Dey Young Movies

In this drama, a young woman gives up college and marries her boyfriend, a Marine. Unfortunately, he is killed in Vietnam. ~ Sandra Brennan, All Movie Guide

In this subtly humorous, alien-invasion film by Michael Laughlin, who co-wrote the screenplay with William Condon, the aliens infiltrate a small Midwestern town in 1958 and beam the "spirits" of several of the townspeople up to their spacecraft in little blue bubbles, while they settle into the bodies of their new farm personae. But Margaret (Diana Scarwid), one of their number, leaves for life and marriage in New York and has a daughter Elizabeth by her earthling husband Charles Bigelow (Paul LeMat), a professor. After two decades or so go by, the aliens opt for returning to their home planet, but they have to first go to the city dressed as farmers and round up Margaret and her daughter. Soon Charles figures out what is going on with the help of the tough, optimistic Betty Walker (Nancy Allen), a reporter for a tabloid paper, and the two head to the town where it all started.The light contrast between the bucolic '50s and the street-wise '80s gives way to a few shocking scenes of repugnant aliens in transformation with formidable special effects. ~ Eleanor Mannikka, All Movie Guide

Based on a true story, the made-for-television Samaritan: The Mitch Snyder Story is the tale of a Washington, DC-based Vietnam veteran (Martin Sheen) who fights for America's homeless by staging hunger strikes and battling with various government agencies, eventually winning the attention of several city officials. ~ Stephen Thomas Erlewine, All Movie Guide

A space bum helps rescue a princess from an evil overlord with the help of a benevolent elder in this Star Wars send-up written and directed by Mel Brooks. Lone Starr (Bill Pullman) and his half-man, half-dog co-pilot, Barf the Mawg (John Candy), are content to scour the galaxy living the easy life. But they reluctantly come to the rescue when Druish Princess Vespa (Daphne Zuniga) is threatened by the evil Lord Dark Helmet (Rick Moranis), who wants to steal all of the air from her planet, Druidia. Trapped on a harsh desert world with Vespa and her robot chaperone, Dot Matrix (voice of Joan Rivers), Lone Starr and Barf are helpless to prevent Helmet from kidnapping the girl. But assistance arrives in the form of Yogurt (Brooks), a wizard who turns Lone Starr on to a mysterious power known as The Schwartz. Catching up with Helmet just as he's transforming his spaceship into a giant vacuum cleaner in orbit around Druidia, the reluctant heroes stage a dramatic showdown. Although it borrows most of its plot from the Star Wars series, Spaceballs also pokes fun at Star Trek, Snow White, and Planet of the Apes -- as well as the entire videocassette and movie marketing industries. The large supporting cast includes Dick Van Patten, Jim J. Bullock, and the voice of Dom DeLuise. John Hurt makes a cameo in a parody of the exploding chest scene he played in Alien. ~ Brian J. Dillard, All Movie Guide

The original Not Quite Human was a Disney Channel fantasy/comedy involving a friendly teen-age android named Chip (Jay Underwood) and his "daddy", inventor Alan Thicke. Having successfully escaped greedy toy manufacturers in the first film, Chip goes to college in Not Quite Human, Part 2. Here he falls in love with a female android, played by Katie Barberi. Hero and heroine must contend with a vicious computer virus before they clank down the rose-strewn path. In adherence to standard Disney formula, there's opportunity aplenty for destructive slapstick scenes, but the central romance in Not Quite Human, Part 2 lends a touch of grace to the proceedings. The film was followed in short order by yet another made-for-cable sequel, and guess what the title of that one was (Wrong! It was Still Not Quite Human) ~ Hal Erickson, All Movie Guide

Filmed in Alberta, The Gifted One was intended as the pilot for a weekly TV series. The title character, played by Pete Kowanko, is a very young man with remarkable mental and physical powers. Raised from childhood as a modern superman, Pete begins yearning for his roots and accordingly conducts a search for his birth mother. He is then pursued by sinister characters who have their own reasons for preventing Pete from finding out the truth about himself. The whole thing sounds a lot like the 1990s series The Pretender, which managed to get past the pilot stage. Also starring Wendy Phillips, Brandon Call, G.W. Bailey and John Rhys-Davies, The Gifted One was first telecast June 25, 1989. ~ Hal Erickson, All Movie Guide

In this first American film to be shot entirely in Moscow, young vacationing American Archer Sloan (Frank Whaley) gets involved in the theft of a rare religious icon. The "hot-potatoed" icon lands in Sloan's possession and one of the underworld bad guys involved in the theft is murdered. Sloan becomes a suspect and is forced into fleeing the Moscow police while trying to locate the people who can vindicate him. This Glasnost-era film will probably be better remembered for its glimpse into a molting Soviet Union, than for intrigue as an actioner. Included in the cast is Polish producer Roman Polanski. ~ All Movie Guide

Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

A small-time crook (Judd Nelson) runs a nightclub and conspires to ruin the life of a cop (Christopher McDonald) by killing his wife and framing his son for murder. ~ John Bush, All Movie Guide

This comedy chronicles the romantic exploits of a rather stodgy young man with a traffic fetish. Even as a child Charlie Dunlap was totally fixated by freeway traffic. Charlie's biggest idol is Alan Davenport, a radio traffic reporter. As a young man, Charlie falls in love with the lively, free-spirited Amy and they become lovers the night before she leaves for college. Their relationship disintegrates during her absence and Charlie ends up moving to LA to be near the great freeways. Even his rundown apartment overlooks the freeway. Single-minded Charlie is determined to get a job working for Alan Davenport, but his efforts to get hired at Metro Traffic are thwarted by an officious employee. He goes to a neighboring cafe and there discovers Amy working as a waitress. When not working, she performs with an experimental dance troupe that stages its productions at toxic-waste dump sites. Though he wants to start up their relationship again, she tells him she has found another. Charlie ends up having a passionate affair with his landlady. Later he meets Davenport and manages to achieve his dream and become his assistant. Through it all he still longs for Amy and in the end the two do indeed come together. ~ Sandra Brennan, All Movie Guide

This week, Jessica (Angela Lansbury) is visiting the set of "Floppieville", a TV puppet show based on one of her children's stories. But it isn't kid stuff when the designer of the puppets finds out that someone is profiting from his ideas without proper credit or remuneration. Inevitably, a murder takes place--with one of the smiley-face Floppieville puppets as the weapon! ~ Hal Erickson, All Movie Guide

Presidential advisor Bobby Bishop (Charlie Sheen) is hunted by an unknown assailant in this political thriller. With the help of Chief-of-Staff Jake Conrad (Donald Sutherland) and the newspaper journalist Amanda (Linda Hamilton), he uncovers an assassination plot to kill the President and his most trusted advisors. Bobby battles forces in the government he has sworn to uphold, as his every move is monitored by high-tech surveillance cameras. ~ Dan Pavlides, All Movie Guide