Michael Zelniker Movies

A man tries to get away from a violent madman, only to discover that the madman is following him in this thriller. Joe (John Mellencamp) is a police photographer who is buckling under the strain of his job as he documents the work of a serial killer preying on young women in Rochester, NY. The killer, an introverted loner named Rye (Michael Zelnicker), trails Joe, convinced they share a spiritual bond, since both are obsessed with Rye's grisly handiwork. Joe takes a leave of absence to get away from the killings, but his home life is stressful enough as he helps care for his aging aunt (Louise Fletcher), whose health is failing, and his brother Sammy (Billy Burke), who is mentally handicapped. Lora (Terrylene) is a woman who works around the house; she can't hear or speak, but that doesn't prevent a romance from growing between her and Joe. But as Lora and Joe grow closer, she begins having nightmares that bear a striking resemblance to Rye's latest crimes, which have been carefully arranged so that Joe will be likely to find them first. Afterimage marked the first screen role for musician John Mellencamp since the 1990 feature Falling From Grace, which he also directed. ~ Mark Deming, Rovi

Neil Grieve directed this sly, comic low-budget contempro conspiracy commentary. Stuart Bliss (Michael Zelniker), who devises ways to promote surplus military materials, is currently concocting a way to market Geiger counters as an ordinary household item. Arriving home early, he catches his wife Janet (Dea Lawrence) leaving on a mysterious trip. Stuart's suspicions verge on paranoia. Is he being watched? What causes the Geiger counters to react? Should he trust co-worker Ted (Derek McGrath)? Why do other people somehow know personal things about Stuart? Why does company assistant Katerina (also Dea Lawrence) resemble his wife? Shown at the 1998 L.A. Independent Film Festival. ~ Bhob Stewart, Rovi

This unusual comedy-drama, set in an experimental psychiatric institute, is a departure for genre director Philippe Mora, whose usual oeuvre is science fiction, horror, and low-budget action films. Rene Auberjonois stars as Dr. Sam Cohen, director of the Temporal Displacement Foundation. Cohen's highly-offbeat but well-funded mission is to treat psychotic patients whose particular dysfunction is the belief that they are famous historical figures, with the chief therapy being psychodrama, the reenactment of passages from that figure's life. Although he has some patients who believe themselves to be artists or religious icons (Mick Fleetwood as Pablo Picasso and Jesse Grey Walken as Jesus Christ), Cohen's star patient (Angus MacFadyen) believes himself to be Adolf Hitler. The clever, mentally ill genius has inexorably drawn several fellow patients into his delusion, including Tessa (T.C. Warner), who now believes herself to be Eva Braun. Enacting the part of Hitler's father, Cohen hopes for a breakthrough with the group. ~ Karl Williams, Rovi

Tragedy strikes the publishing industry when Jessica Fletcher's editor Edward Graham (Robert Desiderio), a man known for his extreme mood swings, falls out of his Manhattan office window to his death. The police are content to rule Graham's demise as a suicide, but Jessica doesn't buy this. She is convinced that Graham was murdered--and possibly by someone very, very close to him. ~ Hal Erickson, Rovi

This made-for-TV movie was produced in Canada and focuses on the research leading to the development of insulin in the 1920s. Based on Michael Bliss' The Discovery of Insulin, this movie depicts the discovery, from the initial rivalry of the four researchers who are hunting for a treatment for diabetes, through the eventual Nobel Prizes awarded for the discovery. ~ Tana Hobart, Rovi

This cinematic/literary hybrid fuses motifs from Beat writer William S. Burroughs's novel of the same name with elements of the author's biography and plenty of the cerebral alienation and biomorphic special effects fans of creepy cult director David Cronenberg have come to expect. Bill Lee (Peter Weller) wants to write, but he exterminates bugs to pay the bills. His wife, Joan (Judy Davis), becomes addicted to Bill's bug powder dust, and soon he joins her in a world of unorthodox hallucinogens; he visits the kindly yet sinister Dr. Benway (Roy Scheider) and walks away with his first dose of the black meat -- a narcotic made from the flesh of the giant aquatic Brazilian centipede. Soon, monstrous beetles are whispering conspiracy theories in Bill's ears and his nebbish writer friends Hank (Nicholas Campbell) and Martin (Michael Zelniker) are sleeping with Joan under his nose. When a party trick involving a liquor glass and a gun goes awry, killing Joan, Bill flees to Interzone, a Mediterranean city full of talking insectoid typewriters, double agents, offbeat aesthetes, and plots within plots. As he navigates this paranoid landscape, Bill begins ingesting another drug called mugwump jism and writes fragments that Hank and Martin soon assemble into a novel under the title Naked Lunch. As beat literature aficionados know, Interzone is based on Tangiers -- the city where Burroughs wrote Naked Lunch. The incident in the film in which Hank and Martin appropriate Bill's writing and have it published closely approximates the real-life circumstances of the novel's publication, although it was Allen Ginsberg and Jack Kerouac who helped out the real-life Burroughs. The William Tell incident that kills Bill's wife is also drawn from the author's real life. "William Lee" is both Burroughs' literary stand-in and the name under which he published his first autobiographical novel Junky. Ian Holm, who plays Joan Frost's husband, Tom, would appear in Cronenberg's similarly experimental eXistenZ several years later. ~ Brian J. Dillard, Rovi

A six-hour adaptation of Danielle Steel's best-selling novel, the ABC miniseries Crossings began on board a transatlantic ocean liner in 1938. In the course of a truly eventful sea voyage, a torrid romance developed between powerful American steel magnate Nick Burnham (Lee Horsley) and Liane DeVilliers (Cheryl Ladd), the wife of French ambassador Armand DeVilliers (Christopher Plummer). This indiscretion would ultimately embroil both characters in the political intrigues leading up to WWII, with a rousing denouement in Nazi-occupied France just after America's entry into the war. To give the project a semblance of verisimilitude, several prominent historical figures flitted in and out of the action, notably Mr. and Mrs. Franklin Delano Roosevelt and France's Marshal Petain. Even so, most of the audience's interest was focused on the antics of Nick Burnham's hot-to-trot wife Hilary, played by Jane Seymour. Billed near the bottom of the huge cast was future Cheers and Frasier star Kelsey Grammer as "Craig Lawson." Partially filmed on the old British liner Queen Mary (then dry-docked as a tourist attraction), Crossings originally aired from February 23 to 25, 1986. ~ Hal Erickson, Rovi

Based on the autobiographical novel by Nicholas Gage, Eleni traces Gage's search for the truth behind the execution of his Greek mother Eleni. John Malkovich plays Gage (herein referred to only as Nick), a New York Times journalist assigned to cover a border war in Albania. Intimately familiar with his beat--it's where he grew up--Nick periodically flashes back to his childhood, and his memories of his late mother Eleni (Kate Nelligan). Not at all concerned with politics, Eleni goes to extreme lengths to shelter her children from the ravages of civil unrest. For attempting to smuggle her kids out of the country, Eleni is arrested and executed. Back in the present, Nick manages to locate local politico Katis (Oliver Cotton), the man who signed Eleni's death warrant. He wangles his way into Katis' confidence, then prepares to kill the man--but he's in for a surprise, and something of an epiphany. ~ Hal Erickson, Rovi

Margot Kidder and Annie Potts star in this distaff buddy picture concerning two friends undergoing a series of misadventures in their love lives. Potts plays Bonnie Howard, the wife of Stanley (Robert Carradine), an immature child/man who irresponsibly spends most of his time racing cars and getting drunk. Bonnie also happens to be pregnant, but the father of her unborn child does not happen to be Stanley. Rather than hit Stanley in the face with that fact, she decides to leave him. As she heads for town to obtain an abortion, she runs into the foul-mouthed man-hunter Rita Harris (Margot Kidder in a blonde wig and tight pants). The two characters get involved in a number of vignettes, with the humor arising from the contrast between the streetwise Rita and the relatively innocent Bonnie. ~ Paul Brenner, Rovi

In this uninspired attempt at teen comedy, Tim (Michael Biehn) has returned home in disgrace as far as his dad is concerned -- he was expelled from his military academy. The next thing Tim knows he is fighting off a gang of bikers that are terrorizing the high schoolers, and worse yet, he is falling for "The Bull's" girlfriend Angie (Patti D'Arbanville). The Bull (Tony Rosato) whose name belies, of all things, an okay guy underneath all that leather and severely mangled diction, is the leader of the bikers. ~ Eleanor Mannikka, Rovi