Jeffrey Wright Movies

Longtime Hollywood vice detectives Holt (Chris Penn) and Nin (Jeffrey Wright) have themselves become gangsters and drug users. When violence-prone Holt catches his girlfriend Lyndel (Sherilyn Fenn) with drug kingpin Truman Rickart's (Henry Czerny) number one henchman Sean (Anthony DeSando), Nin does everything he can to save the hood's life from his obsessed partner. But it might be a matter of too little too late: Holt already has Sean strung up in a pig-iron box that he's filling with cement. ~ Buzz McClain, All Movie Guide

South Korean-born Wonsuk Chin, a NYC resident for eight years, made his directorial debut with this hip comedy, shown at the 1998 Sundance Film Festival. With numerous cinematic references and allusions (Bergman, Godard, Woo, Hartley), the tale begins with a black-and-white silent sequence depicting Death chasing a young man through Old Baghdad. The setting shifts to present-day New York, where a Japanese man, Kenji (Takeshi Kaneshiro of Chungking Express) is seen abed in a sparsely furnished apartment. Kinji goes to a local cafe where he chats with several others: Italian friend Fabrizio (Michael Imperioli) who proclaims, "Lubitsch is the god!"; a literary wit, Balzac Man (Jeffrey Wright); and an enigmatic German woman, Pola (Geno Lechner), who hints at a possible sexual liaison with Kinji. Death (Mira Sorvino) drifts about, assuming various forms -- disco gal, Japanese geisha, Chinese woman, devil with a red dress on, and a French-accented figure dressed as a man. The sad and lonely Death informs Kenji that she has no choice in determining her victims, and he also learns from her that he has only 12 hours left to live. She suggests that he make the most of his remaining minutes, so he sets forth on a series of brief adventures. At the cafe, he chides famous artist John Sage (Ben Gazzara) for being involved with a decades-younger girlfriend, the beautiful Korean Anouk (Hye Soo Kim). Sage invites Kenji to dinner at their home, and Death invites herself. Kenji makes the proposal that since he's due to die, he could be allowed sex with Anouk as a final act. This request isn't well received by anyone present, leaving Kenji to his own devices as the darkness closes in. Mira Sorvino wears a virtual fashion show of colorful costumes in this movie, which also provided her with the opportunity to speak Chinese onscreen for the first time. Sorvino majored in Asian studies at Harvard and lived for eight months (1988-89) in Beijing, where she studied Chinese, taught English, and viewed a variety of Chinese films. Too Tired to Die and The Replacement Killers both brought her several steps closer to her announced goal of making a film in Mandarin and working with a Chinese director. ~ Bhob Stewart, All Movie Guide

Sidney Lumet filmed this hospital satire at a Canadian studio. Alcoholic Dr. Butz (Albert Brooks in old-age makeup) advises younger Dr. Werner Ernst (James Spader) to only treat patients with much insurance. "When the lawyers start crawling all over you," says Butz, "that's when you know you're a doctor." Ernst, a second-year resident working in the ICU with head nurse Stella (Helen Mirren), winds up in the middle of a dispute between two sisters (Kyra Sedgwick and Margo Martindale). One wants to pull the plug on their wealthy father; the other demands that he remain alive (at a cost of $112,800 a month). Soon events swivel from the money-mad medical mire to equally murky legalistics. Steven Schwartz's screenplay was adapted from the novel by Richard Dooling. Shown at the 1997 Chicago Film Festival. ~ Bhob Stewart, All Movie Guide

In the second episode of a three-part story arc, the investigation of the murder of civic leader Felix Wilson's (James Earl Jones) housekeeper yields two possible suspects -- one of them a member of Wilson's immediate family. The rest of the homicide unit begins to suspect that Giardello (Yaphet Kotto) and Pembleton (Andre Braugher) will go to any lengths to protect their friend Wilson from scandal, especially after he reveals that he was having an affair with the dead woman. In other developments, Falsone (Jon Seda) launches a potentially embarrassing investigation into the questionable circumstances surrounding the shooting of drug kingpin Luther Mahoney; and the management of the Camden Yards baseball park asks the squad to be discreet as they look into the murder of a Yankees fan during an Orioles-Athletics game -- a difficult task, inasmuch as there are some 48,000 "suspects." ~ Hal Erickson, All Movie Guide

Andy Warhol was a phenomenon who warrants a lot of explaining: a completely colorless mega-star celebrity, and a kind of LaBrea Tarpit for a vivid and talented collection of oddballs in the New York scene. He fostered their continued degeneration into weird lifestyles and heavy drug use; and at the same time acted as their mentor, agent, and sponsor. One artist who came to be part of Warhol's "scene" was Jean Michel Basquiat, an antisocial street-bum who went from writing graffiti on alley walls to being the toast of New York City's art world. This film biography chronicles the progression of Basquiat (Jeffrey Wright) and his progression from living in cardboard boxes to penthouses, his romances, his drug use, and his death in 1988 at age 27. Along the way, he never stopped detesting the rich, including art agent Bruno Bischofberger (Dennis Hopper), and he never lost his naivete. Warhol (David Bowie) picks up some of the pieces as Basquiat lurches through the art scene. Cameo appearances by Tatum O'Neal and Courtney Love add spice to this interesting film. ~ Clarke Fountain, All Movie Guide

Who better to learn about the history of jazz from than everyone's favorite adventurer, Indiana Jones? In this made-for-TV movie, aging Indiana Jones (Harrison Ford) looks back at his days as a college student in Chicago during the 1920s. Needing money, young Indy (Sean Patrick Flanery) lands a job at a speakeasy, where he learns about a new and exciting form of music from a trumpet player named Sidney Bechet (Jeffrey Wright) and his friends Louis Armstrong (Byron Stripling) and King Oliver (Keith David). Things get a lot more dangerous for Indy when makes the acquaintance of mobster Al Capone (Nicholas Turturro) and finds himself heading a murder investigation with the help of his college roommate Elliot Ness (Fred Weller) and a newspaper reporter named Ernest Hemingway (Jay Underwood). Young Indiana Jones and the Mystery of the Blues was produced as part of the television series The Young Indiana Jones Chronicles. ~ Mark Deming, All Movie Guide

Rusty Sabich (Harrison Ford) is a bland, oppressed man who burns with a quiet, corrosive intensity that can flare uncontrollably. A Philadelphia prosecutor, Sabich's fire seems to have one outlet: his job. He loves prosecuting people. Otherwise, his life is dead-ended. He has a loveless marriage to a neurotic woman (Bonnie Bedelia) and an overbearing boss (Brian Dennehy) in a labyrinthine law enforcement world of corruption and twisted relationships. Then Carolyn Polhemus (Greta Scacchi) comes into his life. Lovely and seductive, Polhemus easily entices him to break his marital vows, but she schemes to get him to try for his boss' job. When he refuses, she leaves him. When she turns up dead, the victim of an apparent rape-murder, clues begin to point to Sabich. His blood type almost perfectly matches that in the semen found in the victim, carpet fibers at the crime scene match those found in his house, and most damning, his fingerprints are found on a beer glass in Polhemus' apartment. His protestations of innocence ignored, Sabich is put on trial for the murder and hires his biggest adversary (Raul Julia) to defend him. ~ Nick Sambides, Jr., All Movie Guide