Ed Wynn Movies

Four stories from Hans Christian Andersen appear in The Daydreamer, a feature using the Animagic process that uses live action combined with stop-motion puppets. Included are "The Little Mermaid," "The Emperor's New Clothes," "Thumbelina," and "The Garden Of Paradise." Songs and dances compliment an international all-star cast of voices used for the characters. Ray Bolger, Margaret Hamilton, Burl Ives, Hayley Mills, Boris Karloff, Cyril Ritchard, Patty Duke, Terry-Thomas and Victor Borge join Ed Wynn in his second-to-last screen role. This was the last film in which fans would hear the voices of Sessue Hayakawa and Tallulah Bankhead. Director Jules Bass provided the lyrics, with Murray Law providing the music for this entertaining children's fantasy. ~ Dan Pavlides, Rovi

Originally trade-previewed as Those Crazy Calloways, Disney's Those Calloways is a lengthy, anecdotal film about a highly individualistic New England family. Patriarch Cam Calloway (Brian Keith) is regarded as a crank by the local villagers because of his dream to build a bird sanctuary that will protect migratory geese from hunters. Cam uses all his savings to buy a lake, where he intends to establish his sanctuary. When a wealthy sportsman offers to turn the town into a booming resort community in exchange for hunting rights, Cam opposes the plan, which briefly puts him on the outs with everyone else. Only when Cam is accidentally shot by the sportsman do the locals rally around the "crazy" Calloways so that Cam's sanctuary can come to fruition. The plot of Those Calloways can best be described as picaresque; the film is most successful in establishing mood and atmosphere, and in offering a vast array of distinctive characterizations from such pros as Brian Keith, Vera Miles, Brandon de Wilde, Walter Brennan, Ed Wynn, John Larkin, Parley Baer, John Qualen, and Paul Hartman. Look for young Linda Evans as the girl friend of the oldest Calloway boy (DeWilde) and for future Picket Fences star Tom Skerritt as the town bully. Those Calloways was based on Swiftwater, a novel by Paul Annixter. ~ Hal Erickson, Rovi

The great Ed Wynn appears on this Bonanza episodes a Phineas T. Klump, a lovable old eccentric who is determined to be the first man to fly. Klump hopes to achieve this goal with a bulky set of artificial feathered wings, with "true believer" Hoss Cartwright as his ground crew. But when Klump is injured in a fall, it is Hoss who dons the wings for an experimental ascent (or descent!) from a high cliff. Marlyn Mason costars as Klump's granddaughter Amanda. Written by Blair Robertson and Hazel Swanson, "Ponderosa Birdman" first aired on February 7 1965. ~ Hal Erickson, Rovi

Toward the end of Jerry Lewis's Paramount studio period, Lewis slapped together this bitter comedy about Hollywood phoniness and fame that has to be the most rancid portrait of the Hollywood star system in the Rat Pack era this side of Clifford Odets. When a famous entertainer suddenly is killed in an airplane crash, his team of flunkies -- producer Caryl Fergusson (Everett Sloane), writer Chic Wymore (Phil Harris), press agent Harry Silver (Keenan Wynn), director Morgan Heywood (Peter Lorre in his final film role), valet Bruce Alden (John Carradine), and secretary Ellen Betz (Ina Balin) -- decide to continue their life style by finding a complete unknown and manufacturing him into a Hollywood star. That unknown turns out to be the nervous and inept bellboy Stanley Belt (Jerry Lewis). They train Stanley to become an over-night singing sensation, and despite a disastrous recording session and a failed nightclub performance, the public relations blitz makes Stanley's recording of "I Lost My Heart in a Drive-In Movie" a smash single. So much so that Stanley is given a shot at appearing on "The Ed Sullivan Show." Expecting the worst, Stanley's management team abandons him right before his performance. But Stanley musters up enough confidence to go on the live program alone and manages to surprise his pessimistic ex-staff. A collection of Hollywood celebrities circa 1964 --George Raft, Ed Wynn, Ed Sullivan, Mel Torme, Rhonda Fleming and Hedda Hopper -- make cameo appearances. High spots include an apocalyptic music lesson with voice teacher Dr. Mule-rrr (Hans Conried), Ed Sullivan performing a bizarre impersonation of himself, and an ending that would make even Jean-Luc Godard blush. ~ Paul Brenner, Rovi

Bernard Herrmann composed his final Twilight Zone musical score for the December 20, 1963 episode "Ninety Years Without Slumbering." Ed Wynn stars as septuagenarian Sam Forstmann, who resists his family's efforts to sell his precious grandfather clock. It seems that the clock began running on the day that Sam was born, and he is convinced that if its stops running, so will he. As originally conceived by George Clayton Johnson, this episode was to have had a "cyclical" ending, with Sam's death coinciding with the birth of his grandson. But as rewritten by Richard de Roy, "Ninety Years Without Slumbering" settled for a "happier" -- and weaker -- denouement. Watch for Dick Wilson, TV's "Mr. Whipple," as a moving man. ~ Hal Erickson, Rovi

This second film adaptation of the Victor Herbert operetta Babes in Toyland was producer Walt Disney's Christmas offering for 1961. The 1903 Herbert original had very little in the way of a plot, so screenwriters Joe Rinaldi, Lowell S. Hawley, and Ward Kimball lifted elements from the 1934 filmization of Toyland, which starred Laurel and Hardy. Annette Funicello plays Mary Contrary, about to wed Tom Piper (Tommy Sands) in the heart of Mother Goose Village. The villainous Barnaby (Ray Bolger), who covets Mary for himself, orders his bumbling henchmen Gonzorgo (Henry Calvin) and Roderigo (Gene Sheldon) to do away with Tom. Hoping to turn a profit, Gonzorgo and Roderigo sell Tom to a band of gypsies, enabling Tom to make a surprise return-in old-lady drag to rescue Mary from Barnaby's clutches. Later, Mary's younger siblings (including Disney regular Moochie Corcoran) wander into the Forest of No Return, compelling Tom and Mary to go after them. Everyone winds up in Toyland, where they try to help the Toymaker (Ed Wynn) and his invention-happy assistant Grumio (Tommy Kirk) meet their quota for Santa Claus despite the continued meddlings of Barnaby. Keep an eye peeled for 11-year-old Ann Jillian, making her screen debut as Bo Peep. ~ Hal Erickson, Rovi

Ed Wynn guest stars as Lew Bookman, an aging and not altogether successful sidewalk salesman. When Mr. Death (Murray Hamilton) shows up to "collect" Lew, the latter refuses to go. This leaves Mr. Death no other choice but to claim an alternate soul in Lew's place -- a little girl named Maggie (Dana Dillaway). Adapted from a script he'd written during his days in Cincinnati television, Rod Serling's "One for the Angels" made its Twilight Zone bow on October 9, 1959. ~ Hal Erickson, Rovi

Marjorie Morgenstern (Natalie Wood) is an 18-year-old, middle-class, Jewish girl from New York who wants nothing more than to be an actress, despite the hopes and wishes of her parents (Everett Sloane and Claire Trevor) that she graduate from college, marry, and settle down to have a family. At the urging of her more worldly friend Marsha Zelenko (Carolyn Jones), she takes a job at an upstate camp, and, one night when sneaking onto the grounds of a neighboring resort, meets and falls wildly in love with the entertainment director, Noel Airman (Gene Kelly). A Lothario with a gift of song as well as dance, Airman romances Marjorie and tries to teach her something of theater, suggesting that she change her name to Marjorie Morningstar, which she does. He intends to enjoy her company for the summer, until her aging uncle Samson (Ed Wynn), who is also working at the resort, tells him of the family's concerns for the girl. Noel and Marjorie end up linked romantically, despite their best efforts to stay away from each other. Marjorie gives up a potential romance with a slightly older, successful doctor (Martin Balsam) and resists the honest entreaties of Airman's assistant, Wally Wronken (Martin Milner), and tries to get Airman to straighten up and fly right; she can't get her own acting career off the ground, but she owns Airman's heart. Instead of biding his time at writing a musical that he's been working at for four years, and spending his summers working in the Catskills, Noel tries to work in the advertising world -- he also finds himself just as troubled by the stable family life and religious life that Marjorie comes from as he is attracted to her personally. He is also bitterly disturbed by the fact that his one-time assistant Wally Wronken is now a successful Broadway playwright, the darling of critics and audiences, with backers eager to sign checks to produce his work. Unable to pursue a life in business, or remain faithful to Marjorie, he reaches a crisis point from which only she can rescue him -- together they try to build a life and he tries to finish his long-gestating masterpiece, which proves a disaster when it gets to Broadway. Noel abandons Marjorie, and when she goes to find him, Wally warns her off, explaining that Noel has to return to a place where he can feel successful, like the Catskills resort where they met, where he can be the big fish in the tiny pond. Her marriage over and her girlish ideals behind her, she sees Noel back in his element, wowing young acting students with his skills, and finally turns to the one man who has loved her for precisely who she is all along, Wally. ~ Bruce Eder, Rovi

Harlan "Mountain" McClintock (Jack Palance) has been a professional boxer for 14 years. He's been in the ring for over 110 bouts and was once ranked number five among the world's heavyweight fighters, but age and the physical punishment of his sport have taken their toll. Now McClintock is growing too old to fight but he lacks the money to retire gracefully, as his manager Maish (Keenan Wynn) suggests he start fighting crooked or switch to professional wrestling. Ed Wynn co-stars as McClintock's corner man, and Kim Hunter plays a sweet but naïve social worker. Requiem for a Heavyweight was a television drama written by Rod Serling and originally broadcast in 1956; the story was later remade as a feature film starring Anthony Quinn. ~ Mark Deming, Rovi

This Disney feature-length cartoon combines the most entertaining elements of Lewis Carroll's Alice in Wonderland and Through the Looking Glass. Chasing after the White Rabbit, who runs into view singing "I'm Late! I'm Late!," Alice falls down the rabbit hole into the topsy-turvy alternate world of Wonderland. She grows and shrinks after following the instructions of a haughty caterpillar, attends a "Very Merry Unbirthday" party in the garden of the Mad Hatter and the March Hare, stands in awe as the Cheshire Cat spouts philosophy, listens in rapt attention as Tweedledum and Tweedledee relate the story of the Walrus and the Carpenter (a sequence usually cut when Alice is shown on TV), and closes out her day with a hectic croquet game at the home of the Red Queen. The music and production design of Alice in Wonderland is marvelous, but the film is too much of a good thing, much too frantic to do full honor to the whimsical Carroll original, and far too episodic to hang together as a unified feature film. One tactical error is having Alice weep at mid-point, declaring her wish to go home: This is Alice in Wonderland, Walt, not Wizard of Oz! Its storytelling shortcomings aside, Alice in Wonderland is superior family entertainment (never mind the efforts in the 1970s to palm off the picture as a psychedelic "head" film). ~ Hal Erickson, Rovi

Included in this volume are two episodes of the classic TV show, with a guest spot by Diana Lynn. ~ John Bush, Rovi

Somebody at MGM had the bright idea in 1933 to build a series of feature films around the talents of popular radio comedians. This bright idea fizzled after a handful of misbegotten epics starring the likes of Jack Pearl, aka Baron Munchausen, and Ed Wynn. The Wynn film was titled The Chief, a reference to Wynn's radio fame as Texaco gasoline's "Fire Chief." What plot there is concerns a dimwitted fireman named Henry Summers (who else but Wynn?) who ends up running for the office of alderman. Actually, Henry is merely a cat's paw, a dummy candidate set up by a gang of crooks. But when it looks as though Henry will win the campaign and instigate reforms, the bad guys kidnap our hero's grey-haired mother (Effie Ellsler). To alert the cops to his mother's peril, Henry begins running around and breaking things, shouting "I'm crazy! I'm crazy!" (it's difficult to argue with that). Just when the plot is about to be resolved, the film dissolves to Ed Wynn, standing before an NBC microphone, broadcasting his "Fire Chief" program in the company of announcer Graham McNamee. Wynn apprises the audience as to the film's outcome, tells a few jokes, signs off the air -- and that's all there is! One could postulate that the scriptwriters had run out of jokes by the end of The Chief, but in fact they'd been out of material since the third reel. ~ Hal Erickson, Rovi