Jane Wyatt Movies
Endearing herself to television audiences as the devoted sitcom wife of Robert Young on Father Knows Best, petite brunette actress Jane Wyatt also essayed frequent big-screen roles highlighted by memorable performances in such films as Lost Horizon (1937), in which she plays Sondra, the lover of Robert Conway (Ronald Colman).Born in Campgaw, NJ, on August 12, 1910, to an investment banker father and a drama critic mother, and raised as a Manhattanite from age three, Wyatt received her formal education at the Chapin School and -- very briefly -- at New York City's Barnard College, where she spent two listless years. Following the irresistible call of the stage, Wyatt bucked university life in favor of honing her acting skills at Berkshire Playhouse in the western Massachusetts community of Stockbridge. Shortly after this, she accepted a position as understudy to Rose Hobart in a Broadway production of Trade Winds. Universal soon took note of Wyatt's talents and offered her a film role, in Frankenstein director James Whale's One More River (1934).
Wyatt embarked on a lucrative screen career following her impressive debut, and many consider the performance in Lost Horizon her crowning achievement, though additional cinematic work throughout the 1940s proved both steady and rewarding. Following memorable performances in Clifford Odets' None But the Lonely Heart (1944) (alongside Cary Grant) and Elia Kazan's Gentleman's Agreement (1947, with Gregory Peck and Dorothy McGuire), the now-established actress transitioned smoothly into television in the early '50s, given her standing role as the matriarch of the Anderson family (mother of Bud, Princess, and Kitten, and wife of Jim) on the long-running CBS sitcom Father Knows Best. Wyatt deservedly won three Emmys for that role, and remained with the program over the course of its six-year run of original episodes. (Riding the crest of high ratings, CBS stretched prime-time reruns into the spring of 1963.)
This marked the only major recurring prime-time role of Wyatt's career, though (alongside the work of others such as Barbara Billingsley and Harriet Nelson) it did much to establish the now-iconic image of the "archetypal 1950s sitcom mother," and earned the actress a beloved spot in American pop-culture history. In addition to this, Wyatt made occasional appearances, during the Father Knows Best run, on a dramatic anthology series headlined by her small-screen husband, Robert Montgomery Presents (NBC, 1950-1957). Six years after new episodes of Father wrapped, Star Trek landed on NBC, and Wyatt turned up occasionally on that program, as Mr. Spock's mother, Amanda Spock. She also made a guest appearance, alongside the late Bob Cummings, on the early-'70s comedic anthology series Love, American Style (the two play parents who are overanxious about their daughter's decision to embark on a European "swingers' holiday" with a boyfriend).
If the preponderance of Wyatt's roles in the '70s, '80s, and '90s were largely supporting turns, it certainly said nothing about the actress' talent. She remained in the public eye as a fixture of such made-for-television features as You'll Never See Me Again (1973) and Amelia Earhart (1976). Though she entered semi-retirement in the late '70s, Wyatt later appeared (very infrequently) as an occasional supporting character in television's St. Elsewhere and reprised her role as Spock's mother in Star Trek IV: The Voyage Home (1986).
On October 20, 2006, after years of inactivity, Jane Wyatt died of natural causes in her sleep, at her home in Bel Air, CA. She was 96. ~ Jason Buchanan, All Movie Guide
In this standard children's story -- with a few teen songs added -- the head of Burberry Elementary School, Harry Davis (Eddie Albert) is the proud father of two boys, Timmy and Billy (Donnie Carter and Butch Patrick) who wish they were bears. If Dad was bothered before by this wish, things only get worse for him because the boys meet a gypsy who gives them a spell they can say that will grant their wish. Along with a bit of their sister's freckle cream (a necessary ingredient), the boys accomplish their transformation. Now Dad has a lot more to worry about. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Eddie Albert, Jane Wyatt, (more)
- Starring:
- Robert Young, Jane Wyatt, (more)
This special episode of Father Knows Best was done one behalf of the United States Treasury Department in 1959, and was never aired on television -- it was, however, widely shown on 16mm prints at schools and churches, and to civic groups, to help sell U.S. Savings Bonds. Jim Anderson (Robert Young) is chosen to run a campaign to sell Savings Bonds through the Payroll Savings Plan and the Bond-a-Month Plan, and discovers that his three children are reluctant to participate. When he realizes the depth of their apathy, he decides to prove to them the importance of Savings Bonds and what they provide, in securing peace and freedom, by making them a bet -- that for 24 hours, they will not live in America, but in "Tyrantland," where a dictator in their home will control every aspect of their lives. He and Margaret (Jane Wyatt) play their roles to the hilt, eliminating all freedom of expression and choice for them for the next night and day. Betty (linor Donahue), Bud (Billy Gray), and Kathy (Lauren Chapin) are given numbers instead of names, and put on a rigid regimen of chores and errands. In the end, the three children recognize what they risk losing and relent. Like other, similar shows done for the Treasury Department (such as "Stamp Day For Superman"), "24 Hours In Tyrantland" was never part of the official list of episodes of its parent series, and only saw official commercial release in 2008, as part of the DVD set Father Knows Best: Season One. ~ Bruce Eder, All Movie Guide
- Starring:
- Robert Young, Jane Wyatt, (more)
- Starring:
- Robert Young, Jane Wyatt, (more)
Like many of his best works, filmmaker Douglas Sirk's Interlude is a remake of an earlier Universal soap opera. In this case, Sirk's source material is the 1939 Irene Dunne-Charles Boyer vehicle When Tomorrow Comes. Based on a story by (of all people) James M. Cain, the story concerns the romance between aspiring musician Helen Banning (June Allyson) and famed symphony conductor Tonio Fischer (Rossano Brazzi). Alas, Tonio is married, and his bibulous, vindictive wife (Marianne Cook) isn't about to give him a divorce. Meanwhile, stiff-necked American doctor Morley Dwyer (Keith Andes) waits patiently for his sweetheart Helen to come to her senses and return to his arms. Opulently location-filmed in Austria, Interlude was remade under the same title in 1968. ~ Hal Erickson, All Movie Guide
- Starring:
- June Allyson, Rossano Brazzi, (more)
- Starring:
- Robert Young, Jane Wyatt, (more)
Though made in 1951, Criminal Lawyer has the feel of a 1930s film, right down to the casting of Pat O'Brien in the lead. The star plays attorney James Regan, whose unethical methods have earned him the disdain of the American Bar Association. Eventually, Regan is even disgusted with himself, and accordingly crawls into a liquor bottle. Redeemed by the love of girl-Friday Maggie Powell (Jane Wyatt), Regan tackles a difficult make-or-break case which comprises the film's tense denouement. Critics in 1951 were impressed by the subtle performance by brutish Mike Mazurki as Regan's bodyguard; few of them were aware that the college-educated Mazurki was a sensitive, highly intelligent performer who was not at all like the thugs and pluguglies he played on screen. ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Jane Wyatt, (more)
Fritz Lang was the guiding hand of this laudable Republic Studios melodrama. Louis Hayward stars as a wealthy wastrel who tries to seduce the family maid. She resists, and he kills her. Long jealous of his brother Lee Bowman, Hayward does his best to pin the blame for the murder on his sibling. Also affected by Hayward's arrogant dementia is his long-suffering wife Jane Wyatt. Originally, director Lang had proposed that the unfortunate maid be a black woman, and that the killing take place accidentally during some harmless flirtation on Hayward's part. He was vetoed by the timorous Republic staff (even the slightest hint of miscegenation was taboo in 1950), but House by the River turned out pretty well all the same. ~ Hal Erickson, All Movie Guide
- Starring:
- Louis Hayward, Lee Bowman, (more)
Lee J. Cobb stars as Ed Cullen, a San Francisco police lieutenant, embroiled in a clandestine romance with married socialite Lois Frazer (Jane Wyatt). When Lois kills her husband Howard (Harlan Warde), the flustered Cullen vows to cover for her. He arranges the evidence to suggest that Howard was shot during a robbery. Things get sticky when Cullen is assigned to investigate the case, together with his more honest younger brother Andy (John Dall). How can Cullen escape detection without destroying his brother's standing with the force? Man Who Cheated Himself is worth seeing if only to watch Jane Wyatt play against her established screen image. ~ Hal Erickson, All Movie Guide
- Starring:
- Lee J. Cobb, John Dall, (more)
In this musical comedy with dramatic touches, Jack and Molly Moran (Dan Dailey and Betty Grable) are a show business couple who, after hosting their own radio show, have just been given a deal to star in a TV series. They're also thrilled to discover that Molly is expecting a baby, but their joy turns to sorrow after she loses the child in an auto accident, and her doctors tell her that she may not be able to conceive again. When they see how happy their friends Walter and Janet Pringle (David Wayne and Jane Wyatt) are with their five children, the Morans decide to adopt, but they discover that show people are not generally regarded as fit parents, regardless of their success or stability. However, good fortune eventually shines on Jack and Molly, as they find themselves with not one but two adopted tykes, and a big surprise around the corner. My Blue Heaven marked the film debut of musical star Mitzi Gaynor. ~ Mark Deming, All Movie Guide
- Starring:
- Betty Grable, Dan Dailey, (more)
Joyfully preparing for her high-school graduation, and her 18th birthday, Gail Macauley (Ann Blyth) stumbles across a family secret. Contrary to what she's been raised to believe, Gail's parents (Jane Wyatt, Donald Cook) are not her biological parents; she was adopted. Setting a precedent that would be followed by many adoptees of the 1970s and 1980s, Gail will not rest until she tracks down her natural mother. A soap opera deluxe, Our Very Own should not be too closely scrutinized in terms of plot and logic. It is best to revel in the performances by such surefire veterans as Ann Dvorak (as Gail's biological mother) and Gus Schilling (as a flustered television installer), and by such talented "youngsters" as Joan Evans, Phyllis Kirk and Natalie Wood. And as a bonus to Baby Boomers, the film offers a glimpse of the legendary "Indian Head" TV test pattern (yes, it goes back that far!) Our Very Own was written by F. Hugh Herbert, produced by Sam Goldwyn, and directed by David Miller, none of whom make a false move throughout the film's 93 minutes. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Blyth, Farley Granger, (more)
Filmed on location in the Canadian Rockies, this historical adventure spins a fanciful account of the building of the Canadian Pacific railroad. Randolph Scott heads the cast as Tom Andrews, a rough-and-ready surveyor who meets and conquers all obstacles in the railroad's path. The biggest fly in the ointment is trapper Dirk Rourke (Victor Jory), who perceives the Canadian Pacific as a threat to his livelihood. Rourke foments an Indian uprising which very nearly destroys the railroad. But Andrews and his hardy band persevere. Jane Wyatt plays the heroine among more intelligent and self-reliant lines than is usual in films of this nature. Highly suspect on a historical level, Canadian Pacific is nonetheless an exciting piece of filmmaking, evocatively photographed in Cinecolor by Fred Jackman Jr. ~ Hal Erickson, All Movie Guide
- Starring:
- Randolph Scott, Jane Wyatt, (more)
In pageant-like fashion, Warner Bros.' Task Force traces the history of the American aircraft carrier, as experienced by a group of naval air aces. Gary Cooper plays Admiral Jonathan L. Scott, who on the verge of retirement remembers his struggle to win recognition of the importance of aircraft carriers. The story begins in 1921, when Scott and his friend Pete Richard (Walter Brennan) were making dangerous landings on the primitive 65-foot carrier Langley. Scott's outspokenness wins him few friends among the brass, and after he publicly insults a Japanese diplomat on the subject of his beloved carriers, he is shunted away to a desk job. Naturally, once Pearl Harbor is attacked, Scott is vindicated. While his wife Mary (Jane Wyatt) waits patiently at home, Scott serves in World War II with distinction, guiding his carrier through a maze of Japanese artillery and kamikazes. Filmed in Technicolor, Task Force makes good use of actual color battle footage filmed by the Signal Corps. A brief clip from Task Force shows up in the drive-in movie scene in James Cagney's White Heat (1949). ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Jane Wyatt, (more)
In 1947, Variety Clubs International, a showbiz charitable organization, was responsible for the frothy musical Variety Girl. The organization's 1949 film effort, Monogram's Bad Boy, is a bit on the grimmer side, but not too much so. Most of the film was lensed at the VCI's Boys Club Ranch at Copperas Cove TX. In his first starring role (and second film appearance), war hero Audie Murphy plays Danny Lester, the "bad boy" of the title. A delinquent with a long rap sheet, Danny is sent to the Ranch in hopes that he can be rehabilitated. This seems to be a hopeless goal until ranch head Marshall Brown (Lloyd Nolan) digs into Danny's past to find a reason for the boy's ungovernable behavior. Jane Wyatt as Brown's wife, James Gleason as his assistant, and a coterie of talented juvenile actors lend sensitivity and credibility to this refreshingly unsentimental yarn. ~ Hal Erickson, All Movie Guide
- Starring:
- Lloyd Nolan, Jane Wyatt, (more)
Another interesting effort from independent Enterprise Productions, No Minor Vices stars recent French import Louis Jourdan. Into the staid, conservative lives of pediatrician Perry Ashwell (Dana Andrews) and his wife April (Lilli Palmer) comes the flamboyantly eccentric Greenwich Village artist Otavio Quaglini (Jourdan). Insisting upon sketching the hidden "inner selves" of the Ashwells, Quaglini causes nothing but disharmony and dissension between Perry and April. Conversely, the artist's visit has a positive effect on Ashwell's lovelorn assistants Miss Darlington (Jane Wyatt) and Dr. Sturdivant (Norman Lloyd). No Minor Vices doesn't always work, but it's fun to watch Louis Jourdan plug his way through a role that Burgess Meredith or Hans Conried could have played blindfolded. ~ Hal Erickson, All Movie Guide
- Starring:
- Dana Andrews, Lilli Palmer, (more)
The darker side of the American dream is explored in the fascinating film noir Pitfall. Dick Powell stars as John Forbes, a successful insurance man with a trophy wife named Sue (Jane Wyatt) and a model child named Tommy (Jimmy Hunt). Despite all that he's achieved in life, Forbes feels somehow unfulfilled. During an attempt to recollect illegally purchased goods by a convicted bank robber, Forbes falls for his glamorous client Mona Stevens (Lizabeth Scott). When she "comes on" to him, it sparks an affair between them. Forbes suffers the pangs of guilt, a fact immediately capitalized upon by the seedy private eye MacDonald (Raymond Burr), who is upset because Mona has rejected him. If adultery has been committed, can murder be far behind? Many individual scenes in Pitfall are standouts, notably a brief moment wherein Forbes' son Tommy suffers a horrible nightmare -- in almost exactly the same manner that child actor Jimmy Hunt would endure a similar bad dream in 1953's Invaders from Mars. ~ Hal Erickson, All Movie Guide
- Starring:
- Dick Powell, Lizabeth Scott, (more)
Adapted by Moss Hart from the novel by Laura Z. Hobson, this film stars Gregory Peck as recently widowed journalist Phil Green. With a growing son (Dean Stockwell) to support, Green is receptive to the invitation of magazine publisher John Minify (Albert Dekker) to write a series of hard-hitting articles on the scourge of anti-Semitism. In order to glean his information first hand, Green decides to pose as a Jew. As the weeks go by, Green experiences all manner of prejudice, the most insidious being the subtle, "gentleman's agreement" form of bigotry wherein anti-Jewish sentiments are merely taken for granted. Green's pose takes a toll on his budding romance with Minify's niece Kathy (Dorothy McGuire), who comes to realize by her own example that even those who insist that they harbor no anti-Semitic feelings are also capable of prejudice. Watching from the sidelines is Green's lifelong Jewish friend Dave (John Garfield, in what may be his best performance), who despite his inherent rage over the iniquities of racism has learned to be philosophical about the failings of his fellow man-but not to the extent that he's willing to give up the fight against blind hatred. Though warned by several Jewish film moguls that to produce the film would merely "make trouble," 20th Century-Fox chieftan Daryl F. Zanuck (who was not himself Jewish) saw the project through to its conclusion. The wisdom of Zanuck's decision was proven when Gentleman's Agreement not only made a fortune for Fox, but also won three Academy Awards, including Best Picture, Best Director (Elia Kazan) and Best Supporting Actress (Celeste Holm). ~ Hal Erickson, All Movie Guide
- Starring:
- Gregory Peck, Dorothy McGuire, (more)
Boomerang, directed by Elia Kazan, is a chilling film noir, the true story about the murder of a priest, the subsequent arrest and trial of a jobless drifter, and the efforts of young state's attorney Henry Harvey (Dana Andrews) to uncover the truth. Closely based on the actual 1924 murder of Fr. Hubert Dahme in Bridgeport, Connecticut, the film was directed by the young Elia Kazan in a highly effective, semi-documentary style. Kazan shot most of the film on location, using high-contrast cinematography and an extremely mobile camera to create a palpable sense of urgency. The screenplay, expertly crafted by Richard Murphy received an Academy Award nomination. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Dana Andrews, E.J. Ballantine, (more)
This drama is set within a steamy tropical jungle and chronicles the rivalry between two doctors looking for the cure to a deadly fever. One of the doctors gets frustrated by his repeated failure and so allows the other to try his latest cure out on him. Unfortunately, the "cure" kills the doctor. It is then the rival realizes that the deceased doctor had indeed discovered the cure. He then assumes the dead man's identity and completes the testing. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jane Wyatt, Lowell Gilmore, (more)
Andrew Stone's The Bachelor's Daughters has much of the nonsensical breeziness of Stone's earlier screwball comedy Hi Diddle Diddle; the stylistic link between the two properties is emphasized by the presence in both films of stars Adolphe Menjou and Billie Burke. The title characters are four merrily mercenary salesgirls: Eileen (Gail Russell), Terry (Ann Dvorak), Marta (Jane Wyatt) and Cynthia (Claire Trevor). Persuading distinguished-looking floorwalker Mr. Moody (Menjou) and shop assistant Molly (Burke) to pose as their wealthy parents, the girls rent a lavish Long Island mansion and pretend to be heiresses, for the express purpose of landing rich husbands. Eileen catches millionaire Bruce Farrington (John Whitney), Terry goes after Broadway impresario Diane (Russell Hicks), and Marta ends up with Schuyler Johson (played by famed concert pianist Eugene List), son of the owner of the store where she works. Only Cynthia fails in her mission, but there's still hope for her yet at the finale. In the process of snaring their mates, the bachelor's daughters learn the hard way that (all together now) Money Isn't Everything, while middle-aged Moody and Molly find true love without a price tag attached. ~ Hal Erickson, All Movie Guide
- Starring:
- Gail Russell, Claire Trevor, (more)
Cary Grant delivered Oscar-calibre performances all his life, but only when he played against type in None But the Lonely Heart did the Academy Awards people break down and give him a nomination. Grant plays a restless, irresponsible cockney who seeks a better life but doesn't seem to have the emotional wherewithal to work for such a life. The hero's shiftlessness extends to his love life; musician Jane Wyatt genuinely cares for him, but he prefers the company of fickle gangster's ex-wife June Duprez. June's former husband George Coulouris convinces Grant that the quickest means to wealth is a life of crime, but Grant drops this aspect of his life to take care of his terminally ill mother Ethel Barrymore. While Cary Grant did not win the Oscar he so richly deserved for None But the Lonely Heart, Ethel Barrymore did cop the gold statuette. Written and directed by Clifford Odets, None But the Lonely Heart unfortunately lost money for RKO, which could have used a little extra cash after paying the expenses of temporarily closing Ms. Barrymore's Broadway play The Corn is Green. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Ethel Barrymore, (more)


















