Ned Young Movies
- 1968
America is no longer the home of the free in this futuristic drama. Now the country is ruled by a powerful, tyrant and his henchmen. The story centers on two brave underground rebels who work to usurp the dictator and restore democracy to the beleaguered land. ~ Sandra Brennan, All Movie Guide
Arthur Hamilton (John Randolph) is a listless Manhattan businessman who lives with his wife in the New York suburbs. One day, he runs into an old friend (Murray Hamilton) whom he thought had died. The friend leads him to The Company, a secretive operation run by The Old Man (Will Geer). The Company is a high-tech service which, for a price, provides older men with plastic surgery, a beefed-up body, and a fresh start in life. To cover the "disappearance," a middle-aged male cadaver is "killed" in a hotel fire. Hamilton submits to the operation that will turn him into a "Second," and when the bandages are removed, he's shed twenty years, renamed Tony Wilson and is portrayed by Rock Hudson. The Company creates a new identity for Hamilton, relocating him in a hedonistic California beach community with an identity as a painter. Celebrating during a local wine festival, Hamilton has his revelry cut short when he learns that all his new young friends are Seconds like himself and suddenly feels trapped in these surroundings. Unfortunately, finding a way out isn't nearly as easy as it was to find a way in. ~ Hal Erickson, All Movie Guide
- Starring:
- Rock Hudson, Salome Jens, (more)
The Evolution vs. Creationism argument is at the center of the Jerome Lawrence-Robert E. Lee Broadway play Inherit the Wind. Lawrence and Lee's inspiration was the 1925 "Monkey Trial," in which Tennessee schoolteacher John Scopes was arrested for teaching Darwin's theory of evolution in violation of state law. Scopes deliberately courted arrest to challenge what he and his supporters saw as an unjust law, and the trial became a national cause when The Baltimore Sun, represented by the famed (and atheistic) journalist H. L. Mencken, hired attorney Clarence Darrow to defend Scopes. The prosecuting attorney was crusading politician William Jennings Bryan, once a serious contender for the Presidency, now a relic of a past era. While Bryan won the case as expected, he and his fundamentalist backers were held up to public ridicule by the cagey Darrow. In both the play and film versions of Inherit the Wind, the names and places are changed, but the basic chronology was retained, along with most of the original court transcripts. John Scopes becomes Bertram Cates (Dick York); Clarence Darrow is Henry Drummond (Spencer Tracy); William Jennings Bryan is Matthew Harrison Brady (Fredric March); and H. L. Mencken is E. K. Hornbeck (Gene Kelly). Dayton, Tennessee is transformed into Hillsboro -- or, as the relentlessly cynical Hornbeck characterizes it, "Heavenly Hillsboro." ~ Hal Erickson, All Movie Guide
- Starring:
- Spencer Tracy, Fredric March, (more)
This near-legendary western stars Sterling Hayden as George Hanson, the son of a Swedish seaman-turned-farmer (Ted Stanhope). When he runs afoul of town boss Ed McNeil (Sebastian Cabot), Hanson's father is gunned down by McNeil's henchman Johnny Crale (Ned Young). Knowing full well that he can expect no help from the town's corrupt sheriff (Tyler McVey), Hanson takes matters in his own hands. Tension mounts steadily until the unforgettable climactic showdown, wherein Hanson arms himself with a harpoon! Extremely well written by Ben L. Perry, Terror in a Texas Town was one of the last directorial efforts of cult favorite Joseph H. Lewis. ~ Hal Erickson, All Movie Guide
- Starring:
- Sterling Hayden, Sebastian Cabot, (more)
Convicts Tony Curtis and Sidney Poitier escape from a chain gang. Curtis' character, John "Joker" Jackson, hates blacks, while Poitier's character, Noah Cullen, hates whites. However, the men are manacled together, forced to rely on each other to survive. Captured at one point by a lynch-happy mob, the convicts are rescued by Big Sam (Lon Chaney Jr.), himself a former convict. The men are later sheltered by a lonely, love-hungry widow played by Cara Williams, who offers to turn in Cullen if Joker will stay with her. By the time the two men are within hailing distance of a train that might take them to freedom, they have become friends. The script for The Defiant Ones is credited to Harold Jacob Smith and Nathan E. Douglas. The latter was really Nedrick Young, a blacklisted writer, whom producer Stanley Kramer hired knowing full well that Young was using an alias (when "Douglas"' credit appears onscreen, it is superimposed over a close-up of a truck driver -- played by Nedrick Young). Both the script and the photography by Sam Leavitt won Academy Awards. If you look closely, you'll notice that the actor playing Angus is former Little Rascal Carl "Alfalfa" Switzer, making his last screen appearance. The Defiant Ones was remade for TV in 1986, with Robert Urich and Carl Weathers in the leads. ~ Hal Erickson, All Movie Guide
- Starring:
- Tony Curtis, Sidney Poitier, (more)
One of the best of Elvis Presley's pre-Army films, Jailhouse Rock offers us the sensual, "dangerous" Elvis that had won the hearts of the kids and earned the animosity of their elders. Presley plays a young buck who accidentally kills a man while protecting the honor of a woman. Thrown into prison, Elvis strikes up a friendship with visionary fellow-con Mickey Shaughnessy. Shaughnessy suggests that Elvis perform in the upcoming prison show. Ol' swivel-hips scores a hit, and decides to stay in showbiz after his release. Together with pretty Judy Tyler (the former Princess Summerfall Winterspring on Howdy Doody, who would die in a horrible traffic accident shortly after completing this film), Elvis sets up his own record company. Alas, success goes to his head, and soon Elvis plans to ditch Tyler in favor of signing with a big-time label. Shaughnessy shows up long enough to punch out Elvis for his disloyalty; as a result, Elvis' vocal chords are damaged and he is unable to sing. Deserted by his flunkeys and hangers-on, Elvis learns the value of friendship and fidelity when Tyler and Shaughnessy stay by his side in his darkest hours. His voice restored, Elvis climbs back up the charts--but this time, he's a much nicer fellow, and a lot more committed to Tyler. Usually the musical numbers in a Presley picture (this one has a doozy, complete with chorus boys dressed as convicts!) are more compelling than the plot. Jailhouse Rock is a perfect balance of song and story from beginning to end; seldom would Elvis be so well showcased in the future. ~ Hal Erickson, All Movie Guide
- Starring:
- Elvis Presley, Judy Tyler, (more)
- 1954
A car with two men visible in it pulls up to a Los Angeles service station at night, with a single attendant (Dub Taylor) working. As he starts to pump the gas, he doesn't see the third man come around the side until it's too late and he's knocked cold. The trio carries out their robbery but before they can finish, a motorcycle cop rolls up. A gun battle ensues, and one of the robbers is shot, as is the police officer. Now a manhunt is on for the trio, all escapees from San Quentin who were making their way south; the other two give the wounded man enough money to get to the apartment of a former cellmate of one of them, Steve Lacey (Gene Nelson). But Lacey is genuinely trying to go straight and live a clean, honest life with his wife, Ellen (Phyllis Kirk), and wants nothing to do with anyone he knew in prison, or with harboring an escaped prisoner. He's even more unhappy when Dr. Otto Hessler (Jay Novello), another ex-con and a veterinarian, arrives to treat the gunshot victim. But when the hood dies, matters get even more complicated -- Lacey's life becomes a nightmare as the police arrive, led by the hardboiled Det. Sgt. Sims (Sterling Hayden), who doesn't believe that any hood ever goes straight. Sims doesn't believe that Lacey's claim of knowing nothing of the escapees, and is ready to send him back to prison on a parole violation -- even though his parole officer (James Bell) believes him -- when he won't cooperate. And worse still, the other two escapees, Doc Penny (Ted de Corsia) and Ben Hastings (Charles Buchinsky, aka Charles Bronson), force their way into Lacey's home, insisting on hiding out there and threatening Ellen. And as they're now a man short, they want Steve's help on a major heist they're planning -- and will kill Ellen if he doesn't cooperate. Soon Lacey is up to his neck in a daylight bank robbery, timed to the minute, and his wife is at the mercy of a mentally deficient, sexually deviant confederate (Timothy Carey), while the police still seem to be following every trail but the right one. Steve realizes that he is the only one who is going to be able to save himself or his wife from this nightmare, and isn't convinced that he'll get out of it alive -- but by then, between being put on him by Sims and his unwanted companions, he's prepared to die in order to save Ellen. ~ Bruce Eder, All Movie Guide
- Starring:
- Sterling Hayden, Gene Nelson, (more)
- 1954
In this western, a shotgun rider on a stagecoach must clear his reputation after some outlaws accuse him of being a crook. Gunplay ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Randolph Scott, Wayne Morris, (more)
- 1953
Virginia Mayo stars in this unofficial follow-up to her 1952 musical hit She's Working Her Way Through College. Mayo plays movie star Catherine Terris, who after three box-office flops in a row, returns to the Broadway stage whence she came. Her co-star in this endeavor is Rich Sommers (Steve Cochran), who still harbors a grudge against Catherine because of her walkout during her last Broadway appearance. Predictably, Rich and Catherine bury the hatchet by midfilm, and when fadeout time rolls around they're in each other's arms. ~ Hal Erickson, All Movie Guide
- Starring:
- Virginia Mayo, Gene Nelson, (more)
This simplified (but lavish) remake of the 1933 melodrama The Mystery of the Wax Museum was the most financially successful 3-D production of the 1950s. In his first full-fledged "horror" role, Vincent Price plays Prof. Henry Jarrod, the owner of a wax museum, whose partner, Matthew Burke (Roy Roberts), intends to burn the place down for the insurance money. When Jarrod tries to prevent Burke from torching the museum, he himself is trapped in the conflagration. Years pass: though now confined to a wheelchair, Jarrod manages to open up a new museum in New York, boasting the most incredibly lifelike wax statues ever seen. At the same time, a masked prowler has been stalking the city, murdering people and then stealing their bodies from the mortuary. One of the victims is Jarrod's old nemesis Burke; another is Cathy Gray (Carolyn Jones), the roommate of art student Sue Allen (Phyllis Kirk). On a visit to the wax museum, Sue can't help but notice that the wax likeness of Joan of Arc is a dead ringer for her deceased friend Cathy -- while the courtly Jarrod declares joyously that Sue is the living image of Marie Antoinette. Guess where this is going to wind up? Frank Lovejoy and Paul Picerni co-star as the nominal heroes, while Charles Bronson -- still billed as Charles Buchinsky -- is a menacing presence as Jarrod's deaf-mute chief sculptor (appropriately named "Igor"). No opportunity to show off the 3-D process is wasted during House of Wax; the most memorable stereoscopic moments are provided by garrulous "paddle-ball man" Reggie Rymal. Ironically, Andre De Toth, the film's director, had only one good eye, and had to constantly ask his cast and crew if the various 3-D effects had come off properly. ~ Hal Erickson, All Movie Guide
- Starring:
- Vincent Price, Frank Lovejoy, (more)
Richard Greene stars in the medium-budget swashbuckler Captain Scarlet. Greene plays the title character, a Gallic Robin Hood, who seeks to reclaim his birthright from the usurping Duke of Corlaine (Manolo Fabregas). Forming a group of sort-of-merry men, Captain Scarlet rallies the countryside to take up arms against the despotic duke. In addition, he saves Princess Maria (Leonora Amar) from various fates worse than death at the hands of lecherous Count Villiers (Eduardo Norriega). The preponderance of Latino names in the cast of Captain Scarlet is a tip-off that the film was lensed in Mexico rather than France. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Greene, Leonora Amar, (more)
- 1952
Though its title would seem to indicate a medieval swashbuckler, The Iron Mistress is actually based on the life of American frontiersman Jim Bowie. Alan Ladd stars as the fearless, knife-wielding Bowie, who is first seen arriving in New Orleans to sell a supply of lumber. Bowie falls in love with duplicitous Creole lass Judalon de Bornay (a brunette Virginia Mayo), who inspires him to increase his riches and political power. When Bowie doesn't move up the ladder of success fast enough to suit her, the fickle Judalon weds another. Bowie eventually finds happiness in the arms of Ursula de Veremendi (Phyllis Kirk), the daughter of Texas' vice-governor. The film tactfully ends long before Bowie's rendezvous with destiny at the Alamo. The Iron Mistress is based on the novel by Paul I. Wellman; the highlight of the novel, a fierce knife-and-rapier duel, is faithfully recreated here. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Virginia Mayo, (more)
- 1952
Springfield Rifle was Gary Cooper's third western in a row, released not long after the classic High Noon. Cooper plays Union army officer Lex Kearney, who undertakes a covert investigation to find out why the North's supply of horses has suddenly diminished. Because of the top-secret nature of his mission, Kearney is forced to distance himself from everyone he knows, including his wife Erin (Phyllis Thaxter) and son Jamie (Michael Chapin). Heading to a remote cavalry post, he discovers that renegade soldiers have been stealing horses and selling them to the South. Someone at the post has been operating as the thieves' "inside man," and Lex, posing as a dishonorably discharged soldier, aims to ferret out the traitor. Had it not followed directly on the heels of the critical and financial success of High Noon, Springfield Rifle might have fared better with audiences and reviewers. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Phyllis Thaxter, (more)
- 1952
Retreat, Hell! is out of favor with most disciples of director Joseph H. Lewis, partly because it was a major-studio release, whereas Lewis' cult classics were made on shoestring budgets for independent producers. Despite this "handicap," Retreat, Hell! holds up beautifully when seen today. The faintly scatological title is based on a defiant quote from General Oliver P. Smith, which gained fame during the Korean War. Frank Lovejoy stars as Marine Batallion Commander Steve Corbett, whose men valiantly fight their way towards the Changjin Reservoir, then just as valiantly fight their way back to their own lines. The film's dramatic conflict is in the hands of Richard Carlson, cast as reservist Captain Paul Hanson, who is forced to leave hearth and home when his country calls upon him. Others in the cast include Russ Tamblyn in his first "adult" role, future-director Lamont Johnson, and real-life war hero Peter Ornitz. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Lovejoy, Richard Carlson, (more)
- 1952
Onetime big-league independent producer Walter Wanger had to make do with Monogram Pictures' distribution channels for his low-budgeter Aladdin and His Lamp. Johnny Sands plays the title role, but it's Patricia Medina, as "Jasmine", who is afforded top billing. The traditional story is honored to the letter, with pickpocket Sands using his three wishes to woo and win Medina. The golden-throated John Dehner is a persuasive villain, though he's a tad too young for the assignment. The two-toned Cinecolor process adds a touch of class to this threadbare costumer. ~ Hal Erickson, All Movie Guide
- Starring:
- Patricia Medina, Johnny Sands, (more)
- 1951
Somewhat similar to John Ford's Wagon Master (1950), Passage West deals with a band of religious pioneers, led by a peace-loving minister (Dennis O'Keefe), heading across the desert. Along the trail, the travellers are forced to accompany with six escaped convicts who join the wagon train. The criminals range from basically decent to homicidal, resulting in fluctuating tensions throughout the westward trek. John Payne, one of the more compassionate convicts, is further humanized by his affection for leading lady Arleen Whelan. Passage West was a B-plus production from Paramount's prolific Pine-Thomas unit. The screenplay was cowritten by Nedrick Young, just before his career was retarded by the Hollywood Blacklist. ~ Hal Erickson, All Movie Guide
- Starring:
- John Payne, Dennis O'Keefe, (more)
- 1950
A Lady Without Passport stars Hedy Lamarr in the title role. Lamarr plays Marianne Lorress, a concentration-camp refugee who takes up residence in Cuba while waiting permission to enter the U.S. Immigration agent Pete Karczag (John Hodiak) decides to use Marianne as bait to entrap Palinov (George Macready), the brains of an alien-smuggling ring. Pete eventually falls in love with Marianne, but she despises him for using her--at least until fade-out time. Despite the tattoo on her arm, it is difficult to believe that Hedy Lamarr has survived a Nazi concentration camp; she appears instead to have staged a desperate escape from the MGM makeup department. This aside, A Lady without Passport is an acceptable (and commendably short) crime meller. ~ Hal Erickson, All Movie Guide
- Starring:
- Hedy Lamarr, John Hodiak, (more)
- 1949
- NR
As far removed from a "typical" MGM picture as it was possible to get back in 1949, Border Incident is a gritty, realistic crime melodrama. The story concerns the efforts by both the Mexican and American governments to stop the smuggling of Mexican migrant workers across the border. Representing Mexico is special agent Pablo Rodriguez (Ricardo Montalban), while Jack Bearnes (George Murphy) works on behalf of the US. Screenwriter John C. Higgins and producer/director Anthony Mann refuse to pull any punches, as witness the surprising mid-film murder of one of the major characters. Highlights include a harrowing episode involving a plowing machine and a climactic shootout in a quicksand swamp. The uniformly well-chosen supporting cast includes Howard da Silva, Arnold Moss, Alfonso Bedoya and Charles McGraw, "film noir" veterans all. ~ Hal Erickson, All Movie Guide
- Starring:
- Ricardo Montalban, George Murphy, (more)
The definitive Joseph H. Lewis-directed melodrama, Gun Crazy is the "Bonnie and Clyde" story retooled for the disillusioned postwar generation. John Dall plays a timorous, emotionally disturbed World War II veteran who has had a lifelong fixation with guns. He meets a kindred spirit in carnival sharpshooter Peggy Cummins, who is equally disturbed -- but a lot smarter, and hence a lot more dangerous. Beyond their physical attraction to one another, both Dall and Cummins are obsessed with firearms. They embark on a crime spree, with Cummins as the brains and Dall as the trigger man. As sociopathic a duo as are likely to be found in a 1940s film, Dall and Cummins are also perversely fascinating. As they dance their last dance before dying in a hail of police bullets, the audience is half hoping that somehow they'll escape the Inevitable. Some critics have complained that Dall is far too effeminate and Cummins too butch, but Joseph H. Lewis was never known to draw anything in less than broad strokes: recall the climax of Terror in a Texas Town, wherein Sterling Hayden participates in a western showdown armed with a whaler's harpoon. The best and most talked-about scene in Gun Crazy is the bank robbery sequence, shot in "real time" from the back seat of Dall and Cummins' getaway car. Originally slated for Monogram release, Gun Crazy enjoyed a wider exposure when its producers, the enterprising King Brothers, chose United Artists as the distributor. The film was based on a magazine article by MacKinlay Kantor; one of the scenarists was uncredited blacklistee Dalton Trumbo. ~ Hal Erickson, All Movie Guide
- Starring:
- Peggy Cummins, John Dall, (more)
- 1948
Columbia kept insisting upon placing its hottest new star Larry Parks in swashbucklers, and though Parks wasn't really suited to the genre, he always strived to please. Set in 17th-century France, the film stars Parks as Lt. David Picard, a peace-loving officer who is nevertheless handy with his sword when the need arises. Hoping to crush the burgeoning pacifistic movement in France, warmongering Marshall Mordore (Victor Jory) plots to abduct popular "people's general" Cadeau (George Macready, in a rare sympathetic role). Picard, Cadeau's adjutant, spends the balance of the film trying to shield the general from harm -- and to romantically pursue beautiful spy Nanton de Lartigues (Marguerite Chapman). The antiwar philosophies of The Gallant Blade would return to haunt Larry Parks when he was called to testify before the House Un-American Activities Committee. ~ Hal Erickson, All Movie Guide
- Starring:
- Larry Parks, Marguerite Chapman, (more)
- 1948
Columbia's dog-and-boy "Rusty" series galloped ever forward with Rusty Leads the Way. This time, young Danny Mitchell (Ted Donaldson) and his canine pal Rusty (played by "Flash") befriend blind girl Penny Moffatt (Penny Waters). Feeling cheated by life, Penny resists all efforts to cope with her handicap. But with Rusty's help, the girl gains a new lease on life and agrees to adopt a seeing-eye dog. In addition to Ted Donaldson, John Litel and Ann Doran make return appearances as Danny's understanding parents. Way, way down on the cast list is young "Wayne Hickman," who of course grew up to become Dobie Gillis' Dwayne Hickman. ~ Hal Erickson, All Movie Guide
- Starring:
- Ted Donaldson, Sharyn Moffett, (more)
- 1947
Capitalizing on Larry Parks' "overnight" success in The Jolson Story, Columbia Pictures rushed their hottest new star from one picture to another, whether he was suited to the role or not. In The Swordsman, Parks makes a valiant stab at swashbucklery, playing an 18th-century Scottish aristocrat named Alexander MacArden. The plot revolves around the "forbidden" romance between Alexander and Barbara Glowan (Ellen Drew) of the hated Glowan clan. Managing to effect a truce between the MacArdens and the Glowans, Alexander has his hands full when a couple of hot-headed clansmen starts up the feud all over again. Full-scale warfare explodes between the rival families, but so long as Alexander has his wits about him and a sword in his sheath, the audience can be assured that he'll straighten things out by the ninth reel. Famed dancer-choreographer Marc Platt is uncomfortably cast as a pugnacious member of the Glowan clan, moving one critic to postulate that Columbia must have had a grudge against Platt. The Swordsman was directed by Joseph H. Lewis, who'd previously helmed the production numbers in The Jolson Story. ~ Hal Erickson, All Movie Guide
- Starring:
- Larry Parks, Ellen Drew, (more)
- 1947
Reading-of-the-will melodramatics substitute for the usual B-Western shootin' and fightin' in this late entry in the long running Hopalong Cassidy series, which has sidekick California Carlson (Andy Clyde) as one of six heirs to the supposedly worthless Baxter property. During the reading of Hiram Baxter's will, one of the heirs, Phineas Phipps (Joel Friedkin), is murdered, presumably by the same mystery figure who had earlier taken pot shots of the arriving Hoppy (William Boyd), Lucky (Rand Brooks), and California. Soon panels are sliding, spectral voices are heard, and shots are fired. Yet another heir, Ralph Baxter (Nedrick Young), is murdered and crooked attorney Potter (John Parrish) points the finger at Lucky. Meanwhile, Hoppy discovers that there is oil in them thar hills, a fact that Potter and co-conspirator Ogden (Robert B. Williams) conveniently forgot to mention to the heirs. After performing a bit of detective work, Hoppy catches the mystery killer in the act, so to speak, and the ranch is eventually returned to the surviving heirs, Ruth Baxter (Patricia Tate), housekeeper Mathilda Hackett (Una O'Connor), ranch hand Joshua Colter (Earle Hodgins), and California. The latter, however, relinquishes his share in favor of returning to the Bar 20 with his friends. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Rand Brooks, Andy Clyde, (more)
- 1946
The biggest surprise in Republic's Gay Blades is that the studio's resident skating star Vera Hruba Ralston doesn't appear. Allan Lane plays hockey star Andy Buell, whose prowess on the rink brings him to the attention of Hollywood leading lady Nancy Davis (played not by the real Nancy Davis, worse luck, but by Jean Rogers). Casting about for a leading man for her upcoming production The Behemoth, Nancy decides that Andy fills the bill. For a while, Andy "goes Hollywood", but in the end it is Nancy who gives up her career in favor of romance. The film's best performance is delivered by Paul Harvey, who as studio executive J. M. Snively offers a cute takeoff of Republic head man Herbert J. Yates. At the bottom of the cast list is Nedrick Young, later a top Hollywood screenwriter. ~ Hal Erickson, All Movie Guide
- Starring:
- Jean Rogers, Edward Ashley, (more)
