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Tony Wright Movies

British actor Tony Wright was a popular leading man during the '50s. The son of actor Hugh E. Wright, Tony got his start working in South African repertory theater. ~ Sandra Brennan, Rovi
1972  
PG  
Peter Cushing delivers one of his finest hand-wringing performances as Emmanuel Hildern, a Victorian man of science who relates a mad tale of horror to his half-brother and professional rival James (Christopher Lee). His tale begins with the discovery of the weird skeletal remains of a large unknown humanoid in Papua, new Guinea, which he carts back to England for study. Even more unusual than the skeleton's ghastly appearance is its ability to grow new flesh when moistened with water. Further research reveals that the creature may actually be instilled with the very essence of malevolence (basically freeze-dried, instant evil), indicating that it would be best kept out of the rain. Despite an incongruous subplot involving the doctor's insane daughter, whom he believes can be cured by injections of serum derived from the creature's reanimated tissue, this is an effectively creepy period piece with heady Gothic atmosphere (and a neat twist ending) that ranks among director Freddie Francis's finest work. ~ Cavett Binion, Rovi

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1972  
 
When three old acquaintances are thrown together after several years, they are shocked to realize that they are looking at each other from different sides of the law. ~ Rovi

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1969  
 
This exotically titled Avengers episode is a working of the 1962 "Cathy Gale" installment "The Big Thinker." The title character is a highly advanced computer that is "murdered" by a shotgun blast. The perpetrator of this outrage would seem to be the creator of the computer, but Steed thinks otherwise; as a result, Tara poses as the creator's American niece, in hopes of rooting out the actual culprit. Written by Tony Williamson, "Whoever Shot Poor George Oblique Stroke XR40?" made its TV debut in America on October 30, 1968, followed by its British TV bow on December 9 of that same year. ~ Hal Erickson, Rovi

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Starring:
Patrick MacneeLinda Thorson, (more)
 
1966  
 
This James Bond parody brings a new sort of jet-set secret agent to the screen -- one who hates flying, is afraid to shoot people, and would rather stay at home! Col. Mostyn (Trevor Howard) is the head of a special branch of British intelligence who is appalled to discover that a number of his best agents are either leaving the force or have turned out to be traitors. It is decided that Mostyn and his men need a special agent to ferret out those who leave his employ while knowing too much and silence them permanently. Mostyn decides the right man for the job is his old army buddy Boysie Oakes (Rod Taylor), but there's a bit of a problem -- while the job requires a globe-trotting assassin who can stare calmly into the face of death, Oakes is a mild-mannered fun seeker who is terrified of airplanes and faints at the sight of blood. None of this dissuades Mostyn, who still gives Oakes the assignment, but when he finds out that flying and guns are a big part of his new job, he hires someone else to do the dirty work for him. Oakes eventually develops a taste for the cars, women, gadgets, and danger of his new career, but the real acid test comes when he actually has to go on an assignment himself. The Liquidator was directed by Jack Cardiff, who along with a respected career as a director was one of the most distinguished cinematographers in the British cinema, lensing such classics as The Red Shoes, The African Queen, and Black Narcissus. ~ Mark Deming, Rovi

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Starring:
Rod TaylorTrevor Howard, (more)
 
1963  
 
Filmed in South Africa, Journey into Nowhere stars Tony Wright as a compulsive gambler. Heavily in debt to the mob, Wright has 48 hours to pay off, lest he lose the use of his life. He meets Sonja Ziemann, a blind girl who is contemplating suicide. Wright talks Ziemann into taking out an insurance policy, planning to kill her (with her permission) in order to pay off his debts. But the couple falls in love, and Wright is unable to carry out his plan. One of the mob members accomplishes what Wright fails to do; Wright grimly collects on Ziemann's policy, losing his true love and his sole reason for living in the process. ~ Hal Erickson, Rovi

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1963  
 
Attempts to Kill is a sprightly 57-minute entry in Merton Park Productions' "Edgar Wallace Mysteries" series. Derek Farr stars as Scotland Yard inspector Minter, on the trail of a ruthless gang of confidence tricksters. The scam artists' latest target is a London businessman, whom they plan to kill if he doesn't fork over his dough. Halfway through, the film becomes a bit talk-heavy, but the action-packed finale makes up for this. Attempts to Kill is based on Edgar Wallace's The Lone House Mystery. ~ Hal Erickson, Rovi

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1960  
 
Although there may be a few minor gaps here and there in the storyline, Faces in the Dark is a suspenseful drama by director David Eady. Richard Hammond (John Gregson) owns a factory, and on the very day his wife Christine (Mai Zetterling ) is coming to his office to tell him she wants a divorce, he is accidentally blinded during an experiment. His wife relents in her decision, but Richard is still as abrasive as ever, and now the bumpy spots in his personality are made worse by self-pity and a suspicion that he is losing his sanity. Meanwhile, Richard begins to suspect that the cool and aloof Christine and Richard's partner conspire against him, but as a blind man he has fewer resources to pinpoint why he is suspicious. ~ Eleanor Mannikka, Rovi

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Starring:
John GregsonMai Zetterling, (more)
 
1960  
 
An A.P. Dearsley stage play was the basis for the seven-reel British comedy And the Same to You. Brian Rix stars as the pugnacious nephew of clergyman Sydney Mullett. Stuck with the name "Dickie Dreadnought," Rix feels he has no choice but to pursue a career as a boxer. To mollify his uncle, Rix pretends to be the soul of religiosity, while his tough-talking manager William Hartnell poses as a Man of the Cloth. The script for And the Same to You was penned by melodrama specialist John Paddy Carstairs and veteran comic actor John Junkin (the too-tall road manager in A Hard Day's Night). ~ Hal Erickson, Rovi

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1960  
 
A short ghost story, this film is better than it looks at first glance. When Jean, the patient wife of novelist David, inherits a country house, it seems an ideal opportunity for David to complete his long-awaited book, even though the house harbors Patrick, a mischievous, family poltergeist. David is bored until he's seduced by Valerie, the curvaceous blonde divorcee who's typing his manuscript. When Jean, with Patrick's help, learns of the affair and confronts him, David swears that he is through with the blonde and will play the model husband. He's lying. This thriller is an entertaining treat, with enjoyable performances by Sandra Dorne as the temptress, Patricia Dainton as the wife, and Anita Sharp as a cantankerous housekeeper. ~ Michael P. Rogers, Rovi

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1960  
 
An unfortunate sailor (Tony Wright) gets implicated in a murder he never committed in this confusing drama by David Eady. After a bookie is murdered, the sailor is caught in an ever-tightening vice that would trap him as the killer unless he can clear himself. Along the way to struggling free and tracking down the real culprits, several unsavory characters cross his path as well as a rather interesting woman (Shirley Eaton) who sets romantic sparks flying. Although director Eady and the cast have done their best with the story, it is too thin to survive even the short running time of 69 minutes. ~ Eleanor Mannikka, Rovi

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Starring:
Tony WrightShirley Eaton, (more)
 
1959  
 
Broth of a Boy is an even-keel film version of a play by Irish dramatist Hugh Leonard. Barry Fitzgerald plays the world's oldest man, a taciturn centenarian Irishman. Media representatives converge on Fitzgerald's village on the occasion of the old coot's 110th birthday. The eager TV exec who stages the event discovers that damage control is definitely in order: not only is Fitzgerald a widely despised poacher, but he also truculently refuses to participate in the ceremony. Broth of a Boy is a pleasant, easygoing satire of exploitive journalism--a target that is as viable today as it was in 1959. ~ Hal Erickson, Rovi

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1959  
 
After spending most of the 1950s in Europe, writer/director Robert Siodmak filmed his only picture in England: The Rough and the Smooth (US title: Portrait of a Sinner). Based on a novel by Robin Maugham, the story concerns a young archaeologist (Tony Britton), engaged to marry the daughter (Natasha Parry) of a wealthy publisher (Donald Wolfit). At the last moment, the archaeologist leaves his bride-to-be for a nymphomaniac (Nadja Tiller) with a masochistic streak. He must wrest her away from an abusive relationship with a no-good lout (William Bendix). Even Robert Siodmak was embarrassed by the lunatic excesses of Rough and the Smooth, dismissing the film with "I've seen worse, but not much worse." ~ Hal Erickson, Rovi

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Starring:
Nadja TillerTony Britton, (more)
 
1958  
 
The eponymous Spaniard--actually a Britisher of Spanish heritage--is Basil Dignam, falsely convicted of murder. As he is led away, Dignam places a curse on the heads of his judge (Michael Hordern) and jury. Two of the jurors die mysteriously. The notion that Dignam may be orchestrating these deaths from behind bars is squelched when the prisoner himself kicks off. Hordern and his daughter Susan Beaumont play detective to solve the mystery. The Spaniard's Curse is adapted from a novel by Edith Pargiter. ~ Hal Erickson, Rovi

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1957  
 
The British Seven Thunders was released in the US as Beasts of Marseilles. Set in 1943, the film stars Stephen Boyd and Tony Wright as escaped POWs Dave and Jim. Hiding out in Marseilles, the two protagonists battle over the affections of local gamine Lise (Anna Gaylor). When they find the time, Dave and Jim plan an elaborate breakout for the other POWs sequestered in the French port city. After an engaging opening, the film relies upon serial-like thrills and hairbreadth escapes to keep the audience awake. Stealing the show from the nominal stars are those grand old British troupers James Robertson Justice and Kathleen Harrison. ~ Hal Erickson, Rovi

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Starring:
Stephen BoydTony Wright, (more)
 
1956  
 
Jacqueline, played by Jacqueline Ryan, is the daughter of a Belfast shipyard worker Mike McNeil, played by John Gregson. The worker's worth is compromised by his crippling fear of heights. Dismissed from his job, he finds solace in the bottle. All seems hopeless until Jacqueline breaks through Gregson's self-imposed gloom and helps him to regenerate. Jacqueline wouldn't be as effective as it is were it not for the lead actress's blessed avoidance of cloying cuteness. ~ Hal Erickson, Rovi

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Starring:
John GregsonKathleen Ryan, (more)
 
1956  
 
In this British crime drama, an escaped killer heads for the French coast to find a mysterious treasure reportedly buried in a widow's mansion. The lonely widow is preparing to marry a man she doesn't love. Suddenly she begins receiving mysterious photos of her late spouse; they seem to suggest that he is alive. Frightened, she takes the pictures to the cops; they then implicate the fugitive and just as they get to the widow's mansion, they find the crook holding an invaluable statue of the Madonna. The cops inform the cornered thief that the statue is useless to him because no one will buy it from him. ~ Sandra Brennan, Rovi

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Starring:
Donald SindenMuriel Pavlow, (more)
 
1956  
 
Ribald music hall comedian Frankie Howerd stars in the British laughspinner Jumping for Joy. Set in the rarefied world of dog racing, the film stars Howerd as trackboy Willie, who is unceremoniously booted from his job. Teaming up with con artist Jack (Stanley Holloway), Willie decides to get even by raising his own greyhound racer. Unfortunately, the dog Willie and Jack purchase has one paw in the grave. As our heroes nurse the pooch back to health, they are forced to spend their spare time keeping a narcotics gang at bay. The delightful harmonica score in Jumping for Joy is provided by American expatriate Larry Adler. ~ Hal Erickson, Rovi

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Starring:
Stanley HollowayA.E. Matthews, (more)
 
1953  
 
Who better than the estimable Barbara Payton to play the Bad Blonde in this Lippert release? Actually, the film was originally made in England by Hammer Productions, then released in Great Britain as The Flanagan Boy and This Woman is Trouble, but neither one of these titles had the box-office "sock" of Lippert's cognomen. The story finds the duplicitous Lorna Vecchi (Payton) wrapping boxer Johnny Flanagan (Tony Wright) around her little finger. It seems that Lorna is married to Johnny's manager, Giuseppe (Frederick Valk). But when her husband proves to be a nuisance, the "bad blonde" blackmails Johnny into murdering the man. Astonishingly, until the very, very end it looks like Lorna's going to get away with it! Bad Blonde was based on a novel by Max Catto. ~ Hal Erickson, Rovi

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Starring:
Barbara PaytonFrederick [Fritz] Valk, (more)