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Whitney Bourne Movies

During the 1930s, actress Whitney Bourne played leads and co-leads on stage and screen. ~ Sandra Brennan, Rovi
1939  
 
According to RKO Radio's publicity folks, Beauty for the Asking was supposed to have been an expose of the lucrative beauty-parlor "racket". What emerged on screen, however, was a pedestrian romantic triangle involving socialite Denny Williams (Patric Knowles), his wealthy wife Flora (Frieda Inescort), and pretty beautician Jean Russell (Lucille Ball). Spurned by Williams, Jean finds consolation by developing a revolutionary facial cream that makes her a millionairess. Ironically, her financial backer in this endeavor is none other than her romantic rival Flora. Among the screenwriters was Paul Jarrico, later blacklisted for his allegedly Communistic sentiments; the only thing remotely radical in Beauty for the Asking, however, is the notion that 28-year-old Lucille Ball could play a cosmetic tycoon. ~ Hal Erickson, Rovi

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Starring:
Lucille BallPatric Knowles, (more)
 
1938  
 
A French sculptor travels to LA and, with the help of Ace the Wonder Dog, pretends to be blind so he can sneak into a museum and reclaim some missing love letters. The amorous missives were written by his sister and could destroy her reputation. Someone has been using them to blackmail her, so her brother steals them. Unfortunately, they get mixed up in some shipping crates and get sent to California with a bunch of his latest creations. When the crooks learn that the letters are there, they too head for LA making the bulk of this crime drama a race to find those letters. ~ Sandra Brennan, Rovi

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Starring:
Richard DixWhitney Bourne, (more)
 
1938  
 
It's Double Danger for detective-story writer Robert Crane (Preston Foster) whenever he pursues his "secret life" as a suave jewel thief. Eluding police commissioner David Theron (Samuel S. Hinds) at every turn, Crane intends to snatch the famed Konjer diamonds from under the nose of jeweler Gordon Ainsley (Donald Meek). Things take a sinister turn when a humorless professional crook (Paul Guilfoyle) tries to cut himself in for a piece of the action. RKO Radio starlet Whitney Bourne delivers perhaps her best performance as giddy female thief Carolyn Morgan. Had Preston S. Foster been so inclined, RKO could have built a profitable series around the adventures of devil-may-care Robert Crane. ~ Hal Erickson, Rovi

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Starring:
Preston S. FosterWhitney Bourne, (more)
 
1938  
NR  
Wealthy socialite Melsa Manton (Barbara Stanwyck) is taking her pooches for a walk in the dead of the night when she stumbles upon a dead body and a car fleeing the scene of the crime. She alerts the police but the corpse has disappeared by the time they arrive, and the lieutenant, knowing of her madcap reputation, believes she was playing a practical joke. After newspaper editor Peter Ames (Henry Fonda) takes her to task in print, she sues him for libel and enlists the aid of her society friends in tracking down the body and finding the killer. Eventually, Ames comes around to believing Melsa's story and aids her in her search. It isn't long before the two antagonists find they're attracted to each other -- but they have to catch the murderer before they can settle down and live happily ever after. Fonda and Stanwyck would team up again in You Belong to Me and The Lady Eve. ~ Craig Butler, Rovi

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Starring:
Barbara StanwyckHenry Fonda, (more)
 
1937  
 
A remake of Rafter Romance (1933), which starred Ginger Rogers and Norman Foster, Living On Love treats the story of two unwilling apartment-mates a bit more briskly and broadly, to the point of being downright screwy at times. This time out, it's Solly Ward as landlord Eli White, who takes two tenants (James Dunn, Whitney Bourne) who can't afford the rent they're paying, and puts them together in the same basement apartment -- the idea is that neither one will ever see the other, as Dunn is a would-be artist who works nights at a trucking company garage, and Bourne is a saleswoman with daytime hours. Inevitably, they chafe at each other's presence as each intrudes on the other's space, and come to resent each other, a fact expressed in a series of increasingly ambitious practical jokes played on one another; similar action went on in the original film, but in Living On Love it gets carried over the top, into surreal and silly moments. But as always happens in stories like this -- and in the original film as well -- the two manage to meet away from the apartment and, not realizing who the other is, fall in love. Complications ensue involving her boss (prissy Franklin Pangborn, amazingly and effectively cast as a ladies' man) and his wealthy, dominating would-be fiancee (Joan Woodbury), but the two do finally get together on a round-the-clock, permanent basis. ~ Bruce Eder, Rovi

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Starring:
James DunnWhitney Bourne, (more)
 
1937  
 
This laudable RKO programmer casts Chester Morris as a fearless pilot whose misdeeds have exiled him to a remote flying field in the Andes mountains. Morris and his fellow pilots are all exiles of sorts, and as such are willing to take on the near-suicidal task of flying supplies to miners in the most treacherous mountain ranges. The all-male atmosphere is disrupted when young air ace Van Heflin shows up with his wife Whitney Bourne. Morris tries to keep the sex-starved pilots away from Whitney, buts ends up falling in love with her himself. Heflin proves himself a weakling, but redeems himself by eliminating evil flight-commander Onslow Stevens. Heflin also dies in this endeavor, leaving a clear path for Morris and Bourne. One could point to Flight From Glory as the precursor to Howard Hawks' more famous Only Angels Have Wings, except that the earlier film succumbs to corniness and cliche a bit too often. ~ Hal Erickson, Rovi

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Starring:
Chester MorrisWhitney Bourne, (more)
 
1937  
 
Legendary British musical-comedy favorite Jessie Matthews chalks up another winner with Head Over Heels in Love. The ever-charming Matthews plays Jeanne, a Parisian entertainer who manages to get herself in hot water with the French version of Actors' Equity and is forced to take a series of jobs under a series of assumed names. Meanwhile, a romantic triangle involving American film star Norma (Helen Whitney Bourne) and gangsters Pierre (Robert Flemyng) and Marcel (Louis Borrell) spells big trouble for all concerned -- including the plucky Jeanne. Highlighted by six sprightly song numbers, Head Over Heels in Love is our girl Jessie's vehicle all the way, and never mind the "main" plot. The film was directed by Sonnie Hale, who just so happened to be the star's husband. ~ Hal Erickson, Rovi

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Starring:
Jessie MatthewsLouis Borell, (more)
 
1936  
 
Add The Prisoner of Shark Island to Queue Add The Prisoner of Shark Island to top of Queue  
Warner Baxter plays Dr. Samuel Mudd, American history's most famous victim of circumstance. In 1865, Dr. Mudd, a known Confederate sympathizer, sets the broken leg of a mud-caked stranger who stumbles into his home. The injured man turns out to be John Wilkes Booth, and Mudd is accused of conspiring to murder President Lincoln. Sentenced to hang with the genuine conspirators, Mudd finds his sentence commuted to life imprisonment at the very last moment. He is shipped to Shark Island, a brutal penal colony. Subject to the cruelties of a guard (John Carradine) who hates Mudd because of his "complicity" in Lincoln's death, the doctor suffers the torments of the damned, while outside Shark Island his wife (Gloria Stuart) campaigns desperately to get her husband pardoned. During a Yellow Fever breakout on Shark Island, Dr. Mudd performs heroically to save the survivors. For his humanitarian efforts, Mudd is finally released and reunited with his wife. While the script glosses over the fact that Dr. Mudd had never been officially pardoned by the US government (the pardon wouldn't be granted until years after this film was made), Prisoner of Shark Island strives long and hard to exonerate the man for whom the phrase "your name is mud!" was coined. Dr. Samuel Mudd's story was retold in the 1952 feature Hellgate, with Sterling Hayden as a (fictional) doctor, and in the 1980 TV movie The Ordeal of Dr. Mudd, starring Dennis Weaver in the title role. ~ Hal Erickson, Rovi

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Starring:
Warner BaxterGloria Stuart, (more)
 
1936  
 
Hecht and MacArthur's Once in a Blue Moon was an unsuccessful attempt to fashion a film vehicle for legendary Broadway comedian Jimmy Savo. The pixieish star is cast as Gabbo the Great, a circus performer in pre-Revolutionary Russia. A sensitive soul, Gabbo is afforded an opportunity to prove his loyalty to the Motherland by delivering an urgent message to a Russian general (Nikita Balieff, who died just after completing his role). Savo's great appeal lies in his whimsical pantomime, not his handling of dialogue; alas, he is saddled with reams and reams of satirical dialogue, very little of which was genuinely amusing. Though co-scripters Ben Hecht and Charlie McArthur are credited with the direction, it was an open secret in 1936 that most of Once in a Blue Moon was directed by cinematographer Lee Garmes. ~ Hal Erickson, Rovi

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Starring:
Nikita BalieffCecilia Loftus, (more)
 
1934  
 
Crime Without Passion is an odd, almost existential murder yarn. Famed attorney Claude Rains, incensed that his mistress (Margo) has been seeing other men, kills the girl--or at least thinks he does. Rains believes he is "above" such irritations as conscience and morality, and calmly arranges to cover his crime, using his knowledge of the law to escape detection. But Rains cannot truly escape from himself, and is cajoled by a surprising turn of events to break down and confess. Crime without Passion was ostensibly directed by Ben Hecht, who cowrote the screenplay with his longtime partner Charles McArthur, but most of the actual direction was the responsibility of cameraman Lee Garmes. Watch for cameo appearances by Fanny Brice, by MacArthur's wife Helen Hayes, and by Hecht and MacArthur themselves. ~ Hal Erickson, Rovi

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Starring:
Claude RainsMargo, (more)