Will Zahrn Movies

Just as the university research team is about to prove that their new technique will permit water to be used as a fuel, their laboratory is sabotaged and the lab manager is killed. Eddie Kasalivich (Keanu Reeves) stumbles onto the scene and manages not only to witness the sabotage, but to escape from it. When he tries to talk about it to authorities, he discovers that they think he and the other project survivors committed the crime. In reality, a group of energy companies have conspired with interested parties in the government to completely erase all notion of the existence of a way to use water as fuel. The project sponsor (Morgan Freeman) wants Eddie to turn himself in, but before he can do that, he must find enough evidence to clear himself and his friends. But in order to succeed, Eddie must avoid assassination attempts by the real perpetrators. ~ Clarke Fountain, Rovi

In Judgment Night, an action-packed thriller directed by Stephen Hopkins, a group of young middle-class men Emilio Estevez Cuba Gooding Jr. Jeremy Piven and Stephen Dorff on a night out with the boys take a disastrous wrong turn that leads to a run-in with a vicious street gang led by Fallon (Denis Leary). A cold, vicious and frightening criminal, Fallon and his band of thugs threaten to permanently silence the foursome after they witness a murder. ~ Linda Rasmussen, Rovi

Dillinger is a messily directed, haphazardly edited TV movie, which takes a revisionist squint at the criminal career of the 1930s' Public Enemy Number One. Mark Harmon captures some of the charisma but little of the ruthlessness of John Dillinger, while Sherilyn Fenn gives an anachronistic interpretation of the gun moll who eventually betrays Johnny D. to the Feds. Vince Edwards is supposed to be FBI founder J. Edgar Hoover, but comports himself more like a grouchy crossing guard. The film is rife with poorly staged gun battles (including the Biograph Theatre finale), shot in a shivery "MTV" fashion which suggests that the camera operator has St. Vitas' Dance. Most of Dillinger was lensed in Milwaukee, Wisconsin; the 1930s-style exteriors were well chosen, though the interior scenes at FBI headquarters look like they were filmed inside the Milwaukee Public Library--which indeed they were. ~ Hal Erickson, Rovi

When a washed-up boxer (Roger Daltrey) invites a British priest (Dennis Waterman) to minister in his South Chicago neighborhood, he never suspects that the priest is not who he says he is. ~ John Bush, Rovi

Set in Iowa, Betrayed stars Debra Winger as an FBI agent who infiltrates a Klanlike white supremacist organization. Allegedly a woman of intelligence and perception, Winger throws caution and logic to the winds when she falls in love with local farmer Tom Berenger. Much to her surprise Berenger turns out to be the most rabid racist of all. ~ Hal Erickson, Rovi

Like the TV series that shared the same title, The Untouchables (1987) was an account of the battle between gangster Al Capone and lawman Eliot Ness, this time in the form of a feature film boasting big stars, a big budget, and a script from respected playwright David Mamet. Kevin Costner stars as Ness, a federal agent who has come to Chicago during the Prohibition Era, when corruption in the local police department is rampant. His mission is to put crime lord Capone (Robert De Niro) out of business, but Capone is so powerful and popular that Ness is not taken seriously by the law or the press. One night, discouraged, he meets a veteran patrolman, Jimmy Malone (Sean Connery), and discovers that the acerbic Irishman is the one honest man he's been seeking. Malone has soon helped Ness recruit a gunslinger rookie, George Stone (Andy Garcia), and, joined by nebbish accountant Oscar Wallace (Charles Martin Smith), the men doggedly pursue Capone and his illegal interests. At first a laughingstock, Ness soon has Capone outraged over his and Malone's sometimes law-bending tactics, and the vain mobster strikes back in vicious style. Ultimately, it is the most unexpected and minor of crimes, tax evasion, which proves Capone's undoing. All of the credits for The Untouchables boasted big names, including music from Ennio Morricone and costumes by Giorgio Armani. Director Brian De Palma continued his tradition of including a homage to past masters of the cinema with a taut stairway shoot-out reminiscent of a similar sequence in Sergei Eisenstein's Battleship Potemkin (1925). ~ Karl Williams, Rovi

After their children have been murdered, two men intend to find the responsible parties in this made-for-TV movie. ~ Kristie Hassen, Rovi