Biff Yeager Movies

Blood Feud was a two-part TV drama, originally presented as an "Operation Prime Time" special. Robert Blake is disturbingly convincing as labor leader Jimmy Hoffa, engaged in a decade-long war of words with attorney (and later attorney general) Robert F. Kennedy. Cotter Smith makes his TV debut as Kennedy, a role he'd repeat on future occasions. Thoroughly compelling when sticking to the facts, the drama falls apart whenever indulging in flight of fanciful speculation (Sample: two of Hoffa's lieutenants watch the live telecast of Lee Harvey Oswald's murder, then celebrate the fact that Oswald will never be able to reveal their complicity in the JFK assassination!) Blood Feud was syndicated to local TV stations beginning April 24, 1983. ~ Hal Erickson, Rovi

Made for television, this little gem was based on a novel by Patrick Anderson. The title character, the sister of a government courier, barely has time to acquaint herself with the audience before she is murdered - leading us to wonder who did it, and if it is, in fact, true that the dead woman was a Soviet spy. Beau Bridges, Karen Grassle, Susan Blanchard, Larry Hagman, Don Porter and Gail Strickland are among those present. The President's Mistress was "World Premiered" on February 10, 1978. ~ Hal Erickson, Rovi

Hollywood visionary Tim Burton pays homage to another Hollywood visionary, albeit a less successful one, in this unusual fictionalized biography. The film follows Wood (Johnny Depp) in his quest for film greatness as he writes and directs turkey after turkey, cross-dresses, and surrounds himself with a motley crew of Hollywood misfits, outcasts, has-beens, and never-weres. The real story, however, is his friendship with aging, morphine-addicted Bela Lugosi (Martin Landau), whom he tries to help stage a comeback. Landau's unforgettable Oscar-winning performance must be seen to be believed, as must Rick Baker's Oscar-winning makeup. While it would have been easy to make a film simply ridiculing the bumbling director, Burton instead focuses on his driving passion for filmmaking and his unwavering persistence in the face of ridicule and failure. Possibly the most surprising aspect of the film is the genuine sentiment with which Burton treats the relationship between Wood and Lugosi; his devotion to Lugosi is touching, as is Lugosi's final soliloquy -- an inane bit of dialogue from the hilariously bad Bride of the Monster that grows into a poignant metaphor for the actor's life and ultimate triumph of his spirit. Even the look of the film is right; it manages to preserve the air of one of Wood's own films while retaining a sense of artistry in much of the composition on screen (note the scene at the drug rehab where Lugosi endures a horrifying night of detox). In all, Ed Wood is a unique film -- at times side-splittingly funny; at others, tragic or even frightening -- and a heartfelt tribute to the love of movies, good and bad alike. ~ Jeremy Beday, Rovi

Screenwriter/electrician Abbe Wool makes her directorial debut with the offbeat road movie Roadside Prophets. Brooding factory worker Joe (X front man John Doe) takes a road trip in order to scatter the ashes of his co-worker Dave Coleman (David Anthony Marshall). Riding his vintage Harley Davidson, Joe leaves Los Angeles and heads for a small Nevada town called El Dorado to fulfill Dave's final wish. His journey is complicated by a small fry named Sam (the Beastie Boys' Adam Horovitz), a wannabe biker who continually lights off fireworks and nurtures an odd obsession with Motel 9. Joe also has to cope with making daily phone calls to Angie (voice of Sonna Chavez), his co-worker back in L.A. who is giving him sick days in exchange for the promise of a hot date. While traveling through the desert, Joe and Sam meet various eccentric characters played by the likes of David Carradine, John Cusack, Timothy Leary, and Arlo Guthrie. They eventually end up at their destination, which turns out to be a washed-up gambling town called Jackpot. ~ Andrea LeVasseur, Rovi

At times, Another 48 Hrs. seems less like a sequel to than a parody of the first 48 Hrs., especially when Nick Nolte, repeating his role from the earlier film, begins commenting on the cliched absurdity of the goings on. This time, Nolte risks life, limb and career as he obsessively tries to bring an elusive master criminal known as "The Iceman" to justice. Eddie Murphy, who stole the show in the first 48 Hrs. as the wheeler-dealer convict who becomes Nolte's reluctant partner, is brought into the plotline of the second film when a contract is taken out on his life. The adversarial relationship between Nolte and Murphy, supposedly dissipated by the end of the first film, is revivified in the sequel via a couple of plot devices. Still, Murphy rallies to the occasion, in the process saving Nolte from being thrown off the force. Though not as successful as the first film, Another 48 Hrs. proved that there were still enough Eddie Murphy fans around in 1990 to insure a strong box-office showing. ~ Hal Erickson, Rovi

This grim sci-fi film presents a dim view of the near future in which humanity has been decimated by a virulent plague. The survivors are rigidly divided into those who are plague-free and those who are dying. The former live in heavily-guarded areas and have most of the wealth and power, while the latter are quarantined. A few people have a fatal but not contagious mutation of the virus. These are the Zero Men, and during their lives they are able to move in an out of the different zones; some of them are mercenaries and when the daughter of a prominent industrialist is kidnapped and taken to the plague zone, it is up to one of these terminally ill soldiers of fortune to save her. ~ Sandra Brennan, Rovi

Alex Cox directed this hallucinatory bio-pic starring Ed Harris as 19th-century American adventurer William Walker, who abandoned a series of careers in law, politics, journalism, and medicine to become a soldier of fortune and eventually a Nicaraguan dictator. When his deaf wife (Marlee Matlin) dies of cholera (but not before she utilizes sign language to tell Walker "To Hell with Manifest Destiny"), Walker is backed by multi-millionaire banker Cornelius Vanderbilt (Peter Boyle) to lead a band of mercenaries to Nicaragua in 1855 to make the country safe for Vanderbilt's steamships. When Walker subdues the Nicaraguan opposition, he sets himself up as president and rules the country with unfeeling repression. Finally the Nicaraguans rise up against him, figuring out that "the mad gringo is ripping us off." ~ Paul Brenner, Rovi

In this teen-sex laugher, a high-school Romeo is killed in a car accident but is able to return to life for a 24-hour period. During this time he chases after his dreamboat only to find she's not interested. So, he turns invisible at the most opportune times (for him) such as in the girls' shower room, etc. He's out to have as good a time as he can in the little time that he has. ~ Rovi

In this hit thriller, a prosecuting attorney-turned-defense lawyer falls in love with a rich, charming client who's been accused of murdering his wife and her maid with a hunting knife. When an unknown assailant gruesomely slays San Francisco newspaper heiress Paige Forrester (Maria Mayenzet), her husband and business partner, Jack Forrester (Jeff Bridges), turns to corporate attorney Teddy Barnes (Glenn Close) for counsel. Teddy, who quit her job with the district attorney's office four years earlier over an ethical dilemma, has reservations about returning to criminal work; nevertheless, she accepts the assignment, convinced of Jack's innocence and eager to face off in court against her old boss, DA Thomas Krasny (Peter Coyote), who's about run for attorney general. With the help of investigator Sam Ransom (Robert Loggia), the recently divorced Teddy builds a strong defense for her client, though the work -- and her incipient romance with Jack -- cause strain in her relationship with her children. When Jack's innocence and his romantic intentions come into question, Teddy feels her life slipping back into a moral quagmire until a series of courtroom denouements set the stage for even bigger surprises. Big-name screenwriter Joe Eszterhas' follow-up to Flashdance, Jagged Edge was directed by Richard Marquand, who had previously lensed Return of the Jedi. Parts of Jagged Edge were shot on-location in San Francisco, whose City Hall provides the film's courtroom exteriors. ~ Brian J. Dillard, Rovi

As played by Jessica Lange, Frances Farmer is a rebel from the word go, winning a high school essay award by writing a piece in defense of Communism. Determining to become an actress, Frances is equally determined not to play the Hollywood game: she refuses to acquiesce to idiotic publicity stunts, and insists upon appearing on screen sans makeup. Her defiance attracts the attention of Broadway playwright Clifford Odets, who convinces Frances that her future rests with the Group Theatre. But once she leaves Hollywood for New York, Frances learns to her chagrin that the Group intends to exploit her movie fame in order to draw in customers. Her desperate attempts to restart her movie career, combined with her increasing dependence on alcohol and the pressures brought to bear by her monster mother (Kim Stanley), result in a complete mental breakdown. Even while institutionalized, Frances is abused by the powers-that-be; she is forced to undergo an injurious brain operation, is treated like a mad animal, and periodically raped by the inmates. Frances is released in the custody of her mother, who persists in browbeating her tortured daughter until Frances discovers the legal means to break away. The real-life Frances spent her last years as host of a local Indianapolis TV program, dying in 1970 at age 57; the film comes to a climax when Frances is feted on the smarmy network program This is Your Life. Other actual personages depicted herein include Clifford Odets (played by Jeffrey DeMunn), Harold Clurman (Jordan Charney) and Ralph Edwards (Donald Craig). Frances' first husband Leif Erickson is fictionalized as "Jeffrey York", and played by Lange's real-life inamorata Sam Shepard. And if you listen closely, you'll hear the voice of Kevin Costner, whose minor role was whittled down to one line when he, like Frances Farmer, had the temerity to argue with the director. The unhappy life of actress Frances Farmer was also covered in Farmer's autobiography, Will There Ever Be a Morning? While the film rights for that book were sold to a TV-movie concern, the producers of the theatrical feature Frances were able to ship their production out to the public first. ~ Hal Erickson, Rovi

The Oprah Book Club best-seller by Janet Fitch makes it to the big screen in this adaptation from British director Peter Kosminsky. White Oleander recounts the traumatic adolescence of Astrid Magnusson (Alison Lohman), who finds herself an orphan after her short-fused, enigmatic artist mother Ingrid (Michelle Pfeiffer) is carted off to prison on murder charges. Astrid first finds herself in the care of Starr (Robin Wright Penn), a garish, born-again mother of two with a gruff but sensitive boyfriend (Cole Hauser). From there, she's shunted back to a state-run facility, where she tangles with other troubled teens and finds temporary solace in the arms of Paul (Patrick Fugit), a dough-faced comic book artist with dreams of moving to New York City. Astrid then lucks into a living arrangement with a successful but insecure actress (Renee Zellweger) who offers her unconditional love. But Ingrid's stifling influence continues to haunt her daughter, whether through the occasional prison visit or via manipulative letters to Astrid's caretakers. White Oleander received a Gala North American premiere at the 2002 Toronto Film Festival before reaching multiplexes later that fall. ~ Michael Hastings, Rovi

In this first sequel to 1989's Batman, the Caped Crusader (Michael Keaton) is up against the Penguin (Danny DeVito), the hideously deformed scion of a wealthy Gotham City family. The Penguin plots with evil businessman Max Schreck (Christopher Walken) to become mayor and then turn Gotham into a cathedral of crime. Upon overhearing these plans, Schreck's mousy secretary Selena Kyle (Michelle Pfeiffer) is tossed from a high-rise window by her boss. Rescued by a covey of kittens, Selena transforms into the leather-clad Catwoman. In this guise, she teams with the Penguin and Schreck to divvy up their ill-gotten gains and help discredit Batman-but she also has her own scores to settle. Paul "Pee-Wee Herman" Reubens, Vincent Schiavelli and Jan Hooks play significant bits, while Pat Hingle and Michael Gough make returns as, respectively, Commissioner Gordon and Alfred the Butler. ~ Hal Erickson, Rovi