Jorge Zepeda Movies

This action-adventure, that features a terrorist plot from The Fugitive (1993), saw its October 2001 release date moved back four months as a result of real-life terrorist attacks on the United States. Arnold Schwarzenegger stars as Gordon Brewer, a Los Angeles firefighter who witnesses the deaths of his wife and child, innocent victims of a terrorist attack on a motorcade carrying Colombian dignitaries. Responsibility for the deadly explosion belongs to Claudio "The Wolf" Perrini (Cliff Curtis), a terrorist and rebel in Colombia's decade-long civil war. When times passes with no suspect being brought to justice, Brewer rejects the advice of FBI agent Peter Brandt (Elias Koteas) and travels to the jungles of Colombia to find and take revenge upon his family's murderer himself. Encountering a complex web of death squads, right-wing military officials, guerrillas, terrorists and drug-lords, Brewer is aided in his dangerous quest by an unlikely ally, the beautiful Selena Perrini (Francesca Neri), his quarry's wife. Collateral Damage (2002) co-stars John Leguizamo and John Turturro. ~ Karl Williams, Rovi

Long ago, Pilar Landeros ran away from her husband and child and changed her name so that she could have a career as a singer. Now, she is rich and famous. Not everyone has forgotten her past, as she discovers when the new maid she has hired turns out to be her angry and vengeful daughter. In this psychological drama, the two are forced to come to terms with one another as more and more dark secrets from the past come home to roost. ~ Clarke Fountain, Rovi

This wacky buddy comedy was the fifth in a series of Hollywood remakes of films by French director Francis Veber, none of which were box office successes. Sheila Kelley is Valerie Highsmith, an heiress who, despite her family's wealth, suffers from horribly bad luck. On a vacation to Mexico, she takes a fall, causing amnesia, then is mugged and kidnapped for ransom. When her father (Sam Wanamaker) becomes frustrated with the failed attempts of a detective, Ray Campanella (Danny Glover) to find his daughter, he teams a very reluctant Ray with Eugene Proctor (Martin Short), an accountant whose bumbling bad luck is even worse than Valerie's. The theory is that perhaps two such incredibly unlucky people will act like magnets, with Eugene leading Ray to Valerie's location. Although Ray finds Eugene irritating, the unlikely partners eventually begin making surprising progress in the case, despite Eugene's never-ending screw-ups and pratfalls. ~ Karl Williams, Rovi

The Mexican "Desarrollo de Investigacion para la Planeacion Familiar" or Diplaf, a state-funded family-planning agency, funded this cautionary drama, filmed in a somewhat avant-garde and experimental manner. In the story, a childless couple suffer endlessly, and their relationship deteriorates as they watch their friends and neighbors breeding prolifically. ~ Clarke Fountain, Rovi

This film came into existence because the screenwriter and director won a 1983 screenplay-writing competition. In the story, a family of eight "Chilangos" are vacationing in the Mexican countryside. "Chilangos" are long-time residents of Mexico City, and they are famed for having loud, quarrelsome, demanding and generally obnoxious behavior when outside their city, similar to the reputation of New Yorkers off their home turf. Quite soon during their vacation, a group of revolutionaries have stolen the family's money, and they are thrown on the mercy of police, politicians, and celebrities looking for opportunities to gain some publicity. ~ Clarke Fountain, Rovi

This gripping, emotional story of a roving photographer's transformation from a neutral artist with a camera to an involved human rights activist with a camera begins in Chad, travels to Nicaragua in the early 1980s, and ends when the Nicaraguan dictator Somoza takes off for the palm trees and beaches of Florida. Nick Nolte brilliantly interprets his role as the photographer Russell Price, and Joanna Cassidy is Claire, the radio journalist he meets while in Chad, along with her lover, Time Magazine reporter Alex (Gene Hackman), who ends up opting for a plush job as a TV anchorman and a quiet life on Long Island. When Alex leaves, Claire heads off to the next hot spot, Nicaragua, and Russell decides to tag along -- not because he is that interested in Nicaragua, but because he is interested in Claire. Once in the war-torn, Central American country, it does not take Russell long to see the vast difference between the corrupt, U.S.-backed dictatorship and the struggling guerrilla forces who have been fighting for a decade already. As his eyes are opened, he and Claire decide to go along with the rebels and film their fighting behind the lines. During one battle, the much-venerated rebel leader is shot dead, and Russell reluctantly agrees to fake a photo of the man as though he were still living, so as not to demoralize the army that looks up to him for leadership. The photo appears in the news around the world and causes such a furor that Alex shows up to demand an interview with the leader for national American television. It is on the way to this supposed interview that Alex leaves the car for a moment and is senselessly shot and killed by a government soldier, the whole episode filmed for the world by Russell's camera. This outrage (which actually occurred when journalist Bill Stewart was inhumanly shot by a Somoza soldier in full view of the video camera) soon makes global news and helps to hasten the overthrow of the corrupt dictatorship. Meanwhile, Russell has new issues to consider once his camera has become an "active" and not a "passive" observer of political unrest. René Enriquéz who plays the dictator Somoza in this film is a native Nicaraguan, related to a newspaper reporter killed by Somoza's government. ~ Eleanor Mannikka, Rovi

The third installment in the haunted-house saga discards any pretense of being based on actual events in order to provide the requisite cheap thrills sought by audiences during the short-lived 3-D revival of the early '80s. When a skeptical reporter (Tony Roberts) with a penchant for debunking phony psychic hoaxes moves into the Long Island house to disprove its nightmarish legend, he and his family are set upon by all manner of supernatural beasties. Many such manifestations leap wildly out at the screen to fully exploit the 3-D effect, making the cheap gags all too obvious in the "flattened" video and cable prints (often released under the title Amityville 3: The Demon). Remarkably violent for a PG-rated film (those with an intense fear of fire might want to fast-forward through Candy Clark's death scene), Amityville 3-D has a certain cheesy appeal for anyone who likes touring Halloween spook-houses. Look closely to spot a young Meg Ryan in a small doomed-teen role. This 3-D version was followed by even more sequels, including Amityville: The Evil Escapes, Amityville 1992: It's About Time, The Amityville Curse, and Amityville: A New Generation. ~ Cavett Binion, Rovi