Tom Bower Movies

While Neal Cassady never gained fame as a writer, he was a pivotal figure among the Beat poets and novelists of the 1950s. A close friend of most of the seminal figures in the Beat movement, Cassady's free-wheeling, larger-than-life personality was a major influence on Jack Kerouac, who used him as the inspiration for the character Dean Moriarity in On the Road, and he was a founding member of Ken Kesey's post-Beat, pre-hippie "Merry Pranksters," driving their now-famous psychedelic bus (whose destination, then as now, was "Furthur"). The Last Time I Committed Suicide is loosely based on several incidents from Cassady's life, as well as an eight-page letter that he wrote to Kerouac about some complicated events in his love life. In the late 1940s, 20-year-old Cassady (Thomas Jane) was living in Denver and working the late shift at a tire factory when he became involved with Joan (Claire Forlani), a sad young woman with a suicidal bent, and befriended Harry (Keanu Reeves), a cheerful but past-his-prime alcoholic. Cassady also found himself the target of the affections of Cherry Mary (Gretchen Mol), a sexy 16-year-old whose mother, Mrs. Greenway (Christine Rose), doesn't much care for him; he also encountered Ben (Adrien Brody), a shy young poet whose interest in Cassady seemed to be more than just literary. Footage of the real Neal Cassady can be found in the documentary on the Beat Movement, The Source. ~ Mark Deming, All Movie Guide

Oliver Stone, the most outspokenly political American filmmaker of the 1980s and '90s, directs this epic-length biography of Richard Nixon, the 37th President of the U.S., who was re-elected by a landslide in 1972, only to resign in disgrace two years later. Taking a non-linear approach, Nixon jumps back and forth between many different periods and events, from Nixon's strict upbringing at the hands of his Quaker mother, through the many peaks and valleys of his political career, to his downfall in the wake of the Watergate scandal. The facts of his life are blended with supposition and speculation to create a portrait that is often critical of the man's policies but displays an unexpected compassion toward his failings as a human being. Anthony Hopkins stars as Nixon, Joan Allen plays his long-suffering wife Pat, Mary Steenburgen portrays his mother Hannah, Bob Hoskins is cast as J. Edgar Hoover, Powers Boothe plays Alexander Haig, Paul Sorvino portrays Henry Kisinger, and Ed Harris plays E. Howard Hunt. ~ Mark Deming, All Movie Guide

From director-writer Desmond Nakano comes this unusual role-reversal picture examining racism from a different perspective. Louis Pinnock (John Travolta) is a semi-literate worker in a chocolate candy factory. One day he makes a delivery to the mansion of wealthy Thaddeus Thomas (Harry Belafonte). He is noticed while he is unintentionally looking up at Thomas' wife, Megan (Margaret Avery), while she is undressing in an open window. Thomas makes sure that Pinnock is fired for this innocent indiscretion despite his years of reliable performance at the factory. Some time later, unemployed and destitute, Pinnock and his wife Marsha (Kelly Lynch) and children are evicted roughly from their home by police officers. Marsha's mother (Carrie Snodgress) takes in her daughter and grandchildren, but she won't let Pinnock stay. Police officers beat up Pinnock one day because, they say, he fits the description of a criminal suspect. Finally, Pinnock goes to Thomas's house to get an explanation for his firing, but Thomas doesn't remember the incident. Pinnock takes Thomas hostage and demands he be paid for all the hours of work he has missed. In this film, all the authority figures and wealthy people are black, and Pinnock is a member of a poor white underclass. ~ Michael Betzold, All Movie Guide

Made for cable TV, Against the Wall represents filmmaker John Frankenheimer's return to the small screen. This in-your-face reenactment of the 1971 Attica prison riots is jam-packed with political and sociological implications. Refreshingly, none of the participants -- the prisoners, the guards, the high-profile mediators, the New York powers-that-be-are rendered in strictly good-guy or bad-guy terms by screenwriter Ron Hutchinson. Anyone old enough to have witnessed the original live TV coverage of the riot, however, will be able to discern who was truly responsible for its tragic outcome. While the 1971 TV-movie Attica was told from a journalist's point of view, Against the Wall is filtered through the eyes of idealist young prison guard Kyle MacLachlan. Director Frankenheimer (who in 1962 helmed the vastly different prison picture Birdman of Alcatraz)stage-manages the proceedings with his usual aplomb, though he uncharacteristically leans towards B-flick melodrama in some scenes. ~ Hal Erickson, All Movie Guide

In this actioner, two teenagers find themselves drawn to a life of crime. They begin by doing a little shoplifting and soon become wanted felons. As the two young lovers race towards the border they are gunned down and die. ~ Sandra Brennan, All Movie Guide

The Ballad of Little Jo is based on a true story -- several true stories, in fact. Suzy Amis plays demure young Josephine Monagan, who in 1866 is run out of her home town after bearing an illegitimate child. Fleeing westward, Josephine is terrified by stories of how treacherous the frontier can be for a woman alone. As a result, upon arriving in the muddy burg of Ruby City, she disguises herself as a man, going so far as to scar her face to suggest that she's been in a few scrapes. In this guise, "Little Jo" does just fine by herself for nearly 30 years! Almost as good as Suzy Amis is Bo Hopkins as gunslinger Frank Badger, Little Jo's best buddy (if only he knew....) Written and directed by Maggie Greenwald, The Ballad of Little Jo does a marvelous job conveying the people and places of its period; and, unlike Bad Girls (which was released around the same time), we aren't bludgeoned to death by feminist revisionism. Unfortunately ignored when it went out to theatres in the fall of 1993, The Ballad of Little Jo has fared rather better on video. ~ Hal Erickson, All Movie Guide

The miserable life and long-overdue death of thrill killer Charles Starkweather is the basis of the two-part TV movie Murder in the Heartland. Over a bloody few months in 1958, Starkweather (Tim Roth), a 19-year-old high school dropout, embarked on a killing spree, snuffing out 11 victims. Along for the ride was Charlie's 14-year-old girlfriend Caril Ann Fugate (Fairuza Balk). The debate still goes on as to whether Caril Ann was a willing accomplice or a reluctant prisoner; as played by Ms. Balk, she comes off as dumb as mud. A shorter, fictionalized account of the Starkweather killings was offered in the critically acclaimed 1973 theatrical feature Badlands, starring Martin Sheen and Sissy Spacek. Murder in the Heartland originally aired May 3 and 4, 1993. ~ Hal Erickson, All Movie Guide

When Sal (Dennis Farina) and his friend Charlie (Leo Rossi) are cheated out of $10,000 of borrowed money in an implausible money-making scheme, the two must flee to Los Angeles to avoid the wrath of the gangster debt collectors. Once there, they become embroiled in an underhanded scheme that leaves them running from the FBI and the mob. ~ Iotis Erlewine, All Movie Guide

Corbin Bernsen plays a hard-boiled 1940s private eye operating in the 1990s in the made-for-TV Love Can Be Murder. No, he's not a senior citizen: he's dead. It is the ghost of Bernsen who teams with the very much alive Jaclyn Smith, a contemporary PI. She's trying to solve the decades-old homicide case which Bernsen was working on when he was sent into the Big Sleep by persons unknown. Topper Returns, anyone? Love Can Be Murder was originally telecast December 14, 1992. ~ Hal Erickson, All Movie Guide

A complicated thriller, directed with great visual style by Brian De Palma, Raising Cain is the story of twin brothers, Carter and Josh (John Lithgow), one good and one evil, who will stop at nothing to find children to further their father's psychological experiments. John Lithgow is outstanding in the role of the brothers. Lolita Davidovich, is also good as his wife Jenny, who he may or may not have murdered. To even identify the other characters would give away too much of the complicated plot, which twists and turns, leaving the audience constantly guessing who is really who. The film is darkly comic and De Palma and his unusual plot devices play homage to Alfred Hitchcock, along with Orson Welles and Michael Powell's Peeping Tom. ~ Linda Rasmussen, All Movie Guide

Sammy Bodean is the newest, most promising recruit according to the advertisement of the California Angels--and has to prove it come game time. Following the team's sale to young business whiz Gil Lawrence (Terry Kinney), ex-player Virgil Sweet (Edward James Olmos) has to prove himself as the team's talent scout to keep his job. Via a car break-down near a small farm-town in Idaho, Virgil stumbles across young Sammy Bodean (Jeff Corbett) who performs mean pitching skills in a rural sandlot. After bringing Sammy to LA where he pitches out the team's best, owner Gil begins a massive media campaign in which he appears in a press conference and not only brags of the boy's talent but of his intention to feature him--without warm-up or orientation--in the big game the following week. Virgil, though promoted to assistant manager, is upset at Gil's exploitative measures to save the slagging Angels at the expense of Sammy. Game day arrives and the pressure is on to keep the other team swinging, which causes young Sammy to choke. Or not. ~ Kristie Hassen, All Movie Guide

"Another basement, another elevator...how can the same thing happen to the same guy twice?" asks John McClane (Bruce Willis), in what is doubtless the key question of this film. A year after foiling the terrorist takeover of a high-rise office building in the first movie, McClane is waiting to pick up his wife, Holly (Bonnie Bedelia), at Dulles International Airport just outside Washington, D.C., on Christmas Eve. Scheduled to arrive the same evening is Ramon Esperanza (Franco Nero), a South American political figure who is being brought to the United States to stand trial for his role in a drug-smuggling ring. However, a group of terrorists, led by renegade American military officer Col. Stuart (William Sadler), take control of the airport, scuttling radio transmissions and placing their own men in the control tower. Stuart and his men ensure that Esperanza's plane lands safely, and then demand that Stuart and his men be given a fully-fueled 747 and free passage wherever they choose to go. Otherwise, they will guide the many circling jets waiting for landing instructions into definite crash landings, killing the many passengers on board. Not willing to stand aside as terrorists once again threaten his wife's life, the wise-cracking McClane once again leaps into action to foil Stuart's plans and bring the passenger jets safely to the ground. William Atherton, John Amos, Dennis Franz, and John Leguizamo highlight the supporting cast. ~ Mark Deming, All Movie Guide