Harry Bowen Movies

Aspiring actress Cicely Tyler (Margaret Sullavan) puts her career on hold when she marries ambitious newsman Christopher Tyler (James Stewart). Meanwhile, Tommy Abbott (Ray Milland), who secretly loves Cicely, arranges a big Broadway break for her. This causes a rift in her marriage when Christopher is assigned to his newspaper's Rome bureau, but he soon deserts his post and promises never to leave her again when he discovers that she's pregnant. This rash act loses Christopher his job, forcing him to start right at the bottom again? And so goes the rest of the story, as Cicely and Christopher struggle to balance their romance and their careers. James Stewart's first significant leading-man role turned out to be at Universal, rather than his home studio of MGM; the loan-out was arranged by his old University Players friend and co-worker Margaret Sullavan, who was briefly married to Stewart's best pal Henry Fonda. Among the uncredited contributors to the screenplay of Next Time We Love was Preston Sturges. ~ Hal Erickson, All Movie Guide

The sixth of RKO's Fred Astaire -Ginger Rogers pairings of the 1930s, Swing Time starts off with bandleader Astaire getting cold feet on his wedding day. Astaire's bride-to-be Betty Furness will give him a second chance, providing he proves himself responsible enough to earn $25,000. Astaire naturally tries to avoid earning that amount once he falls in love with dance instructor Ginger Rogers. Numerous complications ensue, leading to the "second time's the charm" climax, with Ginger escaping her own wedding to wealthy Georges Metaxa in order to be reunited with Astaire. The film's most indelible image is that of Fred Astaire, immaculately attired in top hat and tails, hopping a freight car--a perfect encapsulation of the film's Depression-era cheekiness. The Jerome Kern-Dorothy Fields score includes such standards-to-be as "Pick Yourself Up," "A Fine Romance," "The Way You Look Tonight," "Never Gonna Dance" and "Bojangles of Harlem." The peerless supporting cast of Swing Time includes Helen Broderick, Victor Moore, Eric Blore, and Landers Stevens, the actor-father of the film's director, George Stevens. ~ Hal Erickson, All Movie Guide

One of the funniest, most sharply paced comedies of the 1930s, and perhaps the best of all of Harold Lloyd's talkies, The Milky Way was based on the Broadway play by Lynn Root and Harry Clork. Lloyd plays Burleigh Sullivan, a mild-mannered milkman who intercedes one night when his sister Mae (Helen Mack) is being accosted on the street by two obnoxious drunks -- they turn their wrath on him, his sister runs for help, and when she returns less than a minute later, both men are out cold on the pavement, with Burleigh standing over them. As one of them, Speed MacFarland (William Gargan), is the world's middleweight boxing champion, and the other, Spider Schultz (Lionel Stander), is his sparring partner, Burleigh makes the front page of every newspaper in New York. McFarland's manager, Gabby Sloan (Adolphe Menjou), has to figure out how to salvage the champ's career, but first he has to figure out exactly what happened, since both fighters were too drunk to remember anything about it. It turns out that Sullivan couldn't beat an egg, but he is good at one thing -- ducking. He can dodge any punch, and the two fighters knocked each other out in the process of trying to pummel him. What's more, on hearing this, they're so angry that Schultz accidentally knocks MacFarland out again, just ahead of the press' arrival, and the little milkman is given credit once more by the reporters for decking the champ. Burleigh loves the attention, even though he never claims to have hit anyone. Meanwhile, Sloan comes up with a way of salvaging his fighter's career, and convinces Burleigh to go along with it for a promised cash sum -- all Burleigh has to do is get in the ring in six fights, to build up his standing and reputation, and finish his "career" in a fight with MacFarland, who will win. In the meantime, complications arise when MacFarland falls in love with Burleigh's sister, while Burleigh himself meets and falls in love with Polly Pringle (Dorothy Wilson), a helpful neighbor. Gabby, Spider, and Speed also discover that turning tiny, wiry Burleigh Sullivan into something that even looks like a fighter is easier said than done -- all of his fights have to be fixed (and then some) behind his back to make his victories look remotely genuine. Finally, after starting to believe his own publicity, and then discovering that the fights were fixed, Burleigh goes through with the final match-up against MacFarland, the culmination of a comedy of errors involving horses, foals, and a wild chase to the arena. ~ Bruce Eder, All Movie Guide

A New York novelist (Henry Fonda) meets up with an actress (Margaret Sullavan), and the two date and later marry, though neither knows of the other's fame. The real adventure begins on the honeymoon, when this screwball comedy really heats up with insults and arguments. ~ John Bush, All Movie Guide

Producer/director Mack Sennett and actor Buster Keaton, two masters of silent-film comedy, teamed up for the first time with this sound two-reeler released by Educational. Keaton stars as Milton, a disappointed romantic who has sworn off women. He gives a lift to a female hitchhiker (Lona Andre), whom he happily discovers is also a hurt soul and has sworn off men. Their trip together runs into interference from an aggressive driver (Stanley J. Sandford) who later reappears after the two have set up camp. He starts putting the moves on the woman, but when Milton's ex-girlfriend (Kitty McHugh) shows up, she gets into a fight with the interloper and gives Milton and his new pal the chance to slip away. ~ Nicole Gagne, All Movie Guide

Anti-Communist politics and screwball romance make strange bedfellows in this comic tale that plays like a cross between the previous year's It Happened One Night (1934) and a less-sober version of a later generation's The Way We Were (1973). Barbara Stanwyck stars as Drue Van Allen, a college student whose father (Purnell Pratt) is a general in the U.S. Army. Dad is less than enthused with Drue's new beau Arner (Hardie Albright) because the lad is a propaganda-spouting Communist. The general would rather see Drue with Jeff (Robert Young), a handsome, all-American soldier who, despite the senior officer's endorsement, has chronic run-ins with authority and is about to go AWOL. When Drue and Jeff end up in a stolen trailer bound for Mexico, they get to know each other better, and General Van Allen sees a prime opportunity to get his daughter away from the red menace for keeps. Red Salute (1935) has also been exhibited under the titles Runaway Daughter and Her Enlisted Man. ~ Karl Williams, All Movie Guide

Previously filmed in 1918 and 1923, Harry Leon Wilson's novel achieved movie classic status when it was remade by Leo McCarey in 1935. The story opens in Paris, circa 1908. Ruggles, beautifully underplayed by Charles Laughton, is the ultra-obedient manservant to the bibulous Earl of Burnstead (Roland Young). During one of the Earl's nocturnal forays, nouveau riche American cattle baron Egbert Floud (Charles Ruggles) wins Ruggles in a poker game. Terrified at the prospect of being bundled off to the Wild West, Ruggles' resolve is weakened somewhat when he and the raucous but ingratiating Egbert spend a wild night on the town. (The besotted butler's periodic exclamations of "Whoopee!" are priceless.) Back in the frontier "boom town" of Red Gap, a misunderstanding obliges Egbert's social-climbing wife Effie (Mary Boland) to pass off Ruggles as an aristocratic British army officer, immediately arousing the suspicions of priggish social arbiter Charles Belknap-Jackson (Lucien Littlefield). The longer he spends in America, the more Ruggles grows to like the concept of democracy and self-determination. Of the film's many highlights, two are standouts: the scene in which Ruggles silences a rowdy saloon crowd with his recitation of Lincoln's Gettysburg Address, and the droll, semi-improvised vignette in which dancehall girl Nell Kenner (Leila Hyams) teaches the Earl of Burnstead how to play the drums. Ruggles of Red Gap was filmed for a fourth time in 1950 as the Bob Hope-Lucille Ball musical Fancy Pants. ~ Hal Erickson, All Movie Guide

Two popular film genres were combined by low-budget Chestefield Films in 1934, and the result was Murder on the Campus. Hotshot reporter Bill Bartlett (Charles Starrett) wants to get to the bottom of things when three murders are committed at a co-educational college. In the nastiest of the killings, a female victim is hung from the clapper of the campus' tower bell. Since Bartett's own sweetheart (Shirley Grey) is implicated, he works twice as hard as usual to solve the mystery. It wouldn't be fair to reveal the ending, though it's worth noting that such highly suspicious characters as Edward Van Sloan (as the college president) and Dewey Robinson are lurking about during most of the picture. ~ Hal Erickson, All Movie Guide

Cowboy star Rex Bell revives a favorite plot device of silent westerner William S. Hart in Crashin' Broadway. Bell temporarily leaves the Wide Open Spaces to conduct business in New York City. He runs afoul of gangsters, who prove no match forBell. Doris Hill is the leading lady whom Bell charms during his visit to the Big Apple. Crashin' Broadway was one of Rex Bell's last starring vehicles; soon afterward, he entered politics, eventually becoming lieutenant governor of Nevada. And as a bonus, he married Hollywood's "It" girl Clara Bow. ~ Hal Erickson, All Movie Guide

The top-billed stars in the extravagant RKO musical Flying Down to Rio are Dolores Del Rio and Gene Raymond. Forget all that: this is the movie that first teamed Fred Astaire and Ginger Rogers. We're supposed to care about the romantic triangle between aviator/bandleader Raymond, Brazilian heiress Del Rio and her wealthy fiance Raul Roulien, but the moment Fred and Ginger dance to a minute's worth of "The Carioca", the film is theirs forever. Other musical highlights include Rogers' opening piece "Music Makes Me" and tenor Roulien's lush rendition of "Orchids in the Moonlight". Then there's the title number. The plot has it that Del Rio' uncle has been prohibited from having a floor show at his lavish hotel because of a Rio city ordinance. Astaire and Raymond save the day by staging the climactic "Flying Down to Rio" number thousands of feet in the air, with hundreds of chorus girls shimmying and swaying while strapped to the wings of a fleet of airplanes. It is one of the most outrageously brilliant numbers in movie musical history, and one that never fails to incite a big round of applause from the audience--even audiences of the 1990s. Together with King Kong, Flying Down to Rio saved the fledgling RKO Radio studios from bankruptcy in 1933. The film was a smash everywhere it played, encouraging the studio to concoct future teamings of those two stalwart supporting players Fred Astaire and Ginger Rogers. ~ Hal Erickson, All Movie Guide

Fascinated by the story of Aladdin's magic lamp, the Our Gang kids gather together every electric light fixture in the neighborhood, hoping that by rubbing them vigorously, a genie will appear. Thanks to a series of coincidences -- not least of which involves a friendly stage magician -- the kids become convinced that they've succeeded in emulating Aladdin. But their excitement turns to dismay when Mathew "Stymie" Beard believes that he's transformed his kid brother Cotton (Bobby Beard) into a monkey! Despite a marvelous sequence in which Spanky McFarland enjoys a free meal at a lunch counter, courtesy of a trained monkey, it cannot be denied that this film contains a great deal of casually racist humor that seems tasteless when viewed today. For that reason, "A Lad an' a Lamp," originally released on December 17, 1932, has been withdrawn from the "Little Rascals" TV package, though the film is available to home-video collectors. ~ Hal Erickson, All Movie Guide

This entry in RKO's Tom Keene series was one of several early sound Westerns to cross over into the haunted house comedy-thriller genre. Keene played Jerry Long, the long-lost heir to the ghost town of Boom City. A crooked judge, Drake (Mitchell Harris). has discovered oil in an abandoned mine and, unaware of Jerry's true identity, hires him to impersonate himself, so to speak. Jerry's task is to persuade his fellow heir, Jane Worth (Merna Kennedy), to sell out to Drake and his henchman Gordon (Ted Adams). Arriving at Boom City, the prospective heirs are put through the standard Hollywood haunted house melodramatics such as sliding panels, clutching hands and trap doors, all rather cumbersomely directed by former film editor Fred Allen (no relation to the radio raconteur). Keene, who tracks down the villains disguised in a black cape, was his personable self and Miss Kennedy (Chaplin's leading lady in The Circus, 1928) made a brisk heroine. But the best performances were given by a supporting cast that included Harry Semels as the obligatory mysterious butler, Kate Campbell) as a pompous matron and Harry Bowen as an easily frightened travelling salesman. George "Gabby" Hayes, sans the trademark beard, appeared unbilled as a hotel proprietor. Ghost Valley was partially filmed at the ghost town of Hornitas, California. ~ Hans J. Wollstein, All Movie Guide