Madeline Zima

Popularity kills in this dark comedy centering on the murder of a geeky college freshman who was rushing the most popular sorority on campus. Lana Stevens (Haylie Duff) is president of Omega Kappa. Omega Kappa is the kind of sorority that most college freshman would kill to get in to. Unfortunately when a geeky rushee named Katie is found murdered during the biggest party of the year, it appears that Lana and her friends are willing to kill to keep it exclusive as well. Now the hottest girls on campus are the prime suspects in the murder case that has the whole student body talking. Are these mean girls really so protective of their popularity that they would resort to murder? As the investigation gets underway, an unhinged detective (Tom Green) determines to answer that question and ensure that justice is served. ~ Jason Buchanan, All Movie Guide

A vacationing girl befriends a small child whose secluded home houses horrors unthinkable to the average person in this grim shocker starring Ashley Peldon and Gabrielle Carteris. Frances was on a relaxing road trip with friends when she decided to explore an isolated home and discovered a little girl living there. But this child isn't the only one who calls this place home, because somewhere nearby dwells a mysterious figure the girl will only refer to as "The Doctor." Later, Frances' friends arrive at the home to make a shocking discovery. "The Doctor" has been hard at work on his latest experiment, and he's eager to share it with some Frances and her friends. Before long, the horrified vacationers are fighting for their lives as they attempt to outrun a horror that seems spawned directly from their darkest nightmares. ~ Jason Buchanan, All Movie Guide

From the same production team responsible for the highly regarded 2000 Judy Garland TV biopic comes this equally elaborate and very thorough (if not 100-percent accurate) filmed biography of Lucille Ball. Using the 1960 breakup of the marriage between Lucy and her husband/co-star Desi Arnaz, the film covers 40 years in the life of America's favorite redheaded gal, beginning with her early dramatic aspirations as an acting student (one of her fellow aspirants is Bette Davis) and her emergence as a platinum-blonde chorus girl in such film extravaganzas as Eddie Cantor's Roman Scandals. Once Hollywood is convinced of Lucy's fierce work ethic, and her willingness to do anything -- even allow herself to be caked in mud -- for the good of the picture, RKO Radio inaugurates a star build-up, though poor Lucy never quite gets beyond the B-list of leading ladies. In 1940, she falls madly in love with Desi Arnaz, a sexy Cuban bandleader and scion of an aristocratic family. Despite Desi's imperious nature, and his self-proclaimed "entitlement" to savor the favors of as many ladies as possible, Lucy and Desi are wed. Moving from RKO Radio to MGM during the war years, Lucy becomes a redhead to take better advantage of the studio's Technicolor cameras, and also learns the rudiments of broad slapstick comedy from such masters as Buster Keaton and Red Skelton. Even so, she is considered washed-up in Hollywood by the end of the 1940s, and her union with the constitutionally faithless Arnaz is on the rocks. Coming to the rescue of both Lucy's career and marriage is a new medium called television: With Desi as her creative Svengali, Lucy scales the heights of superstardom as star of the top-rated weekly sitcom I Love Lucy. Alas, the more popular Lucy becomes, the more her marriage to Desi suffers, and the film is unsparing in showing how fame and fortune can be fatal to domestic happiness. In the title role, musical comedy actress Rachel York doesn't resemble the real Lucy all that much, though she gamely recreates such classic I Love Lucy moments as the "Vitameatavegamin" commercial and the grape-stomping orgy. Far better cast is Danny Pino as Desi Arnaz, depicted as an enigmatic blend of Latin charm, filmmaking genius, and sociopathic serial philandering. While the teleplay is an acceptable overview of the subject's life and career, there is little in the film that is not common knowledge to Lucy buffs, save for a re-enactment of the childhood tragedy which left the heroine a mass of insecurities, and Lucy's morbid fear of birds (yes, birds). The three-hour Lucy first aired on May 4, 2003, telecast by Lucy's old home network, CBS. ~ Hal Erickson, All Movie Guide

A young girl stuck in a horrific cycle of familial violence finds the power to build her own future from the place she least suspected in an inspiring tale of friendship and devotion starring Ossie Davis and Della Reese, and directed by Bruce Pittman. For years Jo Ann Foley (Madeline Zima) has suffered under the cruel hand of her ruthless grandfather. A chance meeting with kindly neighbors Honey (Reese) and her husband Too Tall (Davis) finds things looking up, however, as the nurturing couple provides Jo Ann with the support needed to break free of her grandfather's tyrannical grip. As the future lies before her ready to be molded however she sees fit, Jo Ann must now find the courage to let go of the past and seek the redemption needed to start life anew. ~ Jason Buchanan, All Movie Guide

Streetwise angel Rafael (Alexis Cruz) joins the "regular" Heavenly team of Monica (Roma Downey), Tess (Della Reese) and Andrew (John Dye) to help a quintet of homeless teens living under assumed names in a disease-ridden junkyard. Things aren't going so well for the wayard kids: "Ally" (Madeline Zima) has turned to panhandling, "China" (Azura Skye) is selling her body on the streets, and "Fish" ( is mortally ill. It is up to "Doc" (Chris Masterson) , the group's unofficial leader, to get everyone back on the right track--but he may not be able to do it without the help of Monica, who is on the verge of giving up the assignment out of despair! ~ Hal Erickson, All Movie Guide

As season three of the CBS sitcom The Nanny drew to a close, widowed Broadway producer Maxwell Sheffield (Charles Shaughnessy) was stammering out the words "I love you" to Fran Fine (Fran Drescher), a Jewish gal from Queens who for the past several years had been working as the nanny for Maxwell's three children. But as season four commences, Maxwell panics and takes the words back! Sent into an emotional spiral, Fran consults a therapist named Dr. Miller (played by legendary monologist Spalding Gray), who tells her that she should put the kibosh on her insatiable man-chasing -- words that do not sit too well with Fran's mother, Sylvia (Renee Taylor), who is anxious to marry off her daughter post-haste. Despite the cooling off of her relationship with Maxwell, Fran continues to work in the Sheffield town house, enduring the taunts and put-downs of Maxwell's female business partner, C.C. (Laura Lane), who is laboring under the misapprehension that she can get her own lunchhooks into Maxwell. As it turns out, however, the main man in C.C.'s life may very well be her worst enemy -- namely, Maxwell's sarcastic butler, Niles (Daniel Davis). This year's guest star crop includes Seinfeld's Jason Alexander, cast against type as a blind man in the season opener, "A Tart With Heart"; Nora Dunn, who would later join the series' cast as obstetrician Dr. Reynolds, but in the meantime is seen as Mrs. Richardson in "The Bird's Nest"; Donald O'Connor as a millionaire to whom Fran gives dancing lessons (!) in "Frieda Needa Man"; Robert Vaughn as Maxwell's dad and Joan Collins as Maxwell's new mother-in-law in "Me and Mrs. Joan"; Pamela Anderson, introduced as Fran's gold-digging archrival Heather Biblow in "Danny 's Dead and Who's Got the Will?"; and future Daily Show host Jon Stewart as a Jewish doctor whom Fran gets serious about until she learns a startling fact about him in "Kissing Cousins." And, of course, a number of celebrities show up as "themselves": Rosie O'Donnell, Jay Leno, Monty Hall, Donald Trump, and Celine Dion, to name but a few. ~ Hal Erickson, All Movie Guide

Moving from Wednesdays to Mondays, The Nanny begins its second season on CBS, with Fran Drescher as the title character. Offering 26 episodes this season (up from the previous year's 22), the series provides ample time and space for abrasive, down-to-earth Fran Fine (Drescher) to gleefully upset the decorum of the posh town house owned by her widowed employer, Broadway producer Maxwell Sheffield (Charles Shaughnessy). Despite Fran's million-and-one social gaffes, Maxwell could never bring himself to fire her as the family's nanny, especially since his children, Maggie (Nicholle Tom), Brighton (Benjamin Salisbury), and Grace (Madeline Zima), dote upon our heroine. Even the Sheffields' haughty butler, Niles (Daniel Davis), has warmed up to Fran, if for no other reason than she provides a potential threat to Niles' sworn enemy: Maxwell's bitchy, predatory business partner C.C. Babock (Laura Lane) -- who has been trying to manipulate Maxwell into marriage for years. This season, the possibility begins to arise that the relationship between Fran and Maxwell will eventually blossom into something more than "strictly business." The first clue occurs in the season opener, "Fran-Lite, in which Fran encourages Maxwell to re-enter the dating scene, only to have him go out with a woman who is exactly like her! Other episodes of note include "Everybody Needs a Bubby," in which Fran's freewheeling grandmother Yetta (Ann Morgan Guilbert) briefly moves into the Sheffield household (and now it's Fran's turn to go into the "snob" act!); "A Star Is Born," in which Fran finds herself on-stage playing Juliet, with Fran Drescher's then real-life husband, Peter Marc Jacobson, as Romeo; and the season finale, "Fran Gets Mugged," which not only offers a delightful spin on an old urban legend, but also sets up a situation whereby Fran and Maxwell come very, very close to exchanging their first romantic kiss. As in the previous season, The Nanny exploits the fact that Maxwell Sheffield is supposed to be a major producer by featuring several celebrity guest stars, cast as "themselves": Bob Barker, Sally Jessy Raphael, Steve Lawrence, Eydie Gorme, Shari Lewis, and Billy Ray Cyrus, to name but a few. ~ Hal Erickson, All Movie Guide

A has-been wrestler (Hulk Hogan) spends most of his time fishing, but decides to become a bodyguard to make some money. He is hired by a rich professor (Austin Pendleton) to supervise his children, but the wrestler finds that the kids are more than he bargained for. An evil scientist (David Johansen, aka Buster Poindexter) decides to kidnap the professor's children as a blackmail scheme to gain control of a microchip capable of taking over the world. ~ John Bush, All Movie Guide

The Hand That Rocks the Cradle is director Curtis Hanson's suburban horror story of a demented nanny bent on revenge for past wrongs. Peyton (Rebecca De Mornay) was once a happily married woman, but when her doctor husband is accused of assaulting a patient and he commits suicide, her world falls apart and she plots revenge. Claire (Annabella Sciorra), the woman who made the accusation, hires Peyton as a nanny, not knowing of their past involvement. Peyton then proceeds to terrorize the family, attempts to seduce the husband and generally destroy Claire as she feels she has been destroyed. The film, while somewhat implausible, is saved by the strong performances of Sciorra and De Mornay. Rebecca De Mornay has not given such a good performance since Risky Business, and she manages to make Peyton both believable, frightening and sympathetic. De Mornay has many great moments, but the scene, where she slowly destroys a bathroom in her impotent rage is unbelievably powerful. Hanson, a superb director of thrillers, manages to bring all the elements together to make The Hand that Rocks the Cradle a frightening psychological thriller and an interesting look at a woman's obsessive hatred and envy. ~ Linda Rasmussen, All Movie Guide