Sean Young Movies

The Ismail Merchant-James Ivory team generated this account of a pair of teachers battling for the rights to produce an unpublished Jane Austen play. ~ Jason Ankeny, All Movie Guide

A blend of science fiction and noir detective fiction, Blade Runner (1982) was a box office and critical bust upon its initial exhibition, but its unique postmodern production design became hugely influential within the sci-fi genre, and the film gained a significant cult following that increased its stature. Harrison Ford stars as Rick Deckard, a retired cop in Los Angeles circa 2019. L.A. has become a pan-cultural dystopia of corporate advertising, pollution and flying automobiles, as well as replicants, human-like androids with short life spans built by the Tyrell Corporation for use in dangerous off-world colonization. Deckard's former job in the police department was as a talented blade runner, a euphemism for detectives that hunt down and assassinate rogue replicants. Called before his one-time superior (M. Emmett Walsh), Deckard is forced back into active duty. A quartet of replicants led by Roy Batty (Rutger Hauer) has escaped and headed to Earth, killing several humans in the process. After meeting with the eccentric Eldon Tyrell (Joe Turkel), creator of the replicants, Deckard finds and eliminates Zhora (Joanna Cassidy), one of his targets. Attacked by another replicant, Leon (Brion James), Deckard is about to be killed when he's saved by Rachael (Sean Young), Tyrell's assistant and a replicant who's unaware of her true nature. In the meantime, Batty and his replicant pleasure model lover, Pris (Darryl Hannah) use a dying inventor, J.F. Sebastian (William Sanderson) to get close to Tyrell and murder him. Deckard tracks the pair to Sebastian's, where a bloody and violent final confrontation between Deckard and Batty takes place on a skyscraper rooftop high above the city. In 1992, Ridley Scott released a popular director's cut that removed Deckard's narration, added a dream sequence, and excised a happy ending imposed by the results of test screenings; these legendary behind-the-scenes battles were chronicled in a 1996 tome, Future Noir: The Making of Blade Runner by Paul M. Sammon. ~ Karl Williams, All Movie Guide

David Lynch wades through dark waters in his adaptation of Frank Herbert's cult science fiction novel. In condensing Herbert's rambling and complex book by eliminating characters and compacting events, Lynch succeeds in rendering the story incomprehensible to those unfamiliar with the novel and making the film look like a sketchy greatest hits collection of the book for Herbert fans. The story takes place in the year 10,191. The universe is governed through a system of feudal rule, presided over by Padishah Emperor Shaddam IV (José Ferrer), who appears to take his marching orders from something that resembles a talking vagina. In the kingdom are two rival houses -- the House of Atreides and the House of Harkonnen. Each house is trying to gain dominion over the universe, but that dominion can only be gained by the house that controls the Spice, a special substance that permits the folding of time. The Spice is only available on the desert world of Arrakis, or Dune. Shaddam, tired of the feuding between the two houses, permits the Atreides to take over the Spice production on Dune, while secretly working with the Harkonnens to launch a sneak attack on the Atreides and destroy them. The leader of the Atreides is Duke Leto (Jürgen Prochnow), who rules with the help of his concubine Jessica (Francesca Annis) and son Paul (Kyle MacLachlan). The rival Harkonnens are headed by the pus-oozing degenerate Baron Vladimir Harkonnen (Kenneth McMillan, in a thoroughly through-the-roof performance) and his two unsavory nephews, Rabban (Paul L. Smith) and Feyd (Sting). When his father is murdered by the Harkonnens, Paul escapes to Dune, where he is greeted by the Fremen (the desert dwellers on Dune who prepare the Spice) as the messiah foretold in Fremen legend. Paul assumes the mantle of messiah and leads the Fremen in a revolt that topples the balance of power in the universe. ~ Paul Brenner, All Movie Guide

Eight years before the dinosaur mania created by Jurassic Park, Bill L. Norton released this more dinosaur-friendly story about a 10-foot baby dinosaur in dire straits in Africa because Dr. Eric Kiviat (Patrick McGoohan), an evil paleontologist, is after it with a vengeance. He is the nemesis of Dr. Susan Matthews-Loomis (Sean Young) -- determined to save the baby from its hunters -- and her husband George Loomis (William Katt), a sportswriter who shares her protective instincts. Kiviat has recruited a revolutionary army to help him capture the baby's mother -- which they manage to do without killing her. The army has already shot down the father dinosaur, and so their own instincts are far from protective. As the husband and wife and baby dinosaur are united at last in their attempts to survive, the next step is to recapture Mom dinosaur and get away from the army and Kiviat, not an easy feat. ~ Eleanor Mannikka, All Movie Guide

No Way Out is told in flashback as Naval officer Tom Farrell (Kevin Costner) is grilled by his superiors regarding a recent "unpleasantness." While at a Washington party, Tom meets Susan Atwel (Sean Young), and they're soon sharing a steamy love scene in the back of a limo (marvelously parodied in 1993's Hot Shots! Part Deux). Several months pass before Tom meets Susan again; he discovers she's the mistress of the US Secretary of Defense David Brice (Gene Hackman). When Susan is murdered by Brice, his loyal aide (Will Patton) dutifully destroys the evidence and invents the fallacious theory that a KGB mole was responsible. Tom is assigned to locate that mole -- a perilous situation, since Tom knows that no such mole exists, but must go along with the charade since he was the last person who was seen with Susan. ~ Hal Erickson, All Movie Guide

An extended short from painter-turned-filmmaker Robert Longo, who would later helm Johnny Mnemonic, Arena Brains consists of a series of interlocking vignettes set in New York City in the late 1980s. The stories -- created by five different screenwriters, including Eric Bogosian, Richard Price, and Longo himself -- are mostly loosely structured attempts at satirizing the neuroses and eccentricities of members of Lower Manhattan's art community. This superficial, affluent subculture is presented in contrast with the reality of life on the New York City streets, as the film moves from galleries to alleyways and back again. Actors like Sean Young and Ray Liotta play small roles, while appearances by Bogosian, Ron Vawter, and other Manhattan theater and performance-art figures reinforce the film's hip, insider feel. (R.E.M. lead singer Michael Stipe even makes an appearance, as a mostly silent, nameless character who wanders through the various segments, observing the film's action). The result is a rather dated, uneven film that is best viewed now as a prime example of the indulgent artistic culture it intended to satirize. The marketing of the video release misleadingly emphasizes a not-so-prominent soundtrack, featuring songs by Husker Du, The Cure, P.I.L., and others. ~ Judd Blaise, All Movie Guide

In this romantic comedy, two people brought together by marriage are brought even closer by their mates. Maria Hardy (Isabella Rossellini) and Larry Konzinski (Ted Danson) first meet at a wedding, where Maria's mother and Larry's uncle are tying the knot. However, the new cousins also have something else in common: Maria's husband Tom (William L. Petersen) is having an affair with Larry's wife, Tish (Sean Young). Maria and Larry get to talking at the wedding reception after their spouses go missing for a while, and they develop a rapport. A friendship grows between them, and they start seeing each other on a regular basis. When Maria confronts Tom about his infidelity, he responds by asking her if she's sleeping with Larry. As Maria and Larry become aware of what's happening between their not-so-better halves, they decide to get revenge by pretending to have an affair as well. However, the longer they pretend to be in love, the more they realize that they aren't pretending after all. Cousins was based on the popular French film Cousin Cousine. ~ Mark Deming, All Movie Guide

This thriller is the second film based on the novel of the same name by Ira Levin. Matt Dillon stars as Jonathan Corliss, a lethal schemer from the wrong side of the tracks. Now a student at the University of Pennsylvania, Jonathan has been obsessed since childhood with the fortunes of a company called Carlsson Copper. Jonathan plans to ingratiate himself with the wealthy family of magnate Thor Carlsson (Max von Sydow) and has begun secretly dating Carlsson's daughter Dorothy (Sean Young). When Dorothy learns that she's pregnant and informs Jonathan that she'll be cut off without her inheritance when her father learns the truth, Jonathan murders her, making it appear to be a suicide, and moves to New York. There, he makes the acquaintance of Ellen Carlsson (also played by Young), the late Dorothy's twin sister, and begins wooing her. This time he meets with success, winning Ellen's hand in marriage and a powerful position in his new father-in-law's company. However, Ellen has long nursed suspicions about her twin's death and as she probes deeper into the alleged suicide, she uncovers alarming facts about some other murders and the identity of her sister's unknown lover. Director James Dearden also wrote Fatal Attraction (1987), which contains similar themes. ~ Karl Williams, All Movie Guide

Love Crimes, an erotic thriller directed by Lizzie Borden, explores the psychology of a con man posing as a photographer, who seduces women and then blackmails them using humiliating, revealing pictures he has taken of them. David Hanover (Patrick Bergin) preys on the hopes of women by offering them love and a possible career as fashion models. When some of the women complain, but refuse to aid in Hanover's prosecution, DA Dana Greenway (Sean Young) becomes obsessed with catching Hanover, to the point where she tracks him down and spys on him in his secluded home, making herself a potential victim. He catches her and holds her captive. Feminist filmmaker Borden, who also directed the remarkable, low-budget film Working Girls, raises interesting questions regarding sex, humiliation and male-female relationships, but the film is spoiled by the ambiguity of her central character, Dana. An abused child herself, she has the same self-loathing that the other woman who are preyed upon by Hanover possess, but her motivations for her actions remain murky. Despite these flaws, Borden, always an interesting filmmaker, raises important issues which perhaps can't be adequately resolved using the restrictions of the thriller genre. ~ Linda Rasmussen, All Movie Guide

Forever: A Ghost of a Love Story was inspired by the unsolved murder of movie director William Desmond Taylor in 1922. High-living music video director Keith Coogan moves into a crumbling Hollywood mansion. Here he is visited by a friendly and very beautiful wraith (Sean Young), who turns out to be the ghost of long-ago screen star Mary Miles Minter, the late Mr. Taylor's lover. Coogan's ectoplasmic romance is complicated by his sexually aggressive--and very much alive--female agent (Sally Kirkland). The film's in-the-know screenplay manages to conjure up the ghosts of silent movie favorites Fatty Arbuckle, Mabel Normand and Wallace Reid, all of whom, like Minter and Taylor, were destroyed under spectacularly scandalous circumstances. ~ Hal Erickson, All Movie Guide

Released in the US on cable television, Blue Ice stars Michael Caine as an older, tireder version of his 1960s "Harry Palmer" character (his name, in fact, is Harry Anders). An M16 agent-turned-nightclub owner, Caine is a man of steadfast loyalties. Thus he takes it personally when several friends from his espionage days are mysteriously killed. Caine investigates on his own, which brings him in very close proximity with enigmatic consul's wife Sean Young. Befitting the fact that Caine's character is a jazz fancier, Blue Ice boasts an evocative musical score by Michael Kamen, of Lethal Weapon and Die Hard fame. Watch for jazz great Bobby Short and an unbilled Bob Hoskins. ~ Hal Erickson, All Movie Guide

Fatal Instinct is an Airplane-style spoof of the late-'80s, early-'90s cycle of erotic crime thrillers. Setting the plot in motion is a kinky murder. Armand Assante plays the cop assigned to the case; he's also the prosecuting attorney; the "Sharon Stone" part is essayed by Sean Young. A dash of Body Heat is thrown in the pot as Assante's wife Kate Nelligan plots her hubby's demise. Tony Randall has a bit as a judge, while the film's semi-mocking jazz score is provided by Clarence Clemmons -- who shows up on screen to toot his sax at various crucial plot junctures. ~ Hal Erickson, All Movie Guide

21 Jump Street heartthrob Richard Grieco stars in the 1994 motorcycle movie Bolt, released on DVD as Rebel Run. A tough New Jersey biker named Bolt (Grieco) travels across the country heading west. He encounters old gang rival Billy Niles (Michael Ironside). Bolt fights to protect his Indian girlfriend Patty Deerheart (Sean Young) from land-stealing bad guys. ~ Andrea LeVasseur, All Movie Guide