Robert Wuhl

This four-hour miniseries is a sequel to 1997's top-rated miniseries, The Last Don,based on the novel by Mario Puzo of The Godfather fame, but several critics noted that The Last Don II is unintentionally funny. After Don Clericuzio (Danny Aiello, the pivotal figure in the first series) dies from old age, Clericuzio's enemies come out of the woodwork with bullets and bombs. Clericuzio's nephew Cross De Lena (Jason Gedrick) is peacefully enjoying life in Paris with his attractive wife and his autistic stepdaughter; when the wife has a mail bomb go off in her face, it marks the unleashing of a new wave of violence. Rose Marie Clericuzio (Kirstie Alley), who still bemoans the killing of her son (during the first series), encounters romantic problems with Father Luca Tonarini (Jason Isaacs). With teacher and nanny Josie Cirolia (Patsy Kensit) caring for Cross' autistic stepdaughter, it's not long before the widower and the nanny take an interest in each other. But when will he figure out that she's an FBI agent? Cross's sister is Hollywood studio exec Claudia (Michelle Rene Thomas); she's married to muscular, Austrian-accented actor Dirk (Andrew Jackson), star of an action movie titled The Fumigator. Premiered May 3, 1998 on CBS. ~ Bhob Stewart, All Movie Guide

Robert Louis Stevenson's classic tale of a man whose scientific meddling has unexpected results gets a cross-gender update in this comedy. Richard Jacks (Tim Daly) is a research scientist trying to work his way up the ladder at a major perfume company when he inherits the notebooks of his great-grandfather, Dr. Henry Jekyll. Fascinated by Jekyll's ideas about the duality of man, Jacks starts performing experiments to refine his potion that would isolate man's good and evil natures. However, Richard's version has a very different result than the old Jekyll formula, instead of turning him into a snarling beast, the drug transforms him into Helen Hyde (Sean Young), a beautiful and powerfully sexy woman with a slight case of nymphomania. Jacks figures that a good looking woman willing to sleep with nearly anyone should have no trouble rising to a position of power within the company, so his alter-ego Helen may be his ticket to a room at the top. But this plan may require a bit of explaining to Jacks' girlfriend, Sarah (Lysette Anthony). The supporting cast includes Polly Bergen, Jeremy Piven, and Harvey Fierstein, who is so awestruck by Helen Hyde's allure that he's rendered heterosexual by the experience. ~ Mark Deming, All Movie Guide

What does a biographer do when the truth about his subject is far less pleasant than the legend? That is the moral dilemma at the heart of Cobb, which explores the lives of both baseball's premier hitter, Ty Cobb (Tommy Lee Jones), and the sportswriter assigned to set his story down, Al Stump (Robert Wuhl). Stump arrives at the Tahoe home of the dying Cobb to write the official life story of the first man inducted into the Baseball Hall Of Fame. He finds a drunken, misanthropic, bitter racist who abuses his biographer as well as everyone else. Stump must either candycoat his subject's life or present an accurate picture of a disgusting man who happened to become an American sports hero. The movie's biting focus on Cobb, ferociously performed by Jones, is not matched by its weaker representation of Stump, an imbalance which ultimately weakens the film's overall effect. ~ Don Kaye, All Movie Guide

An ex-championship boxer (James Earl Jones) sees a chance at recapturing a taste of his former glory after discovering that Thunder (Courtney B. Vance), one of the amateurs he trains, has real potential. Unfortunately, Thunder has entangled himself with crooked, gang-connected manager Ralph Tate (Billy Dee Williams), and he is not to let the young fighter go without a fight. This drama was made for cable and was aired as part of Steven Spielberg's "Screenworks" project. ~ Sandra Brennan, All Movie Guide

Successful character actor Barry Primus spent seven years trying to get financing for his feature debut as a writer-director, Mistress. In the film, a once-promising writer-director, Marvin Landisman (Robert Wuhl), who now directs instructional videos, is sitting home one night, watching his own print of Jean Renoir's Grand Illusion, when he gets a strange phone call. A producer, Jack Roth (Martin Landau), formerly a bigwig at Universal, tells Marvin he was cleaning out his office when he came across Marvin's old script, "The Darkness and the Light." Jack claims he can get financing to make the film, and agrees to Marvin's stipulation that he be attached to direct. They "take a meeting" at a low-rent diner, and Jack brings along a gung-ho novice screenwriter, Stuart (Jace Alexander), to help Marvin polish the script. They meet with three potential backers, played by Eli Wallach, Danny Aiello, and Robert DeNiro, each one more meddlesome than the last, and each with a girlfriend (played by Tuesday Knight, Jean Smart, and Sheryl Lee Ralph, respectively) whom they demand be cast in the film. At first, Marvin adamantly resists changing his serious, downbeat, and very personal script, about an painter who commits suicide, rather than betray his ideals. But eventually, Marvin gets caught up in the momentum of actually getting his dream project made, and starts compromising. He agrees to cast the three women; he agrees to make the script funnier and sexier; he even agrees to change the painter to a photographer to please his backers. Laurie Metcalf plays Marvin's long-suffering wife, and Christopher Walken has a cameo as a tortured actor. Mistress was the first film produced by DeNiro's independent production company, Tribeca Films. ~ Josh Ralske, All Movie Guide

Richard Donner's "Dig That Cat... He's Real Gone" is about a man with nine lives, who runs through each life without care -- in fact, he forgets how many lives he has left. ~ Stephen Thomas Erlewine, All Movie Guide