Patrick Wymark Movies

This biography of Oliver Cromwell recalls the political and religious struggles of 17th century England. Cromwell (Richard Harris) is the Anglican religious fanatic who fights corruption and Catholicism with equal zeal, while King Charles (Alec Guinness) is the vacillating monarch who believes his crown gives him a direct pipeline to the wisdom of God. Also starring Robert Morley and Timothy Dalton, Cromwell won an Academy Award for Best Costume Design and was nominated for Best Original Score. ~ Dan Pavlides, Rovi

A previously unknown planet is discovered within our solar system, orbiting on the far side of the sun exactly opposite the position of the Earth, and at precisely the same speed. The European space agency Eurosec, headed by Jason Webb (Patrick Wymark), whose solar probe made the discovery, decides to send a manned mission to investigate, teaming America's top astronaut Glenn Ross (Roy Thinnes) and British astro-physicist John Kane (Ian Hendry). Their voyage aboard the space vehicle Phoenix is supposed to take six weeks, but when the ship returns to orbit in only three weeks -- ending in a crash of their landing vehicle that kills Kane -- Eurosec can only conclude that Ross has engaged in some sort of sabotage. The astronaut is at a loss as to how they could have done a round-trip in just three weeks, until he makes a startling discovery -- that everything that he sees, from the layout of rooms and buildings to all of the writing around him, is reversed, left to right and right to left. It takes Ross, amid his confusion, to arrive at the only possible conclusion -- that he and Kane did, indeed, journey to the new planet, and that world is a duplicate of Earth (and visa versa) down to the last molecule, a perfect mirror-image; and that world dispatched its own mission, with its own Ross and Kane. He and Webb, and Eurosec, scarcely have time to absorb the implications of this discovery -- if true -- as they prepare for a return flight for Ross, despite enormous risks and some potentially very dangerous unknowns in getting him back to the Phoenix. ~ Bruce Eder, Rovi

A corrupt opportunist commits brutal crimes in the name of God and country in this atmospheric period horror tale. In 17th century England, as a people's uprising threatens Lord Cromwell's rule, superstition still rules the land, and the Royalists use this to their advantage by inaugurating a reign of terror in the name of wiping out alleged witches and agents of the dark arts. Matthew Hopkins (Vincent Price) has been appointed "witchfinder" by Puritan Royalists, and with the help of his thuggish assistant Stearne (Robert Russell), Hopkins travels from town to town, brutally interrogating those accused of witchcraft and using fire, drowning, and torture to extract "confessions" from the accused. Of course, Hopkins' opinions can be swayed with money and other considerations, and when Father Lowes (Rupert Davies), a priest whose sympathies do not lie with the Royalists, is arrested and tortured by Hopkins and Stearne, his devoted niece Sarah (Hilary Dwyer) is able to stay his punishment by sleeping with Hopkins. Sarah, however, is engaged to marry Marshall (Ian Ogilvy), a soldier in Cromwell's army, and once Marshall learns that the woman he loves has been seduced by Hopkins -- and raped by Stearne -- he becomes determined to expose the witchfinder and punish him for his misdeeds. Witchfinder General was released in the United States by American International Pictures, who in addition to arranging for Vincent Price to play Matthew Hopkins, changed the North American title to The Conqueror Worm, after a poem by Edgar Allan Poe which was read over the credits by Price, though the story bears no real relation to Poe's work. ~ Mark Deming, Rovi

Vittorio De Sica directs the 1967 episodic sex comedy Sette Volte Donna (Woman Times Seven), consisting of seven short stories each starring Shirley MacLaine. In "Funeral Possession," she plays opposite Peter Sellers as a widow at her husband's funeral. In "Amateur Night," she's a wife who's driven to prostitiution to get revenge on her adulterous husband (Rossano Brazzi). In "Two Against One," she plays an interpreter who gets naked and reads T.S. Eliot to an Italian (Vittorio Gassman) and a Scot (Clinton Greyn). In "The Super Simone," she's a houswife who acts insane to get the attention of her author husband (Lex Barker). In "At the Opera," she's a rich woman determined to get a specific dress. In "The Suicides," she forges a suicide pact with lover Alan Arkin. In "Snow," Michael Caine is hired to spy on her. ~ Andrea LeVasseur, Rovi

Though scripted by Psycho author Robert Bloch, this is neither a sequel nor a variant on the Alfred Hitchcock classic. Instead, we are presented with a more subdued British version of an Italian "giallo" thriller, as interpreted by acclaimed director Freddie Francis. The plot involves a pattern of grisly murders whose perpetrator leaves a small doll by the body of each victim. The plot thickens as police eventually link each of the victims to the lost fortune of a German tycoon, whose dirty business dealings were uncovered shortly after World War II; what seems at first to be the work of a single revenge-minded maniac hints at a wider-reaching and more devious plot. Bloch's script, though lean and filled with surprises, is a bit too overloaded with manipulative twists, red herrings, and futile attempts to outdo Psycho's manic intensity, but Francis still builds sufficient momentum to keep viewers on the edge of their seats. ~ Cavett Binion, Rovi

Adapted from the Robert Bloch short story "The Skull of the Marquis de Sade," this inventive gothic chiller from Amicus stars Peter Cushing as Professor Maitland, a collector obsessed with obtaining artifacts reputed to have occult powers -- including the title object, believed to be from the crypt of the notorious French nobleman. Shortly after the Professor brings home his latest find, the skull begins making nightly rounds (the gliding camera peers through the eye sockets for the nifty "skull-cam" point-of-view shots) before eventally dominating Maitland's will. Despite the potentially cheesy premise (which sounds better suited to a William Castle project), the film is remarkably subtle and spooky thanks to the deft hand of director Freddie Francis and an excellent performance from Cushing. ~ Cavett Binion, Rovi

The first English-language film of director Roman Polanski is a psychological thriller in the vein of Alfred Hitchcock's Psycho (1960) and his own later film Rosemary's Baby (1968). Catherine Deneuve stars as Carol Ledoux, a Belgian manicurist living with her sister, Helen (Yvonne Furneaux), in a London flat. Simultaneously attracted and repulsed by sex, Carol is a virgin who finds her sister's relationship with a married man, Michael (Ian Hendry), extremely disturbing. When her sister and Michael go on holiday, Carol begins to disintegrate mentally, hallucinating bizarre encounters, being forced into taking a sabbatical from her job and ultimately committing a pair of murders in her deranged state. ~ Karl Williams, Rovi

Narrated by Academy Award winner Orson Welles, Churchill: The Finest Hours is an historical overview of the life and career of the great British leader Sir Winston Churchill. The 116-minute tribute, an Academy Award nominee for Best Documentary Feature in 1965, uses archival film footage, photographs, and dramatic recreations to portray Churchill's accomplishments. The documentary takes a close look at the period between Churchill's removal as First Lord of the Admiralty in 1915 to his successes as Prime Minister during WWII. ~ Kathleen Wildasin, Rovi

This sequel to the 1960 Village of The Damned falls short of the original well-made Sci-Fi shocker. The pretentious attempt to give the film a moral message severely weakens the plot and serves to confuse the fans of the previous film. Beautiful, strange children with genius IQ's, destructive dispositions, and ray-gun eyes, who were invaders bent on overtaking the earth in the former tale, are now a sample of mankind's future sent to the earth for the purpose of being destroyed in order to teach the present-day warlike man a lesson of some sort. Plagued with a tedious and unimaginative plot. ~ Lucinda Ramsey, Rovi

An engrossing suspenser with dashes of comedy, League of Gentlemen is about a daring group of highly trained army men, turned bank robbers. When Hyde (Jack Hawkins) is drummed out of the army after years of devoted service, he decides to get back at society in general. One by one, he finds seven other army officers who are now broke and who walk on the shady side of the law. All eight men go into hiding as they plan the robbery with the care and attention of a behind-the-lines reconnaissance mission. As they undertake tasks like raiding a military depot for explosives and similar stunts, suspense and incidental humor increase, leading up to bank day when the really big show has to be pulled off without a hitch. ~ Eleanor Mannikka, Rovi