Efrem Zimbalist, Jr. Movies

Too Much, Too Soon was adapted from the warts-and-all autobiography of actress Diana Barrymore, the troubled daughter of "great profile" John Barrymore. As played by Dorothy Malone, Diana is a basically decent young lady who suffers mightily from lack of parental love. Her famous father, played with boozy bravado by Errol Flynn, is the soul of graciousness and affection when sober, but a human monster when drunk -- which is often. Her poetess mother, Michael Strange (Neva Patterson), is too preoccupied by her bitterness against Barrymore to pay much attention to Diana. Striking out on her own as an actress, Diana vainly seeks personal happiness with several husbands: actor Vincent Bryant (actually Bramwell Fletcher), played by Efrem Zimbalist Jr.; jealous, possessive tennis player John Howard (Ray Danton); and another actor, alcoholic Robert Wilcox (Ed Kemmer). Unable to find satisfaction in her work or her private life, Diana follows family "tradition" by turning to liquor; this leads to extended sanitarium stays and innumerable suicide attempts. It is suggested at the end of the film that she is on the road to recovery, thanks in part to her biographer Gerold Frank (Robert Ellenstein); the sad truth is that two years after the release of Too Much, Too Soon, Diana Barrymore killed herself at the age of 39. This filmed version of Diana's tragic life seldom rises above soap-opera level, save for Errol Flynn's knowing performance of his old friend and drinking companion John Barrymore. ~ Hal Erickson, All Movie Guide

The conflict between duty and conscience is explored in the WWII drama The Deep Six. Alan Ladd stars as Naval gunnery officer Alec Austin, a Quaker whose sincere pacifist sentiments do not sit well with his crew members. When he refuses to fire upon an unidentified plane, the word spreads that Austin cannot be relied upon in battle (never mind that the plane turns out to be one of ours). To prove that he's worthy of command, Austin volunteers for a dangerous mission: the rescue of a group of US pilots on a Japanese-held island. The ubiquitous William Bendix costars as Frenchy Shapiro (!), Austin's Jewish petty officer and severest critic. If the film has a villain, it is Keenan Wynn as ambitious Lt. Commander Edge, who seems to despise anyone who isn't a mainline WASP.The Deep Six was based on a novel by Martin Dibner. ~ Hal Erickson, All Movie Guide

While working in a South Dakota gold-mining camp, Bart (Jack Kelly) and Dandy Jim Buckley (Efrem Zimbalist Jr.) befriend Genessee Jones (Frank Ferguson), a grizzled old prospector with a hefty bankroll. Later on, Jones gets into a poker game with two miners (one of them a young Martin Landau) and wins big--only to turn up murdered a few hours later. Sheriff Bald Bill King (Dan Sheridan) arrests the miners for murder, whereupon Bart stands up and confesses to the crime--not because he really did it, but because he hopes to flush out the real killer. Unfortunately, Bald Bill isn't in on the plan, and now Bart is a prime candidate for a quick hanging. ~ Hal Erickson, All Movie Guide

Created by Roy Huggins and debuting September 22, 1957 on ABC, the weekly, hour-long Maverick started out as a relatively straightforward western series with a slight twist: The main characters were professional gamblers rather than lawmen or gunslingers. James Garner and Jack Kelly starred respectively as Bret and Bart, the Maverick brothers, who traveled throughout the west in search of poker games and other such lucrative pursuits. Though both of the Mavericks were fairly adept at fisticuffs, they tended to avoid violence and confrontation (a good thing too, since neither brother could by any stretch of the imagination be described as a "fast gun"), preferring to use their wits and the words to wriggle out of jams--and, conversely, to win over the pretty girls they met along the way. Originally, the episodes were evenly divided between the two brothers, with Bret or Bart alternately handling the plotlines, sometimes teaming up when the going got rough. By the end of the first season, however, James Garner had emerged as the more popular of the two stars--and as a bonus, Garner was possessed of a deft comic touch that such scriptwriters as Marion Hargrove and such directors as Douglas Heyes were quick to capitalize upon. As a result, the stories became more humorous and satirical in nature, with star, writers and directors unafraid to emphasize the more cowardly and larcenous aspects of Bret Maverick's character. One of the series' most endearing motifs was Bret's habit of relying upon the pearls of wisdom passed down to him by his grey-haired "Pappy"--who, when he finally appeared on camera, was portrayed by a heavily made up James Garner. By season three, the pattern of Maverick was fairly well set, with Jack Kelly handling the more serious and action-oriented episodes (which became fewer and farther between) and Garner doing the funny stuff. In keeping with the tongue-in-cheek nature of the series, the writers had a field day spoofing such rival western shows as Gunsmoke and Bonanza, and even such non-westerns as Dragnet. In addition, there were the occasional westernized adaptations of "the classics", notably Shakespeare's Romeo and Juliet and Richard Brinsley Sheridan's The Rivals. After James Garner left the series over a contract dispute in 1960, Maverick's home studio Warner Bros. tried out a brace of potential replacements. During season four, future "James Bond" Roger Moore was introduced as Bret and Bart's British cousin Beau Maverick; and later that same season, Robert Colbert showed up as the hitherto unrevealed third Maverick brother, Brent. But by the time the series entered its fifth and final season, the only Maverick on screen was old reliable Bart, who starred in the handful of episodes that were filmed to fill out what had essentially become a portfolio of reruns from the James Garner days. The final episode of Maverick was telecast on July 8, 1962; however, the property would be revived on TV in 1979 as Young Maverick, with Charles Frank playing cousin Ben Maverick, and in 1981 as Bret Maverick, with James Garner reviving his original role. And in 1994, Garner shared billing with Mel Gibson and Jodie Foster in a delightful theatrical-feature version of Maverick, which nostalgically showcased a number of familiar western actors in cameo roles. ~ Hal Erickson, All Movie Guide

Karl Malden plays an air force sergeant who is tempted by a better-paying civilian job. Malden's daughter Natalie Wood is in love with a young colonel (Efrem Zimbalist Jr.) whom her father regards as an insolent hothead. The younger man proves his worth during jet maneuvers, while Malden decides that he's of more value in the service than as a working stiff. Bombers B-52 has some excellent moments, including a well-staged variation of the obligatory "breaking the news to the pilot's widow" scene. The film earned latter-day notoriety in the 1980s when a prominent movie historian analyzed the script (by Irving Wallace) and found an overabundance of sexual innuendo--including such in-flight dialogue as "She's unable to receive fuel" and "Request jet penetration!" ~ Hal Erickson, All Movie Guide

House of Strangers is the first of three film versions of Jerome Weidman's I'll Never Go Home Any More, each of which was scripted by Philip Yordan. Edward G. Robinson plays a Giannini-like Italian-American banker, Gino Monetti, who runs roughshod over his four grown sons. The ruthless Gino engages in several illegal activities to build up his business, and is arrested as a result. Though the sons have always been fully aware of their father's questionable business practices, they refuse to help him stay out of prison; led by oldest son Joe (Luther Adler), three of the sons take over the business and kick their father out. Only son Max (Richard Conte) remains loyal to his father, whereupon his three brothers conspire to have Max thrown into prison as well. Max promises the dying Gino that he'll exact vengeance on the treacherous sons; but when he is released, Max hasn't the stomach for revenge, not even after one of his brothers (Efrem Zimbalist Jr.) tries to kill him. Max leaves his brothers to stew in their own juices, and heads to California for a new life with his fiancée, Irene Bennett (Susan Hayward). Subsequent film versions of the Jerome Weidman novel included Broken Lance (1954) and The Big Circus (1961). ~ Hal Erickson, All Movie Guide