Gig Young Movies

A suspenseful courtroom drama, The Story on Page One was the second and last film directed by the distinguished American playwright Clifford Odets (who also wrote the screenplay). Jo (Rita Hayworth) and Larry (Gig Young) are lovers accused of murdering Jo's husband. Their trial lawyer, Victor Santini (Anthony Franciosa) has his work cut out for him on two different fronts. For one, he has to overcome his own tendency to hit the bottle, and for another, he has to somehow win this case. As revealed in the beginning, Jo's husband died accidentally. Yet the unpredictability of the courtroom proceedings indicate that a verdict of "not guilty" is going to be anything but automatic. ~ Eleanor Mannikka, All Movie Guide

Though very tame by contemporary standards, Tunnel of Love was considered the last word in racy comedy back in 1958. Adapted from the Broadway hit by Peter DeVries and Joseph Fields, the film stars Doris Day and Richard Widmark as suburbanites Isolde and Augie Poole. Isolde and Augie desperately want a child, but for diverse reasons have never been able to conceive. They decide to adopt a child, prompting a visit to the Poole home by pretty adoption-agency officer Estelle Novick (Gia Scala). Through a series of misundertandings, Estelle decides that Augie isn't a likely candidate for fatherhood, a notion he tries to dispell by taking her out to dinner. One thing leads to another, and the next morning Augie wakes up in a strange motel room with a monstrous hangover. Months later, Estelle pays a visit to Augie, informing him that she's pregnant and in dire need of a great deal of money. Certain that he's the father, Augie goes to great lengths to hide his "indiscretion" from his wife. But Isolde begins to suspect that something is amiss when the adoption agency shows up with a baby that looks disturbingly like her husband. Nothing is quite what it seems, of course, but neither the characters nor the audience find this out til the very end. As comic contrast to the childless Pooles, Elizabeth Fraser co-stars as the couple's eternally pregant next-door-neighbor Alice Pepper, whose husband Dick (Gig Young) looks appropriately worn out. Tunnel of Love was Gene Kelly's first directorial assignment on a film in which he himself didn't appear. (As a footnote, it's worth noting that during the original Broadway run of Tunnel of Love, Augie Poole was briefly portrayed by Johnny Carson). ~ Hal Erickson, All Movie Guide

Based on the novel and play by Joseph Hayes, which in turn was inspired by an actual event, The Desperate Hours is the prototypical "family-trapped-by-criminals" drama. Escaped convicts Humphrey Bogart, Robert Middleton and Dewey Martin, seeking an appropriate hideout until they can make contact with their money supply, deliberately choose the suburban home of Fredric March and his family. The cold-blooded Bogart wants no trouble with the police, and he knows he can cower a family with children into cooperating with him. The convict orders March, his wife Martha Scott, and their children Richard Eyer and Mary Murphy, to go about their normal activities so as not to arouse suspicion. Young Eyer, upset that March won't lift a hand against Bogart, assumes that his father is a coward. The authorities are alerted when March, at Bogart's behest, draws money for the convict's getaway from the bank. Pushed to the breaking point, March begins subtly turning the tables on the convicts. Bogart's character in Desperate Hours was originally written for a much younger man, which explains why Paul Newman was able to play the part in the original Broadway production. The film was slated to co-star Bogart with his old pal Spencer Tracy, but this plan fell through when the two actors couldn't agree on who would get top billing. Desperate Hours was remade in 1991 with Mickey Rourke in the Bogart role. ~ Hal Erickson, All Movie Guide

Young at Heart is a soft-pedaled, musicalized remake of 1938's Four Daughters. Robert Keith takes over the Claude Rains role as paterfamilias to a family of musical prodigies, all girls: Doris Day, Dorothy Malone, Elizabeth Fraser (the fourth daughter was written out of proceedings, no great loss). Keith's new boarder Gig Young, a musical-comedy composer, becomes the three daughters' heart balm, whether he wants to our not. When he gets stuck creatively, Young invites his tempestuous pal Frank Sinatra to help him finish his score. Sinatra essays the old John Garfield role, retaining a generous supply of Garfield's chip-on-shoulder edginess. But whereas Garfield's character dies in Four Daughters, Sinatra survives for a happily-ever-after clinch with Doris Day. Most of the songs heard in Young at Heart were already standards in 1954--with the notable exception of the Johnny Richards-Carolyn Leigh title number, which of course became a part of Frank Sinatra's standard repertoire. ~ Hal Erickson, All Movie Guide

Joan Crawford's first Technicolor feature has come to be known as a textbook example of "high camp." Crawford stars as musical comedy luminary Jenny Stewart, who has been hardened by the worst life has to offer. Romance enters her life in the form of her new piano accompanist, blinded war-veteran Tye Graham (Michael Wilding). The fact that Graham refuses to kowtow to the temperamental Jenny's demands, coupled with the adversarial behavior of Graham's seeing-eye dog, makes the pianist all the more attractive to the lonely songstress. Torch Song is a favorite of bad-movie buffs and female impersonators the world over: Highlights include Crawford's blackface musical number, and the now-classic scene in which she simulates blindness to better understand the taciturn Graham. Director Charles Walters, a former choreographer, appears as Crawford's two-left-feet dancing partner in the opening scenes. ~ Hal Erickson, All Movie Guide

John Auer directed and Steve Fisher wrote this police procedural film in the vein of the popular Detective Story of two years earlier. The film juggles around four characters through a particularly bad night in a Chicago precinct -- Johnny Kelly (Gig Young), a stressed out cop ready to crack; Sally "Angel Face" Connors (Mala Powers), a cheap strumpet lounge singer; Hayes Stewart (William Talman), a former magician and present thug; Penrod Biddel (Edward Arnold), a smooth and corrupt district attorney; and Sgt. Joe (Chill Wills), an Everyman character, known as "The Voice of Chicago." The skimpy plot concerns Kelly, who is having an affair with Angel Face and is ready to quit his job and leave his wife Kathy (Paula Raymond) at the drop of a hat. In order to get quick money to escape Chicago and start life anew with Angel Face, Kelly accepts an assignment and a payment from Biddel to escort low-life Stewart across the state line. ~ Paul Brenner, All Movie Guide

You for Me stars Peter Lawford as a profligate playboy who's a nice guy underneath. After suffering a hunting accident which leaves him with a butt full of buckshot, Lawford is interred in the hospital that his donations have kept afloat. Nurse Jane Greer refuses to treat Lawford any better than any other patient, which of course makes him adore her all the more. Gig Young is once more the poor schlemiel who loses the girl--but this time Young deserves it, since he encourages Jane to make goo-goo eyes at Lawford so the donations will keep on coming (there's a word for that sort of thing where we come from, stranger). You for Me was directed by Don Weis, whose MGM films are often so lightweight that they're in danger of floating away. ~ Hal Erickson, All Movie Guide

James Cagney plays a once great newspaper reporter ruined by liquor. Thanks to the help of reformed alcoholic James Gleason, Cagney pulls himself out of the gutter and restores his journalistic reputation. Because of his own redemption, Cagney is asked by his editor to straighten out the editor's nephew (Gig Young), a drunken wastrel. The task is made dicey by the fact that the nephew's wife (Phyllis Thaxter) is Cagney's former girlfriend. The nephew's involvement in gangsters results in the death of Cagney's old friend Gleason, but Cagney swallows his rage, vanquishes the crooks, and puts the nephew on the right track. Come Fill the Cup was a little too melodramatic to succeed as an anti-alcohol tract, but it was well acted throughout, especially by Gig Young, who received an Oscar nomination for his efforts. ~ Hal Erickson, All Movie Guide

Set during WW II, Target Unknown follows the exploits of a group of American flyers who crash behind enemy lines. Captured by the Germans, the flyers are interrogated separately. The Nazi higher-ups are eventually convinced that they've gleaned enough information to know where and when the next Allied bombing will occur, but the Americans prove to be a step ahead of them. Mark Stevens stars as Air Force captain Jerome Stevens, while Robert Douglas is Col. Von Brock, Steven's German opposite number. The feminine angle is handled by Suzanne Dalbert and Malu Gatica, cast respectively as a loyal Frenchwoman and Nazi sympathizer. ~ Hal Erickson, All Movie Guide

Lizabeth Scott and Diana Lynn are both effectively cast against type in Paid in Full. Scott plays Jane Langley, the spectacularly self-sacrificial older sister of selfish, reckless Nancy Langley (Lynn). Though she is in love with Bill Prentice (Robert Cummings), Jane gives him up to Nancy. And when Jane accidently causes the death of Nancy's child, she vows to makes amends by the most direct means possible. What follows is within the Production Code guidelines of the era -- but just barely. An unabashed "woman's picture" (that's what they called them back in 1949), Paid in Full doesn't always play well today, since viewers might be tempted to yell "Get real, Lizabeth!" at the screen. Still, it worked beautifully for its original target audience, especially those who'd read the factual Reader's Digest article upon which it was based. ~ Hal Erickson, All Movie Guide

Covered Wagon Raid stars Allan "Rocky" Lane as a frontier insurance investigator named...Allan "Rocky" Lane. The story concerns a gang of hijackers who've been bushwhacking and murdering wagon train passengers. Someone has been tipping the gang off as to the locations and routes of the wagon trains--but who? That's what Rocky has to find out, and he's got quite a list of suspects to choose from. Halfway down the cast list as "Susie" is little Sherry Jackson, who later played Danny Thomas' daughter Terry on TV's Make Room for Daddy. There's hardly a dull moment in this 60-minute sagebrusher. ~ Hal Erickson, All Movie Guide

In Roy Rogers' Down Dakota Way, the deadly hoof-and-mouth disease has struck the herd owned by evil rancher H. T. McKenzie (Roy Barcroft). To avoid an expensive quarantine on his stock, McKenzie plans to murder the local veterinarian (Emmet Vogan) before the latter can report his findings to the government. Rogers manages to straighten out the situation by appealing to the sensibilities of the aunt (Elizabeth Risdon) of McKenzie's hotheaded hired assassin (Byron Barr). The film also bears several musical numbers from Roy, Dale Evans, and Foy Willing and the Riders of the Purple Sage. ~ Hal Erickson, All Movie Guide