Roger Bowen Movies

In this comedy about a doctor-patient relationship pushed way beyond the office, Bill Murray plays Bob Wiley, a neurotic New Yorker struggling with a whirlwind of paralyzing phobias. When an exasperated colleague pawns the handful off on Dr. Leo Marvin (Richard Dreyfuss), the psychologist has no idea his last appointment will follow him north to New Hampshire on a month's vacation. Bob takes to Dr. Marvin's latest book like no therapy before it, so the well-meaning pest tracks Marvin down at his lakeside summer home to further discuss his problems. But Marvin, preparing for an interview on Good Morning America and a few weeks of R and R, views Bob's stalking as highly inappropriate, and demands he return to New York. But Bob can't take even the strongest hint, and sets up camp with a neighbor to indulge in his own "vacation" -- from his problems. Meanwhile, Marvin's son Sigmund (Charlie Korsmo), daughter Anna (Catherine Erbe), and wife Fay (Julie Hagerty) take to Bob's loopy charm, which Marvin views as an irritating threat. Marvin's temperature rises as Bob insinuates his way into the family, helping Sigmund learn to dive and counseling the previously ignored Anna. As Bob's stock continues to rise, and his to plummet, Marvin becomes increasingly unhinged as the minutes tick down to the interview. ~ Derek Armstrong, Rovi

Carrie meets Porky's as Charles in Charge co-stars Scott Baio and Willie Aames re-team for this mischievous-minded teen comedy about a hormonal high school science student suddenly bestowed with telekinetic powers. Emerson High School genius Barney Springboro (Baio) has a keen understanding of the periodic table of the elements, and a curious knack for experimentation. One day, while Barney is conducting a particularly sensitive experiment in horticulture, the lab is suddenly set ablaze, and his dreams appear to go up in flames. But any scientist will tell you that some of the best discoveries appear from the ashes of failure, and when Barney realizes that he now possesses the power of telekinesis his high school life suddenly becomes a lot more interesting. Of course the jocks don't stand a chance against a geek who can knock out a home run with the power of his mind, and as Barney's hormones take hold the skirts begin to flip and the tops begin to pop. Now, as the senior prom draws near, Barney does his best to land a date for the dance as his horrified parents put in a call to the local exorcist, his best friend Peyton (Aames) joins in on the fun, and a local reporter attempts to break the biggest story this small town has ever known. ~ Jason Buchanan, Rovi

Foxes details the exploits of four teenage San Fernando Valley girls as they drink, dope and sleep their way into oblivion. Jeanie (Jodie Foster, in a standout performance), the most grounded of the quartet, deals with her burned-out working-student-mother (Sally Kellerman, also excellent) while playing mother to her cohorts; Annie (Cherie Currie), a promiscuous drug-vacuum, attempts to dodge her psychotic police officer-father while partying round the clock; Madge (Marilyn Kagan), an overweight tag-along, who tries desperately to fit in with her wilder friends; and Deirdre (Kandice Stroh); an insecure liar and also-ran. While the performances (particularly the aforementioned) are good, and the direction is solid, the script doesn't seem to go anywhere; maybe that's the point, though, since neither do the characters in their vacuous, instant-gratification-based existences. ~ Jeremy Beday, Rovi

More formally known as Father Damien: The Leper Priest, this made-for-TV biopic stars a heavily-wigged Ken Howard in the title role. Father Damien was a Belgian priest who, in 1873, was assigned a far-from-desirable congregation: the leper colony of Molokai in the Hawaiian islands. At first appalled by the colony and its denizens, Damien devoted his life to administering to their needs and improving their living conditions. He died in 1889 at the age of 49, having long earlier contacted leprosy himself. When originally telecast October 27, 1980, Damien: The Leper Priest was dedicated to the memory of David Janssen, who before his death was slated to portray Father Damien. ~ Hal Erickson, Rovi

Barbra Streisand and Ryan O'Neal attempt to recapture the screwball spark of What's Up, Doc? in the labored farce The Main Event. Streisand plays Hillary Kramer, a bankrupt perfume executive who discovers that one of her tax write-offs from more prosperous times was the ownership of prizefighter Kid Natural (Ryan O' Neal). Kid Natural is now a driving instructor who wants nothing to do with boxing, but Hillary is determined to resurrect the Kid's less-than-spectacular boxing career. She installs herself as the Kid's manager and tries to get him in shape to go the distance. Along the way, the two fall in love. ~ Paul Brenner, Rovi

The Walnut Grove schoolchildren put together a stage production in which snooty Nellie Oleson (Alison Arngrim) lands the leading role. Meanwhile, another student, Ginny Clark (Rachel Lonaker), hopes to use the play to help her widow mother, Della (Kay Peters), a faded debutante, get back into the higher rungs of Walnut Grove society -- and by extension, to land a new husband. A crisis arises when Ginny sells her beautiful long hair so that she can afford to buy Della a new dress -- whereupon Della jumps to the conclusion that her daughter has stolen the money. ~ Hal Erickson, Rovi

In the conclusion of a two-part story, Archie has been duped into joining the KKK (which, undoubtedly for legal reasons, has been renamed "The Kweens Kouncil of Krusaders"). Even worse, the group plans to burn a cross on Mike and Gloria's lawn. Aghast, Archie puts his own life on the line to save his loved ones from harassment. Dennis Patrick appears as Gordie, with Roger Bowen as Mitch. Written by Bob Schiller, Bob Weiskopf, Mort Lachman, and Milt Josefsberg, part two of "Archie and the Ku Klux Klan" originally aired on December 4, 1977. ~ Hal Erickson, Rovi

This futuristic parody on television is made up of various sketches, and features some early performances of later well-known comics. ~ Kristie Hassen, Rovi

Squad 51 isn't exactly looking forward to an inspection by a very exacting battalion chief. The emergency manifest this week includes a parachutist snagged on a high radio tower, an accident victim who lapses into a deep and dangerous shock, and a heart-transplant patient (Warren Berlinger) with a far from supportive spouse (Jeanne Cooper). Legendary rock deejay Wolfman Jack appears as a TV commercial director. ~ Hal Erickson, Rovi

In this counter-culture caper comedy, directed by Alan Myerson (whose work with The Committee and Second City gives the film a quirky sketch comedy freshness), Donald Sutherland plays Veldini, a sad-eyed demolition-derby driver, serving time for larceny. He also possesses a millennial desire to wreck every car manufactured in the United States from 1940 to 1960. After being released from jail, Veldini hatches a scheme to restore an old U.S. World War II amphibian plane to escape conventional society and fly off to a new nonconformist world. Searching for spare parts to complete the restoration, Veldini realizes that a particular electrical circuit is available only at the local Navy base, and he decides to rob the base to steal the circuit. Involved in the caper with him is Iris (Jane Fonda in a burlesque of her performance in Klute) as a 100-dollar-a-night call girl who is sick of being humiliated; Veldini's kid brother (John Savage); and Eagle (Peter Boyle), a schizophrenic out-of-work circus performer. Standing in the way of Veldini's scheme is Frank Veldini (Howard Hesseman), his older brother and a politically ambitious district attorney. ~ Paul Brenner, Rovi

Set on a coastal resort in California, the thrills in this mystery begin as a strange killer chops up three blonde beauties forcing the house detective to work overtime to figure out that the killer is right under his nose. The film was shot in "Duo-Vision," a technique that splits the screen and allows two different images to be projected simultaneously. ~ Sandra Brennan, Rovi

Although he was not the first choice to direct it, the hit black comedy MASH established Robert Altman as one of the leading figures of Hollywood's 1970s generation of innovative and irreverent young filmmakers. Scripted by Hollywood veteran Ring Lardner, Jr., this war comedy details the exploits of military doctors and nurses at a Mobile Army Surgical Hospital in the Korean War. Between exceptionally gory hospital shifts and countless rounds of martinis, wisecracking surgeons Hawkeye Pierce (Donald Sutherland) and Trapper John McIntyre (Elliott Gould) make it their business to undercut the smug, moralistic pretensions of Bible-thumper Maj. Frank Burns (Robert Duvall) and Army true-believer Maj. "Hot Lips" Houlihan (Sally Kellerman). Abetted by such other hedonists as Duke Forrest (Tom Skerritt) and Painless Pole (John Schuck), as well as such (relative) innocents as Radar O'Reilly (Gary Burghoff), Hawkeye and Trapper John drive Burns and Houlihan crazy while engaging in such additional blasphemies as taking a medical trip to Japan to play golf, staging a mock Last Supper to cure Painless's momentary erectile dysfunction, and using any means necessary to win an inter-MASH football game. MASH creates a casual, chaotic atmosphere emphasizing the constant noise and activity of a surgical unit near battle lines; it marked the beginning of Altman's sustained formal experiments with widescreen photography, zoom lenses, and overlapping sound and dialogue, further enhancing the atmosphere with the improvisational ensemble acting for which Altman's films quickly became known. Although the on-screen war was not Vietnam, MASH's satiric target was obvious in 1970, and Vietnam War-weary and counter-culturally hip audiences responded to Altman's nose-thumbing attitude towards all kinds of authority and embraced the film's frankly tasteless yet evocative humor and its anti-war, anti-Establishment, anti-religion stance. MASH became the third most popular film of 1970 after Love Story and Airport, and it was nominated for five Academy Awards, including Best Picture and Best Director. As further evidence of the changes in Hollywood's politics, blacklist survivor Lardner won the Oscar for his screenplay. MASH began Altman's systematic 1970s effort to revise classic Hollywood genres in light of contemporary American values, and it gave him the financial clout to make even more experimental and critical films like McCabe and Mrs. Miller (1971), California Split (1974), and Nashville (1975). It also inspired the long-running TV series starring Alan Alda as Hawkeye and Burghoff as Radar. With its formal and attitudinal impudence, and its great popularity, MASH was one more confirmation in 1970 that a Hollywood "New Wave" had arrived. ~ Lucia Bozzola, Rovi

The made-for-TV Deadlock stars Leslie Nielsen as Lt. Sam Danforth (since this is long before the Police Squad era, Nielsen plays it straight). The white Danforth finds himself at ideological loggerheads with black district attorney Leslie Washburn (Hari Rhodes). Racial tensions are escalated when a black ghetto kid is killed by a cop, and a white reporter covering the case also turns up dead. Future stars Fred Williamson and James McEachin show up in supporting roles. First telecast February 22, 1969, Deadlock served as the pilot episode for The Professionals, a single-season component of NBC's rotating series The Bold Ones. ~ Hal Erickson, Rovi