John Zenda Movies

Colors stars Robert Duvall and Sean Penn as partners on the LAPD's gang crime division. Duvall had hoped to spend more time with his family, but he's pulled back into active service because of a step-up in gang activity. He makes no secret of his contempt for his novice partner Penn, but eventually comes to rely on the younger man as a valuable street contact. The central crisis is the battle for supremacy between the "Crips" and the "Bloods", with every effort to call a truce stymied by the gang members themselves and by undue police intervention. ~ Hal Erickson, Rovi

While John Carpenter's 1978 horror classic Halloween irrevocably changed the style of horror cinema with its simple but relentlessly tense story, it triggered more than a decade's worth of uninspired, exploitative knock-offs, and one could easily list Halloween II among these failures. As with its predecessor, this film was written and produced by Carpenter and Debra Hill, but the terse style and unbearable suspense of the first film are missing, replaced by a more simplistic stalk-and-slash scenario. Directorial duties were handed over to Rick Rosenthal, whose lack of expertise is quite evident (though he managed to hit his stride two years later with the prison actioner Bad Boys). The plot picks up exactly where the original left off: Laurie Strode (Jamie Lee Curtis), shaken and injured from her battle with unkillable psycho Michael Myers, is taken to the Haddonfield Hospital for observation, while Dr. Sam Loomis (Donald Pleasence) continues his desperate search for his monstrous patient. An interesting plot twist has Loomis' investigations revealing Michael's true identity (some of these sequences incorporate footage of young Michael originally shot for the television version of Halloween, which contained scenes hinting at the link between Michael and Laurie).

After slashing his way through the town, Myers manages to track Laurie to the hospital, where the remainder of the action takes place. Numerous night-shift employees are slaughtered in a variety of gruesome ways before Loomis catches up with his quarry, leading to an explosive -- and seemingly conclusive -- confrontation. Pleasence is compelling as usual, but Curtis, who made an auspicious debut in the original, is sadly wasted here, her character reduced to shuffling half-drugged through darkened hospital corridors and screaming helplessly. Carpenter's active involvement in the Halloween franchise continued to dwindle steadily from one sequel to the next, getting scarcely a mention by the time producers Hill, Moustapha Akkad and Irwin Yablans revived the series in 1988 for three more sequels. ~ Cavett Binion, Rovi

After calling her ex-boyfriend Jim (James Garner) for help, former model Carol is found dead. According the the police, Carol committed suicide, but another model, Alta Hatch (Erin Grey) suspects that the girl was murdered--and that the killer is the same person who bumped off yet another model. In hopes of finding a connection between the two deaths, Jim joins Alta in her investigation of the high-fashion industry, conducted on behalf of flamboyant celebrity designer Masters (Rene Auberjonois), who is acting rather suspiciously himself. In the process of uncovering the truth, Jim is--as usual--subjected to a surfeit of physical abuse. ~ Hal Erickson, Rovi

After being involved in a fatal car accident, Dr. Brackett (Robert Fuller) is consumed by guilt over the fact that the father of a young girl has been killed--and the girl herself has seemingly gone into shock. Elsewhere, the emergency team is confronted by a raging ammonia fire, and a shootout in which a cop suffers chest pains. And on a lighter note, John (Randolph Mantooth) goes to extreme lengths to win a ticket-selling contest. ~ Hal Erickson, Rovi