Duke York Movies

As was his custom, director Andrew L. Stone filmed most of Confidence Girl away from the studio on actual locations. The title character, Mary Webb (Hillary Brooke), is in league with sharpster Roger Kingsley (Tom Conway). The pair's latest scam is to pose as a clairvoyant and a detective while trimming their unwitting victims. After making a tidy profit, however, Mary has a change of heart. But Roger knows when he's got a good thing going, and he'll do anything--anything--to keep Mary from turning herself in and spilling the beans. The huge supporting cast of Confidence Girl includes such ever-reliables as Jack Kruschen, John Gallaudet, Walter Kingsford, Tyler McVey, Paul Guilfoyle, Edmund Cobb, Roy Engel and Duke York. Andrew Stone's wife Virginia handled the editing duties. ~ Hal Erickson, All Movie Guide

This 1951 Gene Autry vehicle is based on a supposedly true incident. At the close of the Civil War, a band of Southern guerillas disguised themselves as Union soldiers, the better to perform acts of sabotage in Utah. Autry plays a cavalry scout who goes after guerilla leader McQuarrie (Jim Davis). Though heavily outnumbered, Gene manages to come out on top. Hardly plausible, Silver Canyon is enhanced by an excellent supporting cast, including Pat Buttram as Autry's sidekick, Bob Steele as an all-around louse, and perennial Autry leading lady Gail Davis as the spunky heroine. ~ Hal Erickson, All Movie Guide

Rogue River stars Rory Calhoun as Ownie Rodgers, the nephew of crooked Oregon police chief Joe Dandridge (Frank Fenton). A $70,000 windfall, bequeathed to Dandridge by a man he'd once framed on a bank robbery charge, unleashes innumerable family skeletons. Ownie is obliged to solve the long-ago bank job himself, and in so doing he discovers that his "faithful" girl friend Judy (Ellye Marshall) was in on the scheme. The last-minute return of Dandridge's estranged son Pete (Peter Graves) leads to an ending that cannot truly be described as happy. More talky than most westerns of the era, Rogue River still contains much to please the eye, especially when one is lucky enough to see an original Cinecolor print. ~ Hal Erickson, All Movie Guide

Bob Hope is up to his famous nose in danger in this espionage comedy. Second-rate burlesque comic Peanuts White (Hope) is approached by federal agents who think that he's international spy Eric Augustine, to whom Peanuts bears a striking resemblance. When they realize that Peanuts and Eric are two different people, the FBI persuades him to travel to Africa posing as Eric and fetch a batch of microfilm that could prove vital to national security. With reluctance, Peanuts flies to Tangiers and arranges a rendezvous with Lily Dalbray (Hedy Lamarr), Eric's beautiful girlfriend and an agent of shifting alliances herself. However, Lily's superior Karl Brubaker (Francis L. Sullivan) wants the microfilm, and he will stop at nothing to get it. As Peanuts tries to rescue the microfilm, make time with Lily, and avoid Karl, things become even more confused when Eric escapes from hiding and re-enters the picture. Both Bob Hope and Hedy Lamarr contribute songs to the soundtrack, though unlike Bob, Hedy's vocals were dubbed in by a studio vocalist. ~ Mark Deming, All Movie Guide

Texans Never Cry but they sure do sing a lot in this Gene Autry western. Cast as a Texas Ranger, Autry is trying to get the goods on a frontier numbers racket. Perpetrating the crime is Tracy Wyatt (Richard Powers, who'd previously been a western hero himself under the name of Tom Keene). Adding to the fun is the presence of two leading ladies: conventional ingenue Gail Davis (later TV's Annie Oakley) and villainess Mary Castle. At the time Texans Never Cry was first released, critics were amused by the film's sound effects, which seemed more appropriate for a Three Stooges comedy than a Gene Autry vehicle. ~ Hal Erickson, All Movie Guide

The third installment in low-budget producer Lindsley Parson's "Chinook" series, Snow Dog was ostensibly based on pulp writer James Oliver Curwood's 1915 short-story "The Tentacles of the North," which was also the working title. Kirby Grant again played Rod McDonald of the Canadian Royal Mounted, and once again the vehicle was stolen by his canine sidekick, the white malamute Chinook. This time, Rod and Chinook are tracking a mysterious white wolf, thought to have killed several of the local traders. The wolf, who bears a startling resemblance to Chinook, is suspected of guarding the White Woods, an area containing several hidden mines. At first Chinook is accused of being the ferocious killer, but with the help of Louis (Rick Vallin) and his sister Andrée (Elena Verdugo), Rod proves that the mysterious wolf is a wild animal captured and trained by a gang seeking to locate the valuable mines. When a captured Louis refuses to produce a secret map to the mines, his sister is abducted by treacherous Indian nurse Red Feather (Jane Adrian). Chinook, of course, tracks down the kidnap victims and Rod can soon arrest the real force behind the killings, Dr. McKenzie (Milburn Stone), Red Feather's supposedly kindhearted boss. As in the two previous Chinook films, leading man Kirby Grant, a former Universal star, left much of the action in the hands of a younger co-star, in this instance Rick Vallin. A remake of the silent Tentacles of the North (1926), Snow Dog was filmed on locations in Southern California's San Bernardino Mountains. ~ Hans J. Wollstein, All Movie Guide

Faith Domergue, the latest of Howard Hughes' protegees, made her film debut in 1950's Where Danger Lives. Domergue plays Margo Lannington the wife of Frederick Lannington (Claude Rains), an elderly millionaire possessed of a sadistic streak. Robert Mitchum co-stars as Jeff Cameron, a poor soul who falls in love with Margo without knowing that she's married. During a violent confrontation with the jealous Frederick, Cameron knocks the older man out and stumbles out of the room. Upon his return, he discovers that Frederick is dead. Margo had smothered her husband during Cameron's absence, but she insists that Cameron is the killer. The desperate lovers flee to Mexico, where Cameron at long last discovers that his travelling companion is more than a little unhinged. Masterfully directed by John Farrow, Where Danger Lives might have been one of the classic "film noirs," were it not for the acting deficiencies of Faith Domergue, who flounders in a role that Jane Greer could have played blindfolded. ~ Hal Erickson, All Movie Guide

Stampede is a choice example of the Lesley Selander B-plus westerns of the late 1940s/early 1950s. Rod Cameron and Don Castle star as feuding brothers who own separate cattle ranches. The siblings find themselves on opposite sides of a water-rights battle, in which settlers are being deprived water by a gang of clever criminals. The war turns ugly before the film is over, resulting in the destructive stampede promised by the title. Despite poor reviews from big-city critics, this stacks up favorably against the more costly big-studio westerns of the era. ~ Hal Erickson, All Movie Guide

Country western star Jimmie Davis heads the cast of the Monogram musical western Mississippi Rhythm. Teamed with perennial comedy sidekick Lee "Lasses" White, Jimmie (playing himself) rides into a small unincorporated community where the citizens are being victimized by crooked land developers. Our hero saves the day when he encourages the locals to incorporate, elect honest leaders and expunge the villains. Jimmie Davis' real-life political savvy would later serve him well when he became Governor of Louisiana. Mississippi Rhythm contains 12 songs, all written by Davis, including his signature tune "You Are My Sunshine." ~ Hal Erickson, All Movie Guide

One of the more popular movie-review paperbacks sums up Paramount's Isn't it Romantic? with a terse "No." There's actually more to the film than that, but not much. Set in Indiana in the 1890s, the story revolves around an diehard Confederate soldier named Major Euclid Cameron (Rolan Culver), who refuses to acknowledge that the South lost the Civil War. Cameron also regards himself as an aristocrat who will never sully his hands with work, which is why he and his family are flat broke. It is up to the Major's three pretty daughters-Candy (Veronica Lake), Susie (Mona Freeman) and Rose (Mary Hatcher)-to make ends meet financially, even if it means marrying for money rather than love. Pearl Bailey transcends the stereotypical role of the Cameron's housekeeper Abigail with her soulful renditions of such forgettable tunes as "I Shoulda Quit When I Was Ahead" (a bit of advice that could have profited the film's producers!) ~ Hal Erickson, All Movie Guide

That Lady in Ermine tells two parallel stories, both taking place in the small Mittel-European duchy of Bergamo, but one set in the 19th century and the other in the 16th. In 1861, the Countess Angelina (Betty Grable) and her newlywed husband, Baron Mario, have just entered the bridal chamber when a Hungarian army regiment under the command of Colonel Teglash (Douglas Fairbanks, Jr.) invades. Mario flees the castle, leaving Angelina to face the invaders, just as her 16th --century ancestor Francesca (also Betty Grable) was forced to protect her turf under similar circumstances. Colonel Teglash is struck by a portrait of Francesca (the lady in ermine of the title), and the resemblance between her and Angelina makes it difficult for him to rule with his customary iron fist. Meanwhile, Francesca haunts the dreams of both Angelina and Teglash. She appears to advise Angelina to pretend interest in the colonel and then kill him, much as she herself did so many years ago. At the same time, Teglash dreams that Francesca/Angelina overcomes the desire to kill him and falls in love with him. The 19th-century couple play out their story against the backdrop of Francesca's own tale, but with the twist that Angelina really does find herself caring for Teglash. Although the direction is credited to Ernst Lubitsch, he died after 8 days of filming; the film was completed by Otto Preminger. ~ Craig Butler, All Movie Guide

Road to Rio was the first of three "Road" pictures jointly produced by stars Bing Crosby and Bob Hope. On the run from the law again, musicians Bob and Bing stow away on an ocean liner. They try to come to the rescue of heiress Dorothy Lamour, who is doomed to an arranged marriage to caddish George Meeker. All gratitude and effusions for their assistance, Dorothy surprises Bob and Bing on their next meeting by slapping them in their faces and declaring "I hate you! I loathe you! I despise you!" The explanation? Dorothy is being hypnotized by her scheming aunt Gale Sondergaard, who has set up the marriage for mysterious mercenary reasons of her own. When Dorothy is "herself" again, Bob and Bing smuggle her off the ship and into their Rio de Janeiro hotel room. The boys plan to save Dorothy from her unwanted marriage by passing her off as a nightclub singer, and themselves as band leaders. Trouble is, they have no band. Enter the Wiere Brothers, three Rio street entertainers. Bob and Bing hire the threesome on the spot, unmindful that they have booked themselves into Nestor Paiva's nightclub on the promise that they're delivering an American band. Since the Wieres speak only Portuguese, Bing teaches each brother an American phrase by rote: "You're in the groove, Jackson", "You're Telling Me," and "This is Murder." Naturally, it isn't long before the boys' ruse is discovered, and this coupled with the newly hypnotized Lamour's threats to have Bob and Bing arrested, leaves our heroes broke and stranded once more. Still, they pose a menace to Sondergaard, thus she contrives a method of disposing of them. Hypnotizing them both, Sondergaard orders Bob and Bing to kill each other. They snap out of the spell just in time, but still there's the problem of rescuing Dorothy. And now there's a new angle: mysterious stranger Frank Puglia informs the boys that the only way to stop the wedding is to retrieve (pause; a furtive glance left; a furtive glance right) "The Papers." Said papers are in the possession of Sondergaard, obliging Bob and Bing to show up at the pre-nuptial festival in disguise (with Bob in drag). Managing to hypnotize Sondergaard's henchmen Frank Faylen and Joseph Vitale, Bob and Bing uncover the precious Papers, and Dorothy is saved. But how can those papers stop a wedding? We won't give away the surprise, nor will we tell you whether Dorothy ends up with Bob or Bing, nor even what the heck Jerry Colonna is doing in the picture leading a cavalry charge. Not the best of the "Road" pictures, Road to Rio is nonetheless one of the most memorable--and quotable (how many of your high school pals used to confound the teacher by declaring "You're in the groove, Jackson"?) ~ Hal Erickson, All Movie Guide