Philip Zandén Movies

Two people are brought together by a tragic accident in this emotional drama. Joachim (Nikolaj Lie Kaas) and Cecilie (Sonja Richter) are a couple in Copenhagen who've fallen deeply in love and have made plans to marry. One day, Joachim is severely injured in an auto accident when he's struck by a woman named Marie (Paprika Steen), leaving him paralyzed from the neck down. As fate would have it, the doctor put in charge of Joachim's care is Niels (Mads Mikkelsen), who happens to be Marie's husband. Joachim, deeply depressed since the accident, tells Cecilie to leave him and find someone else, but while she intends to stay with the man she loves, she finds it increasingly difficult to deal with his mood swings and frequent anger. Meanwhile, Marie, wracked with guilt over the accident, asks her husband to look after Cecilie, and as they spend more and more time together, they find themselves becoming increasingly attracted. Eventually, Cecilie and Niels become lovers, leaving them both to deal with their betrayal of the people they've sworn to stand by. Filmed following the austere guidelines of the Dogma 95 movement, Open Hearts received its North American premier at the 2002 Toronto Film Festival and was screened in competition at the 2003 Sundance Film Festival. ~ Mark Deming, Rovi

Renowned actress-turned-director Liv Ullmann helms this bleak, nuanced film about marriage and betrayal penned by legendary filmmaker Ingmar Bergman. The story is straightforward -- Marianne Vogler (Lena Endre) is a beautiful actress who is married to Markus (Thomas Hanzon), whose job as an orchestra conductor requires numerous concerts abroad, and who dotes on their young daughter Isabelle (Michelle Gylemo). Yet when Marianne has an affair with family friend David (Kirster Henriksson), a film director with a volcanic temper and little regard to those around him, the fallout destroys the marriage and brings grief and suffering to all involved, particularly Isabelle. Ullman and Bergman frame this plot with a tale about an elderly director named Bergman (Erland Josephson, who played opposite Ullman in Bergman's landmark Scenes from a Marriage) who is trying to write a script about infidelity. In his austerely decorated house on a remote island, Bergman invites an actress, who may or may not be a figment of his imagination, to breathe life into the character of Marianne. The actress tells Bergman of Marianne's story through flashbacks. One evening, on the closing night of the play that Marianne was in -- and while Markus is abroad -- David arrives for dinner with her and ultimately sleeps, platonically, in her bed. This unplanned intimacy soon leads to a full blown affair, including a three week romantic getaway to Paris. When Markus finally discovers the couple in flagrante delicto, he demands an immediate divorce and custody of their daughter. This film was screened in competition at the 2000 Cannes Film Festival. ~ Jonathan Crow, Rovi

With only two weeks to go before she turns the dreaded 30, Tin-Tin, a Swedish piano player hastily tries to achieve her two highest goals: to perform in the lounge of the Grand Hotel in Stockholm and to find a husband. Tin-Tin's endeavors provide the basis of this black Swedish comedy. She has a live-in lover, but Paul, who hosts the popular radio call-in show "Such Is Life," shows little interest in serious commitment, even though the subject of his series is how to make relationships work. Tin-Tin is also the object of her manager Stef's hottest fantasies. Olle, the owner of a large hotel has similar designs, though he is married. All of them are floored when she suddenly announces that she is marrying a Norwegian industrial tycoon in a tiny, picturesque northern town. That wedding is where the bulk of the film's most darkly humorous moments occurs. ~ Sandra Brennan, Rovi

This Danish film has a comic beginning and a tragic end as it follows a Danish man on his quest to find his biological father in Portugal. When Jan, a man in his thirties, suddenly discovers he is adopted he immediately sets out to find his birth parents. His mother, an ex-cabaret singer is not too hard to find. Together the two head off in a taxi to a small town in Portugal to search for dad. Upon arrival, the mother refuses to assist any further and locks herself in her hotel room. As Jan searches, he meets and falls in love with Constanca. ~ Sandra Brennan, Rovi

This dark melodrama overcomes its grim storyline through the rich and closely observed depiction of each of its characters, according to reviewers. Niels Uldahl-Ege (Ole Ernst) is a haughty and arrogant man, in addition to being impressively wealthy. He has power and authority in the nation and in his family, and uses it entirely to suit himself. His female servants are the mothers of several illegitimate children of his, and he can also boast of having a beautiful, elegant woman as his wife, and four entirely presentable daughters. Another good point about them, as far as he is concerned, is that they are all thoroughly cowed - except for his youngest daughter, who does not seem nearly as afraid of him as he feels she should be. ~ Clarke Fountain, Rovi

Not many people know about it, but there is a sizeable Swedish Jewish community even today. In this story, the sixtieth birthday of Cohen-family matriarch Rosha is the occasion for a gathering of her children from the diverse places around the world where they have settled. The central character in this drama, however, is Angelique, whose interest in psychoanalysis has earned her the nickname of "Freud." Her older brother is gay and lives in Florida with his lover. Her older sister has married into an Orthodox family, and lives in Jerusalem. They have all gathered in Sweden for their grandmother's birthday. Meanwhile, Rosha's daughter, the mother of these diverse children, has taken ill and is in the hospital. She has been diagnosed with a very advanced, inoperable brain tumor. Freud, who never left home, is perhaps as upset by this news as anyone, and she startles everyone by going out and beginning an affair with a biker. However, she is deeply involved in the new situation: she insists that their mother be brought home from the hospital rather than being allowed to suffer and die there, and the party, now a much more dramatic event, eventually takes place. ~ Clarke Fountain, Rovi

It is the turn of the century in Russia, and the revolution (at this time not yet a communist one) has sentenced government minister Joel Birkman (Etienne Glaser) to be assassinated for his role in quelling a student rebellion. To that end, they have arranged for one of their number, Jacob (Philip Zanden), to do the deed. In order to get close enough to accomplish this, he takes a job as the minister's secretary, and joins him and his family at his summer home. As he grows acquainted with the man and his family, he discovers that this is not a case of black versus white, but rather of varying shades of gray. Nonetheless, by the end of the film it is clear that no matter how much Jacob likes the man and his family, he is going to do what he believes to be his duty. ~ Clarke Fountain, Rovi

Some middle-class dreamers sell their homes to build a boat that will allow them to sail off to an unspecified paradise. The ship is wrecked before the maiden voyage, and the men lie to their wives to cover-up the debacle. The men decide to steal a vessel in order to come up with the proposed dreamboat in this uneven comedy highlighted by the performances of Philip Zanden and Peter Andersson. ~ Dan Pavlides, Rovi

Originally titled Broderna Mozart, the Swedish The Mozart Brothers stars Etienne Glaser as a highly unorthodox opera director. His plans to stage Don Giovanni in bizarre, inappropriate costumes, and to have the orchestra members take singing roles, enrages the conservatory opera company that has engaged him. Glaser is motivated by the "voice of God"--God being in this instance Wolfgang Amadeus Mozart, whose ghost commiserates with the innovational director from time to time. The Mozart Brothers was itself directed by Suzanne Osten, daughter of a leading Swedish film critic. ~ Hal Erickson, Rovi

The story of director Suzanne Osten's mother Gerd (Malin Ek) is told in this film set against the backdrop of a neutral Sweden in World War II, and the comings and goings of creative talents as they develop their own visions and capacities. Osten's mother had always wanted to produce a film, and although the inspiration was there after a 1939 meeting with Jean-Louis Barrault in Paris, even advice from notables such as Berthold Brecht (though insensitively given) and love affairs that offered some spiritual encouragement, could not stem the gradual and inexorable erosion of her mental stability. By 1944, Gerd was ill enough to be diagnosed as insane. As Gerd destabilizes, her mental afflictions are called forth in avant-garde, surreal visions that move in and out of the reality that carries the woman forward each day. ~ Eleanor Mannikka, Rovi