Keenan Wynn Movies

Irvin Kershner directed this comedy-drama about one man's struggle with relationships and himself. Brooks (George Segal) is a middle-aged commercial artist who is at a personal and professional crossroads; he wants to take a stab at a career in fine art, but he can barely land enough assignments to support himself as it is. And while his marriage to Selma (Eva Marie Saint) is starting to collapse, his mistress Grace (Janis Young) suggests that she would like a relationship of greater permanence with him. Hoping to land an important commission from Lepridon (Sterling Hayden), a powerful business mogul, Brooks attends a party at an exclusive private club, but after a few cocktails too many, Brooks gets into a screaming match with one of the club's leaders. Brooks is depressed, figuring that he's blown what could have been a major career opportunity, when word travels through the grapevine that Lepridon was amused and impressed by Brooks' dressing-down of the club's topkick and is ready to give him the job. Brooks is elated, but he wants to keep his good news a secret for the time being; in a celebratory mood, he goes to a party where Selma, Grace, and a number of his friends are also in attendance. Brooks is approached by Nelly (Nancy Phillips), the wife of his neighbor Will (David F. Doyle); Nelly wants Brooks to join her for a quickie, and he eagerly agrees, not realizing that the children's playroom where they've chosen to meet is monitored by a closed-circuit TV camera, with the other party-goers an audience for their lovemaking. Loving garnered many enthusiastic reviews and became something of a cult item among film buffs in the 1970s; Sherry Lansing, who would later become a powerful producer and studio president, appears in a small role as Susan. ~ Mark Deming, All Movie Guide

The most horrifying part of this British spooker is seeing former clean-cut teen idol Frankie Avalon cast as Chris, a London hooligan who with his druggie friends decides to spend the night in a supposedly haunted house and hold a seance. The seance is a bust, so the buddies decide to do a little exploration and split up. Unfortunately, one of them gets brutally killed, leaving Chris and his surviving pals to wonder who did the deed. Was it one of them, or was it a monstrous demon? Not wanting to attract undue attention, the punks decide to hide the body, zip their lips, and split from the house. Unfortunately, the cops find out and begin questioning everyone, causing Chris and his friend to return to the house and look for clues. For poor Chris, it is a fatal mistake. Just for the record, though he plays a teen, Avalon was 30 years old when this film was made. In Britain the film was released as The Haunted House of Horror. ~ Sandra Brennan, All Movie Guide

Radicals kidnap a publisher so that they have a witness to their protest suicide. ~ All Movie Guide

Sharon Farrell stars as blues singer Jesse Boone in the 90-minute, made-for-TV Hard Case of the Blues. Jesse's business manager has just died under mysterious circumstances. He has also swindled Jesse out of $200,000. Thing of it is, Jesse couldn't care less--and Crime magazine editor Dan Farrell (Robert Stack) wants to know the reasons for her apathy. Originally telecast September 26, 1969 as an episode of the TV series Name of the Game, Hard Case of the Blues was one of the series' most highly acclaimed installments. ~ Hal Erickson, All Movie Guide

Featuring members of Chicago's distinguished Second City comedy troupe, this way-out sci-fi comedy tells the tale of a failed alien invasion. The basically friendly Monitors have come to Earth to take over and force humans to clean up their acts by forbidding them to engage in politics, violence and sex. Naturally humanity is not willing to give up its favorite pastimes, and earth's inhabitants stage a world-wide rebellion. Monitors was an attempt by the film equipment maker Bell and Howell to establish Chicago as a new center for filmmaking. Unfortunately, the film bombed and their attempt failed. Larry Storch plays a military madman, Keenan Wynn plays a stuffy general, and Ed Begley is the President of the United States. ~ Sandra Brennan, All Movie Guide

Nearly 20 years after it opened on Broadway, the E.Y. Harburg/Fred Saidy musical Finian's Rainbow was committed to film. Set in the mythical southern state of Missitucky, the story involves the whimsical Irishman Finian (Fred Astaire) and his daughter Sharon (Petula Clark) arriving in the community carrying a crock of gold, which they've stolen in the Auld Sod from Ogg the Leprechaun (Tommy Steele). Finian believes that if he buries the crock on American soil, it will grow into an even larger treasure--just as Fort Knox did (or so he thinks). Sharon falls in love with sharecropper Woody Mahoney (Don Francks), who like everyone else in the community is being threatened by the perfidy of Senator Rawkins (Keenan Wynn). While Finian haggles over three wishes with the tricky Ogg, Sharon runs afoul of the racially bigoted Rawkins. She wishes that Rawkins would turn black so that he could walk in someone else's shoes for a change--and this, thanks to Ogg, is exactly what happens. To rescue Sharon and Woody from being burned as witches, Ogg grants a last wish, which turns him into a human being; this is not an altogether bad thing, for Ogg has fallen in love with mysterious mountain gal Susan the Silent (Barbara Hancock). The racial tolerance subtext of Finian's Rainbow, considered radical in 1948, seemed rather antiquated in 1969, though it did allow for a hilarious scene in which a white associate of Judge Rawkins attempts to instruct young black botanist Al Freeman Jr. on the proper way to "act Negro". As Finian, Fred Astaire requested that the role be expanded to allow him to dance a little (as written, the character barely even sings). Most of the original score remains intact, including the hit song "How Are Things in Glocca Morra?" Francis Ford Coppola seemed a curious choice to direct a musical, and indeed the production was a troubled one due to Coppola's inexperience in the genre. ~ Hal Erickson, All Movie Guide

In Sergio Leone's epic Western, shot partly in Monument Valley, a revenge story becomes an epic contemplation of the Western past. To get his hands on prime railroad land in Sweetwater, crippled railroad baron Morton (Gabriele Ferzetti) hires killers, led by blue-eyed sadist Frank (Henry Fonda), who wipe out property owner Brett McBain (Frank Wolff) and his family. McBain's newly arrived bride, Jill (Claudia Cardinale), however, inherits it instead. Both outlaw Cheyenne (Jason Robards) and lethally mysterious Harmonica (Charles Bronson) take it upon themselves to look after Jill and thwart Frank's plans to seize her land. As alliances and betrayals mutate, it soon becomes clear that Harmonica wants to get Frank for another reason -- it has "something to do with death." As in his "Dollars" trilogy, Leone transforms the standard Western plot through the visual impact of widescreen landscapes and the figures therein. At its full length, Once Upon a Time in the West is Leone's operatic masterwork, worthy of its legend-making title. ~ Lucia Bozzola, All Movie Guide

Like Cameron Mitchell and Jack Palance, Keenan Wynn spent an inordinate amount of time in obscure crime melodramas. In Falling Man, Wynn is second billed to the versatile Henry Silva. The plot concerns an ex-cop who goes after the men who ruined his career. The title refers to the hero's rapidly disintegrating emotional state. Barely released theatrically, Falling Man was run to death by independent TV stations in the 1970s. ~ Hal Erickson, All Movie Guide

LAPD detective Sgt. Tom Valens (David Janssen) is a ten-year veteran of the force who has had more than his share of hard luck lately -- his marriage is a wreck, and he hasn't fully recovered from a serious wound suffered in the line of duty a year ago. He and his partner, Sgt. Ed Musso (Keenan Wynn), are working a stakeout one night at the Seascape Apartments, in hope of catching a killer who has already claimed three victims in that part of the city, when he confronts a man seemingly trying to sneak off the premises. The man tries to run, stops when ordered but starts to pull a gun, and Valens shoots him dead. The deceased turns out to be Dr. James B. Ruston, a well-known humanitarian and pillar of the community -- worse yet, the police can't find any trace of the gun Valens says he saw Ruston pull. Valens' nightmare builds gradually, as he's first assigned to a desk, then hung out to dry by an indifferent coroner (Carroll O'Connor) at an inquest, suspended from the force, and then indicted for manslaughter by a crusading prosecutor (Sam Wanamaker) with a personal ax to grind. Villified in the press and by protesters in the street, Valens has few even slightly sympathetic ears around him -- his partner, his captain (Ed Begley Sr.), and his soon-to-be-ex-wife (Joan Collins) -- and even fewer allies. The one attorney (Walter Pidgeon) with enough juice to fight the case on an even footing with the DA says he would only plead him guilty and try for a deal, based on his understanding of the law and of juries; and the one public pundit (Steve Allen) who takes his part is doing so for the most cynical of reasons. Valens realizes that the only way to save himself is to first prove that the so-called victim wasn't quite the candidate for sainthood that he seemed -- why did he run? -- and to find the missing gun. To do all of that, he's got to confront the victim's aggrieved patients (Lillian Gish), his alcoholic widow (Eleanor Parker), and his employees (Stefanie Powers), all of whom have every reason to hate Valens. He starts to dig into the doctor's finances and finds some anomalies that no one can explain (or wants to look at -- they'd rather hang Valens), and as he puts together the pieces of the puzzle, helped by a sympathetic tenant at Seascape (George Grizzard), Valens finds himself pursued by the doctor's thug of son and his friends with mayhem on their minds -- and someone else with a deadlier agenda. ~ Bruce Eder, All Movie Guide

A priceless cache of blue diamonds cause criminal chaos in this grim action drama that is set in the Mexican jungle. The excitement begins with the robbery of an armored car carrying the valuable gems. Something goes awry and all but one of the thieves die violently. The sole witness to the crime then kills the surviving crook and hides the diamonds in the jungle. Later a gangster captures him and tries to force him to disclose their location. The gangster's moll takes pity on the fellow and helps him escape. The two then make a desperate bid for the border with both the crooks and the Diamond Syndicate Police in hot pursuit. ~ Sandra Brennan, All Movie Guide

Outbound from a small town recently besieged by Indians, a stagecoach carries several diverse characters. They include rummy sawbones Josiah Boone (Bing Crosby), dance-hall girl and prostitute Dallas (Ann-Margret), embezzling bank clerk Gatewood (Robert Cummings), pregnant army officer's wife Lucy Mallory (Stefanie Powers), policeman Curly (Van Heflin), and several others. En route, the drunken Doc Boone is forced to sober up and deliver Lucy's baby, and the travelers are joined by Ringo (Alex Cord), an outlaw falsely accused of killing his own father and brother. Despite being arrested by Curly, Ringo helps fight off Indians and falls for Dallas. Once the coach reaches its destination, Luke Plummer (Keenan Wynn) and his two sons, the real killers of Ringo's family, shoot Gatewood for his stolen loot and wound Curly. A showdown between the Plummers and Ringo is inevitable. Famed painter Norman Rockwell, who rendered cast portraits for the film's closing credits sequence, appears in a brief cameo. ~ Karl Williams, All Movie Guide