dani Levy's 2002 comedy/drama I'm the Father. Architect Marco Krieger (Sebastian Blomberg) has been working hard on a new project that will be the crowning achievement to his short career and will also make his name in the industry -- but his relationships with his son Benny (Ezra Valentin Lenz) and wife Melanie (Maria Schrader) have suffered greatly as a result. Marco has failed to notice how dire the situation is, however, until Melanie leaves with Benny and promptly files for divorce with severe custody limitations. Shattered and distraught, Marco must reevaluate his desires for success in the business world against his desires to be a father and husband, ultimately choosing the latter. The problem now is convincing Melanie to let him back into their lives, which may require extraordinary action on his part. I'm the Father was screened as part of the 2002 Montreal World Film Festival. ~ Ryan Shriver, Rovi

Set in Germany in 1946, Taking Sides tells the story of the investigation of Wilhelm Furtwängler (Stellan Skarsgård), the renowned conductor of the Berlin Philharmonic and Vienna Philharmonic orchestras, by the American occupying army. Major Steve Arnold (Harvey Keitel) has been told by his superiors that they want Furtwängler convicted of being a willing participant in the crimes of the Hitler regime, by virtue of his supposed support for and support from the Hitler government. They haven't got the time or resources to go after every ex-Nazi, so they want Furtwängler, as the biggest cultural target they can hit. Arnold does his loud, boorish best to first humiliate and then attack the conductor over the supposed favoritism that he was shown by Hitler, Goering, Himmler, et al. and his conducting of a concert at the 1934 Nuremberg rally and at Hitler's 53rd birthday. Arnold finds, to his eventual distress but not dissuasion, that nothing is as simple as he would like to make it. His civilian secretary, Emmi Straube (Birgit Minichmayr), a concentration camp survivor whose father was part of the German Army plot to kill Hitler, and Lt. David Wills (Moritz Bleibtreu), a German-born Jew representing the War Crimes Tribunal, keep trying to remind Arnold that life and politics in Germany only deteriorated gradually after 1933, and in ways that couldn't always be anticipated by those who were there. Germans who chose not to leave weren't necessarily casting their lot with Hitler, but with protecting what was decent or even great about Germany, including her orchestras and music. Arnold knows nothing about music and even less about Germany and her people, and won't be deterred from his goal. Wills and Straube wish to resign from working with him, until they realize that they're facing the same choice that Furtwängler faced -- to leave a horrendous situation and have no way of affecting its conduct or outcome, or remain and do their best to stand up for decency and truth. In the process of doing that, they find out that Furtwängler is not only a great artist -- which they knew already -- but a great and brave man, who also has his flaws. The latter include an outsized ego that may have caused him to participate a little too willingly at times in the dangerous game he played of maintaining the excellence of Germany's musical institutions while protecting them (and also many musicians) from the worst ravages of the Nazi regime, at the same time also keeping lesser, more compliant figures from usurping his control. ~ Bruce Eder, Rovi

Deniz (Serpil Turhan) is an actress of Turkish ancestry in her early twenties who is living in Berlin. One day, she wakes up in an unusually good mood, and decides it's time she does something to improve her life. Over the course of the day, things begin to go her way -- she gets a job dubbing a French film into German, she parts ways with her listless boyfriend Jan (Florian Stetter), she has a promising audition with a film director (Hanns Zischler), and she keeps running into a handsome stranger named Diego (Bilge Bingul); they finally speak, and have a pleasant evening sharing dinner. The next morning, Deniz wakes to what appears to be another good day. Thomas Arslan's subtle, character-driven approach in Der Schone Tag shows the influence of Eric Rohmer, to whom Arslan nods in the dubbing sequence, in which his characters are recording a new dialogue track to Rohmer's Conte d'ete. ~ Mark Deming, Rovi

The fortunes of a family of Hungarian Jews are followed over the course of nearly 150 years in this epic historical drama, with leading man Ralph Fiennes playing three different roles. The story begins in the late 18th century, as Aaron and Josefa Sonnenschein (the name means "Sunshine" in German) die in an explosion while making an herb tonic for sale in their village. Their son Emmanuel (David de Keyser), the only survivor of the tragedy, travels to Budapest, carrying the recipe for the medicine with him. He's able to parlay the formula into a successful business, and Emmanuel and his wife Rose (Miriam Margolyes) raise two sons, Ignatz (Ralph Fiennes), who becomes a successful lawyer, and hot-tempered Gustave (James Frain). The Sonnenscheins also make room in their home for Valerie (Jennifer Ehle), but Emmanuel and Rose become furious when Valerie becomes romantically involved with Ignatz. Eventually, Valerie and Ignatz raise two children, Istvan (Mark Strong) and Adam (Ralph Fiennes), and the family changes its name to Sors in hopes of avoiding the anti-Semitism sweeping Europe. In time, Adam goes so far as to convert to Catholicism, and he marries another Catholic, Hannah (Molly Parker). He soon begins an affair with his brother's wife, Greta (Rachel Weisz), who is unable to persuade Adam to leave as the Nazis rise to power. Adam and Hannah have only one son, Ivan, who is fated to watch his father die in a concentration camp; as Ivan grows to adulthood (now played by Ralph Fiennes), he swears revenge on the forces of fascism and embraces Communism. Ivan throws in his lot with Communist leader Andor Knorr (William Hurt), but a liaison with the wife of a party official (Deborah Kara Unger) leads Ivan to tragic consequences and a jail term. In time, Valarie and Gustave are reunited at the family's estate as the only two members of the Sonnenschein clan who survive to witness the Hungarian Revolution in 1956. Hungarian director Istvan Szabo co-wrote Sunshine's original screenplay in collaboration with American playwright Israel Horovitz. ~ Mark Deming, Rovi

Anna and her father fled Estonia during WW II and moved to England. At the time, she believed that her mother was dead. In 1989, Anna's father dies and shortly thereafter she finds a bunch of old photographs and letters. Reading them, she begins to reassemble a clearer picture of her long-forgotten past as well as that of her father, who rarely spoke of himself. Most disturbingly, she believes that she has found evidence that her mother (whose story unfolds via flashback) may have survived. This drama chronicles Anna's return to tumultuous Estonia to learn the truth. ~ Sandra Brennan, Rovi

In this German political drama, an ex-Stasi agent encounters an old friend whom he may have betrayed after his friend tried to escape East Germany. The former East German agent is Otto Skrodt who after many years is about to be promoted in the highest government ranks. He is anxious to maintain a squeaky clean image. His daughter is Isabelle. The young and friendly Kalle returns after spending many years in jail for his escape attempts. He doesn't know exactly who blew the whistle, but his friend Skrodt is definitely under suspicion. Kalle returns to ostensibly renew the friendship and to see Isabelle whom he loves. The duplicitous friendship between the two men becomes the main focus of the story which features interesting plot twists at the end. ~ Sandra Brennan, Rovi

Wim Wenders revisits his masterpiece Der Himmel Uber Berlin in this film which picks up several years after the original left off. Cassiel (Otto Sander) is an angel who watches over the lives of the people of recently reunified Berlin with Raphaella (Nastassja Kinski). Damiel (Bruno Ganz), Cassiel's former partner who opted to return to the land of the living in the first film, now lives happily as a pizza chef with the woman he loved and married, circus performer Marion (Solveig Dommartin). While angels are forbidden to directly intervene in the lives of humans, Cassiel impulsively breaks this rule when a little girl falls from the balcony of an apartment block, and he swoops down to catch her. Suddenly made flesh and blood, Cassiel has earned the enmity of Emit Flesti (Willem Dafoe), a sort of overseer of the angels on the physical plane. Emit makes it his business to make things difficult for Cassiel now that he's living among the humans, and after a period of alcoholism and imprisonment, Cassiel finds himself working for gangster Tony Baker (Horst Buchholz), who distributes weapons and pornography on the black market. However, Cassiel has a change of heart and decides to destroy Tony's stockpile in a bid to make the world a better place. Peter Falk, who played himself in Der Himmel Uber Berlin, makes a return appearance when a gallery shows the sketches that he was making in the first film; rock singer Lou Reed and former Soviet president Mikhail Gorbachev also appear as themselves. ~ Mark Deming, Rovi

In this somewhat literary exploration of the meaning of romance, loosely based on the works of Henry James, five modern-day couples gather at a country estate to mark the anniversary of their long friendship. Their romantic maneuverings, past and present, are too complex to summarize here. However, it is clear that they love to talk about love, and will do so endlessly, given the slightest opportunity. ~ Clarke Fountain, Rovi