Vladimir Yordanoff Movies

A beleaguered housewife watches her dreams come true when her obnoxious husband dies, in actress-turned-director Isabelle Mergault's romantic comedy The Merry Widow (AKA Enfin veuve). For years, Anne-Marie Gratigny (Michele Laroque) has buckled beneath the weight of her condescending husband, Gilbert's (Wladimir Yordanoff) constant oppressiveness. An unrelenting boor, he belittles her, chides her, and torments her - until the day that he perishes in an automobile accident. Anne-Marie, of course, is thrilled by this turn of events. Among other things, it will give her the freedom to abscond with her extramarital lover, Leo (Jacques Gamblin), a builder of boats who is preparing to head off to China on business and to take Anne-Marie along. Unfortunately for Anne-Marie, these plans are dashed when her unwittingly intrusive family moves in to "console" her and upsets her relationship with Leo. More problematically, Anne-Marie finds that she can never quite bring herself to the point of confessing her true feelings about any of the tumultuous events that have happened. ~ Nathan Southern, All Movie Guide

A man tries to hold on to his bachelor lifestyle by getting engaged in this romantic comedy. Luis (Alain Chabat) is a man in his mid-fourties who has been happily unmarried all his life. Luis nearly wed his sweetheart when he was 21, but the meddling of his mother (Bernadette Lafont) and five sisters drove the young lady away, and since then he's devoted his romantic attentions to short-term relationships while earning a good living working in the perfume industry. However, his family remains determined to fix him up with eligible women, and Luis has grown tired of it. With the help of a colleague, Luis concocts a plan -- his friend's daughter Emma (Charlotte Gainsbourg) agrees to pose as his fiancée and then abandon him at the altar, which should silence his mother and sisters on the subject of matrimony once and for all. While Luis and Emma's relationship is all business, she does a flawless job of convincing his family that she loves him and is determined to be his wife -- so much so that Luis wonders if she might be serious about him after all. Directed by Eric Lartigau, Prête-Moi Ta Main (aka I Do) was a major box-office success in France, attracting nearly three million viewers in its first month of release. ~ Mark Deming, All Movie Guide

Michel Blanc stars as Aymé, a grumpy recently widowed farmer, in writer/actress Isabelle Mergault's directorial debut, the romantic comedy You Are So Handsome. When Aymé's work partner and wife dies suddenly in an unfortunate accident, he quickly realizes that he needs someone around to help him with the womanly half of the chores. An unsentimental sort, within days he's contacted a service to find him a new wife. This brings him to Romania, where he's introduced to a lot of much younger women, most of whom take the wrong tack, dressing skimpily and telling Aymé how handsome he is. Elena (Medeea Marinescu), a single mother, is as eager to move to France and make some money as the next girl, but she takes the time to assess the situation, puts on a sweater, and tells Aymé, in her charmingly broken French, how much she's always wanted to live on a farm and work with animals. Her strategy works, and Aymé decides to bring her back to France, but, embarrassed about what he's done, he comes up with a lame cover story to fool his best friend, Roland (Wladimir Yordanoff), and the rest of his neighbors. He tells them she's a distant relative who's visiting the farm as an "intern," and has Elena pretend that she speaks no French at all. Elena expects them to have a real marriage, and is disappointed when she realizes that Aymé just wants her to work. Eventually, Aymé realizes his feelings for Elena go deeper than expected, but by then, her frustration and homesickness are becoming too much to bear. You Are So Handsome was shown as part of The Film Society of Lincoln Center's Rendez-Vous with French Cinema in 2006. ~ Josh Ralske, All Movie Guide

A middle-aged woman fears that her husband is cheating on her -- and chooses a very unlikely method for verifying her paranoia -- in this psychological drama from the writer of Une Liaison Pornographique. Catherine (Fanny Ardant) is a successful Parisian gynecologist whose long-term marriage to Bernard (Gérard Depardieu) has been passionless as of late. When she checks his cell phone messages one afternoon, she discovers a suggestive "thank you" from a young colleague of his, which creates an even wider chasm between the two. Desperate, Catherine goes to an upscale strip club nearby to solicit the services of Nathalie (Emmanuelle Béart), a matter-of-fact prostitute. It seems Catherine wants Nathalie to seduce Bernard and report back to her each week, an assignment that's initially off-putting to the young woman, but one she begins to relish as the weeks pass. Soon, Nathalie is using intimate details to fuel Catherine's rage toward her husband. Nathalie... had its gala North American premiere at the 2003 Toronto Film Festival. ~ Michael Hastings, All Movie Guide

When diminutive soccer player Tibor (Lorant Deutsch) is placed in a prison cell with dimwitted giant Manu (Samuel Le Bihan) the duo soon begin to forge a friendship based on their mutual love of soccer. Agreeing that upon their release Manu will serve as Tibor's manager, Manu attempts to use his newfound position to reap revenge on those who wronged him in the past. ~ Jason Buchanan, All Movie Guide

Agnes Jaoui co-writes and directs this romantic comedy of manners set in France's rustic Provence. Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella (co-scripter Jean-Pierre Bacri) reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux (Anne Alvaro). During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet. ~ Jonathan Crow, All Movie Guide

Victor Meynard (Jean Rochefort) is an assassin for hire, and he's proud of it. It's part of his family's business. However, in this comedy, there are occasions when he simply cannot bring himself to pull the trigger and make a "hit." Instead, he adopts the boy (Guillaume Depardieu) who would have fallen to his gun, and trains him in the niceties of the assassin's game. He is assigned to kill an art forger (Marie Trintignant) who is much too cute for such a fate. When he adopts her as well, things really start to get out of hand. ~ Clarke Fountain, All Movie Guide

The relationship between the obsessive, brilliant painter Vincent Van Gogh and his more practical brother Theo is at the center of director Robert Altman's well-received biography, originally produced as a miniseries for European television. Now universally acknowledged as masterpieces, Vincent Van Gogh's works were ignored in his lifetime, despite the best efforts of Theo, a struggling gallery owner. When he fails to make a profit from his brother's work, Theo finds himself torn between art and commerce, a conflict deepened by Vincent's increasing emotional neediness. Soon, the situation worsens, and both brothers are forced to struggle with depression and madness. Altman's distinctive directorial approach avoids clichés, allowing his leads to create contradictory and sometimes unlikable characters. Tim Roth captures Vincent's devotion to his art, his difficult personality, and his descent into mental illness without resorting to histrionics, while Paul Rhys provides equally proficient work as the more repressed Theo. The cinematography by Jean Lepine illuminates the links between Altman's trademark wandering camera and Van Gogh's impressionistic painting style. ~ Judd Blaise, All Movie Guide

Postwar France was slow to recover from the after-effects of the World War Two. The economy was doing poorly, and many people were poor and homeless, sleeping under bridges, etc. The winter of 1953-54 proved particularly difficult for these people, as it was one of the coldest on record. Father Pierre (Lambert Wilson), a parish priest, on seeing the suffering of these people (and their frequent death from the cold), was moved to write the French government seeking help for them. When his letter, which was published in the newspapers, succeeded in rousing overwhelming popular support for helping the homeless, he was able to form a charitable group (still active today) titled "Les Chiffoniers d'Emmaus," or "The Ragpickers of Emmaus" to channel help to them. This biographical film tells the true story of Abbe Pierre's successful efforts in those years. ~ Clarke Fountain, All Movie Guide

In this crime story, Antoine (Jacques Bonnafe) is suddenly called home from the North Sea where he works on an oil rig; his wife's body has been found in the Seine. Not accepting the hypothesis that this was an accident or a suicide, Antoine starts to look into his wife's friends and acquaintances and discovers that he never really knew her at all. One of her female friends turns out to have been her lesbian lover, and the two were involved in bilking money from a bank. An accountant at the bank is trying to reclaim a stolen bank code somewhere among the deceased's belongings, and poor Antoine has just begun to scratch the surface of his wife's hidden life. ~ Eleanor Mannikka, All Movie Guide

Hanna Schygulla and Angela Winkler are the stars of the German psychological drama Friends and Husbands. Having both been burned by unhappy relationships with men, Schygulla and Winkler become more and more reliant upon each other. The men in their lives can't come to grips with their strong friendship, and begin writing off Schygulla and Winkler as "oddballs." As in most of her films, writer/director Margarethe von Trotta probes the unspoken human complexities that draw people together. Von Trotta also weaves a political subtext into the proceedings: it isn't immediately obvious, but it's there all the same. ~ Hal Erickson, All Movie Guide