Julie Bovasso Movies

The title Article 99 refers to a fictional legal loophole which states that American veterans cannot be treated in VA hospitals unless their illnesses are related to their military service. The pinchpenny administrator of a Kansas City hospital intends to follow this proviso to the letter, while his irreverent staff does everything it can to circumvent rules and red tape. When freewheeling surgeon Ray Liotta is fired for exhibiting traces of humanity, the patients stage a revolt. Playing a new medico, Kiefer Sutherland also stars. ~ Hal Erickson, Rovi

Herbert Ross directed this Nora Ephron-scripted buddy comedy starring Steve Martin, Rick Moranis, and Joan Cusack. Steve Martin plays Vinnie Antonelli, a street smart mobster who agrees to turn state's evidence and is forced to move to Fryburg, California as part of the witness relocation program. Rick Moranis plays the nebbish FBI agent Barney Coopersmith, who is assigned to help Vinnie adjust to small town life. Instead, Vinnie helps Barney come out of his shell, much to the consternation of divorced mother and relentless district attorney Hannah Stubbs (Joan Cusack). ~ Paul Brenner, Rovi

When there's a full moon over Brooklyn, anything can happen, and everything happens in the neighborhood where widowed bookkeeper Loretta Castorini (Cher) lives. First, Loretta agrees to marry a man she does not love, Johnny Cammareri (Danny Aiello), simply because he knows how to propose properly. Before the wedding can take place, Cammareri must visit his dying mother in Sicily. In his absence, Loretta is supposed to try to patch up the differences between Johnny and his brother, bakery operator Ronny Cammareri (Nicolas Cage). Having never forgiven Johnny for indirectly causing the accident that crippled him, Ronny flies into a rage whenever his brother's name is mentioned. He does, however, fall for Loretta like a ton of bricks. After a torrid affair, Loretta tries to avoid Ronny out of respect to Johnny, but he's just too fascinating to resist. Meanwhile, Loretta's father (Vincent Gardenia) is fooling around with his mistress Mona (Anita Gillette), while Loretta's mother (Olympia Dukakis) is wooed by a college professor (John Mahoney). These brief flings are forgiven and forgotten, but there's still the delicate situation of Loretta being in love with her future brother-in-law. A now-classic romantic comedy, Moonstruck won Oscars for Cher, Olympia Dukakis, and screenwriter John Patrick Shanley. ~ Hal Erickson, Rovi

This drama is based on the true story of a housewife who becomes a helicopter pilot for the US Army after her husband suffers a massive coronary. ~ Sandra Brennan, Rovi

Based on William Bayer's novel Switch, the made-for-TV Doubletake introduced Richard Crenna to his oft-played role of detective Frank Janek. As always, Janek is assigned to a particularly gruesome and profoundly puzzling murder case. A prim lady schoolteacher and a hooker are both killed on the same evening; their bodies are decapitated, and their heads are switched! The first installment of this two-part movie details the early stages of the investigation, as well as the growing relationship between Janek and photographer Caroline Wallace (Beverly D'Angelo), the daughter of a cop who'd died in a mob hit. Part two reveals the "dark side" of the case, exposing corruption in the highest police circles and implicating someone very close to Janek in the double murder. Doubletake was originally telecast on November 24 and 26, 1985, and has since been reissued as a single three-hour film. ~ Hal Erickson, Rovi

Sidney Lumet directed this film version of E.L. Doctorow's novel The Book of Daniel (scripted by Doctorow) that deals in a thinly veiled (although dispassionate way) with the Rosenberg spy case of the 1950s, as seen through the eyes of their children. The Rosenbergs are the Isaacsons here, and the first image of the film is a close-up of their son Daniel's (Timothy Hutton) eyes as he recites a dictionary definition of the word "electrocution." Daniel becomes a detective as he seeks out friends and relations of his parents -- Paul (Mandy Patinkin) and Rochelle (Lindsay Crouse) -- to discover some meaning from his parents' conviction as Russian spies and their execution in the electric chair during the communist paranoia of the 1950s. Daniel is prompted to investigate the past by the near-suicide of his hysterical sister Susan (Amanda Plummer). The film weaves back and forth in time, recalling the period from the 1930s to the 1950s. In a strangely uninvolving way, Lumet's film takes no point of view, the only emotion derived from the almost continuous sounds of Paul Robeson's singing on the soundtrack. ~ Paul Brenner, Rovi

Made for television, The Gentleman Bandit stars Ralph Waite as a popular priest whose life is shattered by a case of mistaken identity. Waite is fingered by a witness as a holdup man; during a lineup, several other witnesses confirm this. Despite his protestations, Waite cannot account for his actions during the crime, and is vilified by the newspapers and by his own superiors. Only the priest's parishioners believe him--but that may not be enough to keep him out of prison. Based on the real-life ordeal of Baltimore priest Fr. Bernard Pagano, Gentleman Bandit was filmed under the title The Bandit Priest. ~ Hal Erickson, Rovi

This drama chronicles the rivalry between two brothers vying for their father's love. They choose to wage their private war within the family seafood business. ~ Sandra Brennan, Rovi

Louise Lasser, who wrote the script, stars in this made-for-TV comedy as a flaky New Yorker who finds romance with a staid computer salesman when the two are thrust together on a cross-country trip. ~ Jason Ankeny, Rovi

Upon completing Tell Me That You Love Me, Junie Moon, a tearful Liza Minnelli declared publicly that she would never, ever work with tyrannical director Otto Preminger again. Worse luck for her: Junie Moon contains what may well be Minnelli's best non-musical performance. Based on the novel by Marjorie Kellogg, the film surprisingly manages to evoke humor and pathos from some of the least promising material in movie history. Minnelli plays an emotionally imbalanced young girl whose face is horribly disfigured by her psycho boy friend Ben Piazza. Ken Howard is cast as an epileptic who has wrongly been diagnosed as mentally retarded. And Robert Moore (future director of such films as The Cheap Detective and Murder by Death) portrays a homosexual, confined to a wheelchair after a hunting accident. After meeting one another in a hospital, these three social outcasts decide to move in together, forming a united front against a cold, judgmental world. The devastating events that follow might have lapsed into the grotesque and exploitational, but director Preminger is extremely careful to depict his protagonists as three-dimensional human beings rather than "freaks." Unfortunately, some filmgoers, assuming that any film with a title like Tell Me That You Love Me, Junie Moon just had to be a campy laff riot, were turned off by the repellant aspects of the early scenes and refused to give the rest of this fascinating film a chance. ~ Hal Erickson, Rovi