Al Wyatt Movies

Peter Fonda here gives a studied performance of a man alone against the odds. When he discovers that members of his family are going to be killed because they are standing in the way of a corporate master plan which involves their land, and the local sheriff seems unconcerned about the threat, he must take care of the matter himself. ~ Tana Hobart, All Movie Guide

Jim Killian (Glenn Ford) is a reformed gunslinger who takes a job as a local preacher in Vinagaroon, Arizona. He arrives during a time of conflict between shepherds and cattlemen who are engaged in a bloody range war. When Coke Beck (David Carradine) hangs a local Indian, the victim's daughter Leloopa (Barbara Hershey) enlists the help of Killian. He tries to mediate the conflict in a meeting between the rival factions, but a member of the congregation exposes him as an ex-convict. He also enlists the help of the heart-of-gold saloon-operator Madge (Carolyn Jones). Killian and the townsfolk, women included, organize a march to the watering hole -- the center of the controversy. The cattlemen approach and draw their guns in what could be a potentially violent confrontation. ~ Dan Pavlides, All Movie Guide

Frontier scout Jess Remsberg (James Garner) is crossing the desert when he spots a dead army scout and group of Apaches pursuing someone -- it turns out to be a white woman, Ellen Grange (Bibi Andersson); he gets her away from them and returns her to her home and her husband Willard (Dennis Weaver), who seems much more upset that the horse she was riding when she left is dead than he is glad that she is back. Ellen was kidnapped by the Apaches two years before and rescued a year after that, and had fled a town where her husband and everyone else had treated her as an outcast since her return. Apart from preventing her from being raped by some drunken townsmen, however, Remsberg barely has time to worry over what goes on between them, as he has a mission of his own -- tracking down the men who murdered his wife, a Comanche woman. A key clue is in the hands of the town marshal in Fort Conchos and to get there he has to scout for a cavalry unit bringing horses, ammunition, and fresh recruits to the fort, with Grange and his wife -- and the infant son she had by the Indian chieftain who took her as his squaw -- going along, with ex-buffalo soldier-turned-horse wrangler Toler (Sidney Poitier). Their party ends up under siege by Chata (John Hoyt), the Apache Indian chief and grandfather to Ellen Grange's baby, who has jumped the reservation; he wants his grandson back, and the ammunition the troop was carrying, and also intends on killing Ellen for inadvertently causing the death of his son. They all end up trapped in a box canyon while Remsberg tries to survive to get help from Fort Conchos. If this all sounds complicated, it's not, especially as told by director Nelson, in a straightforward, unpretentious, brisk, and decidedly violent fashion that anticipates his own Soldier Blue, made four years later. Every plot element links up neatly in this script, which quite effectively recalls (and weaves together) elements of the book and the movie Hondo as well as any number of revenge westerns of the 1960's. ~ Bruce Eder, All Movie Guide

One more stock western in a long line stretching back to the turn of the 20th century, this oater by peripatetic director Edward L. Cahn has nothing particularly distinctive in its story about a group of outlaws. Billy Wade (played by the athletic James Brown) is an ex-gunslinger who is approached by his outlaw brother Matt (Robert Karnes), not long out of prison, to help him with a big-time robbery. Matt forces Billy's participation with an offer he cannot refuse, unaware that Billy is actually working on the side of the law. ~ Eleanor Mannikka, All Movie Guide

In this western, a trigger happy sheriff is asked to step down by the townsfolk who want to have a quieter, safer town. He obliges and then travels to Sundown where he and a war buddy team up and drive all the criminals out of the town. When the streets are safe, he then falls in with a saloon girl. ~ Sandra Brennan, All Movie Guide

In this western two wagon masters are wrongfully accused of driving their wagon train in to a Comanche raid and are sentenced to hang. Now they must work hard and fast to prove their innocence. ~ Sandra Brennan, All Movie Guide

It's called The Dalton Girls because there aren't any Dalton Boys left. After all the members of the notorious Dalton outlaw gang have been killed or arrested, their sisters decide to pick up where the boys left off. Led by Holly Dalton (Merry Anders), who since killing a man in self-defense has been outside the law, the girls terrorize Colorado territory with their criminal raids. The other members of the gang are Rose, Columbine and Marigold Dalton, played by B-picture perennials Lisa Davis, Penny Edwards, Sue George. In true Hollywood Chauvinist fashion, the Dalton girls are trailed by a bunch of matrimony-minded men; refreshingly, however, the ladies remain true to their heritage to the last. ~ Hal Erickson, All Movie Guide

While John Ford and Howard Hawks received all the critical plaudits, Lesley Selander quietly went about his business directing some of the best westerns of the 1950s. In Selander's Shotgun, deputy sheriff Clay (Sterling Hayden) embarks upon a long, vengeful journey to track down Thompson (Guy Prescott), the man responsible for his boss' murder. Packing a sawed-off, double-barrelled shotgun for this purpose, Clay also carries a rifle and sixgun for such "lesser" threats as marauding Indians. Rescuing half-breed Abby (Yvonne de Carlo) from certain death, Clay takes her along on his manhunt, and later the two travellers are joined by bounty hunter Reb (Zachary Scott), who intends to get to Thompson first to collect the reward on the fugitive's head. Naturally, a bitter romantic triangle arises involving Clay, Abby and Reb, but this is briefly set aside when Thompson is finally cornered. ~ Hal Erickson, All Movie Guide

The Untamed West is the reissue title of the Pine-Thomas production The Far Horizons. This romanticized retelling of the Lewis and Clark expedition of 1803-06 stars Fred MacMurray as Meriwether Lewis and Charlton Heston as Bill Clark. The film doesn't delve much into the real-life animosity between the two, though it's clear that there's little love lost between the cerebral Lewis and the two-fisted Clark. Aiding the men in their expedition is Indian maiden Sacajawea, played with fist-in-the-air defiance by Donna Reed. Since interracial romances were still largely taboo in American films of the early 1950s, Sacajawea can only pine and sigh as Lewis and Clark square off over the affections of white-woman Julia Hancock (Barbara Hale). This Technicolor-and-Vistavision film works best as an outdoor adventure; its dramatic scenes tend to bog down in an excess of verbiage. The Far Horizons was based on Sacajawea of the Shoshones, a novel by Della Gould Edmonds. ~ Hal Erickson, All Movie Guide

1953's The Mississippi Gambler was the third Universal Studios film to bear this title--though with a different plot each time. Tyrone Power plays an all-around adventurer who cuts quite a swath through antebellum New Orleans. In between scenes of gambling, fist-fighting and swordplay, Power woos Piper Laurie, who chooses to marry wealthy Ron Randell; in turn, Power is wooed by Julie Adams, whose ardor is not reciprocated. The climax finds Power in a card table showdown with Ms. Laurie's ill-tempered brother John Baer. Mississippi Gambler is consistently good to look at, even when the storyline threatens to snap under the pressure. ~ Hal Erickson, All Movie Guide

In Prairie Roundup, Fred F. Sears' direction brings a welcome jolt of vitality to Columbia's aging "Durango Kid" western series. Once again, Charles Starrett stars as Steve Carson, a lawman who is forced to assume the identity of masked do-gooder Durango. Framed for murder, Carson escapes to locate the real killer. It turns out that he was set up by cattle baron Buck Prescott (Frank Fenton), who eliminates competition by stealing livestock from other ranchers. Before Prescott is brought to justice (there's seldom much suspense in one of these westerns), Starrett's sidekick Smiley Burnette sings a couple of comic ballads. Reviewers were quick to comment upon director Sears' clever camera compositions and his skill at maintaining a respectable level of tension. ~ Hal Erickson, All Movie Guide

His Pony Express job having come to an end due to the new telegraph, rider Sunset Carson joins telegraph operator Martha Taylor (Pat Starling) and her brother, Tom (Al Terry), who are being terrorized by a competitor in this ultra low-budget effort from Walt Mattox' Yucca Pictures Corp. As it turns out, Martha's superintendent, Dawson (Stephen Keyes), is in cahoots with Spade Gilbert (Pat Gleason), a local rancher conspiring to reroute the telegraph line through his own property. When Martha's crew run out of poles, Sunset and Tom ride to protect a new shipment from Gilbert's henchmen, Trigger (Lee Roberts) and Pete (Forrest Matthews). Defeating the outlaws and returning with the shipment, Sunset warns Martha that she is harboring a traitor and that Dawson is the most obvious candidate. A search of Gilbert's ranch reveals the rancher's plans to take over the contract and that Dawson and his men are about to attack the work site. Riding hell bent for leather, Sunset and Tom arrive just in time to defeat the Dawson gang and reveal the foreman as a murderer. Filmed in 16 mm Kodachrome color at least a year prior to its April 1948 release, Deadline was the third of four low-budget Westerns that Carson would make for Yucca. ~ Hans J. Wollstein, All Movie Guide