Dana Wynter Movies

Pattern of Morality is the syndicated title of the made-for-TV Owen Marshall, Counselor at Law. Arthur Hill stars as Owen Marshall, a crusading attorney, who defends hippie Bruce Davidson, accused of murdering a wealthy housewife. Though all characters and names are fictitious, the film was clearly inspired by the Tate-LaBianca killings of 1969. The supporting cast includes Joseph Campanella as the husband of the murdered woman, William Shatner as the DA, and Dana Wynter as the judge. First telecast September 12, 1971, Owen Marshall, Counselor at Law served as a preview for the series of the same name, which premiered on September 16 and ran until August 24, 1974. Carried over the pilot film were Arthur Hill as Marshall and future producer/director Joan Darling as Marshall's secretary Frieda Krause. ~ Hal Erickson, All Movie Guide

Airport had enough plot and enough star power in its cast for three feature films, and it only encompassed about half of the complexity or characters found in Arthur Hailey's best-selling potboiler. Essentially built around 12 harrowing hours at a major Midwestern airport, the film had everything an audience of the period could have wanted -- suspense, romance, drama, and comedy -- all spread across a vast canvas. Mel Bakersfeld (Burt Lancaster) is the manager of Lincoln Airport, facing a night beset by the worst blizzard in a decade, a wife (Dana Wynter) who announces she wants a divorce, a primary runway blocked by an airliner stuck in a snowdrift, and a governing board ready to fire him. Bakersfeld's cynical, smooth-talking brother-in-law, Vernon Demerest (Dean Martin), won't let up on his criticism of the management at Lincoln, but he has his own problems as well, mostly in the form of a young stewardess, Gwen Meighen (Jacqueline Bisset), who is pregnant by him and whom he finds he genuinely loves. Add to that the presence of an old lady stowaway (Helen Hayes) and a mentally disturbed passenger (Van Heflin) carrying a bomb, and there's more than enough plot to keep viewers engrossed for two hours plus. Airport became one of the top-grossing movies of its era, racking up seven-digit box-office numbers and spawning an entire film genre -- the disaster movie. With Jean Seberg, George Kennedy, Lloyd Nolan, Barry Nelson, and Maureen Stapleton filling out the rest of the leading roles, there was something for almost everyone in this film. The movie still has a lot to offer if only as a prime example of Hollywood at its most successfully glitzy, but, if possible, viewers should try and see the letterboxed version of Airport on DVD (released May 2001). ~ Bruce Eder, All Movie Guide

Based on the best-selling memoirs of Lillian Rogers Parks, the NBC miniseries Backstairs at the White House traces over five decades of American political history as witnessed from the vantage point of the servants' quarters. Played by Tania Johnson as a teenager and by Leslie Uggams as an adult, Lillian Rogers Parks served for 52 years as a maidservant at the White House. Though crippled early on with polio, Lillian diligently and loyally stuck to her duties -- and her own rock-solid set of principles and ideals -- through eight highly different Presidential administrations, often (and occasionally reluctantly) acting as friend and confidante to the First Lady of the moment. The large and stellar cast included a number of top-rank film and TV actors, obviously having the time of their lives impersonating such presidents as William Howard Taft, Woodrow Wilson, Warren G. Harding, Calvin Coolidge, Herbert Hoover, Franklin Roosevelt, Harry S. Truman, and Dwight D. Eisenhower, and their respective wives. Also in the cast were several African-American veterans from the landmark TV miniseries Roots. Earning 11 Emmy Award nominations, the nine-hour Backstairs at the White House was seen in five installments from January 29 to February 19, 1979. ~ Hal Erickson, All Movie Guide

Melvyn Douglas made his TV-movie debut in Companions in Nightmare. Douglas plays a famous psychiatrist who conducts a group-therapy session with several high-priced professionals. One of the patients turns out to be a murderer; the truth will come out, and it will be a shocker. Gig Young, Anne Baxter, Patrick O'Neal, Dana Wynter and Leslie Nielsen are among the special guest suspects (aren't they always?) Filmed late in 1967, Companions in Nightmare was first telecast on November 23, 1968. ~ Hal Erickson, All Movie Guide

In this drama, a Yankee spy begins impersonating a dead man who looks just like him. In doing so he begins a fun-filled life as a jet-setting playboy. ~ Sandra Brennan, All Movie Guide

James Lake (Raymond St. Jacques) is an escaped black convict imprisoned for a murder he didn't commit. Leslie Whitlock (Kevin McCarthy) offers James money to kill his wife, Ellen (Dana Wynter). He declines and tries to look up his old flame Lily (Barbara McNair), but discovers his own brother is now married to the sultry nightclub singer. James returns to Leslie, and the trio travel towards a mountain retreat. James and Ellen escape and try to find the murderer who had framed James years before. He experiences prejudices from police and civilian alike before the trail leads to the dead girl's stepfather. Due to the constant sexual and racial overtones this film is considered an exploitation feature. ~ Dan Pavlides, All Movie Guide

Don Siegel's classic exercise in psychological science fiction has often been interpreted as a cautionary fable about the blacklisting hysteria of the McCarthy era. It can be read as a political metaphor or enjoyed as a fine low-budget suspense movie, and it works well either way. Kevin McCarthy stars as Miles Bennel, a doctor in the small California community of Santa Mira, where several patients begin reporting that their loved ones don't seem to be themselves lately. They look the same but seem cold, emotionally distant, and somehow unfamiliar. The longer Miles looks into these reports, the more stock he places in them, and in time he makes a shocking discovery: aliens from another world are taking over Santa Mira, one citizen at a time. Emissaries from a distant planet have sent massive seed pods containing creatures that can assume the exact physical likeness of anyone they choose. When Santa Mirans go to sleep, the pod creatures take on the shape of their victims and then destroy their bodies. The aliens may look the same, but they possess no human emotions and, like plants, are concerned only with propagating themselves and eventually subsuming the earth. Needless to say, Miles and his friends are terrified, but since it's hard to tell who's a person and who's a pod, they're at a loss for what to do, especially when it seems that there are increasingly more aliens than humans. Invasion of the Body Snatchers builds tension slowly and steadily, dealing not in the shock of bug-eyed monsters common to other 1950s science-fiction movies but in the unnerving possibility that the enemy is among us -- and impossible to tell from our allies. The ultra-paranoid conclusion of Siegel's original cut was softened by Allied Artists, who added a framing device that suggested help was on the way. This coda was as effective in blunting the film's grim conclusion as giving a Band-Aid to a beheading victim; few films of the era make it more painfully clear that for these people (and maybe for ourselves), there's no turning back and no way home. Keep an eye peeled for a bit part by soon-to-be-legendary Western director Sam Peckinpah, who plays a meter reader and also (uncredited) helped write the screenplay. Based on a novel by Jack Finney, Invasion of the Body Snatchers was remade in 1978 by Philip Kaufman and in 1993 by Abel Ferrara (as Body Snatchers); and its influence can be felt from The Stepford Wives (1975) to The X-Files. ~ Mark Deming, All Movie Guide

Dana Wynter guest stars as Alexandria, a former sweetheart of Chief Ironside (Raymond Burr. Now that Alexandria has returned to San Francisco, the Chief is anxious to rekindle their romance. Alas, the course of true love is destined not to run smoothly: Alexandria happens to be a professional thief--and Ironside knows all too well that she is currently planning to swipe an ancient Chinese statue left in his care. This episode features the original composition "December Song", which like so many other incidental themes heard on Ironside was written by Marty and David Paich and performed by Carol Carmichael. ~ Hal Erickson, All Movie Guide

MGM's first CinemaScope production was the lavishly appointed Knights of the Round Table. Without overlapping into any copyrighted material (specifically T.H. White's The Once and Future King), the film spins a lucid account of the King Arthur legend. The good king is played by Mel Ferrer, while Queen Guenevere is essayed by Ava Gardner. Arthur's efforts to create a perfect society in Camelot are compromised when Guenevere falls in love with trusted knight Sir Lancelot (Robert Taylor). The ambitious Mordred (Stanley Baker) uses his knowledge of the Queen's indiscretion to destroy both Camelot and King Arthur's round table. Most of the story material in Knights of the Round Table is lifted from Sir Thomas Malory's Le Morte D'Arthur. ~ Hal Erickson, All Movie Guide

In this romantic adventure comedy from French writer/director Jean-Paul Rappeneau, Catherine Deneuve stars as Nelly, a young French bride who gets cold feet and flees the altar with her irate Italian groom Vittorio (Luigi Vannucchi in hot pursuit. While she is on the run in Venezuela, Nelly carries with her a priceless stolen painting and meets Martin (Yves Montand), a financially and personally troubled middle-aged French perfume maker who is fleeing both his marriage and his failing business. Together the unlikely pair from a bond upon finding themselves in need of each other's assistance. Also starring Tony Roberts and Bobo Lewis, La Sauvage was released in the United States under the English-translated title, The Savage. ~ Matthew Tobey, All Movie Guide

Robin's Nest is turned over to a Hollywood production crew as a location for a movie starring Magnum's favorite actress Olivia Ross (Dana Wynter) and her perennial costar Jack Martin (Larry Pennell). So entranced is Magnum (Tom Welleck) by the glamorous Olivia that he is willing to endure multiple humiliations as Martin's stunt double. But he hadn't counted on risking his life to solve the mystery behind a "prop" gun which is loaded with real bullets--and which Olivia empties on the hapless Martin! ~ Hal Erickson, All Movie Guide

Danny Kaye headlines this lively WW II-era comedy. He plays a foot soldier who with his fellow troop is preparing for D-day. Trouble begins when he is caught pretending to be the most important generals in England, a man he closely resembles. The two look so much alike that military intelligence assign him to keep on impersonating the general so as to keep the Nazis on their toes. He is good at his job and fools many of the general's staff. He does not, however, fool the general's estranged wife. Still in order to protect her country, she goes along with the ruse. Things get really sticky when the real general is killed and Army intelligence asks Kaye to continue with the deception. ~ Sandra Brennan, All Movie Guide

Portrait for Murder was the October 19, 1955 entry of the TV anthology series The 20th Century Fox Hour. Robert Stack plays a detective investigating the murder of a beautiful model. The deeper he gets into the case, the more fascinated he becomes by the large portrait of the model hanging on her wall. Imagine his surprise when the "dead" girl (Dana Wynter) calmly walks into the living room. Sound familiar? It should: Portrait for Murder is a 60-minute remake of the 1944 20th Century-Fox film Laura, and both adaptations are based on the original novel by Vera Caspary. Costarring as waspish critic Waldo Lydecker (the role played in Laura by Clifton Webb) is George Sanders, who'd later recreate this characterization in a 1968 TV production of Laura, starring Lee Radziwill. ~ Hal Erickson, All Movie Guide