Robert Wuhl Movies

Blaze is a comic-strip re-telling of the curious late-1950s relationship between famed striptease artist Blaze Starr (Lolita Davidovitch) and Lousiana governor Earl Long (played in gorgeously flamboyant fashion by Paul Newman). Their romance is counterbalanced with the story of Long's efforts to win voting rights for Louisiana's black citizens. The governor's political enemies ruin his chances at re-election, then try to put him out of the way permanently with a trumped-up insanity charge. But with faithful Blaze at his side (and in close proximity to other portions of his anatomy), Long confounds his foes by winning a congressional seat. On the eve of this triumph, Earl Long dies, bringing this boisterous story to a sobering conclusion. Since the film is based on Blaze Starr's own reminiscences, one might prepare oneself with several grains of salt. The real Blaze Starr shows up early in the film as a stripper named Lily. ~ Hal Erickson, All Movie Guide

A blend of comedy, drama and romance, Bull Durham follows the intertwining of three lives brought together by the great American pastime. Crash Davis (Kevin Costner, showcasing his Midwestern charm) is a perennial Minor Leaguer assigned to the Durham Bulls, a hapless team with a long tradition of mediocrity. There he tutors a young, dim-witted pitching prodigy, Nuke LaLoosh (Tim Robbins) in the ways of baseball, life, and love. Each strikes up a romance with Annie (Susan Sarandon), the team's "mascot" who takes it upon herself to sleep with a new player every season. Each has his/her own conflict: Crash struggles to end his career with some measure of dignity; Nuke struggles to make it to the "big show"; and Annie struggles to find something more than a roll in the hay -- and of course, Crash and Nuke come into conflict over Annie's affections to further complicate matters. The film treats the sport of baseball with a sort of casual reverence, highlighting both the drama and the humor inherent in the game, illustrated by Annie's numerous references to baseball as "her religion." ~ Jeremy Beday, All Movie Guide

Robert Louis Stevenson's classic tale of a man whose scientific meddling has unexpected results gets a cross-gender update in this comedy. Richard Jacks (Tim Daly) is a research scientist trying to work his way up the ladder at a major perfume company when he inherits the notebooks of his great-grandfather, Dr. Henry Jekyll. Fascinated by Jekyll's ideas about the duality of man, Jacks starts performing experiments to refine his potion that would isolate man's good and evil natures. However, Richard's version has a very different result than the old Jekyll formula, instead of turning him into a snarling beast, the drug transforms him into Helen Hyde (Sean Young), a beautiful and powerfully sexy woman with a slight case of nymphomania. Jacks figures that a good looking woman willing to sleep with nearly anyone should have no trouble rising to a position of power within the company, so his alter-ego Helen may be his ticket to a room at the top. But this plan may require a bit of explaining to Jacks' girlfriend, Sarah (Lysette Anthony). The supporting cast includes Polly Bergen, Jeremy Piven, and Harvey Fierstein, who is so awestruck by Helen Hyde's allure that he's rendered heterosexual by the experience. ~ Mark Deming, All Movie Guide

The film begins in 1965, when disc jockey Adrian Cronauer (Robin Williams) is assigned to take over the AFR's Saigon radio broadcasts. In contrast to the dull, by-rote announcers that have preceded him, Cronauer is a bundle of dynamite, heralding each broadcast with a loud "Goooooood morning, Vietnaaaaam," playing whatever records tickle his fancy (even those not officially sanctioned by his hidebound superiors), and indulging in wild flights of improvisational fancy. Cronauer's immediate superior Lt. Hauk (Bruno Kirby), whose own notions of humor are puerile and pathetic, jealously attempts to dethrone Vietnam's favorite rock jock. Fortunately, Cronauer's popularity is such that he enjoys the full protection of the higher-ups. But when Cronauer, after experiencing the horrors of war first-hand, insists upon telling his listeners the truth instead of the official government line, he is instantly replaced by the unfunny Hauk and must struggle to get back on the air. ~ Hal Erickson, All Movie Guide

Successful character actor Barry Primus spent seven years trying to get financing for his feature debut as a writer-director, Mistress. In the film, a once-promising writer-director, Marvin Landisman (Robert Wuhl), who now directs instructional videos, is sitting home one night, watching his own print of Jean Renoir's Grand Illusion, when he gets a strange phone call. A producer, Jack Roth (Martin Landau), formerly a bigwig at Universal, tells Marvin he was cleaning out his office when he came across Marvin's old script, "The Darkness and the Light." Jack claims he can get financing to make the film, and agrees to Marvin's stipulation that he be attached to direct. They "take a meeting" at a low-rent diner, and Jack brings along a gung-ho novice screenwriter, Stuart (Jace Alexander), to help Marvin polish the script. They meet with three potential backers, played by Eli Wallach, Danny Aiello, and Robert DeNiro, each one more meddlesome than the last, and each with a girlfriend (played by Tuesday Knight, Jean Smart, and Sheryl Lee Ralph, respectively) whom they demand be cast in the film. At first, Marvin adamantly resists changing his serious, downbeat, and very personal script, about an painter who commits suicide, rather than betray his ideals. But eventually, Marvin gets caught up in the momentum of actually getting his dream project made, and starts compromising. He agrees to cast the three women; he agrees to make the script funnier and sexier; he even agrees to change the painter to a photographer to please his backers. Laurie Metcalf plays Marvin's long-suffering wife, and Christopher Walken has a cameo as a tortured actor. Mistress was the first film produced by DeNiro's independent production company, Tribeca Films. ~ Josh Ralske, All Movie Guide

Big business dealings, competition, and TV ratings wars are satirized in this biting comedy. Stuart Sain is an egotistical, over-ambitious Jewish executive. He works for Fielding, a company like Nielsen which uses small boxes to garner TV ratings statistics. Stuart is married to Cary, a psychologist. In the opening scenes, the GPN, which has been number 1 for over 10 years, is opening it's new season of drug oriented TV shows. After watching a televised special about Fielding, Sain gets mad and his promotion prospects are grim. He leaves his company and accepts a public relations position from Rachel Rowen, the pc head of PBT, the public television network. Rachel, like her commercial competitors is totally obsessed with being number 1. Her network does seem to be garnering a huge share of Fielding ratings. That may have something to do with the fact that their boxes are malfunctioning. ~ Sandra Brennan, All Movie Guide