Jane Wyman Movies

Produced by silent-film comedian Harold Lloyd, My Favorite Spy is a vehicle for bespectacled bandleader Kay Kyser, who resembles Lloyd more than somewhat. Just before embarking on his honeymoon with new bride Terry (Ellen Drew), Kyser is drafted into the Army. Proving to be a monumentally inefficient soldier, our hero is nonetheless pressed into service by US intelligence officer Major Allen (Moroni Olsen). It seems that Nazi agents have been passing secrets in the nightclub where Kyser's band performs, and Allen wants Kay to act as a counter-espionage agent. To maintain his cover, Kay is discharged from the army in disgrace, and is ordered to noisily make himself a "security risk", so that Nazi chieftan Robinson (Robert Armstrong) will invite Kay to join his spy operation. Trouble is, Kyser must keep his espionage activities secret from everyone-even his wife Terry, who is growing ever more impatient over Kay's unexplained absences from her boudoir. Making matters worse, Kyser is teamed with glamorous blonde secret agent Connie (Jane Wyman), whom Terry understandably suspects of being Kay's clandestine sweetheart. A multitude of slapstick situations follow, culminating in a wild chase through an abandoned theater, with Kay Kyser making like Harold Lloyd to rescue his wife from the Nazis. As directed by Tay Garnett, Kyser's ongoing marital woes seem more pathetic than funny; in addition, his Secret Service cohorts come off as the most sadistic bunch of "good guys" in screen history, bursting with laughter every time Kay's wife throws him out of their apartment. Even so, My Favorite Spy has a few genuine laughs, especially in the final reels. ~ Hal Erickson, Rovi

Rather than play famous outlaw Cole Younger in this film, Warner Bros. contract star Humphrey Bogart chose suspension. Ronald Reagan was considered, and so were James Cagney, Edward G. Robinson, and George Raft, but, happily, the role eventually went to the more age-appropriate Dennis Morgan, a former band singer. Like MGM's Billy the Kid, also from 1941, Bad Men of Missouri emerged as a complete whitewash of the title outlaws. Returning from fighting on the Confederate side in the Civil War, the Younger brothers -- Cole (Morgan), Bob (Wayne Morris), and Jim (Arthur Kennedy) -- find their money no longer viable currency and their homestead about to be usurped by carpetbagger William Merrick (Victor Jory). Standing up to Merrick and his chief henchman, Greg Bilson (Howard DaSilva), old Hank Younger (Russell Simpson) is shot dead, and, in frustration, the sons take up train and bank robbing, eventually joining the even more notorious James brothers, Jesse (Alan Baxter) and Frank. Of course, the celluloid Youngers steal only from the rich to give to the displaced poor. When they are finally caught in Minnesota, the citizenry of Missouri, viewing the Youngers as local heroes, take up a petition for their immediate release. Despite the many historical inaccuracies, Bad Men of Missouri makes for exciting, fast-paced Western entertainment; quite the opposite, in fact, of MGM's staid, overly glamorous depiction of Billy the Kid. Filmed at Sonora, CA, and cast with veterans such as Erville Alderson, Sam McDaniel (who replaced Willie Best in the role of the Younger's devoted servant), and a very funny Walter Catlett, the film premiered in Harrisonville, MO, the birthplace of the Younger brothers and the town where the elder Younger had once been elected mayor. Jane Wyman appears as the nominal heroine, the upstanding girlfriend of Jim Younger, and the film marked the screen debut of Faye Emerson as Cole Younger's ill-fated fiancée. ~ Hans J. Wollstein, Rovi

Possibly inspired by Universal's The Invisible Woman, Warner Bros.' The Body Disappears is an agreeably daffy comedy with science-fiction undertones. Passing out from overindulgence during his engagement party, young millionaire Peter De Haven is placed on a slab in a college dissecting room by his prankish friends. Before Peter can awaken, he is inadvertently kidnapped by eccentric Professor Shotsbury (Edward Everett Horton), who needs a "dead body" upon which to test his new life-restoring serum. Shotsbury's miracle drug succeeds only in making Peter invisible, leading to all manner of looney complications. Before the film's 72 minutes are over, Peter has discovered that his "loving" fiancee Christine Lunceford (Margerite Chapman) is merely a gold-digger, Prof. Shotsbury has been locked up in the nuthouse, and Shotsbury's perky daughter Joan (Jane Wyman) has become invisible himself, implictly cavorting about naked with no one any the wiser. Still fresh and funny after nearly six decades, The Body Disappears is sometimes shown on TV minus the "scared-rabbit" comedy routines of black actor Willie Best. ~ Hal Erickson, Rovi

Tugboat Annie Sails Again stars Marjorie Rambeau as the rambunctious female skipper created by Norman Reilly Raine. In this one, Tugboat Annie is threatened with the loss of her job as cap'n of the tacky tugboat Narcissus, much to the delight of Bullwinkle (Alan Hale), skipper of the rival Salamander. In order to raise $25000 in a hurry, Annie agrees to tow a drydock to Alaska, but this plan is scuttled when another, sleeker tug lands the contract. Annie saves the day-and her job-when the other tug gets into trouble on the high seas. The romantic subplot is handled by Jane Wyman and Ronald Reagan, both of whom are as cute as can be. Incidentally, outtake footage exists of Tugboat Annie Sails Again wherein pert Ms. Wyman cusses like a sailor while splashing around in a studio tank. ~ Hal Erickson, Rovi

An Angel from Texas was the fourth of five film versions of the venerable George S. Kaufman stage farce The Butter and Egg Man. The plot remains basically the same, with a wealthy but incredibly naïve young sprout coming to the rescue of a near-bankrupt Broadway musical. This time around, Eddie Albert stars as bumptuous Texan Mr. Colman, who uses his mother's life savings to finance the New York stage debut of his hometown sweetheart Lydia (Rosemary Lane). Fast-talking producers McClure (Wayne Morris) and Allen (Ronald Reagan) persuade Colman to invest his money in their upcoming production, a turgid drama that has all the earmarks of a quick failure. But through a series of wacky complications, many of them engineered by Allen's level-headed wife Marge (played by Reagan's real-life spouse Jane Wyman) the show is transformed into a Hellzapoppin-style surprise hit. Amusingly, reviewers in 1940 referred to Ronald Reagan's comedy style as "conservative"! ~ Hal Erickson, Rovi

This comedy is the sequel of Brother Rat. The film begins with the three original protagonists after their graduation from the Virginia Military Institute. One of them has just applied for a job as the academy's baseball coach and the others come to assist him. Mayhem ensues; especially after the two well-meaning friends steal the would-be coach's baby and put it aboard a plane headed for Peru. The babe finally comes back and the ensuing publicity gets the coach his dream job. Meanwhile, the other two finally get the girls of their dreams. ~ Sandra Brennan, Rovi

A singing waiter with a wonderful operatic voice finds himself in the squared circle facing heavyweight boxers after he gets involved with crooked fight promoters who want him to both win the world heavyweight championship and attract more female fans with his post bout crooning. The promoters gull the waiter into his bizarre gig with the bogus promise that boxing will improve his singing. ~ Sandra Brennan, Rovi

The exploits of female pilots are followed in this high-flying drama. These women are extremely competitive and will stop at nothing to win their cross-country races. The story centers on one such determined pilot who is forced to leave the race circuit after her plane crashes. To become re-airborne she convinces several people to sponsor her. One wealthy socialite refuses because she is a pilot too. The two women end up competing in the air and on the ground for the love of the same fellow. Because the heroine is so well liked by the other racers, they help her win. ~ Sandra Brennan, Rovi

Banking on the popularity of the Warner Bros.' boxing saga Kid Galahad (37), the studio rushed into production with another, similarly titled prizefight picture. In Kid from Kokomo, Wayne Morris once more plays a small-town rube who's good with his fists. The "kid" becomes convinced that a drunken harridan (May Robson) is his mother, and invites her to move in with him. Since the old lady is a kleptomaniac, it doesn't take long for the law to breathe down Morris' neck. Pat O'Brien hangs around as Morris' manager, while Joan Blondell and Jane Wyman supply the feminine interest. ~ Hal Erickson, Rovi

In this crime comedy, a fortune is stolen and every gangster in town is looking for it. They all end up staying at a young woman's inn. The crooks all end up jailed thanks to the work of an innocent fountaineer. Not only does he collect a substantial reward, he returns the missing loot and wins the heart of the innkeeper. ~ Sandra Brennan, Rovi

Spy Ring (aka International Spy) was designed as a trial balloon for new Universal contractee William Hall. He is cast as Captain Todd Hayden, star player of an army-camp polo team. What Hayden doesn't know is that some of his polo cronies are enemy spies, anxious to steal the plans for a revolutionary new anti-aircraft gun. After miles and miles of polo footage, the Captain reveals that the head of the spy ring is blonde femme fatale Jean Bruce (Esther Ralston). This extremely minor film is of marginal interest today because of the onscreen presence of leading lady Jane Wyman and the offscreen omnipresence of cult director Joseph H. Lewis. ~ Hal Erickson, Rovi

In this lively comedy, three young hell-raisers enroll in the Virginia Military Institute and have a hard time staying out of trouble. ~ Sandra Brennan, Rovi

Coincidentally, Warner Bros. contractee Jane Wyman made her starring debut in the same year as her husband-to-be Ronald Reagan. In Public Wedding, Wyman plays Flip Lane, one of five young and healthy carnival workers. Broke and jobless, the five "carnies" concoct a publicity stunt to get work: a phony wedding, staged in the mouth of a stuffed whale. Flip is chosen to be the bride, while Tony Burke (William Hopper) is selected as the groom. The fun begins when Flip and Tony, between whom no love is lost, discover that they're really married after all. Without the benefit of foresight, critics in 1937 had no way of knowing that pert little Jane Wyman would one day win an Academy Award, so they lavished their praise on "dumb-blonde" supporting player Marie Wilson (then the wife of Nick Grinde, the film's director). ~ Hal Erickson, Rovi