Judi Bowker Movies

The best-known of the 12 filmed adaptations of Tolstoy's Anna Karenina include the 1936 Garbo vehicle and the 1947 Vivien Leigh vehicle. This made-for-TV version is every bit as elaborate and tasteful as those earlier efforts. Jacqueline Bisset makes her TV-movie debut as Anna, the wife of 19th century Russian nobleman Karenin (Paul Scofield). When she falls in love with the dashing Count Vronsky (Christopher Reeve), Anna runs afoul of the rigid social structure of the era-and of a husband whose anguish translates into revenge. The teleplay was by James Goldman, author of The Lion in Winter and screenwriter of another Russian-based period piece, Nicholas and Alexandria. Anna Karenina premiered March 26, 1985. ~ Hal Erickson, All Movie Guide

The seven-hour TV miniseries Ellis Island was adapted from a novel by Fred Mustard Stewart. Per its title, the film is a mosaic of subplots involving several European immigrants who passed through New York's Ellis Island before taking up residence in the Big Apple. Most of the characters are based on real people, notably the Irving Berlin-like musician played by Peter Riegert. Co-stars Faye Dunaway, Richard Burton (in his last film role) and Ann Jillian were honored with Emmy nominations. Ironically, this essentially American saga was largely filmed in London. Originally telecast November 11, 13, and 14, 1984, Ellis Island was re-edited and re-telecast in the summer of 1986, just in time for the Statue of Liberty Centennial. ~ Hal Erickson, All Movie Guide

The eschewing of modern optical effects techniques in favor of the classic stop-motion animation work of special effects legend Ray Harryhausen was a delightful highlight of this action adventure that attempted to give Greek mythology the Star Wars (1977) treatment. Harry Hamlin stars as Perseus, a mortal who, due to the interference of the mighty god Zeus (Laurence Olivier), finds himself in the city of Joppa, far away from his island home. There, he falls in love with Andromeda (Judi Bowker), an imprisoned princess. To free her, win her hand, and thus half of the kingdom, Perseus solves a riddle, but Joppa's enraged ruler orders Andromeda fed to the Kraken, a towering sea monster that's the last of the powerful Titans. In his quest to save Andromeda, Perseus must endure a series of trials with the help of the winged horse Pegasus and a friendly playwright, Ammon (Burgess Meredith). His ultimate goal is to secure the head of the grotesque Gorgon named Medusa and use it to turn the Kraken into stone, but dangers await, including the hideously deformed Calibos (Neil McCarthy). ~ Karl Williams, All Movie Guide

A young secretary (John Hurt) for the British Embassy in the Orient becomes involved with a plantation owner's wife (Judi Bowker). ~ John Bush, All Movie Guide

St. Francis of Assisi was an extraordinarily complex and difficult figure whose effect on his contemporary society was electrifying. Even today, many people are moved by his visionary message of universal toleration. Twelfth-century Italy had an exceptionally grim and regimented society, but the barefoot monk from Assisi undoubtedly had the courage that comes from deep faith and was able to transcend the oppressiveness of the time. In this Italian/British-produced film, director Franco Zeffirelli attempts to bring his vision of this great man to the screen. The contemporary (1970s) example of the hippie movement contributed a great deal to the style in which the story is told. The musical score, using ancient Italian melodies, was arranged by Donovan. The film is visually beautiful in a way which tends to minimize the squalor of the times. As the movie begins, Francis (Graham Faulkner) is the son of wealthy merchants, and enjoys his share of wine, women and song without serious thought. When war and disease devastate his neighborhood, Francis undergoes an anguished transformation which culminates in his appearing before the local bishop and removing his clothes to renounce his previous life and family before dedicating himself to God. The culminating dramatic moment is Francis' appearance before Pope Innocent III (Sir Alec Guinness), to make his case for an independent religious order under new rules. ~ Clarke Fountain, All Movie Guide

This doggedly faithful adaptation of Bram Stoker's novel about a vampiric nobleman was helmed by cult director Jesus Franco. Despite its textual loyalty and atmospheric photography by Manuel Merino, the film -- a co-production from Spain, Italy, Germany, and Liechtenstein -- is plodding and dull. Even Christopher Lee (in an uncharacteristically weak performance as Dracula), Klaus Kinski (as the mad Renfield), and seven credited screenwriters cannot make this confused, distant film worthwhile. Cult filmmaker Bruno Mattei edited the Italian version, and scenes were later used in Calvin Floyd's In Search of Dracula. Among several different versions are prints running 100, 98, and 86 minutes. Franco appears as a servant to Professor Van Helsing (Herbert Lom), and though certainly literate, the film nevertheless fails as both horror and drama. ~ Robert Firsching, All Movie Guide