Gig Young Movies

Gig Young started his movie career billed under his birth name, Byron Barr. He made his debut in You're in the Army Now (1941). The following year, he played in The Gay Sisters playing a larger supporting role, a character called Gig Young. While he would he would still continue going by Byron Barr for a while, he would eventually change it to Gig Young because there was an actor named Byron Barr already in Hollywood. When not going by his birth name, Young sometimes billed himself as Bryant Fleming. During WWI, Young was part of the Coast Guard. Upon his discharge, he returned to his movie career. Dashing and witty, Young often played second bananas and was frequently cast as a carefree bachelor who was more interested in fun than commitment. He also played guys who were always unlucky in love in romantic comedies. Occasionally Young would win the lead in B-movies. In 1969, Young earned an Oscar for his performance in They Shoot Horses, Don't They? On television, Young occasionally guest starred on series and movies. In 1976, he starred in the short-lived series Gibbsville. In 1978, Young and his bride of three weeks (he had been married four times before) were found dead of gunshot wounds in his Manhattan apartment. In Young's hand was the pistol and police surmised that he had shot her and then himself. His wife was Kim Schmidt, a 31-year-old German actress. ~ Sandra Brennan, All Movie Guide
1941  
NR  
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Though history is distorted almost beyond recognition in Warner Bros.' They Died With Their Boots On, audiences in 1941 ate it up like cotton candy. In the gospel according to Warners, General George Armstrong Custer (Errol Flynn) is neither an arrogant fool nor a rabid Indian hater. Instead, he is a flamboyant but brilliant cavalry officer, who during the Civil War defies his superiors' orders and becomes a hero as a result. After a period of forced retirement in the postwar years, Custer is put in charge of the 7th Cavalry in the Dakota Territory. Here he whips this ragtag group into spit-and-polish shape, and also does his best to extend a neighborly hand to the local Indian tribes. Custer even goes so far as to promise Chief Crazy Horse (Anthony Quinn) that the white man will never set foot in the sacred Black Hills. Alas, Custer is betrayed by greedy gold prospectors, whipped into a frenzy by scheming (and fictional) land speculator Ned Sharp (Arthur Kennedy). Forced by circumstances to do battle against Crazy Horse to prevent tribal retaliation, Custer and his command ride towards a rendezvous with destiny at the Little Big Horn on June 25, 1876. Though some of the historical inaccuracies in the film are real howlers, blame cannot be laid solely at the feet of Warner Bros.; the Custer legend had previously been perpetrated by the general's loyal widow Elizabeth Bacon (played herein by Olivia de Havilland), then eagerly elaborated upon by Eastern news journalists and dime novels. This film represented the final screen pairing of Errol Flynn and Olivia de Havilland, a fact that lends poignancy to their classic parting scene. Though an extremely long film, They Died With Their Boots On is never dull, especially during the spectacular Custer's Last Stand finale. ~ Hal Erickson, All Movie Guide

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Starring:
Errol FlynnOlivia de Havilland, (more)
1941  
NR  
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When World War I hero Alvin York agreed to sell the movie rights to his life story to Warner Bros., it was on three conditions: (1) That the film contains no phony heroics, (2) that Mrs.York not be played by a Hollywood "glamour girl" and (3) That Gary Cooper portray York on screen. All three conditions were met, and the result is one of the finest and most inspirational biographies ever committed to celluloid. When the audience first meets young farmer Alvin York (Cooper), he's the cussin'est, hell-raisin'est critter in the entire Tennessee Valley. All of this changes when York is struck by lighting during a late-night rainstorm. Chalking up the bolt from the blue as a message from God, York does a complete about-face and finds Religion, much to the delight of local preacher Rosier Pile (Walter Brennan). Despite plenty of provocation, York vows never to get angry at anyone ever again, determining to be a good husband and provider for his sweetheart Gracie Williams (Joan Leslie). When America goes to war in 1917, York elects not to answer the call when drafted, declaring himself a conscientious objector. Forced to go to boot camp, he proves himself a born leader, yet still he balks at the thought of killing anyone. York's understanding commanding officer Major Buxton (Stanley Ridges) slowly convinces the young pacifist that violence is sometimes the only way to defend Democracy. Later on, while serving with the AEF in the Argonne Forest, Sergeant York sees several of his buddies, including his Bronxite best pal Pusher Ross (George Tobias), killed in an enemy ambush. His anger aroused, York personally kills 25 German soldiers, then single-handedly captures 132 prisoners. As a result, York becomes the most decorated hero of WW1, celebrated by no less than General John J. Pershing as "the greatest civilian soldier" of the war. The film won Gary Cooper his first Academy Award, and also picked up an Oscar for Best Film Editing. Not surprisingly, it ended up as the highest-grossing film of 1941. ~ Hal Erickson, All Movie Guide

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Starring:
Gary CooperWalter Brennan, (more)
1941  
NR  
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The George S. Kaufman/Moss Hart Broadway hit The Man Who Came to Dinner was inspired by the authors' mutual friend, waspish critic/author Alexander Woollcott. Generously bearded ex-Yale professor Monty Woolley, no mean curmudgeon himself, plays the Woollcott character, here rechristened Sheridan Whiteside. While on a lecture tour in Ohio, Whiteside slips on the ice outside his hosts' home; until his broken leg heals, the hosts (Grant Mitchell and Billie Burke) are forced to put up (and put up with) the imperious Whiteside. This means enduring an unending stream of Whiteside's whims, caprices and vitriolic bon mots, as well as his long-distance phone calls, eccentric guests and a variety of critters, ranging from penguins to octopi. Like the real Woollcott, Whiteside insists upon stage-managing the lives of everyone around him. He is particularly keen on discouraging a romance between his faithful secretary Maggie Cutler (top-billed Bette Davis) and local newspaper editor Bert Jefferson (Richard Travis). Once he realizes he's gone too far in this respect, Whiteside is forced to reunite the lovers. That's only one aspect of a three-ring-circus plotline that accommodates a Lizzie Bordenish axe murderess, takeoffs of Woollcott intimates Harpo Marx, Noel Coward and Gertrude Lawrence, and a general practitioner who's willing to let his patients suffer for a chance to pitch his interminable memoirs to Whiteside. Featured in the cast are Jimmy Durante as "Banjo" (the Harpo clone), Reginald Gardiner as the Noel Coward-like Beverly Carlton, Anne Sheridan as the predatory Gertrude Lawrence counterpart Lorraine Sheldon, and Mary Wickes as the long-suffering Nurse Preen ("You have the touch of a love-starved cobra!") The script, by the Epstein brothers, manages to retain most of the play's best lines and situations, even while expanding Bette Davis' role to justify her start status; it's a shame, though, that we are robbed of Sheridan Whiteside's imperishable opening line, "I may vomit!" ~ Hal Erickson, All Movie Guide

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Starring:
Bette DavisAnn Sheridan, (more)

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