Tom Bower Movies

Making its world premiere at the 1999 Sundance Film Festival, this story adapted for the screen and directed by first-timer Toni Kalem is based on the Anne Tyler novel of the same name. The story deals with finding love in a dead-end life. Evie (Lili Taylor) is a loner, living with her widowed father, who works at an aging kiddie park where she is a costumed cartoon character. One night she hears the words and music of a musician named Drumstrings Casey (Guy Pearce) on the radio, and Evie is immediately infatuated by him. She attends his concerts and falls in love with him. The problem is he doesn't know she exists, so Evie decides to carve Casey's name on her forehead with broken glass. The resulting media attention gets her an introduction to Drumstrings Casey himself. From there, a relationship develops as Casey needs Evie for creative support and Evie needs Casey for emotional stability. Soon after, they get married; unfortunately their problems only get worse as Casey's career takes a nosedive and Evie's father passes away. Will these two people make something of themselves or will they forever just be slipping down life? ~ Chris Gore, Rovi

Edward J. Olmos made his directorial bow with the powerhouse crime saga American Me. Olmos stars as street-gang leader Santana, who during his 18 years in Folsom Prison rules over all the drug-and-murder activities behind bars. Upon his release, Santana goes back to his old neighborhood, intending to lead a peaceful, crime-free life. But his old gang buddies force him back into his old habits. The omniprescene of the "Mexican Mafia" in the southwest is sufficient to make this film a daunting, demoralizing experience. Upon its release, American Me received a lot of press play due to the fact that Olmos shot his Folsom sequences on location, using actual prisoners as extras and bit players. ~ Hal Erickson, Rovi

Abel Ferrara's cult crime drama Bad Lieutenant is given a sister film with this Werner Herzog-helmed production that takes its inspiration from the original, but focuses on new characters and plotlines. Nicolas Cage steps into Harvey Keitel's mold of a corrupt and drug-addled police officer, with the scummy setting moving from New York City to New Orleans. Eva Mendes, Val Kilmer, and Xzibit co-star in the Nu Image/Millennium Films picture. ~ Jeremy Wheeler, Rovi

Detroit cop Axel Foley (Eddie Murphy) has seemingly smoothed out his differences with his Beverly Hills superior Bogomil (Ronny Cox), but there's trouble ahead for both men, not to mention two other holdovers from the first Cop film, officers Rosewood (Judge Reinhold) and Taggart (John Ashton). The "untouchable" heavy this time out is masterminding a series of violent robberies, committed by leather-freak hoods Dean Stockwell and Brigitte Nielsen. Unaccumstomed to this nastiness, Bogomil entreats street-smart Foley to help find the miscreants. But mean-spirited chief of police Lutz (Allen Garfield) will brook no interference from outsiders-especially the profanely insouciant Mr. Foley. ~ Hal Erickson, Rovi

Brothers of the Head was adapted from Brian Aldiss' novel by screenwriter Tony Grisoni, and marks the narrative feature debut of Keith Fulton and Louis Pepe (Lost in La Mancha), who have structured Aldiss' story as a mock documentary. Twins Luke and Harry Treadaway star, respectively, as conjoined twins Barry and Tom Howe, joined at the torso. They were essentially purchased from their family as teens in the 1970s by a sleazy showbiz impresario, Zak Bedderwick (Howard Attfield), who planned to turn them into rock stars. Manager Nick (Sean Harris) kept the volatile Barry in line, sometimes violently, while musician Paul (Bryan Dick) taught the introspective Tom how to play the guitar, and helped the brothers write their songs. A documentary filmmaker, Eddie (Tom Bower), was hired to record the process. Their first live performance was a near disaster, as the rowdy pub crowd didn't welcome the sight of the two young men coming on-stage with their arms around each other, but Barry, the charismatically angry frontman, shocked the crowd by exposing the joint between them as he ripped into a snarling performance of their first single, "Two-Way Romeo," and the legend of their group, the Bang Bang, was born. As the proto-punk group's fame grew, Laura (Tania Emery), a young journalist, came to write an article about them, and quickly developed a romantic relationship with Tom, causing friction between the brothers. The film features interviews with some of the characters in the present day, and clips from an imagined unfinished Ken Russell film about the twins, starring Jonathan Pryce and Jane Horrocks. The music of the Bang Bang, performed by cast members and the band Crackout, was written and produced by Clive Langer. Brothers of the Head was shown at the 2006 Tribeca Film Festival. ~ Josh Ralske, Rovi

A worn-down country singer and a burgeoning journalist form an unusual bond in this drama adapted from the novel by Thomas Cobb. His spirit broken by multiple failed marriages, too much time on the road, and too many nights with the bottle, Bad Blake (Jeff Bridges) had started to feel like he was headed down the path of no return. When probing young writer Jean (Maggie Gyllenhaal) digs deep enough to unearth the broken man behind the legend, however, Bad realizes that redemption may not be such a long shot after all. Robert Duvall and Colin Farrell co-star. ~ Jason Buchanan, Rovi

"Another basement, another elevator...how can the same thing happen to the same guy twice?" asks John McClane (Bruce Willis), in what is doubtless the key question of this film. A year after foiling the terrorist takeover of a high-rise office building in the first movie, McClane is waiting to pick up his wife, Holly (Bonnie Bedelia), at Dulles International Airport just outside Washington, D.C., on Christmas Eve. Scheduled to arrive the same evening is Ramon Esperanza (Franco Nero), a South American political figure who is being brought to the United States to stand trial for his role in a drug-smuggling ring. However, a group of terrorists, led by renegade American military officer Col. Stuart (William Sadler), take control of the airport, scuttling radio transmissions and placing their own men in the control tower. Stuart and his men ensure that Esperanza's plane lands safely, and then demand that Stuart and his men be given a fully-fueled 747 and free passage wherever they choose to go. Otherwise, they will guide the many circling jets waiting for landing instructions into definite crash landings, killing the many passengers on board. Not willing to stand aside as terrorists once again threaten his wife's life, the wise-cracking McClane once again leaps into action to foil Stuart's plans and bring the passenger jets safely to the ground. William Atherton, John Amos, Dennis Franz, and John Leguizamo highlight the supporting cast. ~ Mark Deming, Rovi

Discharged from Vietnam, John Lithgow and his army buddies have trouble fitting into a hostile home-front society. Rather than endure dirty looks and taunts of "baby killer," Lithgow and his friends wander aimlessly all through the Pacific Northwest. Several years pass, during which time Lithgow's estranged son Ralph Maccio grows to manhood. Finally emerging from his self-imposed exile, Lithgow begins searching for the son he's never known. ~ Hal Erickson, Rovi

Family Sins stars James Farentino as the old-fashioned, disciplinarian patriarch of a large family. Jill Eikenberry co-stars as Farentino's wife, who believes in standing by silently during her husband's tirades. The story's catalyst is Thomas Wilson Brown, the 11-year-old youngest son who is daddy's favorite. Sibling jealousy, coupled with the parents' inability to thoroughly understand what makes their children tick, leads to tragedy. Star Trek's Brent Spiner plays a supporting role in this made-for-TV film, which was first telecast October 25, 1987. ~ Hal Erickson, Rovi

Four young artists embark upon a cross-country journey that will culminate with a mural to be painted upon the White House in this highly allegorical drama. The group leader Tudee is a shrewd, but not always honest Chicano. Temperamental, sociopathic ex-con Abel is also Chicano. Kaz is an African American Buddhist vegetarian and Native American Freddy is an alcoholic. Tensions abound amongst the travelers and when they encounter a white supremacist group, they explode. ~ Sandra Brennan, Rovi

One of the short stories in a best-selling collection by author Stephen King becomes this mystery adapted for director Scott Hicks by screenwriter William Goldman, who previously transformed a King story into a box-office hit (Misery, 1990). In the summer of 1960, young Bobby Garfield (Anton Yelchin) is sharing adventures with his best friends Carol (Mika Boorem) and Sully (Will Rothhaar) when an enigmatic lodger named Ted Brautigan (Anthony Hopkins) rents a room in his family's boarding house. Bobby's self-absorbed, widowed mother Liz (Hope Davis) couldn't care less about her son, so Bobby, who is being tormented by local bullies, quickly befriends the otherworldly Ted, becoming his confidante, and reading the paper to him to save the aging man's failing eyesight. Soon, Bobby learns that Ted possesses supernatural gifts, has a haunted past, and is being pursued by sinister men whose intentions are unclear. Hearts in Atlantis co-stars David Morse, who appeared in the previous King adaptation The Green Mile (1999), as the adult Bobby. ~ Karl Williams, Rovi

Featuring a mixture of live-action and animation, this quirky comedy comes from director Robert M. Young (Caught). Robert Knott and Xander Berkeley star as Dobbitt and Hanrahan, two working stiffs who have left their families and homes behind for jobs in a strange factory that produces ambiguous products. Against an animated backdrop, the two bunkmates are forced to work under a conniving supervisor who is intentionally manipulating the men. Also featuring Berkeley's real-life spouse, Sarah Clarke, Human Error (formerly titled Below the Belt) screened as part of the Frontier program at the 2004 Sundance Film Festival. ~ Matthew Tobey, Rovi