Henny Youngman Movies

Although the patented machine-gun patter of comedian Henny Youngman bears unmistakable traces of the Lower East Side, Youngman was actually born in the Jewish ghetto of Liverpool, England. While he was still a toddler, Youngman and his family moved to Brooklyn, where he grew up. Encouraged by his family to study the violin, Youngman entered showbiz as an orchestra musician, eventually leading his own band, a jazz aggregation called the Swanee Syncopators. Always quick with a quip, he eventually decided to try his luck as a comedian, beginning the long upward climb on the Borscht Belt circuit. By the mid-'30s, with several years' worth of vaudeville and nightclub experience under his belt, Youngman was a featured comedian on Kate Smith's radio program. Then as now, Youngman's act consisted of standing stock-still before the audience, violin tucked under his arm, rapidly spewing forth such wheezy but sure-fire one-line gags as "Take my wife, please." Somewhere along the line, Youngman would begin scratching out "Smoke Gets in Your Eyes" on his violin, pausing periodically to knock 'em dead with still more one-liners. An infrequent visitor to films, he co-wrote and co-starred in a few obscure B-pictures of the 1940s, then later showed up in such comic cameos as the "fly-in-soup man" in Mel Brooks' Silent Movie (1976). A peripatetic TV guest star, Youngman settled down long enough to co-star with Rocky Graziano in the erratically scheduled 1955 variety series The Henny and Rocky Show, and was a regular on the Joey and Ray Heatherton summer-replacement weekly Joey and Dad (1975). An indefatigable joke machine, Henny Youngman is the author of ten books, the first of which was titled -- you guessed it -- Take My Wife, Please. ~ Hal Erickson, All Movie Guide
1990  
R  
Add GoodFellas to QueueAdd GoodFellas to top of Queue
Martin Scorsese explores the life of organized crime with his gritty, kinetic adaptation of Nicolas Pileggi's best-selling Wiseguy, the true-life account of mobster and FBI informant Henry Hill. Set to a true-to-period rock soundtrack, the story details the rise and fall of Hill, a half-Irish, half-Sicilian New York kid who grows up idolizing the "wise guys" in his impoverished Brooklyn neighborhood. He begins hanging around the mobsters, running errands and doing odd jobs until he gains the notice of local chieftain Paulie Cicero (Paul Sorvino), who takes him in as a surrogate son. As he reaches his teens, Hill (Ray Liotta) is inducted into the world of petty crime, where he distinguishes himself as a "stand-up guy" by choosing jail time over ratting on his accomplices. From that moment on, he is a part of the family. Along with his psychotic partner Tommy (Joe Pesci), he rises through the ranks to become Paulie's lieutenant; however, he quickly learns that, like his mentor Jimmy (Robert DeNiro), his ethnicity prevents him from ever becoming a "made guy," an actual member of the crime family. Soon he finds himself the target of both the feds and the mobsters, who feel that he has become a threat to their security with his reckless dealings. Goodfellas was rewarded with six Academy Award nominations including Best Picture; Pesci would walk away with Best Supporting Actor for his work. ~ Jeremy Beday, All Movie Guide

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Starring:
Robert De NiroRay Liotta, (more)
1987  
 
Add Amazon Women on the Moon to QueueAdd Amazon Women on the Moon to top of Queue
The 1987 portmanteau comedy feature Amazon Women on the Moon lampoons several film genres in general and the 1954 sci-fi cheapie Cat Women of the Moon in particular. Other sketches in Amazon Women include an opening bit with Arsenio Hall; a vignette titled "Son of the Invisible Man" wherein a naked Ed Begley Jr. runs around in full view of the nonplussed supporting cast; the It's Alive parody "Hospital", which offers the spectacle of Michelle Pfeiffer giving birth to Mr. Potato Head; and a Siskel & Ebert takeoff, featuring Arche Hahn as a TV viewer whose entire life is given a "thumbs down." Directed by several hands, including Joe Dante, Carl Gottleib, Peter Horton, John Landis, and Robert K. Weiss, Amazon Women on the Moon also features a satire of the Kroger G. Babb school of "sex hygiene" exploitation cheapies, with syphilis victim Carrie Fisher being counseled by unctuous doctor Paul Bartel. ~ Hal Erickson, All Movie Guide

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Starring:
Rosanna ArquetteRalph Bellamy, (more)
1984  
 
Comedian David Brenner hosts this appreciative look at some of America's funniest standup comics and how their careers unfolded. Several of the comedians share how they create their material and collaborate with others. All of the featured comedians perform in front of live audiences on this video. Brenner speaks with some of them off-stage to capture their personal reflections on their careers. The profiled comedians include Henny Youngman, known to many for his "take my wife" joke; Carl Ballantine; Jackie Gayle; George Gobel, who appeared "slow" but often displayed a sly, quick wit; and Jackie Vernon and Shelley Berman. ~ Elizabeth Smith, All Movie Guide

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1982  
 
In this comedy a producer of "B" movies makes a film featuring a has-been cowboy star in the hopes that he can bring back his failing studio. ~ Sandra Brennan, All Movie Guide

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Starring:
Chuck McCannRobert Staats, (more)
1982  
R  
Add Death Wish 2 to QueueAdd Death Wish 2 to top of Queue
Paul Kersey's (Charles Bronson) self-appointed one-man vigilante squad goes bi-coastal in Michael Winner's sequel to his Death Wish. Kersey has taken up residence in Los Angeles, but lunatic violence follows him across the country like toilet paper sticking to his shoe. Kersey's Spanish cook is immediately gang-banged and killed, while his daughter, still suffering from a catatonic stupor after her brutal rape in the first film, finds herself raped yet again. Vincent Gardenia as New York detective Frank Ochoa, reprises his role from the first film here -- traveling to Los Angeles to locate Kersey but finding death waiting for him off a LA freeway ramp. After all this mayhem, Kersey cannot cringe in hiding for long, and once again he loads up his tube socks with rolls of quarters and goes hoodlum hunting. ~ Paul Brenner, All Movie Guide

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Starring:
Charles BronsonJill Ireland, (more)
1981  
R  
Add National Lampoon's Movie Madness to QueueAdd National Lampoon's Movie Madness to top of Queue
Originally divided into four segments and now cut to three, National Lampoon Goes to the Movies is a story about a man who is determined to get in touch with himself and sends his wife away so she can do the same thing. The next tale features a female business magnate who wreaks appropriate revenge on her arrogant male colleagues, and the last vignette has a virtuously pure policeman (Robby Benson) becoming as cynical as his partner (Richard Widmark). Each skit makes internal references to other movies, movie directors, or classic movie characters, which may enhance the viewing for movie buffs but does not change the generally dull and unfunny material. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Peter RiegertDiane Lane, (more)
1981  
R  
Add History of the World -- Part I to QueueAdd History of the World -- Part I to top of Queue
Mel Brooks produced, directed, wrote, and starred in this episodic comedy in the spirit of Monty Python and the 1957 studio travesty The Story of Mankind. The film is divided into five sequences that play like blue-toned Eddie Cantor vaudeville sketches -- "The Dawn of Man," "The Stone Age," The Spanish Inquisition," "The Bible," and "The Future." Also included is a Brooksian depiction of The Last Supper and a long-winded sequence about the French Revolution. The film starts with a 2001: A Space Odyssey parody, narrated by Orson Welles, in which a collection of ape-men learn to stand erect (in more ways than one). The Stone Age reveals the origins of both the first homo sapien and homosexual marriages. Brooks then appears in an Old Testament sequence as Moses, descending from Mount Sinai with three heavy stone tablets bearing the 15 Commandments; after he drops one of these tablets, the laws of God become 10 Commandments. The Roman period picks up with Brooks as Comicus, attempting to get a gig as a "stand-up philosopher" at Caesar's Palace. The Spanish Inquisition is a musical production number with monks torturing Jews to lively Broadway musical strains. The final French revolution section is a broad parody of The Man in the Iron Mask story. The film closes with coming attractions of "History of the World, Part II" that features a rousing Star Wars parody (anticipating Space Balls) called "Jews in Space" that includes a jaunty theme song. ~ Paul Brenner, All Movie Guide

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Starring:
Mel BrooksDom DeLuise, (more)
1979  
 
Culled from a 1979 comedy concert, this sampling of the Wild and Crazy Guy at his wildest and craziest may be familiar to his older fans, but is well worth another go-round. "Happy Feet," "King Tut," the arrows and the bunny ears are all in attendance; by this time, Martin's catchphrase and stock routines were so familiar that audiences began laughing before they even occurred, sometimes shouting the lines in unison just as Martin opens his mouth. The video is rounded out with Martin's Oscar-nominated short subject, The Absent Minded Waiter. Steve Martin Live was directed by Carl Gottleib, an associate of Martin's since his days on the Smothers Brothers Comedy Hour writing staff. ~ Hal Erickson, All Movie Guide

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1976  
PG  
Add Won Ton Ton, the Dog Who Saved Hollywood to QueueAdd Won Ton Ton, the Dog Who Saved Hollywood to top of Queue
This spoof makes fun of a certain famous German shepherd movie star from the 1920s. The mayhem begins when the head honcho of a financially struggling studio turns a lost dog into a legend. The story features a number of old stars making cameo appearances. ~ Sandra Brennan, All Movie Guide

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Starring:
Bruce DernMadeline Kahn, (more)
1976  
PG  
Silent Movie is just that: a totally nonverbal comedy, save for one single line. Director Mel Brooks stars as a once-famous comedy director, who with his faithful assistants Dom DeLuise and Marty Feldman return to Hollywood with plans for a comeback. Brooks wants to return to the good old days by producing a silent movie (he explains this via subtitle). Producer Sid Caesar is agreeable, provided Brooks can line up top stars. In a series of vignettes better seen than described, Brooks persuades Burt Reynolds, Liza Minelli, Paul Newman, James Caan and Anne Bancroft (Brooks' real-life wife) to star in his project. The only holdout is mime Marcel Marceau, who after a few moments of walking against the wind shouts the film's solitary line: "No!" Meanwhile, the crooked executives of the Engulf and Devour conglomerate want to take over Caesar's studio and are worried that Brooks' film might be so huge a hit that Caesar won't be interested in selling. To prevent this, the conglomerate dispatches sexy Bernadette Peters to lure Brooks into drink and ruination. The film's climax is lifted from the 1943 Olsen and Johnson film Crazy House). Featured in brief comic cameos are Harry Ritz as the man with half a suit, Charlie Callas as the blind man, Dom DeLuise's wife, Carol Arthur, as the incredibly pregnant woman, Fritz Feld as the headwaiter (whose trademarked "Pop" is conveyed on a subtitle) and Henny Youngman as the diner with a fly in his soup. Co-writers Ron Clark, Rudy DeLuca and Barry Levinson also show up on screen as three of the Engulf & Devour minions. ~ Hal Erickson, All Movie Guide

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Starring:
Mel BrooksMarty Feldman, (more)
1972  
 
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Infamous exploitation icon Herschell Gordon Lewis wrapped up his lengthy foray into low-budget gore epics with this coda, which not only sports Lewis' most creative title, but revels in an amazing barrage of outrageous (and patently fake-looking) makeup effects. The nominal plot involves a masked psychopath stalking, torturing, and murdering the strippers at a Miami nightclub owned by standup veteran Henny Youngman. But enough of that -- it's merely a loose linking device for a multitude of sleazy murder scenes, all of which involve some kind of sick visual gag. The murders range from simple throat-slashings to the popping of eyeballs to the protracted french-frying of one poor girl's head. Essentially a retread of Blood Feast (and perhaps an attempt to outdo some), this flick was re-released later under the title Blood Orgy. ~ Cavett Binion, All Movie Guide

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1966  
 
Waylon Jennings stars as an up-and-coming country & western singer in this low-budget musical drama. Arlin Grove (Jennings) has just finished a hitch in the Army and finds he's stranded in the small town of Morgan's Corner after being robbed by drunken rednecks. Grove is taken in by pretty Molly Morgan (Mary Frann) and her father, and it doesn't take long for Molly to become infatuated with the rugged stranger while nursing him back to health. Arlin and Molly soon marry, and after playing a few songs at a local honky-tonk, Grove becomes a professional musician when he's offered 75 dollars a week for a standing Saturday night gig. Word about Grove begins to spread, and entertainment lawyer Wesley Long (Gordon Oas-Heim) offers to take over his management and take him to the big time. Long's paramour Margo (CeCe Whitney) helps give Arlin's act some polish, and before long the singer is knocking 'em dead on the country circuit, and even playing the Grand Old Opry. However, Long takes it upon himself to break up Arlin and Molly's marriage, convinced it would be better for Grove's career if he were single, and Molly, now expecting a baby, is left heartbroken. Arlin soon finds himself of the other side of Long's machinations when the manager wrongly suspects his new client is having an affair with Margo; Long sabotages Grove with a booking at a ritzy supper club, and thinking his career is over, Grove turns to the bottle. Along with Jennings in his big screen debut, Nashville Rebel features vintage performances from Loretta Lynn, Faron Young, Porter Wagoner, Tex Ritter, Sonny James, and Henny Youngman. ~ Mark Deming, All Movie Guide

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Starring:
Waylon Jennings
1966  
 
Newlywed life is anything but bliss for a woman (Anne Helm), when her husband (Tom Kirk) is plagued by fainting spells every time he contemplates consummating his marriage. ~ Iotis Erlewine, All Movie Guide

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1956  
 
This episode of the television program included Elvis Presley and Henny Youngman as the guests. Originally broadcast March 17, 1956. ~ All Movie Guide

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1956  
 
You Can't Run Away From It is a musical remake of Frank Capra's Oscar-winning classic It Happened One Night, complete with same-named characters and word-for-word scene reconstructions. It all begins when spoiled heiress Ellie Andrews (June Allyson) is literally kidnapped from the altar by her wealthy father (Charles Bickford). Escaping from her daddy's yacht with only a handful of clothes and minimal finances, Ellie hops a bus, intending to travel cross-country to be reunited with her fortune-hunting husband. Reporter Peter Warne (Jack Lemmon), sensing a swell newspaper story, tags along. Though Peter and Ellie aren't terribly fond of one another (that's putting it mildly!), by the end of their journey they've fallen in love -- but there are still several last-minute complications before a happy ending can be reached. Most of the musical numbers in the remake are awkwardly inserted during the more famous scenes from the Capra original: the "Walls of Jericho," the impromptu singalong on the bus, the hitchhiking bit, etc. Benefiting from the breezy performances of Jack Lemmon and June Allyson, You Can't Run Away From It is easy to take, but hardly within shouting distance of the original film's brilliance. ~ Hal Erickson, All Movie Guide

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Starring:
June AllysonJack Lemmon, (more)
1944  
 
Released by Monogram, A WAVE, a WAC and a Marine was packaged by Biltmore Productions, a partnership consisting of Abbott and Costello's agent Eddie Sherman and Lou Costello's father Sebastian Cristillo. Though Elyse Knox, Sally Eilers and Ann Gillis head the cast, the film is a showcase for nightclub comedian Henny Youngman, here cast as a Hollywood agent named (what else?) Henny. Sent out by his studio to sign up a pair of gorgeous Broadway stars (Ramsay Ames and Marjorie Woodworth) Henny signs the stars' understudies (Knox and Gillis) by mistake. Fortunately, the "substitutes" are every bit as talented as the real stars, and as a result are contracted to appear in a big-budget film, cast as the aforementioned WAVE and WAC (who's the Marine)? Henny Youngman's delivery was as sharp then as it is now, but he was undermined by substandard sound recording. More impressive was the first-time direction of former Universal production assistant Philip Karlstein, who went on to auteur fame as Phil Karlson. ~ Hal Erickson, All Movie Guide

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Starring:
Elyse KnoxRamsay Ames, (more)

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