Anita Zagaria Movies

Directed by Gian Tavarelli, Liberi (Break Free) centers on the freckle-faced Vince (Elio Germano), whose life in a Roman mountain village is unfulfilling, to say the least. His father Cenzo (Luigi Maria Burruano) lost his job after a local chemical plant closed; shortly afterward, Cenzo's wife Paola (Anita Zagaria) dumped him for a politician. Fed up, Vince travels to the beach town of Pescara and lands a job as a junior cook at a tourist resort. While there, he falls in love with Genny (Nicole Grimaudo), a waitress plagued by a phobia of traveling. Just as the romance begins to take off, Cenzo appears at Vince's doorstep demanding that his son help him get Paola back. ~ Tracie Cooper, All Movie Guide

Set in the 1930s, Premier de Cordee begins as Zian (Frederic Gorny), a young man who has traveled from his birthplace in the Alps to Paris, returns to his family home just as his father, a mountain guide, dies after being struck by lightning. Zian has chosen to carry on in his father's work, although he's very much aware of the dangers involved. Along with the death of his father, he's also been confronted with the sad fate of his best friend, who went into the mountains to rescue Ruspoli (Giuliano Gemma), the rich client stranded by the death of Zian's father. When the young man returned, it was discovered he had lost his toes to frostbite. However, Zian is determined to become a guide, and he soon wins the attentions of Ruspoli's daughter, Bianca (Silvia de Santis), even though her socially prominent family is not happy that she's become involved with a poverty-stricken mountaineer. A climbing accident leaves Zian with a chronic case of vertigo that threatens his new career, but with Bianca's help he sets his sights on conquering Mount Blanc. Based on a series of three novels by Roger Frison-Roche (which were previously adapted for the screen in 1943), Premier de Cordee was originally shot on videotape for broadcast by French, Italian, and Swiss television networks, though it was later transferred to film for theatrical screenings. ~ Mark Deming, All Movie Guide

Unlike the more familiar animated Pinocchio by Disney, there are no song interludes here, and characters added to the story by Disney (such as Jiminy Cricket) are not included. Producer Francis Ford Coppola and director Steve Barron, (known for the first Teenage Mutant Ninja Turtles film) closely adhere to Carlo Collodi's 1883 novel and use the visually timeless setting of a Czechoslovakian village. Jim Henson's puppet studio skillfully brings this Pinocchio to life. Long ago, in his youth, Gepetto (Martin Landau) loved but did not court Leona (Genvieve Bujold), who married Gepetto's brother instead. In that earlier time, he carved her initials with his onto a tree. Now his brother is dead, and though he still feels for Leona, he is still too shy to woo her. Instead, the old puppet-maker goes into the forest and cuts down a tree in order to make a puppet just for himself. The tree is the same one he carved his initials into when he was younger, and it has the magic of his love in it. Soon after the puppet Pinocchio is made, he comes to life. Aside from being made of wood, he begins to live the life of a perfectly normal little boy. He even goes to school. Lorenzini, an evil magician who runs a children's puppet show, hears of Pinocchio and wants to use him in his show. Lorenzini lures children to his show, only to later turn them into donkeys. Donkeys are useful creatures, and Lorenzini makes a lot of money selling them. Through many trials and tribulations, the puppet-boy earns the right to become the human boy Pinocchio (Jonathan Taylor Thomas). ~ Clarke Fountain, All Movie Guide

Written by British TV screenwriter, Malcolm McKay, this is the second of three movies that revolve around the concept of forgiveness. In this comedy, a dancer becomes pregnant. Discovering that her live-in boyfriend has been cheating on her, she kicks him out, but since he is not the Father of this child, his ejection really doesn't change the problem of whether or not she should keep the child. Vacillating back and forth, she imagines a dialogue with her baby. ~ Tana Hobart, All Movie Guide

Originally titled La Corsa Dell'Innocente, this Italian drama focuses on that country's ongoing wave of kidnappings. The early scenes focus on a large, outwardly normal Italian family who happen to make their living by abducting wealthy children and holding them for ransom. When the family is wiped out by a rival gang, only 10-year-old Vito (Manuel Coalo) survives. Any other child would go to the police at this point, but Vito has been raised never to trust the police -- or anyone else, for that matter. There is an abundance of dramatic irony in store for the audience when the fleeing Vito is sheltered by the affluent Rienzi family, whose own child has recently been kidnapped. It soon becomes clear that Vito is simply not cut from his family's criminal cloth, and the decisions he makes show a clear sense of ethics and a determination to set right the vicious actions of his family. This marvelously multitextured film represented the directorial debut of Carlo Carlei. ~ Hal Erickson, All Movie Guide

The Gravy Train was the first of two British miniseries focusing on the seriocomic misadventures of Dorfman (Christoph Waltz), a new member of the European Economic Council. Embarking upon his diplomatic career with stars in his eyes, Dorfman was quickly disillusioned by the infighting, pettiness, and flat-out greed indigenous to the Council's headquarters in Brussels. Written by Malcolm Bradbury, The Gravy Train yielded four hour-long episodes, which aired over Britain's Channel Four from June 27 to July 8, 1990. The series proved successful enough to warrant a 1991 sequel, The Gravy Train Goes East. ~ Hal Erickson, All Movie Guide

Dark humor and drama figure prominently in this comedy about two brothers and their attempts to keep their comatose mother (Emilia Della Rocca) alive. Cris (Luciano Manzalini) is a successful, portly businessman who likes chasing women while his rail-thin brother Ivano (Eraldo Turra) likes to drink and tries to stop trucks by raising an iron bar in road. With help from a device invented by Professor Perrier (Felice Farina), the brothers try to keep their mother alive in the basement. The Laurel and Hardy-like duo are known as the Rugerri Twins in their native Italy. ~ Dan Pavlides, All Movie Guide

This enigmatic drama follows a variety of people have reached an impasse in their lives, romantic and otherwise, and cannot figure out where to go from here. The characters include a social-climbing film dubber, an actress, and a businessman who runs a publishing company and longs to be a writer. ~ Clarke Fountain, All Movie Guide

This is a slow-paced, weighty story of love and lust shaded with overtones of incest and lesbianism that never materialize. Livia (Stefania Sandrelli) is a woman trying to regain the affections of her husband Alberto (Ben Cross), whose journalism career takes him away for months at a time -- on purpose. What she does not know is that he has an undeniable attraction for their daughter Monica (Amanda Sandrelli, Stefania's real life daughter). Livia's own sexual eccentricities lead her to hire young women to have sex with Alberto while she listens in hiding. When Monica wants to get into the act too, the real truth about her parentage is revealed. ~ Eleanor Mannikka, All Movie Guide