Diana Wynyard Movies

Political intrigue and romantic gamesmanship send an already torrid Caribbean community to the boiling point in this drama. Maxwell Fleury (James Mason) and David Boyeur (Harry Belafonte) are two men running for political office in a British-controlled island in the West Indies. Maxwell is the son of a wealthy and socially prominent white family, while David is a black labor leader with a groundswell of popular support but little money. A scandal erupts in the press alleging that Maxwell is of mixed racial ancestry, but Maxwell is actually pleased about the news, thinking that it may endear him to black voters. Maxwell is not pleased, however, when he hears that his wife Sylvia (Patricia Owens) has been having an affair with the urbane but rootless Carson (Michael Rennie), taking the matter seriously enough to murder Carson himself. Maxwell's younger sister Jocelyn (Joan Collins) is also in hot water, romantically speaking; she has set her sights on Eun Templeton (Stephen Boyd), the son of the Island's governor, and she hopes to snare him into marriage by allowing him to get her pregnant. Elsewhere on the island, David is secretly having an affair with a white woman, Mavis Norman (Joan Fontaine), while David's former girlfriend, Margot Seaton (Dorothy Dandridge), has become involved with a white man, Denis Archer (John Justin). Based on the novel by Alex Waugh, Island in the Sun also features songs from Harry Belafonte, including "Lead Man Holler" and the title tune. ~ Mark Deming, All Movie Guide

Tom Brown's Schooldays was the second film version of Thomas Hughes' semiautobiographical novel. John Howard Davies, who'd previously essayed the title role in Oliver Twist, stars as first-year Rugby student Tom Brown. In his efforts to adjust to boarding-school life, Tom must contend with the calculated cruelties of all-around bully Flashman (John Forrest). One of the boy's few allies is new schoolmaster Doctor Arnold (Robert Newton), who believes that discipline can be tempered with kindness, a "radical" notion so far as his colleagues are concerned. Despite the authenticity of its British surroundings, the 1951 version of Tom Brown's Schooldays isn't quite as good as the 1940 Hollywood adaptation. ~ Hal Erickson, All Movie Guide

A man's youthful indiscretions come back to haunt him in this droll drawing room comedy. Sir Robert Chiltern (Hugh Williams) is a fine and upstanding British gentleman who has distinguished himself in the political arena and is selflessly devoted to his wife (Diana Wynyard). However, it turns out that he wasn't always a paragon of virtue; early in his career working with the British cabinet, Chiltern sold some confidential information regarding the Suez Canal, and Mrs. Cheveley (Paulette Goddard) has made it clear to Chiltern that she knows what he did and is willing to tell others about it. She agrees to keep silent if he's willing to support a proposal currently being debated in Parliament that would put a phony canal through Argentina. A fearful Chiltern agrees, but his best friend Viscount Goring (Michael Wilding) objects, and he tries to persuade Mrs. Cheveley to rescind her blackmail threat, while explaining to Lady Chiltern how a good man could do something so wrong at some point in his life. This was the third screen adaptation of the sophisticated satire by Oscar Wilde. ~ Mark Deming, All Movie Guide

Produced by Britain's Teddington Studios on behalf of Hollywood's Warner Bros., the morale-boosting The Prime Minister details the career of 19th century political wizard Benjamin Disraeli, here played by John Gielgud. Filmed in the early months of WW2, the screenplay parallels the diplomatic cunning of Disraeli with the more recent maneuvers of Sir Winston Churchill. This is especially obvious when Disraeli takes on the Prussian Empire during the 1878 Berlin conference, emerging triumphant over a flock of stock-company crypto-fascists. In the role of Queen Victoria, Fay Compton proves a worthy sparring partner for "Dizzy", while Stephen Murray is equally effective as the Prime Minister's principal parliamentary antagonist Gladstone. Other minor roles are vividly realized by actors ranging from venerable Will Fyffe to teenager Glynis Johns. ~ Hal Erickson, All Movie Guide

The 1940 British production of Gaslight was the first of two cinematic adaptations of Patrick Hamilton's play. Oozing faux continental charm, Anton Walbrook inveigles his way into the confidence of the young mistress (Diana Wynyard) of a large Victorian mansion. Walbrook is searching for the rubies that he'd stolen from the previous owner of the house -- whom he'd also murdered. Suspecting that Wynyard is about to catch on to his secret, Walbrook enlists the aid of a sluttish maidservant to drive his loving bride crazy. The ploy almost works, but Wynyard is rescued by an unexpected ally. Gaslight was released in the U.S. as Murder in Thornton Square, then withdrawn entirely on the occasion of MGM's expensive 1944 remake of Gaslight, which starred Charles Boyer and Ingrid Bergman. To avoid confusion, MGM allegedly ordered that all prints of the original Gaslight be destroyed. Evidently that order was not honored to the letter, since the 1940 Gaslight is still safely available for both theatrical and TV exhibition. ~ Hal Erickson, All Movie Guide

Where Sinners Meet was based on The Dover Road, a whimsical play by A. A. Milne. Clive Brook and Diana Wynyard, stars of the 1933 Oscar-winner Cavalcade, are reunited herein. A reclusive eccentric who has survived two unhappy marriages, Mr. Latimer pursues the strange hobby of arranging traffic accidents so that he can "kidnap" extramarital couples to warn them of the pitfalls of infidelity. His latest captives are Anne and Leonard (Wynyard and Reginald Owen) and Eustacia and Nicholas (Billie Burke and Alan Mowbray), all four of whom are escaping what they believe to be mismatched marriages. Genteelly imprisoning the two couples in his comfortable country estate, Mr. Latimer allows them enough time together to get on one another's nerves and realize that they should all return to their legal mates. Both Leonard and Nicholas are sufficiently frightened to make a break for it, but Anne and Eustacia insist upon remaining with their host -- which isn't exactly what Latimer had in mind! Where Sinners Meet was previously filmed in 1927 as The Little Adventuress. ~ Hal Erickson, All Movie Guide

A woman may be forced back into a dangerous relationship in order to save her good name in this drama from director James Whale. Lady Clare Corven (Diana Wynyard) is the wife of Sir Gerald Corven (Colin Clive), and by all appearances they're a happy upper-class British couple. But Lady Clare is anything but happy; Sir Gerald is physically and emotionally abusive toward her, and one day she decides she can take no more and leaves him behind. Lady Clare books passage on a ship, where she is befriended by a kind and handsome young man named Tony Croom (Frank Lawton). Though their relationship remains strictly platonic, Tony obviously has strong feelings for Lady Clare, which does not go unnoticed by the private detective hired by Sir Gerald to keep tabs on his wife. Sir Gerald threatens to paint Lady Clare's relationship with Tony in an unflattering light in court, this at a time when divorce was still considered a scandalous act, especially among England's "privileged" classes. One More River also includes several members of James Whale's stock company, including Lionel Atwill, E.E. Clive, and C. Aubrey Smith. ~ Mark Deming, All Movie Guide

A remarried war widow's attempts to raise her son to be a pacifist are thwarted when a second world war (this film was made well before the real WWII) erupts. Up until then, her new husband, the Secretary of State, supported his wife's crusade, but with a war on, he becomes a strong supporter in the fight that culminates in the exciting bombing of the Empire State Building. ~ Sandra Brennan, All Movie Guide

It's hard to separate fact and fancy from the many accounts of what happened on the set when all three of the fabulous Barrymores -- Ethel, John and Lionel -- appeared together for the only time in Rasputin and the Empress. As for the end result, John offers the subtlest (!) performance as Russian Prince Paul Chegodieff; Lionel throws all caution to the four winds in the role of "Mad Monk" Rasputin; and Ethel comes off as rather artificial as Empress Alexandra (Ethel was more appealing in her character roles of the 1940s and 1950s). The plot covers the years 1913 through 1918, during the tumultuous final years of the Romanov regime in Russia. When young Prince Alexis (Tad Alexander), a hemophiliac, hovers near death after an accident, the royal physicians regretfully predict an imminent demise. At the advice of Prince Paul's impressionable sweetheart Natasha (Diana Wynyard), Alexandra and her husband, Czar Nikolai (Ralph Morgan), call in the mysterious Rasputin to look after Alexis. Using hypnosis, Rasputin is able to "cure" the boy-and to slowly gain control over the royal family. Prince Paul, concerned that Rasputin's despotic misuse of his new-found authority will cause the people to revolt, does his best to discredit the oily holy man, but to no avail. When Natasha is raped by Rasputin, Paul attempts to shoot the miscreant down. But Rasputin, who has taken the precaution of wearing a bullet proof vest, is not so easily killed off. In a last, desperate measure, Paul and his cohorts try to poison Rasputin to death-and even this doesn't work. Only a climactic fight to the death puts an end to Rasputin's reign. Alas, the damage has already been done, and the royal family is doomed to be toppled from power...and, ultimately, to be shot down like dogs by the Bolsheviks. Perhaps it's true that the three Barrymores spent more time trying to upstage one another than concentrating on the script at hand, but we wouldn't have it any other way. When seen today, Rasputin and the Empress seems rather choppy in spots, with isolated lines of dialogue and sometimes whole scenes completely missing. This is due to a million-dollar lawsuit brought against MGM by Prince Yusupov, the man who really engineered Rasputin's assassination. The Prince wasn't offended by being depicted as a murderer, but he was distressed when MGM suggested that his wife had been raped by Rasputin. As a result, Rasputin and the Empress was withdrawn from distribution, and all prints were later bowdlerized when released to television. Also as a result, all future Hollywood films were obliged to carry the "Any resemblance to actual persons, living or dead, is purely coincidental" disclaimer. ~ Hal Erickson, All Movie Guide